Subjects -> ART (Total: 882 journals)
    - ART (468 journals)
    - DANCE (26 journals)
    - FILM AND AUDIOVISUALS (125 journals)
    - MUSIC (171 journals)
    - THEATER (92 journals)

DANCE (26 journals)

Showing 1 - 22 of 22 Journals sorted alphabetically
American Journal of Dance Therapy     Hybrid Journal   (Followers: 5)
Body, Movement and Dance in Psychotherapy: An International Journal for Theory, Research and Practice     Hybrid Journal   (Followers: 13)
Brolga: An Australian Journal about Dance     Full-text available via subscription  
Conceição/Conception     Open Access  
Dance Chronicle     Hybrid Journal   (Followers: 8)
Dance Education in Practice     Hybrid Journal   (Followers: 1)
Dance Major Journal     Open Access  
Dance Research     Hybrid Journal   (Followers: 12)
Dance Research Aotearoa     Open Access   (Followers: 1)
Dance Research Journal     Full-text available via subscription   (Followers: 11)
Dance studies     Open Access   (Followers: 1)
Dance, Movement & Spiritualities     Hybrid Journal   (Followers: 1)
International Journal of Screendance     Open Access   (Followers: 1)
Journal of Dance & Somatic Practices     Hybrid Journal   (Followers: 5)
Journal of Dance Education     Hybrid Journal   (Followers: 8)
Journal of Dance Medicine & Science     Full-text available via subscription   (Followers: 10)
Journal of Physical Education, Recreation & Dance     Full-text available via subscription   (Followers: 12)
Musikk og Tradisjon     Open Access  
På Spissen     Open Access  
Recherches en Danse     Open Access   (Followers: 2)
Research in Dance Education     Hybrid Journal   (Followers: 8)
Theatre, Dance and Performance Training     Hybrid Journal   (Followers: 11)
Similar Journals
Journal Cover
Dance Research Journal
Journal Prestige (SJR): 0.211
Number of Followers: 11  
 
  Full-text available via subscription Subscription journal
ISSN (Print) 0149-7677 - ISSN (Online) 1940-509X
Published by Cambridge University Press Homepage  [353 journals]
  • Editor's Note

    • Free pre-print version: Loading...

      Authors: George-Graves; Nadine
      Pages: 1 - 4
      PubDate: 2022-05-23
      DOI: 10.1017/S0149767722000146
       
  • DRJ volume 54 issue 1 Cover and Front matter

    • Free pre-print version: Loading...

      Pages: 1 - 6
      PubDate: 2022-05-23
      DOI: 10.1017/S0149767722000158
       
  • DRJ volume 54 issue 1 Cover and Back matter

    • Free pre-print version: Loading...

      Pages: 1 - 2
      PubDate: 2022-05-23
      DOI: 10.1017/S014976772200016X
       
  • What's in a Name' Somatics and the Historical Revisionism of Thomas
           Hanna

    • Free pre-print version: Loading...

      Authors: Drury; Lindsey
      Pages: 6 - 29
      Abstract: This article questions how the historically revisionist history of “the West,” as initiated by Thomas Hanna, informs systems of inclusion, exclusion, and power within the field of “somatics.” Hanna, who coined the term somatics, sought in so doing to root the burgeoning field in a “Western” tradition of philosophy and science that he fundamentally misconstrued. Meanwhile, Hanna's work to formulate a historically and philosophically Western basis of a somatic field continues to provide cover for white somatic practitioners whose institutionally minted somatic forms extract philosophical and practical knowledge from non-white body-mind practices internationally. Subsequent accounts of somatics consequently articulate both the Western history of somatics and its “non-Western influences” on false grounds. This article theorizes the colonial and Western supremacist holdovers within a somatic field that nonetheless gives lip service to postcolonial discourse. Finally, by rebuilding an approach to the “deep time” history relating sōma and somatics, this article proposes how the field of somatics could reground its understanding of the “first-person experience of the body,” informed by Afropessimism, Black Accelerationism, and Afrofuturist thought.
      PubDate: 2022-05-23
      DOI: 10.1017/S0149767722000043
       
  • Disorientation as Critical Practice: Confronting Anti-Black Perceptual
           Regimes and Activating the Otherwise in mayfield brooks's Improvising
           While Black Pedagogy

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      Authors: Bibler; Zena
      Pages: 30 - 49
      Abstract: This article examines how mayfield brooks uses spatial, discursive, and vestibular disorientations to intervene within anti-Black regimes of perception in their Improvising While Black (IWB) workshops, which draw from their ongoing life/art project by the same name. Drawing from insights gathered through my participation in IWB workshops as well as through conversations with brooks and other workshop participants, I examine what brooks's guided disorientations do, that is, what they produce kinetically, perceptually, and relationally among participants. I show how brooks's disorientations expand on Sachi Sekimoto and Christopher Brown's conceptualization of racialized regimes of perception by revealing a set of choreographic tropes that undergird those regimes. These include perceiving from a vertical posture, leading movement from the head, navigating based on visual cues while inhibiting responsivity to other senses, turning away from cultural and ancestral context, and relating to self and others as individuals. Drawing on examinations of disorientation within contemporary dance practice and critical race theory, I argue that brooks guides participants into disorienting improvisations that draw attention to, refuse participation within, and generate otherwise possibilities to this choreography.
      PubDate: 2022-05-23
      DOI: 10.1017/S0149767722000055
       
  • Mis-step as Global Encounter: The American Dance Festival in Reform Era
           China

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      Authors: Miao; Fangfei
      Pages: 50 - 69
      Abstract: This article examines a pivoting moment in Chinese modern dance history—a four-year US-China dance exchange project known as the Guangdong Modern Dance Experimental Program that occurred as part of China's Reform Era cultural policies. Based on my intertwined positions of outside insider and artist-scholar, this article examines the interaction between competing kinesthetic values, pedagogical approaches, and conceptions of the modern crystallized in the Guangdong program, an inquiry that defies conventional narratives of Chinese modern dance. I propose the concept of “mis-step” as an aperture to rethink corporeal encounter and dance circulation in global spaces. “Mis-” indicates contingency beyond expectations; “-step” suggests productivity of that contingency. “Mis-step” thus highlights the rich potential of indeterminacy and proposes to theorize transnational dance history beyond “right” or “wrong.” Through mis-step, this article submits a sensual experience of global encounter that centers on perplexity. This awkward yet meaningful experience constructs a crucial component of globalization reality.
      PubDate: 2022-05-23
      DOI: 10.1017/S0149767722000110
       
  • Blanche Evan's Film Studies of the Dance: The “Technique Problem” and
           the Creation of New Forms in 1930s Revolutionary Dance

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      Authors: Harris; Andrea
      Pages: 70 - 91
      Abstract: This article examines Film Studies of the Dance, a dance film created in 1935 by Blanche Evan, Lionel Berman, and David Wolff. The film premiered Evan's new system of dance training, Functional Technique, to the 1930s New York revolutionary dance community. I analyze the film and Functional Technique inside of the debates over technique and content that preoccupied left-wing modern dancers in this period. Ultimately, Film Studies of the Dance emerges as a collaborative attempt by Evan, Berman, and Wolff to create new approaches to dance and film that would unify form and content to further socially conscious art making.
      PubDate: 2022-05-23
      DOI: 10.1017/S014976772200002X
       
  • Coloured Swan: Moya Michael's Prowess in the Face of Fetishization in
           European Dance

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      Authors: Van Assche; Annelies
      Pages: 92 - 111
      Abstract: In my ethnographic fieldwork in the contemporary dance scene in Brussels, I followed closely which struggles Moya Michael had to overcome as a South African maker in the European contemporary dance sector trying to sell her work. As a female artist of color, she cannot escape the fetishistic gaze emphasizing her exoticized body, a body imagined as exotic vis-à-vis institutional whiteness. This article examines how the work environment in the continental European contemporary dance sector forms a breeding ground for the fetishization of Afrodiasporic artists. After unpacking the general issues related to identity in the European contemporary dance sector, this article continues to discuss the dance solo Khoiswan, which Michael created in 2018 as the first part of an ongoing series called Coloured Swans. In this choreographic work, Michael centers and explores her multilayered identity on her own terms.
      PubDate: 2022-05-23
      DOI: 10.1017/S0149767722000134
       
  • DANCING WOMEN: CHOREOGRAPHING CORPOREAL HISTORIES OF HINDI CINEMA by Usha
           Iyer. 2020. New York: Oxford University Press. 269 pp. $35.99 paper. ISBN:
           9780190938741. $125.00 hardcover. ISBN: 9780190938734.

    • Free pre-print version: Loading...

      Authors: Chatterjee; Sinjini
      Pages: 113 - 115
      PubDate: 2022-05-23
      DOI: 10.1017/S0149767722000067
       
  • RENEGADES: DIGITAL DANCE CULTURES FROM DUBSMASH TO TIKTOK by Trevor
           Boffone. 2021. New York: Oxford University Press. 167 pp., 11 halftones.
           $29.95 paper. ISBN: 9780197577684.

    • Free pre-print version: Loading...

      Authors: Oehlers; Adrienne Gibbons
      Pages: 115 - 117
      PubDate: 2022-05-23
      DOI: 10.1017/S0149767722000079
       
  • MOVING BODIES, NAVIGATING CONFLICT: PRACTICING BHARATA NATYAM IN COLOMBO,
           SRI LANKA by Ahalya Satkunaratnam. 2020. Middletown, CT: Wesleyan
           University Press. 200 pp., 9 photos. $22.95 paper. ISBN: 9780819578907

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      Authors: Gorringe; Magdalen Tamsin
      Pages: 118 - 120
      PubDate: 2022-05-23
      DOI: 10.1017/S0149767722000080
       
  • PRAGMATIST PHILOSOPHY AND DANCE: INTERDISCIPLINARY DANCE RESEARCH IN THE
           AMERICAN SOUTH by Eric Mullis. 2019. Cham, CH: Palgrave Macmillan. 247 pp.
           $89.99 hardcover. ISBN: 9783030293130. $59.99 paper. ISBN: 9783030293154.
           $44.99 e-book. ISBN: 9783030293147. doi: 10.1007/978-3-030-29314-7

    • Free pre-print version: Loading...

      Authors: Dunagan; Colleen T.
      Pages: 120 - 122
      PubDate: 2022-05-23
      DOI: 10.1017/S0149767722000092
       
  • FINAL BOW FOR YELLOWFACE: DANCING BETWEEN INTENTION AND IMPACT by Phil
           Chan. 2020. With Michele Chase. New York: Yellow Peril Press. 238 pp., 12
           photographs. $24.99 paper. ISBN: 9781734732481.

    • Free pre-print version: Loading...

      Authors: Wu; Menghang
      Pages: 122 - 124
      PubDate: 2022-05-23
      DOI: 10.1017/S0149767722000109
       
  • Books Received

    • Free pre-print version: Loading...

      Pages: 126 - 126
      PubDate: 2022-05-23
      DOI: 10.1017/S0149767722000122
       
 
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