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Textual Practice
Journal Prestige (SJR): 0.123
Number of Followers: 32  
 
  Hybrid Journal Hybrid journal (It can contain Open Access articles)
ISSN (Print) 0950-236X - ISSN (Online) 1470-1308
Published by Taylor and Francis Homepage  [2652 journals]
  • Introduction: origins, obsolescence and a new timeliness

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      Authors: Douglas Field James Riley a Department of English; Creative Writing, University of Manchester, UKb Girton College, University of Cambridge, UK
      Pages: 853 - 866
      Abstract: Volume 38, Issue 6, June 2024
      .

      Citation: Textual Practice
      PubDate: 2024-08-06T03:51:21Z
      DOI: 10.1080/0950236X.2024.2360838
      Issue No: Vol. 38, No. 6 (2024)
       
  • Homage to the square: Ian Hamilton Finlay’s Poor. Old. Tired. Horse.

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      Authors: Ross Hair Department of American Studies; University of East Anglia, Norwich, United Kingdom
      Pages: 945 - 966
      Abstract: Volume 38, Issue 6, June 2024
      .

      Citation: Textual Practice
      PubDate: 2024-08-06T03:51:21Z
      DOI: 10.1080/0950236X.2024.2362052
      Issue No: Vol. 38, No. 6 (2024)
       
  • The Dark Lady’s survival in contemporary Black women’s writing

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      Authors: Sabine Schülting Institut fuer Englische Philologie; Freie Universität Berlin, Germany
      Pages: 1 - 21
      Abstract: .

      Citation: Textual Practice
      PubDate: 2024-08-08T12:45:36Z
      DOI: 10.1080/0950236X.2024.2385922
       
  • Haptic poetics and community (re)building in Swinburne’s The
           Flogging Block

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      Authors: Ruixue Zhang Department of Languages; Culture, United International College, Beijing Normal University-Hong Kong Baptist University, Zhuhai, People’s Republic of China
      Pages: 1 - 16
      Abstract: .

      Citation: Textual Practice
      PubDate: 2024-08-08T10:10:55Z
      DOI: 10.1080/0950236X.2024.2380285
       
  • Mourning Lycidas in New York: Frank O’Hara’s James Dean elegies as a
           poetic coming-of-age narrative

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      Authors: Seoyoung Park Department of English Language; Literature, Kongju National University, Gongju, Republic of Korea
      Pages: 1 - 21
      Abstract: .

      Citation: Textual Practice
      PubDate: 2024-08-08T09:54:49Z
      DOI: 10.1080/0950236X.2024.2347266
       
  • ‘The most elemental process’: Sunshine as solar melodrama

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      Authors: Stefan Solomon Macquarie University; Sydney, Australia
      Pages: 1 - 22
      Abstract: .

      Citation: Textual Practice
      PubDate: 2024-08-02T03:28:36Z
      DOI: 10.1080/0950236X.2024.2380596
       
  • Resourceful melodrama: carbon capitalism and the fossil unconscious in
           Dymphna Cusack’s Southern Steel (1953)

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      Authors: Meg Brayshaw Discipline of English; Writing, University of Sydney, Sydney, Australia
      Pages: 1 - 19
      Abstract: .

      Citation: Textual Practice
      PubDate: 2024-08-02T03:20:43Z
      DOI: 10.1080/0950236X.2024.2380591
       
  • Engagements with Aimé Césaire: thinking with spirits

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      Authors: Maisie Lee University of Sussex; Falmer, UK
      Pages: 1 - 5
      Abstract: .

      Citation: Textual Practice
      PubDate: 2024-08-02T02:40:34Z
      DOI: 10.1080/0950236X.2024.2384302
       
  • ‘It envelops’: elementality and form in nineteenth-century
           Scottish melodrama

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      Authors: Millie Schurch Department of English; Stockholm University, Stockholm, Sweden
      Pages: 1 - 21
      Abstract: .

      Citation: Textual Practice
      PubDate: 2024-08-02T01:36:28Z
      DOI: 10.1080/0950236X.2024.2380584
       
  • Expository spirits: media and the material occult in J.R.
           Planché’s The Vampire

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      Authors: Sarah Balkin English; Theatre Studies, University of Melbourne, Parkville, Australia
      Pages: 1 - 17
      Abstract: .

      Citation: Textual Practice
      PubDate: 2024-08-02T01:05:21Z
      DOI: 10.1080/0950236X.2024.2380575
       
  • The middle ground of light

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      Authors: Louise Hornby Department of English; University of California, Los Angeles, USA
      Pages: 1 - 23
      Abstract: .

      Citation: Textual Practice
      PubDate: 2024-07-31T09:00:18Z
      DOI: 10.1080/0950236X.2024.2379177
       
  • Ungraspable: Black life in Juan Cárdenas’s novels

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      Authors: Marcelo Carosi Hispanic Studies; Hamilton College, Clinton, NY, USA
      Pages: 1 - 23
      Abstract: .

      Citation: Textual Practice
      PubDate: 2024-07-31T03:04:41Z
      DOI: 10.1080/0950236X.2024.2380257
       
  • Baudelaire and historical time, or, the limits of allegorical reading

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      Authors: Tom Eyers Department of Philosophy; Duquesne University, Pittsburgh, PA, USA
      Pages: 1 - 18
      Abstract: .

      Citation: Textual Practice
      PubDate: 2024-07-30T12:57:31Z
      DOI: 10.1080/0950236X.2024.2380260
       
  • Subaltern discomfort: a phenomenology of the air-conditioner in the age of
           climate (in)justice

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      Authors: Emily McAvan Deakin University; Burwood, Australia
      Pages: 1 - 19
      Abstract: .

      Citation: Textual Practice
      PubDate: 2024-07-30T12:56:52Z
      DOI: 10.1080/0950236X.2024.2380256
       
  • The nonhuman and coming community in the selected works of Olga Tokarczuk

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      Authors: Xiaochun Lei School of Humanities; Social Sciences, Qingdao Agricultural University, Qingdao, People’s Republic of China
      Pages: 1 - 19
      Abstract: .

      Citation: Textual Practice
      PubDate: 2024-07-30T03:42:49Z
      DOI: 10.1080/0950236X.2024.2380267
       
  • The permeable reader: queer metalepsis and the novels of Barbara Trapido

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      Authors: Sophie Coser Independent Scholar
      Pages: 1 - 18
      Abstract: .

      Citation: Textual Practice
      PubDate: 2024-07-30T03:42:22Z
      DOI: 10.1080/0950236X.2024.2380264
       
  • Poundian influences and misty poetics in Yang Lian’s concentric
           circles

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      Authors: Kent Su School of English Studies; Shanghai International Studies University, Shanghai, China
      Pages: 1 - 19
      Abstract: .

      Citation: Textual Practice
      PubDate: 2024-07-30T03:08:25Z
      DOI: 10.1080/0950236X.2024.2380287
       
  • Crisis and critique in Christine Smallwood’s The Life of the Mind
           (2021)

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      Authors: Lucy Neave School of Literature; Languages Social Sciences, Australian National University, Canberra, Australia
      Pages: 1 - 19
      Abstract: .

      Citation: Textual Practice
      PubDate: 2024-07-30T02:58:31Z
      DOI: 10.1080/0950236X.2024.2380286
       
  • Lines, cuts and engrams: comparing contemporary partition narratives from
           (Northern) Ireland and Upper Silesia

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      Authors: Leszek Drong Institute of Literary Studies; Faculty of Humanities, University of Silesia in Katowice, Sosnowiec, Poland
      Pages: 1 - 18
      Abstract: .

      Citation: Textual Practice
      PubDate: 2024-07-30T02:48:22Z
      DOI: 10.1080/0950236X.2024.2380274
       
  • Reimagining Shakespeare’s The Tempest in its afterlife: a study of cuts,
           revisions, and potential sources

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      Authors: Samuel Webster School of Humanities; Arts Social Sciences, University of New England, Armidale NSW, Australia
      Pages: 1 - 27
      Abstract: .

      Citation: Textual Practice
      PubDate: 2024-07-30T02:26:30Z
      DOI: 10.1080/0950236X.2024.2380266
       
  • Critique du récit pur: gleam of time in Maurice Blanchot’s
           narratives

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      Authors: Jeff Fort Department of French; Francophone Studies, University of California, Davis, USA
      Pages: 1 - 24
      Abstract: .

      Citation: Textual Practice
      PubDate: 2024-07-29T12:25:39Z
      DOI: 10.1080/0950236X.2024.2379189
       
  • In light of myth: photography as truth in Roland Barthes’s Camera
           Lucida

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      Authors: Kalliopi Nikolopoulou a Department of Comparative Literature; University at Buffalo, Buffalo, NY, USA
      Pages: 1 - 21
      Abstract: .

      Citation: Textual Practice
      PubDate: 2024-07-29T12:19:39Z
      DOI: 10.1080/0950236X.2024.2379187
       
  • Photomimesis and the anti-aesthetic

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      Authors: Nathan Wainstein Department of English; The University of Utah, Salt Lake City, USA
      Pages: 1 - 23
      Abstract: .

      Citation: Textual Practice
      PubDate: 2024-07-29T12:17:40Z
      DOI: 10.1080/0950236X.2024.2379182
       
  • Son et lumière in Proust

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      Authors: Igor Reyner Jennifer Rushworth a Museu Nacional; Federal University of Rio de Janeiro, Rio de Janeiro, Brazilb SELCS, University College London, London, UK
      Pages: 1 - 16
      Abstract: .

      Citation: Textual Practice
      PubDate: 2024-07-29T12:13:57Z
      DOI: 10.1080/0950236X.2024.2379181
       
  • Helen Keller’s ‘Sense of light’: life-writing, light-writing and the
           photosynthetic subject

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      Authors: Jayne Lewis Department of English; University of California, Irvine, CA, USA
      Pages: 1 - 25
      Abstract: .

      Citation: Textual Practice
      PubDate: 2024-07-29T11:59:26Z
      DOI: 10.1080/0950236X.2024.2379176
       
  • Max Porter’s ruderalism, or what nature is now

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      Authors: Berthold Schoene Department of English; Manchester Metropolitan University, Manchester, UK
      Pages: 1 - 24
      Abstract: .

      Citation: Textual Practice
      PubDate: 2024-07-22T03:46:03Z
      DOI: 10.1080/0950236X.2024.2380254
       
  • Through Sun Tunnels: radical subjectivity and the radiant drive

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      Authors: Fernanda Negrete Department of Romance Languages; Literatures, University at Buffalo, Buffalo, NY, USA
      Pages: 1 - 25
      Abstract: .

      Citation: Textual Practice
      PubDate: 2024-07-22T02:11:49Z
      DOI: 10.1080/0950236X.2024.2379180
       
  • ‘Someone lives in me’: how essayists enter our lives

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      Authors: Dan Dixon Department of English; University of Sydney, Sydney, Australia
      Pages: 1 - 20
      Abstract: .

      Citation: Textual Practice
      PubDate: 2024-07-19T04:29:12Z
      DOI: 10.1080/0950236X.2024.2380255
       
  • Aesthetics of obscenity: the avant-garde text and underground impact of My
           Own Mag and Poetmeat

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      Authors: Bruce Wilkinson
      Pages: 1 - 25
      Abstract: .

      Citation: Textual Practice
      PubDate: 2024-07-11T11:04:32Z
      DOI: 10.1080/0950236X.2024.2362021
       
  • Huge urgency and consummate skill: an interview with Jim Pennington

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      Authors: Douglas Field James Riley a University of Manchester; Manchester, UKb Girton College, University of Cambridge, Cambridge, UK
      Pages: 1 - 14
      Abstract: .

      Citation: Textual Practice
      PubDate: 2024-07-09T03:38:03Z
      DOI: 10.1080/0950236X.2024.2360842
       
  • ‘A foot in both camps’: Michael Sappol’s Personal Injury, the New
           York School, and Language poetry before
           L = A = N = G = U = A = G = E

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      Authors: Daniel Kane English Department; Uppsala University, Uppsala, Sweden
      Pages: 1 - 22
      Abstract: .

      Citation: Textual Practice
      PubDate: 2024-07-02T03:53:20Z
      DOI: 10.1080/0950236X.2024.2362054
       
  • ‘Little magazines were the only option’: an interview with
           Tina Morris

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      Authors: Bruce Wilkinson
      Pages: 1 - 6
      Abstract: .

      Citation: Textual Practice
      PubDate: 2024-07-02T02:12:39Z
      DOI: 10.1080/0950236X.2024.2363082
       
  • THE SPIRIT LIVES! An interview with Douglas Blazek

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      Authors: Douglas Field James Riley a University of Manchesterb University of Cambridge
      Pages: 1 - 9
      Abstract: .

      Citation: Textual Practice
      PubDate: 2024-06-27T01:47:37Z
      DOI: 10.1080/0950236X.2024.2362041
       
  • Poetic transcribbling: Ted Berrigan & Harris Schiff’s Yo-Yo’s with
           Money and Beaned in Boston

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      Authors: Stephanie Anderson Division of the Arts & Humanities; Duke Kunshan University, Kunshan, People's Republic of China
      Pages: 1 - 23
      Abstract: .

      Citation: Textual Practice
      PubDate: 2024-06-25T11:57:38Z
      DOI: 10.1080/0950236X.2024.2362053
       
  • Too good to be entirely true (A coda on the pleasure of archives and
           avant-garde publishing)

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      Authors: Sophie Seita Department of Art; Goldsmiths, University of London, London, UK
      Pages: 1 - 6
      Abstract: .

      Citation: Textual Practice
      PubDate: 2024-06-10T04:38:34Z
      DOI: 10.1080/0950236X.2024.2362057
       
  • Signal and noise in Skelton

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      Authors: Raphael Lyne Faculty of English; University of Cambridge, Cambridge, UK
      Pages: 1 - 22
      Abstract: .

      Citation: Textual Practice
      PubDate: 2024-06-10T04:10:32Z
      DOI: 10.1080/0950236X.2024.2347245
       
  • ‘Counting fry under a waterfall’: the history, development, and
           current use of the Small Press Collections at University College London

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      Authors: Elizabeth Lawes Library; Culture, Collections & Open Science, University College London, London, UK
      Pages: 1 - 24
      Abstract: .

      Citation: Textual Practice
      PubDate: 2024-06-07T03:09:41Z
      DOI: 10.1080/0950236X.2024.2360844
       
  • ‘Mike, Bob, Bill, Jim, Thom’: queer communal life and poetic form in
           Thom Gunn’s ‘Jack Straw’s Castle’

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      Authors: Tom McLaughlin School of Literature; Languages, Surrey University, Guildford, UK
      Pages: 1 - 16
      Abstract: .

      Citation: Textual Practice
      PubDate: 2024-05-24T12:09:16Z
      DOI: 10.1080/0950236X.2023.2295279
       
  • A poetic geography: placing urban literature in two districts of Istanbul,
           Türkiye

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      Authors: Jameson B. Kısmet BellDepartment of Western Languages; Literatures, Boğaziçi University, Istanbul, Turkey
      Pages: 1 - 23
      Abstract: .

      Citation: Textual Practice
      PubDate: 2024-05-20T04:11:22Z
      DOI: 10.1080/0950236X.2024.2347250
       
  • Do Shakespeare’s characters mean what they say'

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      Authors: Jeffrey KnappDepartment of English; University of California, Berkeley, CA, USA
      Pages: 1 - 17
      Abstract: .

      Citation: Textual Practice
      PubDate: 2024-05-16T04:07:44Z
      DOI: 10.1080/0950236X.2024.2348886
       
  • The chaff and the wheat: Emily Dickinson and Maurice Blanchot

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      Authors: Tania GanitskyFacultad de Ciencias Sociales; Departamento de Literatura, Pontificia Universidad Javeriana, Bogotá, Colombia
      Pages: 1 - 20
      Abstract: .

      Citation: Textual Practice
      PubDate: 2024-05-13T09:14:07Z
      DOI: 10.1080/0950236X.2024.2347252
       
  • Do stories need critics' Environmental storyism and the ends of
           ecocriticism

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      Authors: Jennifer HamiltonEmily PotterKillian Quigleya Department of Literatures; Languages, Linguistics Social Sciences, The Australian Catholic University, Melbourne, Australia
      Pages: 1 - 23
      Abstract: .

      Citation: Textual Practice
      PubDate: 2024-05-13T08:29:39Z
      DOI: 10.1080/0950236X.2024.2348066
       
  • The endurance of utterance and the incorporeal in the writing of Samuel
           Beckett and J.M. Coetzee

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      Authors: Polona OsojnikDepartment of English; The University of Sussex, Brighton, UK
      Pages: 1 - 20
      Abstract: .

      Citation: Textual Practice
      PubDate: 2024-05-09T09:53:46Z
      DOI: 10.1080/0950236X.2024.2347261
       
  • ‘The outside after all must be right there beside me’: Claire-Louise
           Bennett’s Pond and post-critical perspective

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      Authors: Stephen BensonSchool of Literature; Drama Creative Writing, University of East Anglia, Norwich, UK
      Pages: 1 - 21
      Abstract: .

      Citation: Textual Practice
      PubDate: 2024-05-09T09:53:36Z
      DOI: 10.1080/0950236X.2024.2347260
       
  • From before to after – bridging the gap: photography, art and the state
           in J.M. Coetzee’s late fiction

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      Authors: Michael JardineDepartment of English; Creative Writing, University of Winchester, Winchester, UK
      Pages: 1 - 31
      Abstract: .

      Citation: Textual Practice
      PubDate: 2024-05-09T09:50:25Z
      DOI: 10.1080/0950236X.2024.2347254
       
  • Fencing with the symptom: a Lacanian reading of Laurence Sterne's sentence
           structure and punctuation in Tristram Shandy

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      Authors: Tim MacGabhannDepartment of Literature; Drama Creative Writing, University of East Anglia, Norwich, UK
      Pages: 1 - 25
      Abstract: .

      Citation: Textual Practice
      PubDate: 2024-05-09T09:50:23Z
      DOI: 10.1080/0950236X.2024.2347253
       
  • The paradoxes of Roland Barthes’s fait-divers murders and Edgar Allan
           Poe’s ‘Things external to the game’

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      Authors: Alistair RollsSchool of Humanities; Creative Industries Social Science, University of Newcastle, Callaghan, Australia
      Pages: 1 - 16
      Abstract: .

      Citation: Textual Practice
      PubDate: 2024-05-09T09:48:16Z
      DOI: 10.1080/0950236X.2024.2347248
       
  • Constraint and corporeality: reading Brooke-Rose and Garréta’s
           gendered experiments

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      Authors: Kaye MitchellEnglish Literature; American Studies Creative Writing, University of Manchester, Manchester, UK
      Pages: 1 - 19
      Abstract: .

      Citation: Textual Practice
      PubDate: 2024-05-09T09:48:12Z
      DOI: 10.1080/0950236X.2024.2347244
       
  • Breaking down in fits and starts: navigating a good naturalisation of J.
           H. Prynne’s ‘Blue Slides at Rest’ (2004)

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      Authors: Max Eliott HeuvelsFaculty of English; University of Cambridge, Pembroke College, Cambridge, UK
      Pages: 1 - 18
      Abstract: .

      Citation: Textual Practice
      PubDate: 2024-05-09T09:46:13Z
      DOI: 10.1080/0950236X.2024.2347267
       
  • The human after math: Nnedi Okorafor’s unruly engagements with
           Cartesian desire

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      Authors: Moyang (Moya) Lia English Department; California State University, Long Beach, Long Beach, CA, USAb Literatures in English, Rutgers University, New Brunswick, NJ, USA
      Pages: 1 - 25
      Abstract: .

      Citation: Textual Practice
      PubDate: 2024-05-09T08:38:21Z
      DOI: 10.1080/0950236X.2024.2324867
       
  • Kae Tempest, London and the digital affects of neoliberalism

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      Authors: George LeggDepartment of Liberal Arts; Faculty of Arts Humanities, King’s College London, London, UK
      Pages: 1 - 23
      Abstract: .

      Citation: Textual Practice
      PubDate: 2024-05-02T01:43:05Z
      DOI: 10.1080/0950236X.2024.2318043
       
  • ‘Writing is expensive, and it takes a long time’: publishing as
           picaresque in Emma Healey’s Best Young Woman Job Book

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      Authors: Sarah BrouilletteDepartment of English; Carleton University, Ottawa, Canada
      Pages: 1 - 15
      Abstract: .

      Citation: Textual Practice
      PubDate: 2024-04-30T08:14:03Z
      DOI: 10.1080/0950236X.2024.2347249
       
  • ‘The problem of other minds’: disappropriation and the limits of
           polyphony in Ben Lerner’s The Topeka School

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      Authors: Marta ZanuccoDepartment of English; University of Liverpool, Liverpool, UK
      Pages: 1 - 20
      Abstract: .

      Citation: Textual Practice
      PubDate: 2024-04-30T08:14:03Z
      DOI: 10.1080/0950236X.2024.2347246
       
  • Tennessee Williams’ escapology and the heterotopia of ‘The Mysteries
           of the Joy Rio’

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      Authors: James PhillipsSchool of Humanities; Languages, University of New South Wales, Sydney, NSW, Australia
      Pages: 1 - 18
      Abstract: .

      Citation: Textual Practice
      PubDate: 2024-04-29T10:15:30Z
      DOI: 10.1080/0950236X.2024.2347247
       
  • The groovy: an everyday aesthetic of the sixties

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      Authors: James ReathWellcome Early-Career Research Fellow; Department of English Literature, University of Exeter, Exeter, UK
      Pages: 1 - 25
      Abstract: .

      Citation: Textual Practice
      PubDate: 2024-03-25T08:39:47Z
      DOI: 10.1080/0950236X.2024.2321912
       
  • Modernism and the Aristocracy: Monsters of English Privilege

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      Authors: Michael BellUniversity of Warwick; Coventry, UK
      Pages: 1 - 3
      Abstract: .

      Citation: Textual Practice
      PubDate: 2024-03-20T08:29:13Z
      DOI: 10.1080/0950236X.2024.2326764
       
  • Speaking (from) out of tradition: hermeneutics, literary style and the
           task of textual interpretation in J. M. Coetzee’s Elizabeth Costello
           (2003) and Julian Barnes’s Elizabeth Finch (2022)

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      Authors: Ian TanEnglish Language; Literature Academic Group, National Institute of Education, Nanyang Technological University
      Pages: 1 - 24
      Abstract: .

      Citation: Textual Practice
      PubDate: 2024-03-11T09:08:44Z
      DOI: 10.1080/0950236X.2024.2328110
       
  • The lost shape of words: reading the post-literate condition in Ali
           Smith’s Like (1997)

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      Authors: Adrienne MortimerLeeds Arts; Humanities Research Institute, University of Leeds, Leeds, UK
      Pages: 1 - 23
      Abstract: .

      Citation: Textual Practice
      PubDate: 2024-03-08T08:37:34Z
      DOI: 10.1080/0950236X.2024.2318037
       
  • How the earth feels: geological fantasy in the nineteenth-century United
           States

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      Authors: Sophia HoughtonColumbia University; New York, NY, USA
      Pages: 1 - 4
      Abstract: .

      Citation: Textual Practice
      PubDate: 2024-02-26T09:03:53Z
      DOI: 10.1080/0950236X.2024.2323261
       
  • The uneasiness of emotion and its representations in Max Porter’s Grief
           Is the Thing with Feathers

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      Authors: Adel CheongSchool of English; Dublin City University, Dublin, Ireland
      Pages: 1 - 25
      Abstract: .

      Citation: Textual Practice
      PubDate: 2024-02-22T02:22:35Z
      DOI: 10.1080/0950236X.2024.2319279
       
  • Native daughters, evil empires, Blazing Worlds: Margaret Cavendish's
           imperialism

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