JournalTOCs

New Review of Film and Television Studies
Journal Prestige (SJR): 0.158

Number of Followers: 26

Hybrid journal * Containing 2 Open Access article(s) in this issue *
ISSN (Print) 1740-0309 - ISSN (Online) 1740-7923
Published by Taylor and Francis

[2652 journals]

The limitation of the bottle episode: Hegel in Community
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  Authors: Ryan Engley; Pomona College, Claremont, CA, USARyan Engley is an Assistant Professor of Media Studies at Pomona College. His recent work has appeared in journals including Comparative Literature psychoanalytic theory together to examine contemporary phenomena. His current book manuscript is tentatively titled Seriality: The Existential Form of Modern Life.
  Pages: 1 - 23
  Abstract: .
  
  Citation: New Review of Film and Television Studies
  PubDate: 2023-08-30T08:08:01Z
  DOI: 10.1080/17400309.2023.2246348
George Miller’s “old-fashioned Hollywood studio”: corporate
authorship at Kennedy Miller, 1981–1991
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  Authors: James Douglas; elsewhere.
  Pages: 1 - 22
  Abstract: .
  
  Citation: New Review of Film and Television Studies
  PubDate: 2023-08-25T04:18:28Z
  DOI: 10.1080/17400309.2023.2246351
Reconsidering remarriage: Stanley Cavell and the vicissitudes of genre
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  Authors: Kyle Barrowman; Chicago, USAKyle Barrowman is a media ordinary language philosophy. His work can be read at the following address: https://depaul.academia.edu/KyleBarrowman.
  Pages: 1 - 26
  Abstract: .
  
  Citation: New Review of Film and Television Studies
  PubDate: 2023-08-24T07:37:39Z
  DOI: 10.1080/17400309.2023.2246350
Film bleu: the development of cinematic aesthetics and disavowal of
cultural traditions in Hong Kong crime cinema
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  Authors: Yi Sun; Asian Cinema.
  Pages: 1 - 28
  Abstract: .
  
  Citation: New Review of Film and Television Studies
  PubDate: 2023-08-18T10:46:05Z
  DOI: 10.1080/17400309.2023.2246353
Perplexing plots: popular storytelling and the poetics of murder
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  Authors: Harrison Whitaker; University of Cambridge
  Pages: 1 - 4
  Abstract: .
  
  Citation: New Review of Film and Television Studies
  PubDate: 2023-07-28T03:42:51Z
  DOI: 10.1080/17400309.2023.2239514
Hollywood’s embassies: how movie theaters projected American power
around the world
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  Authors: Michael Gibson
  Pages: 1 - 5
  Abstract: .
  
  Citation: New Review of Film and Television Studies
  PubDate: 2023-07-25T02:43:22Z
  DOI: 10.1080/17400309.2023.2239517
‘Have you got any soul'’: reinterpreting High Fidelity’s
relationship to Black cultural production
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  Authors: Alyxandra Vesey; Emergent Feminisms: Complicating a Postfeminist Media Culture.
  Pages: 1 - 24
  Abstract: .
  
  Citation: New Review of Film and Television Studies
  PubDate: 2023-06-13T03:08:40Z
  DOI: 10.1080/17400309.2023.2220635
The aesthetics of impasse and the affective rhythms of survival: Andrea
Arnold’s Fish Tank as cinema of precarity
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  Authors: Katarzyna Paszkiewicz; Modern Studies in European Cinema, among other journals.
  Pages: 1 - 27
  Abstract: .
  
  Citation: New Review of Film and Television Studies
  PubDate: 2023-06-05T11:13:33Z
  DOI: 10.1080/17400309.2023.2218784
‘This I rebel against’: television advertising, Rod Serling’s The
Twilight Zone, and a changing industry
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  Authors: Christopher Bartlett; College of Fine Arts, Boston UniversityChristopher Bartlett is a graduate of Boston University’s English PhD program. This article comes from his dissertation on the shifting concepts of authorship in the time of mass conglomeration in the literary two cats.
  Pages: 1 - 22
  Abstract: .
  
  Citation: New Review of Film and Television Studies
  PubDate: 2023-06-05T03:35:43Z
  DOI: 10.1080/17400309.2023.2216101
Black box universe: the mind-game phenomenon, the hacker film, and the new
millennium
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  Authors: Madeleine Collier; History.
  Pages: 1 - 23
  Abstract: .
  
  Citation: New Review of Film and Television Studies
  PubDate: 2023-05-26T07:57:14Z
  DOI: 10.1080/17400309.2023.2207425
Murky waters: Incident at Loch Ness, Grizzly Man, and Herzogian notions of
truth
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  Authors: Brandon West; an analysis of revenge in horror films.
  Pages: 1 - 20
  Abstract: .
  
  Citation: New Review of Film and Television Studies
  PubDate: 2023-05-26T04:05:08Z
  DOI: 10.1080/17400309.2023.2214052
Child spectators: towards a phenomenological perspective on the imaginary
transformations of reality
Open Access Article
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  Authors: Bettina Henzler; Universität Bremen, Bremen, GermanyBettina Henzler, Dr. Phil, is a researcher Film Aesthetics (2018).
  Pages: 1 - 28
  Abstract: .
  
  Citation: New Review of Film and Television Studies
  PubDate: 2023-03-20T10:08:45Z
  DOI: 10.1080/17400309.2023.2176156
Sonic modernities: capitalism, noise, and the city essay film
Open Access Article
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  Authors: Laura Rascaroli; Screen Media.
  Pages: 1 - 17
  Abstract: .
  
  Citation: New Review of Film and Television Studies
  PubDate: 2023-03-08T03:26:38Z
  DOI: 10.1080/17400309.2023.2174764
V.F. Perkins and the redescription of films
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  Authors: Dominic Lash; Psychology after Modernism, appeared with Bloomsbury Academic in 2022. He is currently writing a BFI Film Classics volume on Kiyoshi Kurosawa’s Cure (1997).
  Pages: 1 - 26
  Abstract: .
  
  Citation: New Review of Film and Television Studies
  PubDate: 2023-02-08T05:51:39Z
  DOI: 10.1080/17400309.2023.2170667
On longing for loss: a theory of cinematic memory and an aesthetics of
nostalgia
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  Authors: Zoë Anne Laks; Concordia University, Montréal, Québec, CanadaZoë Anne Laks is a doctoral student at Concordia University. Her research, including her ongoing dissertation project on ecology Studies in Eastern European Cinema.
  Pages: 402 - 426
  Abstract: Volume 21, Issue 3, September 2023, Page 402-426
  .
  
  Citation: New Review of Film and Television Studies
  PubDate: 2022-11-18T10:48:22Z
  DOI: 10.1080/17400309.2022.2132074
  Issue No: Vol. 21, No. 3 (2022)
Fiction as a challenge to text-oriented film studies
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  Authors: Mario Slugan; Queen Mary, University of London, London, UKMario Slugan is Senior Lecturer in Film Studies at Queen Mary, University of London, working on the intersection of film studies, philosophy, Imagination in Early Cinema: A Philosophical Approach to Film History (Bloomsbury, 2019).
  Pages: 427 - 450
  Abstract: Volume 21, Issue 3, September 2023, Page 427-450
  .
  
  Citation: New Review of Film and Television Studies
  PubDate: 2022-10-21T03:31:04Z
  DOI: 10.1080/17400309.2022.2132072
  Issue No: Vol. 21, No. 3 (2022)