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  Subjects -> ANTHROPOLOGY (Total: 398 journals)
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E-Journal of Cultural Studies
Number of Followers: 1  

  This is an Open Access Journal Open Access journal
ISSN (Print) 2338-2449
Published by Universitas Udayana Homepage  [61 journals]

    • Authors: Angelius Chrisantho Marician Sile, Ni Made Wiasti, I Wayan Suardiana
      Pages: 1 - 12
      Abstract: Di'i Dhano is a form of marriage system that follows the mother's lineage in Doka Nikisi'e Village. According to this system, a woman inherits all the property of the family in which she lives. However, this marriage system has begun to shift at this time. Even though the matrilineal structure and customary symbolism glorify women, authority, leadership and and access to knowledge about customs, law, politics and technology are dominated by men. This research aims to reveal the causing factors and the hidden ideology of the shift in the position of women in the matrilineal marriage system in Doka Nikisi'e village. This research applies qualitative methods through participant observation, in-depth interviews, and documentation study. Data obtained is analysed critically by feminist theories, namely nature and nurture, liberal feminism, and psychoanalytic theory. The results of this study indicate that the factors causing the shift in women's position include internal and external factors. The hidden ideologies behind the shift in women's positions include patriarchy, masculinity, and power relations. Keywords: Di’i Dhano, ideological, meaning, women’s position
      PubDate: 2023-08-31
      DOI: 10.24843/cs.2023.v16.i03.p01
      Issue No: Vol. 16, No. 3 (2023)
           GADIS BALI

    • Authors: Nanang Sutrisno, Sang Ayu Isnu Maharani, I Wayan Sukarma
      Pages: 13 - 22
      Abstract: Novel is not just a literary work, but also serves to dismantle various cultural practices in society. The novel Sukreni Gadis Bali is one of many novels that represents feminist literary criticism. It can take part as participatory and emancipatory roles for gender equality in Bali. In the sociolinguistic approach, literary works can take on an ideological role for social transformation by criticizing deviations from cultural practices that result in injustice to certain social groups. Having this background, this research intends to explore Balinese women’s identity construction in the novel Sukreni Gadis Bali. This research applies a qualitative method with a critical discourse analysis approach and note taking technique. The main literature reviewed is the novel entitled Sukreni Gadis Bali by Panji Tisna which is analysed using a critical interpretation. This research found that the identity of Balinese women involves the role of structure in the form of a naming system, culture in the form of patriarchal relations, and actors in the form of identity awareness. It also found that the construction of identity can lead to identity fracture in the social world which resulting in various physical impacts. In addition, the construction of Balinese women’s identities is under the control of patriarchal ideology. The ideology is naturalized in the patrilineal kinship, religious, and customary system. Sukreni is a symbol of a Balinese woman whose identity has been degraded by culture, so she has to accept various forms of violence and injustice throughout her life's journey. Keywords: Balinese women, construction, identity, novel
      PubDate: 2023-08-31
      DOI: 10.24843/cs.2023.v16.i03.p2
      Issue No: Vol. 16, No. 3 (2023)
           ANWAR’S AKU

    • Authors: Mochamad Nasrul Chotib, Arif Subyanto, Harits Masduqi, Herditya Wahyu Widodo
      Pages: 23 - 36
      Abstract: This study sets out to present the combined application of qualitative research and a translation method to elucidate the transcendental aspect of Chairil Anwar's poem entitled Aku. The translation process uses the poem’s verbatim format at first, then its interpretation of the content, and finally its inherent ideas by reading behind its lines. The transcending process is achieved through the use of a symbolic beast that permeates the poem’s structure. The beast-symbol has twofold functions in the poem, to say that everything beyond the persona-self is unworthy and thus the persona itself is capable of reaching a more divine place or becoming a higher being. Such a powerful symbol further substantiates the presence of a textual being, a voice of a persona that is inherent within the poem’s structure, and of which function is to express the persona’s wish to transcend into something bigger or higher than himself, which is resembling, if not equal to, a godly being. Keywords: poem’s persona, poetic translation, transcendentalism.
      PubDate: 2023-08-31
      DOI: 10.24843/cs.2023.v16.i03.p03
      Issue No: Vol. 16, No. 3 (2023)

    • Authors: Gede Pasek Putra Adnyana Yasa, I Nyoman Darma Putra, I B Gde Pujaastawa, I Nyoman Larry Julianto
      Pages: 37 - 47
      Abstract: "Upin Ipin" animation is a popular children's film series in Indonesia, including Denpasar from 2010-2023. The Upin Ipin animation shows the background of a Malaysian village with its own culture, and the characters who play a role in it can represent the Malay-Malaysian identity and the various tribes that exist in Malaysia. The research used qualitative methods, and data were analyzed using discourse analysis theory and ideology theory. The results show that the issue of Malay-Malaysian identity plays a role in the production of Upin Ipin animation. The identity is visualized through the characters in the story, along with the environment that considers the socio-cultural background of the local Malaysian community. The construction of the environment, socio-cultural life, religion and culture, and language represent the Malaysian identity. This article contributes to the understanding that Upin Ipin animation is not just entertainment but a medium to introduce the Malay-Malaysian cultural identity. Keywords: animation, Upin Ipin, identity politics, Malaysia
      PubDate: 2023-08-31
      DOI: 10.24843/cs.2023.v16.i03.p04
      Issue No: Vol. 16, No. 3 (2023)

    • Authors: I Made Marthana Yusa, I Ketut Ardhana, I Nyoman Darma Putra, Ida Bagus Gde Pujaastawa
      Pages: 48 - 61
      Abstract: This article explores the significance of Balinese mythology-themed character design in animation as virtual entities, providing an in-depth analysis of their cultural signification and cultural implications, and their role in promoting social commentary and cultural preservation. Through the use of case studies, literature reviews and survey, the articles examines how various Balinese mythological figures including (Hanoman, Garuda, Barong, and Rangda) are portrayed in popular animated works and what cultural meanings are conveyed through their design choices. The article analysis reveals that Balinese mythology-themed character design in animation can reflect Bali cultural values, promote social commentary, beliefs, and traditions, serving as a means of preserving Balinese cultural heritage. Furthermore, the results demonstrate the importance of considering the cultural context in which mythology is presented in animation, as it can shape the interpretation of these virtual entities.  Keywords: Balinese mythology-themed, character design, signification, virtual entity
      PubDate: 2023-08-31
      DOI: 10.24843/cs.2023.v16.i03.p05
      Issue No: Vol. 16, No. 3 (2023)
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