Authors:I Gusti Ngurah Arya Suryawan Putra, Paramita Atmodiwirjo, Rini Suryantini Abstract: This paper aims to identify elements of Batuan painting, a local Balinese painting, that potentially become the basis of the architecture design method. The explorations of painting become an alternative in developing design methods as explored by some architects, such as Zaha Hadid, Van Doesburg, and Gerrit Thomas Rietveld. Arguably, such approaches offer different insights into programming architecture and further enrich the design process by creating particular relations with the context, instead of producing a generic and contextless architecture. In this study, the local Batuan painting that is related closely to the daily life of the Balinese community and local philosophy is explored as an attempt to relate architecture with the locality and cultural identity as part of the design process. This study employs the qualitative approach by visual observations and content analysis of Batuan paintings, identifying the elements, compositions, and important aspects that are always present in Batuan paintings. This study reveals that there are three elements from Batuan painting that are essential for the design method, namely heterogeneity, hierarchy, and the particular local painting techniques of ngucek-ngurek-ngabur. Such elements were particularly developed by the painters from Batuan Village to represent the everydayness of the local society to Tri Hita Karana, Hulu-Teben, and Tri Mandala philosophy. Furthermore, the elements imply further the spatial classifications of local activities, dualism principles, and the embedded relationship between humans, humans with nature, and humans with God. The painting elements insinuate further insights for the basis of developing the architecture, particularly in the formal and spatial arrangements as well as spatial qualities, which could be more culturally meaningful and contextually situated. PubDate: 2023-04-30 Issue No:Vol. 22 (2023)
Authors:Siti Sarah Kamilah Irfan, Maria Immaculata Ririk Winandari, Sri Tundono Abstract: Natural lighting is one aspect of ecological architecture to reduce energy use by utilizing sunlight as the main lighting. However, direct and excessive sunlight decreases the comfort level of room users because it can increase the room temperature and interfere with visualization. So it takes control of the distribution of sunlight into the room. In addition, the issue of environmental damage has become hot news among the community today, especially in the property sector, such as using materials that can damage the surrounding environment. Efforts to regulate the entry of sunlight into the room but not harm the surrounding environment, one of which is the application of second skin that utilizes environmentally friendly materials. This paper aims to determine the form and material of secondary skin that is environmentally friendly and suitable for use in resort hotels. This research uses a qualitative comparative method based on three objects in the form of secondary skin in the hotel resort building: Ananta Legian Hotel Bali, EcoSuites (A Reed-Clad Hotel Greece), and Lenora Hotel Bandung with variables namely opening, shape, and shading. For three secondary skin material objects in the resort hotel building, namely Amnaya Resort Kuta, Four Points by Sheraton Bali, and Potato Heads Studio Hotel Bali with variables namely shape, material, and aesthetics. Based on the results of the study, it was found that there are two types of second skin openings that are applied to the hotel resort building, namely dead openings and sliding openings that are applied to adjust the shape with the dominance of the modified rectangular base shape and the shadow produced from the second skin itself adjusts to the function of the shaded space. Environmentally friendly materials used are made from nature, such as vegetation, wood, and roaster bricks that do not damage the surrounding environment, which are applied in a modified rectangular base shape and can improve the aesthetics of the building. PubDate: 2023-04-30 Issue No:Vol. 22 (2023)
Authors:Naidah Naing, Asdar Djamereng Abstract: The background of this research is that there is a flood disaster that hits residential areas in Salomenraleng Village every year with flood inundation for months. This can lead to a decline in the quality of life, housing and public facilities because they cannot function properly and can threaten the safety of the community. However, decades of experience dealing with floods have created a formidable adaptation process for this community. The purpose of this study was to find an adaptation model for living that can mitigate flood disasters in the village of Salomenraleng in order to improve the safety and security of living. The method used in this research is descriptive-spatial using morphological, behavioral and architectural approaches. The results of this study are to find architectural adaptations by creating space in the space in the form of ladda', morphological adaptation is to change the height of the house/other facilities and create Alleteng awo' (floating street) in the face of flood disasters. Novelty This research is the discovery of architectural engineering models in flood disaster mitigation. PubDate: 2023-04-30 Issue No:Vol. 22 (2023)
Authors:Jeremy Lovendianto, Ima Defiana Abstract: Ijen Geopark has geotourism prospects from its geosites, biosites and culture-sites diversities. This study aims to give concepts to design an educational geotourism facility that is accessible for diffable people with inclusive design approach. Design process uses force-based framework. Identified forces are accessibility, black lava rocks, site contour, and local materiality. Design method uses regionalism that responds to site and enhances regional characteristics. Tourists get the education through multi-sensory experiences. Circulation bridge is less than 8% incline for independent use by all users, with landing areas as viewpoints. Local bamboo plant stimulates auditory sense. Black lava rocks’ texture is recognized through tactile sensory. PubDate: 2023-04-30 Issue No:Vol. 22 (2023)
Authors:Dini Silvia Anggraini, Wijayanti Wijayanti Abstract: New urbanism, originally meant a reform movement and then developed into a new paradigm in urban design. However, recently researchers argue that the attractiveness of new urbanism has begun to diminish so that it has lost its significance. The research was conducted to determine the strengths and weaknesses of the Simpang Lima Area and Jalan Pahlawan Semarang when viewed using the theory of Urban dimension and New Urbanism, so that it can be an evaluation for related parties. The steps taken in the study used three stages, namely the initial stage of description. At this time, the researcher describes what he saw, heard, and understood. For the first time, researchers get a glimpse of the results of the informants. reduction stage. In this stage, researchers retrieve all the information from previous meetings to concentrate on one particular problem. Selection stage. At this stage, the researcher will detail the problem that is the focus, which will then be analyzed in more depth. The research location is at Simpang Lima or called the Pancasila Field which is one of the Landmarks of Semarang City, in the form of an open space used by Semarang City residents for activities. The city of Semarang is synonymous with Simpang Lima because many big events are held here, besides that Simpang Lima is also the center of the crowd of the city of Semarang. The final results of the research produce topics using information that is used to produce some new knowledge, hypotheses, or even theories. PubDate: 2023-04-30 Issue No:Vol. 22 (2023)
Authors:Rizal Ardy Firmansyah, Murni Rachmawati, Ima Defiana Abstract: Semiotics as a science that studies signs have a wide range of knowledge and one of them is in the field of Architecture which is a result of the cultural process of society because architectural works are the embodiment of the life of that society. Semiotics as the science of signs is capable of being a tool in tracing cultural relations in architectural objects or works. Pura Mandharagiri Semeru Agung as an architectural work that carries Balinese Hindu culture is an architectural work located at the foot of Mount Semeru, to be precise in an area called Senduro in Lumajang district. An architectural object in the form of a gate with the name Wringinlawang stands proudly at the entrance to the area. Wringinlawang in shape and color has a style that is different from the style in the temple area. Therefore, there is a need for a study related to the existence of the wringinlawang object in the middle of the temple area which carries Balinese Hindu culture. To trace the process of wringinlawang's existence and its meaning to the surrounding community, semiotics will be the main tool in tracing the sign, which in this case is the Gapura Wringinlawang. The purpose of this research is to explore the factors influencing the meaning of the Gapura Wringinlawang and to explore the relationship between the signs that are formed. The method used in this research is qualitative research using interview data alongside a literature review. The results of Charles S. Pierce's semiotic study show that the Gapura Wringinlawang contains a symbol of cultural identity for the Senduro community around the temple building. The culture in question is Javanese culture which is manifested through the building style used in the Gapura Wringinlawang building because of the context of the location. PubDate: 2023-04-30 Issue No:Vol. 22 (2023)
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