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Pages: I - XIII Abstract: Volume 22, Issue 1, March 2024 .
Citation: New Review of Film and Television Studies PubDate: 2024-02-29T03:16:36Z DOI: 10.1080/17400309.2024.2320791 Issue No:Vol. 22, No. 1 (2024)
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Authors:Maria San FilippoGuest Editor; Editor in Chief (2020-2023)Emerson College Pages: 1 - 5 Abstract: Volume 22, Issue 1, March 2024 .
Citation: New Review of Film and Television Studies PubDate: 2024-02-29T03:16:36Z DOI: 10.1080/17400309.2024.2315701 Issue No:Vol. 22, No. 1 (2024)
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Authors:Diana W. AnselmoCritical Studies; California State University, Long Beach, CA, USADiana W. Anselmo is a feminist film historian. She is the author of A Queer Way of Feeling: Girl Fans female audiences. Pages: 6 - 33 Abstract: Volume 22, Issue 1, March 2024 .
Citation: New Review of Film and Television Studies PubDate: 2024-02-29T03:16:36Z DOI: 10.1080/17400309.2023.2298645 Issue No:Vol. 22, No. 1 (2024)
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Authors:Anna SiomopoulosDepartment of English; Video, as well as several edited collections. Pages: 34 - 57 Abstract: Volume 22, Issue 1, March 2024 .
Citation: New Review of Film and Television Studies PubDate: 2024-02-29T03:16:36Z DOI: 10.1080/17400309.2023.2301255 Issue No:Vol. 22, No. 1 (2024)
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Authors:Emily Naser-HallFilm; a scholarly monograph on American folk horror. Pages: 58 - 87 Abstract: Volume 22, Issue 1, March 2024 .
Citation: New Review of Film and Television Studies PubDate: 2024-02-29T03:16:36Z DOI: 10.1080/17400309.2023.2299199 Issue No:Vol. 22, No. 1 (2024)
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Authors:Leung Wing-FaiCulture; Media a special issue ‘Transformations of the Chinese Film Industries’ (2019) for the Journal of Chinese Cinemas. Pages: 88 - 108 Abstract: Volume 22, Issue 1, March 2024 .
Citation: New Review of Film and Television Studies PubDate: 2024-02-29T03:16:36Z DOI: 10.1080/17400309.2023.2299190 Issue No:Vol. 22, No. 1 (2024)
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Authors:Kornelia BoczkowskaFaculty of English; Adam Mickiewicz University, Poznan, PolandKornelia Boczkowska, PhD, is an Assistant Professor in the Department of Studies in Culture at the AMU Faculty of English. She has received several research grants Science for outstanding young researchers. Pages: 109 - 134 Abstract: Volume 22, Issue 1, March 2024 .
Citation: New Review of Film and Television Studies PubDate: 2024-02-29T03:16:36Z DOI: 10.1080/17400309.2023.2261349 Issue No:Vol. 22, No. 1 (2024)
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Authors:Matthew RobinsonDepartment of Art; Culture Studies. He is an associate lecturer in media at the University of Derby. Pages: 135 - 160 Abstract: Volume 22, Issue 1, March 2024 .
Citation: New Review of Film and Television Studies PubDate: 2024-02-29T03:16:36Z DOI: 10.1080/17400309.2023.2298644 Issue No:Vol. 22, No. 1 (2024)
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Authors:Fabienne CollignonSchool of English; University of Sheffield, Sheffield, UKFabienne Collignon is Senior Lecturer in Contemporary Literature at the University of Sheffield, UK. Her research interests are critical theory, in particular theories of technology, subject formation, the Deconstruction of the Non/Human, supported by an Alexander von Humboldt research grant, was published by Routledge in 2023. Pages: 161 - 181 Abstract: Volume 22, Issue 1, March 2024 .
Citation: New Review of Film and Television Studies PubDate: 2024-02-29T03:16:36Z DOI: 10.1080/17400309.2024.2304601 Issue No:Vol. 22, No. 1 (2024)
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Authors:Jerome P. DentDepartment of Communications; gender. Pages: 182 - 201 Abstract: Volume 22, Issue 1, March 2024 .
Citation: New Review of Film and Television Studies PubDate: 2024-02-29T03:16:36Z DOI: 10.1080/17400309.2023.2290429 Issue No:Vol. 22, No. 1 (2024)
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Authors:Cristina Ruiz-Poveda VeraAnimation Department; University of Technology her B.A. from the University Carlos III of Madrid 2011. Pages: 202 - 225 Abstract: Volume 22, Issue 1, March 2024 .
Citation: New Review of Film and Television Studies PubDate: 2024-02-29T03:16:36Z DOI: 10.1080/17400309.2024.2304604 Issue No:Vol. 22, No. 1 (2024)
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Authors:Marzena KeatingJoanna Łapińskaa Department of History; Media Studies at the University of Vienna. Pages: 226 - 246 Abstract: Volume 22, Issue 1, March 2024 .
Citation: New Review of Film and Television Studies PubDate: 2024-02-29T03:16:36Z DOI: 10.1080/17400309.2024.2304612 Issue No:Vol. 22, No. 1 (2024)
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Authors:Janet BergstromDepartment of Film; TV, Digital Media, UCLA, Los Angeles, CA, USAJanet Bergstrom is Professor Emeritus Chantal Akerman. She is completing a comprehensive career study of F. W. Murnau. Pages: 247 - 268 Abstract: Volume 22, Issue 1, March 2024 .
Citation: New Review of Film and Television Studies PubDate: 2024-02-29T03:16:36Z DOI: 10.1080/17400309.2024.2304618 Issue No:Vol. 22, No. 1 (2024)
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Authors:Sarah Louise SmythStefania Marghitua Department of Literature; Film, ReFocus: The Film of Amy Heckerling. She is currently working on a monograph on women showrunners in US network television. Pages: 269 - 276 Abstract: Volume 22, Issue 1, March 2024 .
Citation: New Review of Film and Television Studies PubDate: 2024-02-29T03:16:36Z DOI: 10.1080/17400309.2023.2263692 Issue No:Vol. 22, No. 1 (2024)
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Authors:Jessica FordDepartment of Media; The University of Adelaide, Adelaide, AustraliaJessica Ford is a Lecturer in Media at the University of Adelaide, Australia. Her research examines women journalistic outlets. Pages: 277 - 295 Abstract: Volume 22, Issue 1, March 2024 .
Citation: New Review of Film and Television Studies PubDate: 2024-02-29T03:16:36Z DOI: 10.1080/17400309.2023.2263693 Issue No:Vol. 22, No. 1 (2024)
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Authors:Sarah Louise SmythDepartment of Literature; Film, the Screen Industries (2023). Pages: 296 - 315 Abstract: Volume 22, Issue 1, March 2024 .
Citation: New Review of Film and Television Studies PubDate: 2024-02-29T03:16:36Z DOI: 10.1080/17400309.2023.2263690 Issue No:Vol. 22, No. 1 (2024)
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Authors:Shelley CobbFilm Studies; University of Southampton, Southampton, United KingdomShelley Cobb is Professor of Film ageing in the British film industry. Pages: 316 - 336 Abstract: Volume 22, Issue 1, March 2024 .
Citation: New Review of Film and Television Studies PubDate: 2024-02-29T03:16:36Z DOI: 10.1080/17400309.2023.2264711 Issue No:Vol. 22, No. 1 (2024)
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Authors:Tanya HoreckCambridge School of Creative Industries; Cambridge, UKTanya Horeck is a Professor of Film media cultures. Pages: 337 - 359 Abstract: Volume 22, Issue 1, March 2024 .
Citation: New Review of Film and Television Studies PubDate: 2024-02-29T03:16:36Z DOI: 10.1080/17400309.2023.2264713 Issue No:Vol. 22, No. 1 (2024)
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Authors:Karim TownsendCambridge Film & Screen; University of Cambridge, Cambridge, UKKarim Townsend is a PhD student at the University of Cambridge. His research explores connections between contemporary film critical theory. Pages: 360 - 388 Abstract: Volume 22, Issue 1, March 2024 .
Citation: New Review of Film and Television Studies PubDate: 2024-02-29T03:16:36Z DOI: 10.1080/17400309.2023.2257859 Issue No:Vol. 22, No. 1 (2024)
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Authors:Eve BennettInstitut de Recherche Médias; Cultures, Communication et Numérique, Université Sorbonne Nouvelle, Paris, FranceEve Bennett is a member of the Institut de Recherche Médias, Cultures, Communication et Numérique at the Université Sorbonne Nouvelle, Paris. Her research mainly focuses on representations of gender in science fiction television series. She is the author of a monograph, Gender in Post-9/11 American Apocalyptic TV: Representations of Masculinity Television. Pages: 389 - 415 Abstract: Volume 22, Issue 1, March 2024 .
Citation: New Review of Film and Television Studies PubDate: 2024-02-29T03:16:36Z DOI: 10.1080/17400309.2023.2257857 Issue No:Vol. 22, No. 1 (2024)
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Authors:Stefania MarghituSarah Louise Smytha Department of Journalism; the Screen Industries, edited by Susan Liddy (Palgrave Macmillan, 2023). Pages: 416 - 433 Abstract: Volume 22, Issue 1, March 2024 .
Citation: New Review of Film and Television Studies PubDate: 2024-02-29T03:16:36Z DOI: 10.1080/17400309.2023.2263691 Issue No:Vol. 22, No. 1 (2024)
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Authors:Júlia Irion MartinsDepartment of Comparative Literature; University of Michigan Pages: 434 - 437 Abstract: Volume 22, Issue 1, March 2024 .
Citation: New Review of Film and Television Studies PubDate: 2024-02-29T03:16:36Z DOI: 10.1080/17400309.2024.2310471 Issue No:Vol. 22, No. 1 (2024)
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Authors:Maureen MaukInstitute for Research on Digital Literacies; York University Pages: 437 - 441 Abstract: Volume 22, Issue 1, March 2024 .
Citation: New Review of Film and Television Studies PubDate: 2024-02-29T03:16:36Z DOI: 10.1080/17400309.2024.2310472 Issue No:Vol. 22, No. 1 (2024)
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Authors:Emma RadleyUCD School of English; Drama Film Pages: 441 - 445 Abstract: Volume 22, Issue 1, March 2024 .
Citation: New Review of Film and Television Studies PubDate: 2024-02-29T03:16:36Z DOI: 10.1080/17400309.2024.2308462 Issue No:Vol. 22, No. 1 (2024)
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Authors:Jonathan Devine Research Office; The University of Queensland, Brisbane, Australia Pages: 1 - 5 Abstract: .
Citation: New Review of Film and Television Studies PubDate: 2024-06-10T07:41:19Z DOI: 10.1080/17400309.2024.2362591
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Authors:Matt Connolly a Editor-in-Chiefb Minnesota State University; Mankato Pages: 1 - 2 Abstract: .
Citation: New Review of Film and Television Studies PubDate: 2024-06-05T12:56:49Z DOI: 10.1080/17400309.2024.2362610
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Authors:Daniel Smith History of Art; Humanities, UK Pages: 1 - 5 Abstract: .
Citation: New Review of Film and Television Studies PubDate: 2024-06-05T10:22:49Z DOI: 10.1080/17400309.2024.2362592
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Authors:Gabrielle Stecher English; Indiana University Bloomington, Bloomington, IN, USA Pages: 1 - 4 Abstract: .
Citation: New Review of Film and Television Studies PubDate: 2024-06-04T09:10:41Z DOI: 10.1080/17400309.2024.2362590
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Authors:Lisa Wells JacobsonSchool of Literature; Media, The Oxford Handbook of Global Realisms. Pages: 1 - 25 Abstract: .
Citation: New Review of Film and Television Studies PubDate: 2024-05-23T05:48:50Z DOI: 10.1080/17400309.2024.2349493
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Authors:Richard Colin TaitFilm; Television Digital Videotape with Andrew deWaard for Wallflower/Columbia Press in 2013. Pages: 1 - 24 Abstract: .
Citation: New Review of Film and Television Studies PubDate: 2024-05-21T09:13:43Z DOI: 10.1080/17400309.2024.2347166
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Authors:Dario LanzaSculpture Department; Faculty of Fine Arts, Complutense University of Madrid, Madrid, SpainDario Lanza is a PhD in Information Cardiff. Pages: 1 - 20 Abstract: .
Citation: New Review of Film and Television Studies PubDate: 2024-05-20T02:26:54Z DOI: 10.1080/17400309.2024.2355715
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Authors:Pablo CastrilloAlberto N. GarcíaSchool of Communication; Universidad de Navarra, Pamplona, SpainPablo Castrillo is a screenwriter Culture” research group. Pages: 1 - 19 Abstract: .
Citation: New Review of Film and Television Studies PubDate: 2024-05-17T02:19:53Z DOI: 10.1080/17400309.2024.2347168
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Authors:Thomas BarkerHumanities Research Centre; Australian National University, Canberra, AustraliaThomas Barker is an Honorary Associate Professor with the Humanities Research Centre at the Australian National University. He was previously at the University of Nottingham Malaysia stardom. Pages: 1 - 21 Abstract: .
Citation: New Review of Film and Television Studies PubDate: 2024-05-10T10:11:58Z DOI: 10.1080/17400309.2024.2348427
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Authors:Ludo de RooDepartment of Philosophy; Macquarie University, Sydney, AustraliaLudo de Roo obtained his Ph.D. in Philosophy at Macquarie University, Sydney. His research combines phenomenological film-philosophy published in Projections. Pages: 1 - 27 Abstract: .
Citation: New Review of Film and Television Studies PubDate: 2024-05-01T06:17:07Z DOI: 10.1080/17400309.2024.2342212
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Authors:Jonathan StubbsMarko Kiessela Faculty of Communication; Cyprus International University, North Cyprusb Faculty of Arts, Arkin University of Creative Arts film dates back to the design of a postgraduate architectural course in 2013. In 2018 he joined Arkin University of Creative Arts & Design. Pages: 1 - 24 Abstract: .
Citation: New Review of Film and Television Studies PubDate: 2024-01-04T09:55:10Z DOI: 10.1080/17400309.2023.2287973
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