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Jurnal Humaniora
Number of Followers: 1  

  This is an Open Access Journal Open Access journal
ISSN (Print) 0852-0801 - ISSN (Online) 2302-9269
Published by Universitas Gadjah Mada Homepage  [48 journals]
  • The Javanese Diaspora in New Caledonia reflected in Ama Bastien’s Le
           Rêve Accompli de Bandung à Noumea and Marc Bouan’s L’Echarpe et le

    • Authors: Arifah Arum Candra Hayuningsih
      Pages: 1 - 9
      Abstract: New Caledonia is a French Overseas Territorywhose lit erary works do not take the “center stage” in Francophone literature. In particular, the Javanese diasporic community in this archipelago has received relatively little attention from researchers, with past studies largely focusing on Javanese indentured laborers in Suriname, instead. This research examined the autobiographical novels of two New Caledonian writers, Le rêve accompli de Bandung à Nouméa by Ama Bastien and L’écharpe et le kriss by Marc Bouan. These writers belong to the second generation of Javanese immigrants, whose parents came to New Caledonia at the beginning of the 20th century under the indentured laborer scheme. The analysis employed diasporic and cultural identity as its theoretical framework, along with Steven Tötösy de Zepetnek’s comparative cultural studies method. The results explicate the way in which these novels embody the establishment of identity in the Javanese diaspora in New Caledonia. They also demonstrate how the contestation of identity and memory is inextricably linked to the problems of the Javanese diasporic communities. These findings should contribute to and encourage the further study of diasporic communities related to Southeast Asian indentured labor.
      PubDate: 2022-03-05
      DOI: 10.22146/jh.72743
      Issue No: Vol. 34, No. 1 (2022)
  • Revenge Through Haunting: Expression of Women’s Anger in Tookaidoo
           Yotsuya Kaidan and Sundel Bolong Movie

    • Authors: Rouli Esther Pasaribu, Meilia Widya Ananda
      First page: 10
      Abstract: Tookaidoo Yotsuya Kaidan (1959) and Sundel Bolong (1981) are horror movies from Japan and Indonesia respectively about women who are oppressed by men and take revenge after their deaths. The key similarity between the two movies is that they have central female characters who turn into ghosts to express their anger toward their  male oppressors. This study aims to see how women's anger is depicted in both movies. Using verbal and visual text analysis method and the concept of power by Heilbrun, male gaze by Mulvey, and monstrous-feminine by Creed, this study attempts to read the meaning behind woman’s anger expressed in the form of ghosts in these movies. This research finds that these women cannot express their anger in the real world which is controlled by the patriarchal order. Life after death is the only space where these women can express their anger. Both movies can be interpreted as a cultural text that internalizes patriarchal ideology in Japanese and Indonesian society. 
      PubDate: 2022-03-05
      DOI: 10.22146/jh.68223
      Issue No: Vol. 34, No. 1 (2022)
  • Semiotic Analysis of the Changes of Ondel-ondel Costume Elements as a
           Betawi Cultural Negotiation

    • Authors: Mita Purbasari Wahidiyat, M. Dwi Marianto, M. Agus Burhan
      First page: 23
      Abstract: Recognized as one of Jakarta’s icons, the large pair of puppets known as ondel-ondel has undergone significant transformation since its origin centuries ago. Classically built in a fairly simple form, ondel-ondel presents itself in various ways at every performance. Now, ondel-ondel is increasingly found throughout Jakarta, having gone through numerous changes in its costume elements. Whereas it is usually meant to be shown as a couple, nowadays a single ondel-ondel can be found cruising alleys with a mere digital sound system as musical accompaniment. Once respected and feared for its looks, today it is belittled by its own people. Due to this phenomenon, this research aimed to answer the questions of who influenced this ideological change, which ruling elite encouraged their ideology, and what the ideology is. Interviews and direct observations produced stories and photographs, while literature and media studies provided a historical background. Roland Barthes’ semiotic connotations with a historical perspective were used to read the hidden concepts behind these signs, which connect the changes of the costume elements through the important events in Betawi society during the period of 1970–2020. The different interests of each party brought more conflict in their relations, which created a dynamic cultural negotiation. Based on the results, the terms for the ondel-ondel models were identified, specifically a personification model, Islamic model, and commercial model, each named after the historical events and ideology brought about by Jakarta’s ruling elites.
      PubDate: 2022-03-05
      DOI: 10.22146/jh.64495
      Issue No: Vol. 34, No. 1 (2022)
  • Javanese Politeness Experience as Depicted in Its Speech Levels of the
           Transactional Communication

    • Authors: Didik Rinan Sumekto, Imam Ghozali, Suhud Eko Yuwono, Gunawan Budi Santoso, Tukiyo Tukiyo
      First page: 36
      PubDate: 2022-03-05
      DOI: 10.22146/jh.65058
      Issue No: Vol. 34, No. 1 (2022)
  • Da’wah in Household Product Advertisements: A Reception Study of Islamic
           Values in Nawaitu Sahaja TV Advertisements

    • Authors: Rahmania Santoso, Desi Dwi Prianti
      First page: 51
      PubDate: 2022-03-05
      DOI: 10.22146/jh.69678
      Issue No: Vol. 34, No. 1 (2022)
  • Forms of Linguistic Deviations Found in Latah Coprolalia Behavior in
           Jombang, East Java, Indonesia

    • Authors: Sri Pamungkas
      First page: 61
      Abstract: Latah is a psychogenic language disorder in Malay and Indonesian society stemming from cultural pressure, mimicry, and the like. It is expressed as a verbal or nonverbal response to surprise or shock. The focus of this research was the form of linguistic deviation in individuals in Jombang, East Java, with latah coprolalia behavior, specifically latah behavior by expressing lingual forms that refer to the male or female genitalia. Data collection comprised observations and interviews, while data analysis used Spardley’s ethnographic approach with four advanced paths: (1) domain analysis, (2) taxonomy analysis, (3) componential analysis, and (4) culture values analysis. The findings showed that latah coprolalia behavior occurs in men with both low and high education levels, and women with low education levels, but is not found in women with high education levels. Patting and verbal stimuli give rise to syntagmatic errors in the form of single words and sentences in men with high education, while in men with low education, syntagmatic errors happen in single sentences and multiple sentences. Meanwhile, women with low educational backgrounds displaying latah coprolalia behavior were identified as committing syntagmatic errors in the form of single words and sentences.
      PubDate: 2022-03-05
      DOI: 10.22146/jh.68090
      Issue No: Vol. 34, No. 1 (2022)
  • Mediatization of the Middle Class in Running Sport In Indonesian Movies

    • Authors: Meistra Budiasa
      First page: 72
      Abstract: Mediatization of sports is closely related to the media because in general the role of the media is to attract people's attention. The mediatization process in sports, especially marathon running, involves sharing relationships between the mass media, the public, and sports institutions. In the process of sports, running to the logic of the media through various relationships such as marathon events which are then represented in the media, be it advertisements, news or films. Through films, sport is constructed as a medium that is entertaining and has a close relationship with the public. The relationship is then consumed by the community in very diverse forms and through various concepts it can then be interpreted symbolically, one of which is by social groups. This research uses Bourdieu's study specifically about habitus in social class, especially symbolic capital that distinguishes between the middle class in the film. The results show how the middle class preserves their status in symbols of clothing and sports style, and how the symbolic capital of the film Mari Lari constructs the middle class in their daily work representation.
      PubDate: 2022-03-05
      DOI: 10.22146/jh.43158
      Issue No: Vol. 34, No. 1 (2022)
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