Subjects -> ART (Total: 882 journals)
    - ART (468 journals)
    - DANCE (26 journals)
    - FILM AND AUDIOVISUALS (125 journals)
    - MUSIC (171 journals)
    - THEATER (92 journals)

THEATER (92 journals)

Showing 1 - 79 of 79 Journals sorted alphabetically
Adaptation     Hybrid Journal   (Followers: 9)
African Arts     Hybrid Journal   (Followers: 18)
Agôn : Revue des arts de la scène     Open Access  
Applied Theatre Research     Hybrid Journal   (Followers: 7)
Australasian Drama Studies     Full-text available via subscription   (Followers: 3)
Australian Screen Education     Full-text available via subscription   (Followers: 2)
Bulletin of Kyiv National University of Culture and Arts. Series in Stage Art     Open Access  
Cahiers Élisabéthains     Hybrid Journal   (Followers: 1)
Cambridge Opera Journal     Hybrid Journal   (Followers: 4)
Comedy Studies     Hybrid Journal   (Followers: 10)
Conceição/Conception     Open Access  
Contemporary Theatre Review     Hybrid Journal   (Followers: 11)
Creative Artist : A Journal of Theatre and Media Studies     Open Access   (Followers: 11)
DRAMA : Nordisk dramapedagogisk tidsskrift     Full-text available via subscription  
Drama Therapy Review     Hybrid Journal   (Followers: 4)
Dramatherapy     Hybrid Journal   (Followers: 2)
Dramaturgias     Open Access  
Drammaturgia     Open Access   (Followers: 1)
Early Theatre     Open Access   (Followers: 6)
Forum Modernes Theater     Full-text available via subscription  
Horizons/Théâtre : Revue d'études théâtrales     Open Access  
Ibsen Studies     Hybrid Journal   (Followers: 3)
Indian Theatre Journal     Hybrid Journal  
Itinera     Open Access  
Jeu : Revue de théâtre     Full-text available via subscription  
Journal of Adaptation in Film & Performance     Hybrid Journal   (Followers: 7)
Journal of Dramatic Theory and Criticism     Full-text available via subscription   (Followers: 5)
L'Atelier     Open Access   (Followers: 4)
Latin American Theatre Review     Full-text available via subscription   (Followers: 2)
Mask     Full-text available via subscription   (Followers: 1)
Mechademia     Full-text available via subscription   (Followers: 2)
Methis. Studia humaniora Estonica     Open Access   (Followers: 1)
Mime Journal     Open Access  
Mimesis Journal     Open Access   (Followers: 1)
Modern Drama     Full-text available via subscription   (Followers: 12)
Multicultural Shakespeare     Open Access   (Followers: 4)
New Theatre Quarterly     Hybrid Journal   (Followers: 10)
Nineteenth Century Theatre and Film     Full-text available via subscription   (Followers: 9)
NJ : Drama Australia Journal     Hybrid Journal  
Nordic Theatre Studies     Open Access  
PAJ: A Journal of Performance and Art     Hybrid Journal   (Followers: 15)
Performance Research: A Journal of the Performing Arts     Hybrid Journal   (Followers: 13)
Performing Ethos: An International Journal of Ethics in Theatre & Performance     Hybrid Journal   (Followers: 6)
Peripeti     Open Access   (Followers: 2)
PesquisAtor. Revista do Centro de Pesquisa em Experimentação Cênica do Ator     Open Access  
Pitágoras 500     Open Access  
Renaissance Drama     Full-text available via subscription   (Followers: 11)
Research in Drama Education     Hybrid Journal   (Followers: 15)
Samuel Beckett Today / Aujourd'hui     Full-text available via subscription   (Followers: 3)
Scene     Hybrid Journal   (Followers: 2)
Shakespeare     Hybrid Journal   (Followers: 16)
Shakespeare Bulletin     Full-text available via subscription   (Followers: 15)
Shakespeare Quarterly     Full-text available via subscription   (Followers: 27)
Skenè. Journal of Theatre and Drama Studies     Open Access   (Followers: 4)
Slovenske divadlo / The Slovak Theatre     Open Access  
South African Theatre Journal     Hybrid Journal   (Followers: 4)
Stanislavski Studies     Hybrid Journal  
Studies in Musical Theatre     Hybrid Journal   (Followers: 7)
Studies in Theatre and Performance     Hybrid Journal   (Followers: 17)
TDR / The Drama Review     Hybrid Journal   (Followers: 18)
Teatervitenskapelige studier     Open Access  
Teatro : Criação e Construção de Conhecimento     Open Access  
Teatro XXI     Open Access  
Telondefondo : Revista de Teoría y Crítica Teatral     Open Access  
Theatre and Performance Design     Hybrid Journal  
Theatre History Studies     Full-text available via subscription   (Followers: 8)
Theatre Journal     Full-text available via subscription   (Followers: 20)
Theatre Notebook     Full-text available via subscription   (Followers: 8)
Theatre Research in Canada / Recherches théâtrales au Canada     Full-text available via subscription   (Followers: 2)
Theatre Research International     Full-text available via subscription   (Followers: 12)
Theatre Survey     Full-text available via subscription   (Followers: 12)
Theatre Symposium     Full-text available via subscription   (Followers: 5)
Theatre Topics     Full-text available via subscription   (Followers: 10)
Theatre, Dance and Performance Training     Hybrid Journal   (Followers: 11)
Theatrical Colloquia     Open Access  
Western Journal of Communication     Hybrid Journal   (Followers: 5)
Women & Performance: a journal of feminist theory     Hybrid Journal   (Followers: 15)
Youth Theatre Journal     Hybrid Journal   (Followers: 2)
Σκηνή / Skene     Open Access  
Similar Journals
Journal Cover
New Theatre Quarterly
Journal Prestige (SJR): 0.132
Number of Followers: 10  
 
  Hybrid Journal Hybrid journal (It can contain Open Access articles)
ISSN (Print) 0266-464X - ISSN (Online) 1474-0613
Published by Cambridge University Press Homepage  [353 journals]
  • NTQ volume 38 issue 2 Cover and Front matter

    • Free pre-print version: Loading...

      Pages: 1 - 4
      PubDate: 2022-04-20
      DOI: 10.1017/S0266464X2200001X
       
  • NTQ volume 38 issue 2 Cover and Back matter

    • Free pre-print version: Loading...

      Pages: 1 - 3
      PubDate: 2022-04-20
      DOI: 10.1017/S0266464X22000112
       
  • Political Control, Administrative Simplicity, or Economies of Scale'
           Four Cases of the Reunification of Nationalized Theatres in Russia,
           Germany, Austria, and France (1918–45)

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      Authors: Golovlev; Alexander
      Pages: 107 - 124
      Abstract: In 1917–18, the new republican governments of Russia, Germany, and Austria nationalized their former court property. A monarchic-turned-national heritage of prestigious opera and dramatic theatres weighed heavily on national and regional budgets, prompting first attempts to create centralized forms of theatre governance. In a second wave of theatre reorganization in the mid-1930s, the Soviet government created ‘union theatres’ under a Committee for Arts Affairs; the German and Austrian theatres underwent the Nazi Gleichschaltung (1933–35 and 1938); and France, a ‘democratic outlier’, opted for nationalizing the Opéra and Opéra-Comique under the Réunion des théâtres lyriques nationaux. These conglomerates have so far been little studied as historically specific forms of theatre management, particularly from a comparative, trans-regime perspective. What balance can be struck between economic, political, and ‘artistic’ costs and benefits' How does ‘Baumol’s law’ of decreasing theatre profitability apply to these very different politico-economic systems, as well as to war economies' Dictatorships reveal an economic seduction power, while this essay argues for confirming a long-term ‘great European convergence’ of state-centred theatre management, internal structure, and accountability, both in peace and war. Here, the stated goals and short-term contingencies yielded to trends originating from the logic of theatre production itself, and the compromises that the state, theatre professionals, and the public accepted in exchange for the capital of prestige. Alexander Golovlev (PhD, European University Institute in Florence, 2017) is a senior research fellow at the HSE Institute for Advanced Soviet and Post-Soviet Studies at the University of Moscow. His recent publications include, for New Theatre Quarterly, ‘Theatre Policies of Soviet Stalinism and Italian Fascism Compared, 1920–1940s’ (2019), and ‘Balancing the Books and Staging Operas under Duress: Bolshoi Theatre Management, Wartime Economy, and State Sponsorship in 1941–1945’, Russian History XLVII, No. 4 (2020).
      PubDate: 2022-04-20
      DOI: 10.1017/S0266464X22000021
       
  • Empowering Civil Society: The Theatricality of Protest in Malta

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      Authors: Cremona; Vicki Ann
      Pages: 125 - 138
      Abstract: The recent barbaric murder of an investigative journalist in Malta who was looking into corruption at the top echelons of power sparked off a civil society movement, Repubblika, spurring ordinary citizens into participating in collective protest action. The movement also incorporated a loose grouping of women calling themselves ‘Occupy Justice’. Different forms of protest against government corruption have resulted in the resignation of various senior politicians and high-ranking officials, including the Prime Minister. Taking as a point of departure the struggle against the unequal distribution of power as defined by Michel Foucault and Jacques Rancière, the empowering force of civil protest is here examined in relation to how power is appropriated and how institutional power is resisted. Micromobilization and mesomobilization are seen as two means of staging protest and creating a common force with which to confront corrupt power structures. Protest, power, and resistance are viewed in the light of theatrical events; the creative means deployed to stage protests are discussed. The aesthetic qualities meant to transform perception and move people to action for bringing about political change are highlighted in relation to both sensory and symbolic dynamics. Vicki Ann Cremona is Professor of Theatre Studies at the University of Malta and the author of Carnival and Power: Play and Politics in a Crown Colony (Palgrave Macmillan, 2018), as well as a co-editor of Theatre Scandals: Social Dynamics of Turbulent Theatrical Events (Brill-Rodopi, 2020).
      PubDate: 2022-04-20
      DOI: 10.1017/S0266464X22000033
       
  • Hidden Identities, Forgotten Histories: Female Provincial Touring Artists
           in Britain, 1887–1900

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      Authors: Ince; Bernard
      Pages: 139 - 150
      Abstract: Provincial touring companies of the late Victorian period, comprising mostly unknown actors and actresses, have received minimal scholarly attention until recently. The sheer number of ‘on-the-road’ artists who were employed in such enterprises from the late nineteenth century onwards increased to such an extent that to establish a framework for their individual and collective study presents significant challenges. This article addresses this problem by proposing a method, grounded in genealogy, that records the male and/or female artists of a given touring company over its full term without selective bias in order to establish a cohort of subjects for further examination. It tracks the touring companies of actor-manager Lawrence Daly, an individual unheard of today, between 1887 and 1900, the year of his death. One hundred and twenty-five female artists employed by Daly during this period are recovered, and their careers, family histories, and personal identities are subjected to statistical analysis. The conclusions drawn here not only contribute to the better understanding of the social history of non-elite female provincial artists of the late nineteenth century, but also afford the opportunity to shine a light on figures whose names, lives, and achievements are long forgotten. Further, a case is made for the method as the basis for a wide-ranging database of provincial touring companies and artists. Bernard Ince is an independent theatre historian who has contributed several articles on Victorian and Edwardian theatre to New Theatre Quarterly.
      PubDate: 2022-04-20
      DOI: 10.1017/S0266464X22000045
       
  • The Potentials and Challenges of Zoom Live Theatre during Coronavirus
           Lockdown: Pandemic Therapy and Corona Chicken (Part Two)

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      Authors: Karam; Khaled Mostafa, Naguib, Galal Mohamed
      Pages: 151 - 171
      Abstract: This study discusses the potentials and challenges of Zoom theatre performances during the lockdown caused by the Covid-19 pandemic. It examines the utilization and applicability of videoconferencing software Zoom, and other streaming software compatible with it, in creating a viable performance option for theatre practitioners and audiences during mandatory social distancing. Such software can be a strategy for social inclusion, alleviating the adverse effects of extended quarantine. The article also discusses the technical and performative aspects of Zoom theatre, pointing out its pros and cons. It uses a critical and analytical approach to performances of two Zoom plays, Pandemic Therapy and Corona Chicken (Part Two), revealing how the playwright, dramaturg, and actors manage to present a live theatrical experience capable of engaging audiences and promoting social interaction. Khaled Mostafa Karam is an Assistant Professor of English Literature at the Suez University in Egypt and a Postdoctoral Fellow in the Department of Cognitive Science, Case Western Reserve University, USA. He has published eleven articles on the interdisciplinary field of cognitive science and drama. Galal Mohamed Naguib is an Assistant Professor of Sociology at Suez University and author of several articles in the fields of demographic analysis and the sociology of art.
      PubDate: 2022-04-20
      DOI: 10.1017/S0266464X22000057
       
  • Locating the Impolitical in American Theatre: Albee’s Who’s Afraid of
           Virginia Woolf' and Schechner’s Dionysus in 69

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      Authors: Pinder; John Yves
      Pages: 172 - 185
      Abstract: This article examines the meaning of the ‘impolitical’ regarding cases of impolitical theatre and associated critical discourse, with reference to Rodolfo Usigli and Raymond Williams, among others. It is argued that ‘impolitical’ theatre represents social relations from the standpoint of the ideal of culture. The analysis starts with Richard Schechner’s critique of the original Broadway production of Edward Albee’s Who’s Afraid of Virginia Woolf' and discusses this play, segueing into The Performance Group’s Dionysus in 69. The author indicates the differences of theatre practice between the examples chosen, and shows that these theatres nevertheless participate in the same form of theatrical representation as they broach similar social questions of moment in the Unites States in the 1960s. John Yves Pinder has recently received his PhD from the University of Leeds. He is currently teaching at Leuphana University of Lüneberg.
      PubDate: 2022-04-20
      DOI: 10.1017/S0266464X22000069
       
  • Deleuze, Beckett, and the Art of Multiplicity

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      Authors: Wilmer; S. E.
      Pages: 186 - 194
      Abstract: The relationship between Gilles Deleuze and Samuel Beckett has excited many scholars and continues to be of major interest today. This article explores the Deleuzian concept of multiplicity by considering quantitative and qualitative multiplicities in Beckett’s work. In differentiating between these two types, Deleuze and Félix Guattari indicate that extensive or quantitative multiplicities are essentially numerical and can be counted and represented in space. This form of multiplicity is seen in Beckett’s use of various lists of items such as Molloy counting his sucking stones or Watt considering how to dispose of Mr Knott’s food. Qualitative multiplicities, by contrast, cannot be counted because they differ in kind from one another. They are represented in duration and are here observed in the minorization of language in How It Is, among other examples. S. E. Wilmer is Professor Emeritus of Drama at Trinity College in Dublin. His most recent publications include Performing Statelessness in Europe (Palgrave Macmillan, 2018) and (with co-editor Radek Przedpełski) Deleuze, Guattari, and the Art of Multiplicity (Edinburgh University Press, 2020). He is currently co-editing the Palgrave Handbook of Theatre and Migration.
      PubDate: 2022-04-20
      DOI: 10.1017/S0266464X22000070
       
  • Seda Ilter Mediatized Dramaturgy: The Evolution of Plays in the Media Age
           London: Methuen Drama, 2021. 240 p. £85. ISBN: 978-1-350-03115-9.

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      Authors: Love; Catherine
      Pages: 195 - 195
      PubDate: 2022-04-20
      DOI: 10.1017/S0266464X22000082
       
  • Caoimhe McAvinchey Applied Theatre: Women and the Criminal Justice System
           London: Bloomsbury Methuen Drama, 2020. 247 p. £75.00. ISBN:
           978-1-4742-6255-2.

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      Authors: Mcmurray; Rachel
      Pages: 195 - 196
      PubDate: 2022-04-20
      DOI: 10.1017/S0266464X22000094
       
  • Philip Auslander In Concert: Performing Musical Persona Ann Arbor:
           University of Michigan Press, 2021. 294p. £36. ISBN: 978-0-472-05471-8.

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      Authors: Pattie; David
      Pages: 196 - 197
      PubDate: 2022-04-20
      DOI: 10.1017/S0266464X22000100
       
 
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