Subjects -> LANGUAGE AND LITERATURE (Total: 2147 journals)
    - LANGUAGE AND LITERATURE (954 journals)
    - LANGUAGES (276 journals)
    - LITERARY AND POLITICAL REVIEWS (201 journals)
    - LITERATURE (GENERAL) (180 journals)
    - NOVELS (13 journals)
    - PHILOLOGY AND LINGUISTICS (500 journals)
    - POETRY (23 journals)

LANGUAGE AND LITERATURE (954 journals)            First | 1 2 3 4 5     

Showing 801 - 127 of 127 Journals sorted alphabetically
Studia Metrica et Poetica     Open Access  
Studia Neophilologica     Hybrid Journal   (Followers: 1)
Studia Pigoniana     Open Access  
Studia Romanica Posnaniensia     Open Access  
Studia Rossica Gedanensia     Open Access  
Studia Scandinavica     Open Access  
Studia Slavica     Full-text available via subscription   (Followers: 1)
Studia theodisca     Open Access  
Studien zur deutschen Sprache und Literatur     Open Access   (Followers: 4)
Studies in African Languages and Cultures     Open Access   (Followers: 1)
Studies in American Indian Literatures     Full-text available via subscription   (Followers: 4)
Studies in Applied Linguistics & TESOL (SALT)     Open Access   (Followers: 3)
Studies in Canadian Literature / Études en littérature canadienne     Full-text available via subscription   (Followers: 2)
Studies in ELT and Applied Linguistics     Open Access   (Followers: 13)
Studies in Scottish Literature     Open Access   (Followers: 5)
Studies in the Age of Chaucer     Full-text available via subscription   (Followers: 3)
Studies in the Novel     Full-text available via subscription   (Followers: 16)
SubStance     Full-text available via subscription   (Followers: 7)
Suomalais-Ugrilaisen Seuran Aikakauskirja : Journal de la Société Finno-Ougrienne     Open Access  
Sustainable Multilingualism     Open Access  
Swedish Journal of Romanian Studies     Open Access  
Sylloge epigraphica Barcinonensis : SEBarc     Open Access  
symploke     Full-text available via subscription   (Followers: 3)
Sztuka Edycji     Open Access   (Followers: 4)
Tabuleiro de Letras     Open Access  
Teksty Drugie     Open Access  
Telar     Open Access  
Telondefondo : Revista de Teoría y Crítica Teatral     Open Access  
Temps zero     Open Access  
Tenso     Full-text available via subscription   (Followers: 2)
Teoliterária : Revista Brasileira de Literaturas e Teologias     Open Access  
Terminàlia     Open Access  
Territories : A Trans-Cultural Journal of Regional Studies     Open Access   (Followers: 1)
Texas Studies in Literature and Language     Full-text available via subscription   (Followers: 3)
Text Matters     Open Access   (Followers: 6)
Textual Cultures     Full-text available via subscription   (Followers: 12)
Textual Practice     Hybrid Journal   (Followers: 26)
Texturas     Open Access  
The BARS Review     Open Access  
The CLR James Journal     Full-text available via subscription  
The Comparatist     Full-text available via subscription   (Followers: 4)
The Eighteenth Century     Full-text available via subscription   (Followers: 37)
The Explicator     Full-text available via subscription   (Followers: 4)
The F. Scott Fitzgerald Review     Full-text available via subscription   (Followers: 1)
The Highlander Journal     Open Access   (Followers: 2)
The Hopkins Review     Full-text available via subscription   (Followers: 2)
The Lion and the Unicorn     Full-text available via subscription   (Followers: 12)
The Literacy Trek     Open Access  
The Mark Twain Annual     Full-text available via subscription   (Followers: 2)
The New Yorker     Full-text available via subscription   (Followers: 31)
The Vernal Pool     Open Access  
Tirant : Butlletí informatiu i bibliogràfic de literatura de cavalleries     Open Access  
Tolkien Studies     Full-text available via subscription   (Followers: 10)
TradTerm     Open Access  
Traduire : Revue française de la traduction     Open Access   (Followers: 2)
TRANS : Revista de Traductología     Open Access   (Followers: 1)
Transalpina     Open Access  
Transfer : e-Journal on Translation and Intercultural Studies     Open Access   (Followers: 2)
Translation and Literature     Hybrid Journal   (Followers: 16)
Translation Review     Hybrid Journal   (Followers: 3)
Translation Studies     Hybrid Journal   (Followers: 24)
Translationes     Open Access   (Followers: 1)
Transmodernity : Journal of Peripheral Cultural Production of the Luso-Hispanic World     Open Access   (Followers: 4)
Transmotion     Open Access   (Followers: 24)
Transversal     Open Access  
Trasvases Entre la Literatura y el Cine     Open Access  
Trípodos     Open Access  
Tropelías : Revista de Teoría de la Literatura y Literatura Comparada     Open Access  
Tsafon : Revue Interdisciplinaire d'études Juives     Open Access   (Followers: 1)
Tulsa Studies in Women's Literature     Full-text available via subscription   (Followers: 7)
Turkish Review of Communication Studies     Open Access  
Tutur : Cakrawala Kajian Bahasa-Bahasa Nusantara     Open Access  
Tydskrif vir Letterkunde     Open Access  
Uncommon Culture     Open Access  
Unidiversidad     Open Access  
Urdimento : Revista de Estudos em Artes Cênicas     Open Access  
US Latino & Latina Oral History Journal     Full-text available via subscription  
Valenciana     Open Access  
Variants : Journal of the European Society for Textual Scholarship     Open Access  
Verba : Anuario Galego de Filoloxía     Full-text available via subscription  
Verba Hispanica     Open Access  
Vertimo studijos (Translation Studies)     Open Access   (Followers: 1)
Via Panorâmica : Revista de Estudos Anglo-Americanos     Open Access  
Victorian Literature and Culture     Hybrid Journal   (Followers: 22)
Victorian Poetry     Full-text available via subscription   (Followers: 11)
Vilnius University Open Series     Open Access  
Vision : Journal for Language and Foreign Language Learning     Open Access   (Followers: 1)
Vita Latina     Full-text available via subscription   (Followers: 2)
Voice and Speech Review     Hybrid Journal  
Voix et Images     Full-text available via subscription   (Followers: 1)
Vox Romanica     Full-text available via subscription   (Followers: 4)
Wacana     Open Access  
Wacana : Journal of the Humanities of Indonesia     Open Access   (Followers: 1)
Wasafiri     Hybrid Journal   (Followers: 4)
Werkwinkel : Journal of Low Countries and South African Studies     Open Access  
Western American Literature     Full-text available via subscription   (Followers: 4)
Wicazo Sa Review     Full-text available via subscription   (Followers: 1)
WikiJournal of Humanities     Open Access  
William Carlos Williams Review     Full-text available via subscription   (Followers: 1)
Word Structure     Hybrid Journal   (Followers: 2)
Writing Systems Research     Hybrid Journal   (Followers: 3)
Written Language & Literacy     Hybrid Journal   (Followers: 4)
WSQ: Women's Studies Quarterly     Full-text available via subscription   (Followers: 15)
Year's Work in English Studies     Hybrid Journal   (Followers: 19)
Yearbook of Ancient Greek Epic Online     Full-text available via subscription   (Followers: 1)
Yearbook of Langland Studies     Full-text available via subscription  
Załącznik Kulturoznawczy / Cultural Studies Appendix     Open Access  
Zeitschrift fuer deutsches Altertum und Literatur     Full-text available via subscription   (Followers: 7)
Zeitschrift für Interkulturellen Fremdsprachenunterricht     Open Access   (Followers: 1)
Zeitschrift für Literaturwissenschaft und Linguistik     Hybrid Journal   (Followers: 1)
Zeitschrift für Wortbildung / Journal of Word Formation     Full-text available via subscription  
Zeszyty Cyrylo-Metodiańskie     Open Access   (Followers: 1)
Zibaldone : Estudios Italianos     Open Access  
Zutot     Hybrid Journal   (Followers: 1)
Œuvres et Critiques     Full-text available via subscription  
Известия Южного федерального университета. Филологические науки     Open Access  

  First | 1 2 3 4 5     

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Journal Cover
Tydskrif vir Letterkunde
Journal Prestige (SJR): 0.235
Number of Followers: 0  

  This is an Open Access Journal Open Access journal
ISSN (Print) 0041-476X - ISSN (Online) 2309-9070
Published by SciELO Homepage  [688 journals]
  • Hein Willemse: Teen die grein / Against the grain

    •  
  • &rft.title=Tydskrif+vir+Letterkunde&rft.issn=0041-476X&rft.date=&rft.volume=">Om die "ruimland [...] van nuuts af oop [te] bou": 'n Woordjie oor Hein
           Willemse

    •  
  • Die teks as 'n etiese aanspraak

    •  
  • Sarraounia, love, and the postcolony

    •  
  • Hein Willemse: Select bibliography

    •  
  • To listen with decolonial ears: Hein Willemse, hidden histories, and the
           politics of disruptive intervention

    • Abstract: In this article, we canvass some of the ideas around Hein Willemse's focus on hidden histories, conscious oppositionality, and literature that falls outside the canon, which began to coalesce following contemporary calls for decolonial approaches in the (South) African academy. While the decolonial turn has focused attention on shared histories within Global South contexts, it is through Willemse's postcolonial teachings that we first came to understand the importance and meaning of reclaiming the lost African ontological space. This article is, therefore, located in postcolonial and decolonial scholarship in the sense that it is not driven by a particular method but rather by questions that emerged from larger social contexts. We draw on Willemse's visionary understanding of the importance of hidden histories and what it might mean to listen with postcolonial and/or decolonial ears. This, amongst other things, requires an acute awareness of history, heritage, and legacies both in society and in the academy. We incorporate a random selection of his work to unpack how his disruptive intervention serves to reformulate the idea of Afrikaans and Afrikaans literature in ways that are more inclusive of those silenced by the apartheid project, including Africa and the Global South at large.
       
  • The intellectual history of Coloured intelligentsia: Revisiting P. J.
           Philander (19212006)

    • Abstract: The intellectual history of Coloured intelligentsia in the middle of the previous century is often characterised by a sharp division between moderates and radicals. The historiography of Coloured people is relatively limited but a few scholars have studied their intellectual formation against the background of historical circumstances, their specific biography and institutional operations. In this article I give a broad overview of the intellectual history and historiography of Coloured intelligentsia. I focus in more detail on the poet and educationist P. J. Philander. He is associated with the moderate grouping and characterised as a political gradualist who favoured steady and incremental changes in the political towards democracy. I argue for further engagement with the ideas and actions of the poet and propose that liberal sentiments in his life and work provide further and important perspectives. This would also explain his disenchantment with the apartheid regime and his consequent decision to emigrate to the United States of America where he pursued a long and illustrious career as an educator at a Quaker School in New York. I analyse two texts with an autobiographical purview to indicate these strands of liberal influence and thought.
       
  • Dwaalstories+(Wandering+tales)&rft.title=Tydskrif+vir+Letterkunde&rft.issn=0041-476X&rft.date=&rft.volume=">African orality in the work of Eugène Marais: the interaction between
           selected "San poems" and Dwaalstories (Wandering tales)

    • Abstract: In this article I analyse the criticism surrounding two songs from a well-known collection of oral prose narratives told by a San performer, transcribed by the white Afrikaans author Eugène Marais and published as Dwaalstories (Wandering tales) first in 1921 as magazine stories and then in 1927 as a book. The songs, "Die towenares" (The sorceress) and "Hart-van-die-dagbreek" (Heart-of-the-daybreak), both form part of the oral prose narrative "Die Reënbul" (The Rain Bull). Designating these lyrical texts as 'songs' is a conscious choice, considering that they have been interpreted as poems ever since Marais extracted them from the Dwaalstories and included them in his collected poems in 1925 and later collections. My argument is that these lyrical texts function in the same way in "Die Reënbul" as songs do in most oral prose narratives (or, folktales) from Africa. Their designation as poems has however resulted in attempts at analysis in which their oral origin is ignored, misunderstood, or undervalued. One such study is the text-immanent 'structural analysis' performed by Merwe Scholtz. I briefly critique a few other studies about (the songs in) "The Rain Bull", finding that while they are more sophisticated than that of Scholtz, there are still significant inaccuracies. Though the scope of my article is limited, I also make the case for a context-driven interpretation of all the songs contained in the Dwaalstories.
       
  • A history of Afrikaans as language of the Church: from altar to
           pulpit

    • Abstract: This contribution shines a critical light on the representation of Afrikaans as a language of the Church in external histories about the development and advancement of the language, inclusive histories particularly. It seems the history of Afrikaans within a Christian or Church context has escaped the critical attention which since the 1970s created awareness of the politicisation of and silences in the history, and the way in which the history is documented. Therefore, the history of Afrikaans as a language of the Christian faith is still told from an exclusively white Reformed perspective and held as a 20th century phenomenon, despite research pointing to its usage in the Moravian Church (Genadendal) in the 18th century and the Anglican Church in the 19th century. Though various denominations are included in so-called inclusive histories, it is done in a manner that suggests the dominance of the white Reformed Churches. These conclusions were primarily drawn from a content analysis of two inclusive histories, subjecting them to the same penetrating, sceptical questions of decades ago, focused primarily on the representation of Afrikaans as a language of the Church. For this purpose, the inclusive histories were analysed within the framework of poststructuralist tendencies which shifted the focus to historiography as a function of power, a meaning-making practice and history as a construct, not a reconstruction of the past. As such it creates space to imagine alternatives to the dominant discourse. To this end, the attention is drawn to the mobilisation of Afrikaans in the Roman Catholic Church since the 1820s as an alternative history of a spoken Afrikaans praying at the altar long before it was formalised and allowed to ascend the pulpit in the Reformed Churches since 1916.
       
  • &rft.title=Tydskrif+vir+Letterkunde&rft.issn=0041-476X&rft.date=&rft.volume=">Some new perspectives on the Soweto uprising: H. M. L. Lentsoane's poem
           "Black Wednesday" ("Laboraro le lesoleso")

    • Abstract: The epic poem about the Soweto uprising, "Laboraro le lesoleso", written in Sepedi (Northern Sotho) by H. M. L. Lentsoane has only recently been translated into English by Biki Lepota as "Black Wednesday" and published in the anthology Stitching a whirlwind (2018). In this article I suggest that, by discarding English, some crucial shifts from the bulk of protest poetry written in English must have taken place. Lentsoane wants to speak directly to fellow mother tongue speakers and not a national or broader African or international ear. It becomes clear that, by deploying various strategies based in orality, the poet manages to contribute new material and new approaches to creative texts of black protest during the apartheid years, e.g., a release from specific apartheid content about their oppression that every indigenous speaker had common knowledge of; an adherence to orality in terms of presentation, vocabulary, and form; and a linkage with the ancestors and a release from trying to reach the conscience of whites. This manifests through the poem's particular perspective and emphasis as narrative, as telling, combined with vivid visceral poetic imagery of the event. The poem evocatively captures the unfolding of incidents while at the same time shifting the focus to an ancestral demand to stand up for righteousness in a universal field of justice.
       
  • The power of exclusion in the works of André Brink and Assia
           Djebar

    • Abstract: South African author André Brink and the Algerian Assia Djebar have been described as a duo of literature and struggle. Various parallels exist between the authors' oeuvres: both authors strive to create a chain of voices for those who have been ignored or silenced; they attempt to re-evaluate the colonial experience while problematising the complexities of present-day South Africa and Algeria; their narratives foreground language, space, and power struggles between coloniser and colonised, master and slave, man and woman. Their characters represent a desire for freedom and the need for resistance in the quest for liberation. In this article I focus on the comparable role of space, and more specifically spaces of exclusion, in a selection of the authors' works. Postcolonial theories serve as a framework for establishing Brink and Djebar's similar stance regarding the notion of exclusion. Amongst others, Homi Bhabha's concept of the 'beyond' and Edouard Glissant's notion of 'relation' are employed to strengthen arguments made concerning the characters' desire for movement which results from them being excluded from certain spaces. In this article I demonstrate how their characters feel attracted to cross borders that exclude in a quest for inclusion. An endless, open, and powerful movement is the result of the opposing forces of exclusion and attraction their characters experience.
       
  • Vanden vos Reynaerde's transformation into Reinaard die Jakkals

    • Abstract: The legacy of the Middle Dutch epic Vanden vos Reynaerde and the many ways in which we still see traces of Reynaert the fox and his companion, Iesegrim the wolf, in Afrikaans, are discussed in this article. The indestructible fox gets a second life under the Southern Cross, perhaps most notably in the many tales about Jackal and Wolf which are well known as part of a shared oral heritage by white and Khoi speakers of Afrikaans. Our focus is not these stories, however, but rather the following question: does the Reynaert of the epic indeed live on in Afrikaans literature' We argue that the epic itself and its literary heritage has not received as much attention as did the stories of the sly jackal and the gullible, even dim-witted, wolf. These extremely short stories do not exhibit the carefully planned structure, sharp social commentary and ruthless exposing of human weaknesses as does the epic. In our opinion, the only text in which the medieval epic itself functions as intertext, is in the brilliant adaptation by Eitemal. Eitemal created a story which is in many ways so different from the Dutch Reinaert, that it truly is a story written on African soil. In the Eitemal text, the sly fox becomes a typical Afrikaans crook-and what's more, he is a villain who is not foreign to modern readers due to his essentially human character. In Reinaard die Jakkals the intrepid, extremely cruel but also clever fox lives on.
       
  • The world is a bar: Fiston Mwanza Mujila's writing beyond 'Africa'

    • Abstract: Taking recent debates on 'How to write Africa' in general and the allegations of sexism in Fiston Mwanza Mujila's novel Tram 83 in particular as a starting point, I analyze three texts by the Austria-based Congolese author in this article. Considering the scope of each text, namely Tram 83 (2014), the play Zu der Zeit der Königinmutter (The Times of the Queen Mother, 2018), and the latest novel La danse du vilain (The Dance of the Villain, 2020), shifting images and meanings of gender dichotomies are explored alongside Mujila's aesthetic literary devices. The article is structured around the omnipresent setting of bars that develop from a disputable 'African' bar in Tram 83 to a radically global bar in Zu der Zeit der Königinmutter and to referentially set bars of Central Africa's postcolonial history in La danse du vilain. I argue that recurrence of the bar as a focal lieu of mingling people in Mujila's writing underlines its function as satirical microcosm that goes beyond a realistic representation of the Democratic Republic of the Congo. Multilayered cultural references in Tram 83 and Zu der Zeit der Königinmutter construct the setting into a worldly space whereas La danse du vilain privileges a historical approach. As further pointed out, the metatextual level that is woven into the texts comments on the difficulty of the adequate representation of 'Africa' and the pitfalls of the global literary market place.
       
  • Battling statues enter into dialogue at the Gouvernorat du
           Haut-Katanga

    • Abstract: In this article I analyze the political bifocal discourse that the display of Congolese political figures reveals at the Gouvernorat du Haut-Katanga (State House of the Province of Haut-Katanga) in Lubumbashi, Democratic Republic of the Congo that was inaugurated in 2018. The display reflects the potency of a discourse dictated by a period of time's circumstances reflective of new ways of thinking. It is the performative self-affirmation focusing on the politics of proximity and not exclusively that of distanciation seen in its worst form in ethnic cleansing. Within the global atmosphere marked by public demonstrations heightened by the death of George Floyd (1973-2020) calling for the toppling of monuments honoring Robert E. Lee; Cecil Rhodes; George Colston's in Bristol, England; King Leopold II in Belgium; honoring busts of King Leopold next to Doha Beatriz Kimpa Vita's; and Moïse Tshombe's next to Patrice-Emery Lumumba's, inevitably leads observers to question the arrangement. It articulates in plain sight a twofold political discourse positing, on one hand, its unitary aspiration, on the other hand, the uniqueness of the Katanga province with its strengths, its expectations, and its vulnerabilities. My analysis relies on Michel Foucault's concept of discourse, on Pierre Nora's notion of lieux de mémoire, and François Hartog's idea of presentism. Hartog's presentism accommodates an analytical exercise that uncovers a discourse of continuity allowed by the necessities of the present. Specific discursive elements become building blocks towards the aspiration to social stability reflected and re-articulated throughout the materiality and rationalizing of figural representations.
       
  • Preliminary notes on topicality and recent pandemic poetry

    • Abstract: In this article I appraise the aesthetic and ideological implications of the use of the topical as source material for literary creation, with special focus on poetry. I underscore how the shared knowledge between the writer and the audience influences the craft of poetry and is equally crucial for the reception of a work of art. I link postcolonial writers' fixation on the topical to Edward Said's influential revaluation of Western historiography and privileging of the political in literary scholarship. I demonstrate my thesis primarily by examining selected poems from the anthology World on the Brinks: An Anthology of Covid-19 Pandemic (2020) as an instance of literary responsiveness to a topical global experience. I highlight and appraise the poets' obvious allusions to, replications, appropriations, and interrogations of well documented discourses on the Covid-19 pandemic as a contestation of imperialistic theories and assumptions, and show how the topical and its discourses fundamentally influence the reception of the work of art. Focusing on the poets' examination of the international politics of healthcare, and dispensing of palliatives, I interrogate the politics of the notion of common humanity vaunted in the wake of the pandemic's exposure of the intangibility of territorial borders. In this article I equally reflect on the mechanisms of the survival and transformation of the topical in poetry.
       
 
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