Hybrid journal (It can contain Open Access articles) ISSN (Print) 0008-199X - ISSN (Online) 1471-6836 Published by Oxford University Press[425 journals]
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Pages: 1 - 17 Abstract: An Impromptu by Frédéric Chopin; ‘Au clair de la lune’; Robert Schumann’s ‘Der Nussbaum’; the Victorian ballad ‘Ben Bolt’; Charles Gounod’s ‘Chanson de Printemps’; the French folk song ‘Malbrouck s’en va-t’en guerre’: this is the repertoire dubbed ‘a somewhat incongruous bill of fare’ by the narrator in George Du Maurier’s 1894 novel Trilby, as he casts his eye over the programme for La Svengali’s Paris concert.11 Du Maurier’s narrator takes umbrage at the placement of classical music – works by composers such as Chopin, Schumann, and Gounod – alongside popular balladry and even a lullaby. Yet the audience within the novel does not seem to share this concern for the distinctions of high and low cultures: instead, it reacts rapturously to La Svengali’s performance (unaware that it is produced by the conductor Svengali’s mesmeric hold over the singer, Trilby). In the lengthy passages describing this performance, Du Maurier mimics and subverts the contours of programme notes, which were an increasingly popular accompaniment to the English concert experience and helped in the establishment of a hierarchy of taste, offering listeners, as Christina Bashford explains, ‘a means to mark themselves as having a superior sensibility’.22 PubDate: Mon, 10 Apr 2023 00:00:00 GMT DOI: 10.1093/camqtly/bfac035 Issue No:Vol. 52, No. 1 (2023)
Please help us test our new pre-print finding feature by giving the pre-print link a rating. A 5 star rating indicates the linked pre-print has the exact same content as the published article.
Please help us test our new pre-print finding feature by giving the pre-print link a rating. A 5 star rating indicates the linked pre-print has the exact same content as the published article.
Pages: 38 - 59 Abstract: The ungodly are not so: but are like the chaff which the wind driveth away.(Ps. 1: 4)11Let there be no illusions about the brotherhood of man. My brother, as dear to me as I am to myself, my twin, my double, my flesh and blood, may be a fellow lyncher as well as a fellow martyr, and in either case is liable to meet his death at my hand if he chooses to take a different view of the situation.The brotherhood of man is evoked by particular men according to their circumstances. But it seldom extends to all men.(R. D. Laing)22 PubDate: Mon, 10 Apr 2023 00:00:00 GMT DOI: 10.1093/camqtly/bfad002 Issue No:Vol. 52, No. 1 (2023)
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Pages: 60 - 80 Abstract: This is the winner of the 2021 Richard D. Gooder Prize for doctoral students, named in memory of Richard Gooder (1934–2017), one of the founding editors of The Cambridge Quarterly. PubDate: Mon, 10 Apr 2023 00:00:00 GMT DOI: 10.1093/camqtly/bfac036 Issue No:Vol. 52, No. 1 (2023)
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Pages: 81 - 86 Abstract: Samuel Beckett and Experimental Psychology: Perception, Attention, Imagery by PowellJoshua. Bloomsbury, 2021. £28.99. ISBN 9 7813 5023 7421 PubDate: Mon, 10 Apr 2023 00:00:00 GMT DOI: 10.1093/camqtly/bfac008 Issue No:Vol. 52, No. 1 (2023)
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Pages: 86 - 92 Abstract: Moral Authority in Seamus Heaney and Geoffrey Hill by VincentBridgetOxford University Press, 2022. £60. ISBN 9 7801 9887 0920 PubDate: Mon, 10 Apr 2023 00:00:00 GMT DOI: 10.1093/camqtly/bfac026 Issue No:Vol. 52, No. 1 (2023)
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Pages: 92 - 98 Abstract: The Ruse of Repair: US Neoliberal Empire and the Turn from Critique by StuelkePatricia. Duke University Press, 2021. £22.99. ISBN 9 7814 7801 4263 PubDate: Mon, 10 Apr 2023 00:00:00 GMT DOI: 10.1093/camqtly/bfac032 Issue No:Vol. 52, No. 1 (2023)
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Pages: 99 - 100 Abstract: William Ghosh is an Associate Professor at Christ Church, University of Oxford. He is the author of VS Naipaul, Caribbean Writing, and Caribbean Thought (2020). PubDate: Mon, 10 Apr 2023 00:00:00 GMT DOI: 10.1093/camqtly/bfad005 Issue No:Vol. 52, No. 1 (2023)
Hybrid journal (It can contain Open Access articles)
[425 journals]
