Subjects -> LANGUAGE AND LITERATURE (Total: 2147 journals)
    - LANGUAGE AND LITERATURE (954 journals)
    - LANGUAGES (276 journals)
    - LITERARY AND POLITICAL REVIEWS (201 journals)
    - LITERATURE (GENERAL) (180 journals)
    - NOVELS (13 journals)
    - PHILOLOGY AND LINGUISTICS (500 journals)
    - POETRY (23 journals)

LANGUAGE AND LITERATURE (954 journals)            First | 1 2 3 4 5     

Showing 801 - 127 of 127 Journals sorted alphabetically
Studia Rossica Gedanensia     Open Access  
Studia Scandinavica     Open Access  
Studia Slavica     Full-text available via subscription   (Followers: 1)
Studia theodisca     Open Access  
Studien zur deutschen Sprache und Literatur     Open Access   (Followers: 4)
Studies in African Languages and Cultures     Open Access  
Studies in American Indian Literatures     Full-text available via subscription   (Followers: 4)
Studies in Applied Linguistics & TESOL (SALT)     Open Access   (Followers: 3)
Studies in Canadian Literature / Études en littérature canadienne     Full-text available via subscription   (Followers: 2)
Studies in ELT and Applied Linguistics     Open Access   (Followers: 15)
Studies in Scottish Literature     Open Access   (Followers: 5)
Studies in the Age of Chaucer     Full-text available via subscription   (Followers: 3)
Studies in the Novel     Full-text available via subscription   (Followers: 16)
SubStance     Full-text available via subscription   (Followers: 7)
Suomalais-Ugrilaisen Seuran Aikakauskirja : Journal de la Société Finno-Ougrienne     Open Access  
Sustainable Multilingualism     Open Access  
Swedish Journal of Romanian Studies     Open Access  
Sylloge epigraphica Barcinonensis : SEBarc     Open Access  
symploke     Full-text available via subscription   (Followers: 3)
Sztuka Edycji     Open Access   (Followers: 4)
Tabuleiro de Letras     Open Access  
Teksty Drugie     Open Access  
Telar     Open Access  
Telondefondo : Revista de Teoría y Crítica Teatral     Open Access  
Temps zero     Open Access  
Tenso     Full-text available via subscription   (Followers: 2)
Teoliterária : Revista Brasileira de Literaturas e Teologias     Open Access  
Terminàlia     Open Access  
Territories : A Trans-Cultural Journal of Regional Studies     Open Access   (Followers: 1)
Texas Studies in Literature and Language     Full-text available via subscription   (Followers: 3)
Text Matters     Open Access   (Followers: 6)
Textual Cultures     Full-text available via subscription   (Followers: 12)
Textual Practice     Hybrid Journal   (Followers: 24)
Texturas     Open Access  
The BARS Review     Open Access  
The CLR James Journal     Full-text available via subscription  
The Comparatist     Full-text available via subscription   (Followers: 4)
The Eighteenth Century     Full-text available via subscription   (Followers: 35)
The Explicator     Full-text available via subscription   (Followers: 4)
The F. Scott Fitzgerald Review     Full-text available via subscription   (Followers: 1)
The Highlander Journal     Open Access   (Followers: 2)
The Hopkins Review     Full-text available via subscription   (Followers: 2)
The Lion and the Unicorn     Full-text available via subscription   (Followers: 12)
The Literacy Trek     Open Access  
The Mark Twain Annual     Full-text available via subscription   (Followers: 2)
The New Yorker     Full-text available via subscription   (Followers: 31)
The Vernal Pool     Open Access  
Tirant : Butlletí informatiu i bibliogràfic de literatura de cavalleries     Open Access  
Tolkien Studies     Full-text available via subscription   (Followers: 10)
TradTerm     Open Access  
Traduire : Revue française de la traduction     Open Access   (Followers: 2)
TRANS : Revista de Traductología     Open Access   (Followers: 1)
Transalpina     Open Access  
Transfer : e-Journal on Translation and Intercultural Studies     Open Access   (Followers: 2)
Translation and Literature     Hybrid Journal   (Followers: 16)
Translation Review     Hybrid Journal   (Followers: 3)
Translation Studies     Hybrid Journal   (Followers: 24)
Translationes     Open Access   (Followers: 1)
Transmodernity : Journal of Peripheral Cultural Production of the Luso-Hispanic World     Open Access   (Followers: 4)
Transmotion     Open Access   (Followers: 8)
Transversal     Open Access  
Trasvases Entre la Literatura y el Cine     Open Access  
Trípodos     Open Access  
Tropelías : Revista de Teoría de la Literatura y Literatura Comparada     Open Access  
Tsafon : Revue Interdisciplinaire d'études Juives     Open Access   (Followers: 1)
Tulsa Studies in Women's Literature     Full-text available via subscription   (Followers: 7)
Turkish Review of Communication Studies     Open Access  
Tutur : Cakrawala Kajian Bahasa-Bahasa Nusantara     Open Access  
Tydskrif vir Letterkunde     Open Access  
Uncommon Culture     Open Access  
Unidiversidad     Open Access  
Urdimento : Revista de Estudos em Artes Cênicas     Open Access  
US Latino & Latina Oral History Journal     Full-text available via subscription  
Valenciana     Open Access  
Variants : Journal of the European Society for Textual Scholarship     Open Access  
Verba : Anuario Galego de Filoloxía     Full-text available via subscription  
Verba Hispanica     Open Access  
Vertimo studijos (Translation Studies)     Open Access   (Followers: 1)
Via Panorâmica : Revista de Estudos Anglo-Americanos     Open Access  
Victorian Literature and Culture     Hybrid Journal   (Followers: 22)
Victorian Poetry     Full-text available via subscription   (Followers: 12)
Vilnius University Open Series     Open Access  
Vision : Journal for Language and Foreign Language Learning     Open Access   (Followers: 1)
Vita Latina     Full-text available via subscription   (Followers: 2)
Voice and Speech Review     Hybrid Journal  
Voix et Images     Full-text available via subscription   (Followers: 1)
Vox Romanica     Full-text available via subscription   (Followers: 4)
Wacana     Open Access  
Wacana : Journal of the Humanities of Indonesia     Open Access   (Followers: 1)
Wasafiri     Hybrid Journal   (Followers: 4)
Werkwinkel : Journal of Low Countries and South African Studies     Open Access  
Western American Literature     Full-text available via subscription   (Followers: 4)
Wicazo Sa Review     Full-text available via subscription   (Followers: 1)
WikiJournal of Humanities     Open Access  
William Carlos Williams Review     Full-text available via subscription   (Followers: 1)
Word Structure     Hybrid Journal   (Followers: 2)
Writing Systems Research     Hybrid Journal   (Followers: 2)
Written Language & Literacy     Hybrid Journal   (Followers: 4)
WSQ: Women's Studies Quarterly     Full-text available via subscription   (Followers: 15)
Year's Work in English Studies     Hybrid Journal   (Followers: 19)
Yearbook of Ancient Greek Epic Online     Full-text available via subscription   (Followers: 2)
Yearbook of Langland Studies     Full-text available via subscription  
Zeitschrift fuer deutsches Altertum und Literatur     Full-text available via subscription   (Followers: 7)
Zeitschrift für Interkulturellen Fremdsprachenunterricht     Open Access   (Followers: 1)
Zeitschrift für Literaturwissenschaft und Linguistik     Hybrid Journal   (Followers: 1)
Zeitschrift für Wortbildung / Journal of Word Formation     Full-text available via subscription  
Zeszyty Cyrylo-Metodiańskie     Open Access  
Zibaldone : Estudios Italianos     Open Access  
Zutot     Hybrid Journal   (Followers: 1)
Œuvres et Critiques     Full-text available via subscription  
Известия Южного федерального университета. Филологические науки     Open Access  

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Textual Cultures
Number of Followers: 12  
 
  Full-text available via subscription Subscription journal
ISSN (Print) 1559-2936 - ISSN (Online) 1933-7418
Published by Indiana University Press Homepage  [27 journals]
  • Editors' Note

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      Abstract: With this issue of Textual Cultures, the STS community commemorates the scholarly legacy of David C. Greetham, October 21, 1941–March 24, 2020. David's commitment to scholarly virtue—that is to say, scholarly excellence that engenders communal prospering—was perpetual and peerless. In his erudition, rigor, and generosity he embodied the spirit of this Society, of which he was a founding member. His many works, among them Textual Scholarship: An Introduction (1992); Scholarly Editing: A Guide to Research (1995); The Margins of the Text: Editorial Theory and Literary Criticism (1997); Textual Transgressions: Essays Toward the Construction of a Biobibliography (1998); Theories of the Text (1999); and The Pleasures of ... Read More
      PubDate: 2022-01-16T00:00:00-05:00
       
  • Adventures in Libraries: Thoughts on Epistemology

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      Abstract: Well, as you've heard, my trade is known as palaeography. This I understand in a considerably wider sense than merely being a penmanship engineer; as the old joke says, palaeographers are commonly known as people who will date almost anything. My iteration, although I can date many medieval north European scripts and although what I do has made me mainly a library-rat, is the broader 'book-history'. Books are obviously there, in whatever form they take, to communicate texts; as such, they are embedded in communities—of authorship, transmission, and reception. Moreover, medieval books in particular long outlast their intended or original audiences and have fascinating cultural interactions that extend to the ... Read More
      PubDate: 2022-01-16T00:00:00-05:00
       
  • The Accidentals Tourist: Greg's "Rationale of Copy-Text" and the Dawn of
           Transatlantic Air Travel

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      Abstract: Asks to borrow Rowe's 2nd edition for The Merchant of Venice, along with the Praetorius facsimile of Q2 and perhaps the Furness Variorum. If he sends Q1 she can paste it up herself. Discusses stops in stage-directions, and suggests clarifying certain collation notes on punctuation for the sake of the printer. Asks why he uses a pump instead of a water-softener.The design of the Hinman [collator] constitutes a wonderful example of late-1940s and 1950s futurism. Its hulking, metal exterior reminds us that it was invented in a great age of rocket ships, robots, and other types of imaginative technology—so much so that one would not be surprised to find it featured on the cover of Astounding Science Fiction or some ... Read More
      PubDate: 2022-01-16T00:00:00-05:00
       
  • Textual Continuity

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      Abstract: "He cut, condensed, expanded; in some cases he decided the original version should stand"1In Borges's story, a Czech playwright, Jaromir Hladik, is about to be executed by a Nazi firing squad, but he prays for the chance to finish his work-in-progress, The Enemies. God grants Hladik the miraculous ability to do so: while time stops for everyone else in the storyworld, Hladik reviews the entire text of the play in his mind, revising and reorganizing until he considers it finally complete—at which point Hladik returns to the normal passage of time and is immediately killed. This is a fascinating narrative in many respects, not least from the perspective of editorial theory. As far as Hladik is concerned, The Enemies ... Read More
      PubDate: 2022-01-16T00:00:00-05:00
       
  • Tipologie di contaminazione nella tradizione testuale della "Commedia"
           dantesca

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      Abstract: La trasmissione orizzontale, se non di un testo, di singole lezioni si confronta […] con una macchia d'olio, che da un punto determinato si allarga a poco a poco sino a coprire tutta una superficie: fino a dove giungerà allargandosi, nessuno può prevedere con sicurezza.Come è noto, l'edizione della Commedia rappresenta un lavoro complesso, non solo a causa del testo, sul quale possono nascere mille dubbi e dibattiti, ma anche perché la tradizione dell'opera costituisce uno dei casi più intricati della filologia italiana e romanza.Essendomi dedicata per piú di dieci anni alla classificazione dei 580 manoscritti superstiti posso dire che, oltre naturalmente al numero elevato di testimoni (per il quale soccorrono i ... Read More
      PubDate: 2022-01-16T00:00:00-05:00
       
  • Editing Versions: Historicism, Biography, and the Digital in Tanselle's
           Descriptive Bibliography

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      Abstract: I am not a descriptive bibliographer, and I am among the least practiced readers of this journal to reflect on G. Thomas Tanselle's comprehensive volume titled Descriptive Bibliography (Bibliographical Society of the University of Virginia, 2020). Would not one of Tanselle's equally titanic contemporaries—Hans Walter Gabler, Jerome J. McGann, Joel Myerson, Peter Shillingsburg, James L. W. West, or Michael Winship—be better qualified; or one of his former, highly accomplished students, such as David Vander Meulen; or any of a younger (though graying) generation who have made distinguished contributions in not only descriptive bibliography but also textual studies, such as Mark Bland, Maura Ives, Randall McLeod, and ... Read More
      PubDate: 2022-01-16T00:00:00-05:00
       
  • Music's Textual Dilemma: Mistrusting Musical Texts

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      Abstract: Music is sound: audible, unique, ephemeral. For music composed before the age of electronic recording, musical texts—the unique arrangements of musical symbols by which music is represented in visible form—are our principal evidence for how that music sounded when it was created. Electronic recording began to produce useful reproductions of musical performances shortly before 1900, so for our knowledge of all Western music created more than a century and a quarter ago, including the works of Josquin, Monteverdi, Vivaldi, Bach, Mozart, Beethoven, Rossini, and Wagner, we must of necessity depend upon texts.Although the methodologies editors of music employ for dealing with musical texts are largely imported from the ... Read More
      PubDate: 2022-01-16T00:00:00-05:00
       
  • Attributing Another Song to Maroie de Diergnau de Lille

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      Abstract: Dame Maroie or Maroie de Diergnau was a woman trouvère, identified by Petersen Dyggve (1973, 82, 176) as from Diergnau, formerly a suburb of Lille with a feudal castle (see also Guesnon 1902, 160). She is named by Andrieu Contredit d'Arras in his song, Bonne, belle et avenant (RS 262, L 7–4),1 which ends with these words:Chancon, va t'en! sans retraireVers Dergan soiez errans!Di Marote, la vaillans,Qu'elle pent2 de joie faire.(Schmidt 1903, 49)[Song, go off without delay / toward Diergnau, set out immediately! / Tell the valiant Marote, / that she can rejoice.]Andrieu probably died in 1248; scholars assume that Maroie was his contemporary and that she flourished in the first half of the thirteenth ... Read More
      PubDate: 2022-01-16T00:00:00-05:00
       
  • Printers of the Kosmos: Designing a Variorum of the First Leaves of Grass

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      Abstract: When Walt Whitman took a mind to self-publish a radically new book of poems, he turned to an old, familiar model: Shakespeare. A former printer himself, Whitman would have been accustomed to making print-related calculations, though not perhaps for books of poetry. On a manuscript that may be found at the Harry Ransom Center, he started the process of casting off Leaves of Grass. He outlined the intended order for his poems, then added up the number of manuscript pages associated with each. He then estimated the "letters in one of my closely written MS pages like page 2", multiplied that by the manuscript pages (127), then divided by the number of letters on a printed page of poetry, to estimate 181 printed pages. ... Read More
      PubDate: 2022-01-16T00:00:00-05:00
       
  • Metalepsis in a Narrative Piece by M. S. Lourenço

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      Abstract: The subordinate function of philology remains evident in titles such as Philologia ancilla litteraturae, the Festschrift dedicated to Professor Gilles Eckard (Corbellari et al. 2013), or "Philologia ancilla historiae: An Emendation to lex Burgundionum, 42,2" (McManus & Donahue 2014). According to this ancillary status of philology, the major aim of a textual critic would consist in establishing a text so that afterwards it would be interpreted by scholars of the field that text belongs to. Such a view has been explicitly supported in different quarters of the academy and is still an implicit foundation of text-centred disciplines. Accordingly, philology would be an activity operating in a field prior to the ... Read More
      PubDate: 2022-01-16T00:00:00-05:00
       
  • Giacomo Casanova et Cecille von Roggendorff: Lettres de sa dernière
           correspondante

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      Abstract: Voilà donc le diable, devenu ermite, parle un langage auquel nul ne peut trouver à redire. Suivons-le dans sa courte carrière de directeur spirituel et intellectuel.La première lettre écrite par Cecille von Roggendorff (1775–1814) à Giacomo Casanova (1725–1798) remonte au 6 février 1797, avec celle-ci commence un échange épistolaire qui se limite à la dernière année de vie du libertin.1 Cecille fut—sans oublier Élise von der Recke—sa dernière correspondante: Casanova meurt le 4 juin 1798 sans jamais avoir eu la chance de la rencontrer.2 Cependant, le compte rendu lettre par lettre met l'accent sur les interlocuteurs et permet une mise à jour de la narration que l'auteur de l'Histoire de ma vie a consciemment décidé ... Read More
      PubDate: 2022-01-16T00:00:00-05:00
       
  • How Should One Read "The Reader"' New Approaches to Virginia Woolf's
           Late Archive

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      Abstract: In the final months of her life, Virginia Woolf worked simultaneously on two projects that she would not live to see published. The better known of the two became the novel Between the Acts (1941), edited and published posthumously by her husband Leonard Woolf. In the introduction to his innovative edition of the novel, Mark Hussey observes that Between the Acts is "not usually considered among the well-known unfinished works of modernism" (in Woolf 2011, xxxix).1 He collocates Woolf's 1941 novel with Ezra Pound's Cantos, Antoni Gaudi's Sagrada Familia and Walter Benjamin's Arcades project. Still less well known is the work of literary history she had started but would never finish. This was provisionally titled ... Read More
      PubDate: 2022-01-16T00:00:00-05:00
       
  • An Evolutionary Textual Environment: The Unfinished Machine

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      Abstract: Can we conceive of models of interface that are genuine instruments for research' That are not merely queries within pre-set data that search and sort according to an immutable agenda' How can we imagine an interface that allows content modeling, intellectual argument, rhetorical engagement'The experiment briefly described in this article is an attempt to answer the challenges posed by textual modeling and interface design according to humanistic principles.1 The work known as Fernando Pessoa's Book of Disquiet has been the point of departure for engaging with "a performative approach to materiality and the design of an interpretative interface" (Drucker 2013, §37). As a digital humanities experiment, the LdoD ... Read More
      PubDate: 2022-01-16T00:00:00-05:00
       
  • The Nature of the Page: Poetry, Papermaking, and the Ecology of Texts in
           Renaissance England by Joshua Calhoun (review)

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      Abstract: The word "Nature" in the title here means two things: both nature as "quality" and nature as our larger physical world. The relation of these two meanings is, in fact, a point of the book: paper pages were, are, and will continue to be natural things. With the full foretitle, Calhoun tips his hat to Adrian Johns's indispensable The Nature of the Book (2009), and it's worth noting from the outset that one of the many admirable aspects of The Nature of the Page is its attention to and respect for existing scholarship. In fact, while this book does many things well, one of the most useful is citing and summarizing a wealth of studies related to book history and its related technologies—particularly, the intertwined ... Read More
      PubDate: 2022-01-16T00:00:00-05:00
       
  • Postprint: Books and Becoming Computational by N. Katherine Hayles
           (review)

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      Abstract: In Postprint: Books and Becoming Computational, N. Katherine Hayles employs the term postprint to refer to publishing after 2000, coming after what she regards as 50 years of revolutionary technological change in the printing industry, from the invention of photocomposition to print on demand. Despite setting up a historical framework, she is not actually aiming to produce a chronicle of an era closely focused on the distribution and reception of texts produced with these innovations or made available as eBooks. Such a study might constitute the traditional (read: stuffy) monograph university presses are moving away from, as Hayles demonstrates in her compelling chapter on that corner of the publishing world. ... Read More
      PubDate: 2022-01-16T00:00:00-05:00
       
  • Book Traces: Nineteenth-Century Readers and the Future of the Library by
           Andrew M. Stauffer (review)

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      Abstract: What do we hope to learn from our textual artifacts' Examining their textuality in conjunction with their materiality, we scour them for signs they were and were not designed to reveal about their ideation, composition, publication, reproduction, remediation, distribution, circulation, reception, and even their destruction. We read them individually; genealogically, to craft narratives about composition and publication, for example; and collectively, in networks and datasets, to uncover social, political, technological, and aesthetic connections. The data thus extracted is deployed to many ends, but however it is channeled, the data extractors, "we", tend to share a deep commitment to our artifacts and a belief in ... Read More
      PubDate: 2022-01-16T00:00:00-05:00
       
  • The Plague in Print: Essential Elizabethan Sources, 1558–1603 by
           Rebecca Totaro (review)

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      Abstract: A remarkable chapter of Maggie O'Farrell's recent novel Hamnet traces the progress of fleas transmitting the bubonic plague from Egypt to Warwickshire, with stops along the way in Alexandria, aboard ship outside Aleppo, then to Ragusa, Venice, Barcelona, Cadiz, Porto, La Rochelle, London, and finally Stratford-upon-Avon. O'Farrell also includes agonizing descriptions of Anne (she calls her Agnes) Shakespeare observing the effect of the flea bites, first staring down at the buboes swelling on the body of her daughter Judith, and then holding down her dying son Hamnet while realizing that "this pestilence is too great, too strong, too vicious […]. It has wreathed and tightened its tendrils about her son, and is ... Read More
      PubDate: 2022-01-16T00:00:00-05:00
       
  • Every Hour, Every Atom: A Collection of Walt Whitman's Early Notebooks
           & Fragments ed. by Zachary Turpin and Matt Miller (review)

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      Abstract: The publishing of the rich fragmentary writings found in Whitman's notebooks and among his other papers began not long after the poet's death, with the poet's literary executor Richard Maurice Bucke's Notes and Fragments in 1899. Among others, Clifton Furness, the editors of the New York University Press collected writings of Whitman, Joel Myerson, and most recently the online Walt Whitman Archive in various ways followed suit, but even collectively have come far from a complete representation of what remains in the archives. Zachary Turpin and Matt Miller's Every Hour, Every Atom makes no pretense either of thoroughness or of order, but instead appeals to the "joy and excitement" in the discovery and proximity to ... Read More
      PubDate: 2022-01-16T00:00:00-05:00
       
  • Writing in Time, Emily Dickinson's Master Hours ed. by Marta Werner
           (review)

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      Abstract: Both Jay Leyda and Theodora Ward, who worked with Thomas H. Johnson on editing Dickinson's letters, thought of editing as an activity profoundly shaped by the mind of the editor. For them, there was no practice of editing that would simply follow objective protocols, generating texts as they were intended. Instead, both thought of the final outcome of the process as impacted not only by the editor's understanding of what constitutes a text but also by their aesthetics or ideas, and even by their own personal values and preferences. For both, neutrally or objectively edited texts remain deeply subjective. In Leyda's case, editing is closely related to what kind of narrative the editor prefers: well polished with ... Read More
      PubDate: 2022-01-16T00:00:00-05:00
       
  • Eugenio Montale: La Bufera e Altro ed. by Ida Campeggiani and Niccolò
           Scaffai (review)

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      Abstract: The edition of La Bufera e Altro annotated by Ida Campeggiani and Niccolò Scaffai is part of a wider initiative that aims to annotate Eugenio Montale's entire body of poetic works. The Bufera edition ends the series opened by Ossi di seppia (2003) and continued by Diario del '71 e del '72 (2010), Occasioni (2011), Quaderno di quattro anni (2015), and Satura (2018). Two prose volumes edited by Niccolò Scaffai—a selection of Prose narratives (2008) and Farfalla di Dinard (2021)—enrich the range of annotated works, while Quaderno di traduzioni (2021) edited by Enrico Testa is unfortunately devoid of notes. All the volumes included in the Mondadori series share the same organization, which reflects the desire to ... Read More
      PubDate: 2022-01-16T00:00:00-05:00
       
  • Thibaut de Champagne. Edizione, tradizione e fortuna ed. by Paolo
           Canettieri et al. (review)

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      Abstract: This work of Gruppo Thibaut intends to give a preliminary presentation of the critical and digital edition of Thibaut de Champagne's lyrics. The methodology of this project has been developed in the Laboratorio di Lirica Medievale Romanza (LMR-Lab), the online platform which grants free access to critical editions of texts from medieval Romance lyrical traditions.For this project, directed by Lucilla Spetia, an eminent expert in trouvère's production, the Gruppo Thibaut is thus supported by the LMR-Lab group and by two researchers in charge of studying the musicological aspects of the corpus: Adriana Camprubí and Antoni Rossell.Here is the table of contents: Emanuele F. Di Meo, "Per l'edizione di Ausi com ... Read More
      PubDate: 2022-01-16T00:00:00-05:00
       
  • Filigrane. Nuovi tasselli per Petrarca e Boccaccio by Loredana Chines
           (review)

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      Abstract: Loredana Chines's Filigrane1 is the newest work by the author on Petrarch's poetic production and on the relations, both intellectual and amicable, between Petrarch and Boccaccio.2 The volume is presented as a map of new information and acquisitions on the topic, which tackles the difficult task of identifying in Petrarch's and Boccaccio's works all the signs and traces of their own, at times common, idea of literature, the revival of the ancient classics and poetry. As the author makes clear in the preface, Filigrane aims at unveiling all the correspondences we may find through the lines of a text. Notwithstanding the considerable amount of literature on this specific matter, Chines manages to give an update on ... Read More
      PubDate: 2022-01-16T00:00:00-05:00
       
  • Il Sommo italiano. Dante e l'identità della nazione ed. by Fulvio
           Conti (review)

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      Abstract: In the year that marks the 700th anniversary of the death of Dante, Fulvio Conti dedicates an exhaustive volume to "the way in which Dante has been used, through the last three centuries, to decline the identity of the nation" (14). From the "revival" of Dante, that dates to the end of the XVIII century, to the "public use" of him in later times, Conti traces a recent history of the celebration of a figure that more than any other permeates the Italian imagination. Conti begins his journey through the interpretations and uses of Dante at the end of the XVIII century, when the canon of the four Italian poets—Dante, Petrarca, Ariosto and Tasso—is defined. The aversion to Dante at the beginning of the century (one ... Read More
      PubDate: 2022-01-16T00:00:00-05:00
       
  • What is authorial philology' by Paola Italia et al. (review)

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      Abstract: This work, whose first Italian edition came out in 2010, provides a synthetic though complete overview of authorial philology, focusing on its history (Chapter 1) and its methods (Chapter 2), in their development in the Italian scholarly tradition, which is a particularly prolific one, stimulated by the very early preservation of autograph materials and encouraged by the attention on the authorial work since the fourteenth century, that is to say, the century of Petrarch. Indeed, Petrarch's Codice degli abbozzi is a fundamental witness not only because of the texts it preserves and the key role that his Canzoniere plays in Italian literature, but also because the Codice degli abbozzi testifies to a fracture between ... Read More
      PubDate: 2022-01-16T00:00:00-05:00
       
  • La tradition manuscrite du Lai de l'Ombre de Joseph Bédier, ou la
           critique textuelle en question by Frédéric Duval, and: À quoi sert une
           édition critique ' Lire les textes de la littérature romane
           médiévale by Pietro Beltrami, and: Sguardi da un altro pianeta. Nove
           esercizi di filologia (Lai de l'ombre, Libro de buen amor, Lazarillo,
           fonti storiche e musicali) by Paolo Trovato, and: L'Ombre de Joseph
           Bédier: théorie et pratique éditoriales au xxe siècle eds. by Craig
           Baker et al., and: Everything you always wanted to know about Lachmann's
           method. A non-standard handbook of genealogical textual criticism in the
           age of post-structuralism, cladistics, and copytext by Paolo Trovato
           (review)

    • Free pre-print version: Loading...

      Abstract: It can undoubtedly be said, without fear of contradiction, that the publication of Joseph Bédier's essay devoted to the manuscript tradition of the Lai de l'Ombre represented the greatest "schism" in the "relatively peaceful world of textual scholars" (Trovato 2017, 78). The echo of the telluric shock caused by that "formidable and almost destructive double attack (1913, 1928) on the method of common errors advocated and applied in an exemplary way for the times by his master Gaston Paris" (Trovato 2019, 9)1 does not cease to reverberate in ecdotic practices and methodological debates. This rupture affected not so much the field of classical philology as that of Romance philology. Composed in the first quarter of ... Read More
      PubDate: 2022-01-16T00:00:00-05:00
       
 
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