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- Beyond the concept of “Gestalten” – Kurt Lewin and Lev Semënovic
Vygotsky as methodologically related
Abstract: The relationship between Kurt Lewin and Lev S. Vygotsky is important for many methodological questions raised by the two psychologists such as distinguishing a genetic and an accidental event type. The concept of „Gestalt“ is another important issue. The present article analyzes and contextualizes the significance of this concept in their discussions since they met in Berlin in 1925. It can be shown that a difference between Lewin’s and Vygotsky’s approach becomes salient in the ways they refer to Gestalt theory as a holistic approach. While Lewin understands the here-and-now of situation in which an event occurs as depending on the present field forces as a whole, Vygotsky agrees largely with Lewin’s postulate to consider all field forces, but then moves on from the field as an originally spatial model to introduce a semantic model. According to Vygotsky this is necessary to theorize fluidity and flexibility in behavior and thus to understand the necessary psychologically preconditions for free will and independency.
PubDate: Thu, 02 May 2024 00:00:00 GMT
- Listening to Sound-based music: Defining a perceptual grammar based on
morphodynamic theory
Abstract: SummaryIn this contribution, I discuss the perceptual potential of certain genres of experimental and contemporary music, commonly grouped under the label “sound-based music”. The sonic patterns typical of this music are mostly associated, during listening, with visual and tactile sensory qualities and can evoke mental representations as shapes in motion. These are the result of physical-acoustic energies organized according to a perceptual grammar whose organization follows a series of Gestalt and kinaesthetic principles. The paper explores the nature of the relationship between sound patterns of sound-based music and their mental images. Based on morphodynamic theory, it is proposed the emergence of cognitive image schemas, which are at the centre of this relationship. The image schemas depict the forces and tensions of our experience of the world (e.g., figure-background, near-far, superimposition, compulsion, blockage), as being the cognitive and experiential response to the incoming sound patterns. The sense of this music activates precisely the basic structures of sensorimotor experience by which we encounter a world that we can understand and act within, leading to a rich series of high-level associations and responses.
PubDate: Thu, 02 May 2024 00:00:00 GMT
- Music in the mind and : «»
Abstract: SummaryDuring his prolific career, the German Jewish scientist Franz Boas (Minden, 1858 - New York, 1942) recognized as the founding father of American Cultural Anthropology – maintained assiduous contacts with the European scientific community, in a privileged way with that of the German area. The contribution addresses the Boasian correspondence with the two directors of the Berliner Phonogramm-Archiv, the philosopher and psychologist Carl Stumpf, and the ethnomusicolo-gist Erich Moritz von Hornbostel. All three were united by a common scientific experimental training and a solid musical education, typical of their Bildungsbuürgertum. With them, Boas consistently shared his fieldwork findings regarding music, sound, and language among the Indians of British Columbia: indeed, their epistolary exchanges intertwine epistemological reflections centered on the study of «exotische Musik» in context with technical problems, derived from the use of phonographic recordings and the relative shipments of wax cylinders by Boas to the Phonographic Archive. So far, the critical literature has not paid particular attention to their correspondence, that offer instead a privileged look in observing the birth of Ethnomusicology, at the time still defined as comparative Musicology (vergleichende Musikwissenschaft). Starting from a biographical contextualization and following the micro-history of the scientific and personal relationship of these scientists, the contribution aims to explore the hypothesis that the emerging Ethnomusicology significantly contributed to the definition of Cultural Anthropology as a discipline. In his painstaking research devoted to the Native Indian sounds and languages, Boas observed indeed what happens if a mind is exposed to a new sound, musical or linguistic context; he had therefore to rigorously deal with the phenomena of mishearing, sound-blindness and biasing filter related to the perception of «new sounds». Thanks to his fieldwork, Boas would endorse a relativistic and “in context” approach to perception and mental representations of sounds, fostering his eventual lifelong, hectic concern about a broaden antiracist theory of human mental functions.
PubDate: Thu, 02 May 2024 00:00:00 GMT
- Enhanced distractor filtering in habituation contexts: Learning to ignore
is easier in familiar environments
Abstract: SummaryHabituation mechanisms play a pivotal role in enabling organisms to filter out irrelevant stimuli and concentrate on essential ones. Through repeated exposure, the brain learns to disregard stimuli that are irrelevant, effectively ceasing to respond to potentially distracting input. Previous studies have demonstrated that the orienting response to visual distractors disrupting visual detection tasks habituates as tasks progress and distractors are encountered repeatedly, as their initial interference diminishes. Theoretical models posit that this reduction is contingent upon the establishment of an internal representation of external stimuli. Moreover, further studies have indicated that habituation can be context- specific, suggesting that the mechanisms involved incorporate information about features of irrelevant stimuli that extend beyond their discrete characteristics. In this contribution, we further delved into the question of whether the context in which habituation occurs retains a general habituative capacity when a new, to-be-ignored stimulus is introduced. We discuss evidence indicating that the context in which habituation has already taken place facilitates the habituation process for a new stimulus. This suggests that it becomes easier to ignore new stimuli in contexts where we have already learned to disregard other stimuli, underscoring the intricate interplay between habituation, context, and attentional processes.
PubDate: Thu, 02 May 2024 00:00:00 GMT
- Rudolf Arnheim: Perceptive dynamics in musical expression
Abstract: SummaryA pupil of Köhler and von Hornbostel in Berlin, Arnheim published an article in the Musical Quarterly in 1984, where he applied the principles of visual composition to the musical form. In a painting, for example, the forces of visual composition are essential for aesthetic enjoyment; in music, sounds are essential as they are always occurring in time, and this constitutes the main dynamic vector of music. Starting with the tetrachord of ancient Greek music and analysing the relationships between notes in the major and minor scales, Arnheim identifies what in the Western musical tradition represents the basis on which each note must relate: the tonal centre, the attractive motor that determines the perceptual dynamics of musical expression. Two examples, taken from Schubert and Béla Bartók, show us how the structure of the melodic construction is essential in generating different states of mind; Arnheim, however, does not stop at the simple eliciting of an emotion, but situates the musical structure in a more general framework, which refers to perceptual patterns belonging to any sphere, mental or physical, thanks to which we experience our reality.
PubDate: Thu, 02 May 2024 00:00:00 GMT
- Temporal and spatial accounts of sound perception. An overview of the main
historical sources and theoretical problems
Abstract: SummaryMusic has been primarily conceived as a temporal art. However, over the last two centuries or so, researchers across different disciplines including musicology, psychology, and philosophy, have been intrigued by the spatial nature of music and sounds, using spatial concepts to define music. This paper aims to demonstrate that an understanding of music perception from a temporal perspective inherently implies a certain spatial dimension. To do this, first, I briefly examine some key arguments that lead to conceiving sound perception in temporal terms. At the same time, I highlight some of the limitations of a purely temporal account of sound perception which necessitate the incorporation of spatial considerations into the conceptualization of sound perception. Consequently, I move on to consider prominent spatial accounts of musical sounds that have been elaborated by psychologists, musicologists, and music composers. In conclusion, I discuss some of the challenges arising from the analogy between music and space, whether conceived in perceptual or cognitive terms.
PubDate: Thu, 02 May 2024 00:00:00 GMT
- The white and black colour attributes in the Natural Colour System
Abstract: This phenomenological research investigates how it is possible to determine the extent to which a chromatic colour appears white and black in order to use it to build a new Colour Rendering Index. We tested two methods of subjective evaluation; in the first, the perceptual presence of white (and black) in a colour alone was assessed on a unipolar intensity scale, independently for the two attributes. In the second method, evaluations of whiteness (and blackness) were conducted for colours presented in a sequence ordered from the least to the greatest presence of the respective attribute. In both tests evaluations were made either by moving an arrow on a slider from left (minimum) to right (maximum) or by choosing a grey cylinder that matched the same degree of similarity to white (and black) as the test colour. In four experiments, 16 colours of 4 hues and 4 different shades were studied; in a fifth experiment, 48 colours, 12 for each quadrant of the colour wheel, were studied; finally, in another test, 10 greys were studied. In the first three experiments, the results were unexpected, as the evaluations of whiteness and blackness were complementary, adding up to 100%, while in the current NCS, 100% includes not only the evaluation of white and black but also that of chromaticness, therefore white and black are not complementary. In the fourth and fifth experiments, the sum of the evaluations of white and black was always less than 100%, in accordance with the present NCS. In the last experiment, the evaluations of white and black given independently to the 10 greys samples were complementary, confirming the bipolar nature of white-black continuum. Suggestions have been provided to resolve the discrepancy between the results of this research and the structure of the current NCS.
PubDate: Thu, 02 May 2024 00:00:00 GMT
- Peter H. Schiller (1931-2023) – Eminent neuroscientist
PubDate: Thu, 02 May 2024 00:00:00 GMT
- Demokratieförderung in der Schule im Anschluss an Max Wertheimer und
Kurt Lewin
PubDate: Thu, 02 May 2024 00:00:00 GMT
- Gamification in Rehabilitation: The Role of Subjective Experience in a
Multisensory Learning Context – A Narrative Review
Abstract: Game-based approaches are emerging in many fields, such as education, social sciences, marketing and government. Most studies debate its role in consolidating learning, guided by both internal and external rewards.These approaches are also being applied in rehabilitation, where patients must undergo a re-learning process of motor gestures after an injury to a body structure. In physiotherapy, much importance is given to analytical-functional movement aspects, but less to the recovery of the complete experience, including motivation, perception, and emotional experience of the patient during the process.The aim of this narrative review is to investigate the role of subjective experience in the application of gamification in physiotherapy, considering the added value it provides to recovery by involving neural structures, not just motor functions. By analyzing the most investigated aspects in using gamification in rehabilitation, we will outline the primary methods of investigation into the engagement and emotions involved in the process.Through a selection of scientific articles found on main databases, we identified articles investigating the patient’s experience. The analysis of these articles was based on aspects related to the recovery of movement, the technology used, as well as the methods of investigation and collection of qualitative data regarding the emotions and perceptions of patients during the gamification experience.The results are divided into two primary topics. Overall, this review supports the idea that gamification could represent a rehabilitation approach integrating physiotherapy, more suitable for the final stages of recovery, such as returning to work or sports.
PubDate: Wed, 30 Aug 2023 00:00:00 GMT
- Sentences and Systems
PubDate: Wed, 30 Aug 2023 00:00:00 GMT
- The construct of Aesthetic Relational Knowing: a scale to describe the
perceptive capacity of psychotherapists in therapeutic situations
Abstract: SummaryThis paper presents and contextualizes the construct of Aesthetic Relational Knowing (ARK), as the intuitive experience of the therapist that emerges from the phenomenological field created in a meeting between therapist and client. The concept of isomorphism is considered as an epistemological turning point and a possible bridge connecting Gestalt therapy, Gestalt theory and Neurosciences. An example of the clinical consequences of this change of perspective is given. Moreover, a validation pilot study has shown that ARK is described by three factors: empathy, resonance and bodily awareness. The ARK can be defined as a three-dimensional construct that supports the positive use of the therapist’s perception in terms of aesthetic knowing of the phenomenological field of the therapeutic situation. The construct of Aesthetic Relational Knowing can be considered a phenomenological, aesthetic and field-oriented contribution to psychotherapy training, supervision and research.
PubDate: Wed, 30 Aug 2023 00:00:00 GMT
- Teil und Ganzes in Karl Bühlers
Abstract: SummaryIn his Theory of language, written in 1934, the psychologist Karl Bühler proposes applying the concept of Gestalt, developed at that time in philosophy and psychology, to the study of linguistic phenomena. This paper outlines and critically examines Bühler’s proposal. In particular, this paper highlights the two-sided approach that Bühler takes. Bühler shows that both the sound shape (Gestalt) and phonematic signalment (elements) are required for the recognition of linguistic phenomena. Accordingly, two methods of word recognition can be identified in the speaker and listener. The questions that arise in this context about the content of the perception realized when a word is heard will be briefly presented in this paper.
PubDate: Wed, 30 Aug 2023 00:00:00 GMT
- Obituary for Michael Wertheimer (1927 - 2022)
PubDate: Wed, 30 Aug 2023 00:00:00 GMT
- Language and Speech as Open, Context-dependent Wholes. A view from Prague
Abstract: Since language is the collective focus of this series, the present paper follows both historiographical and theoretical perspectives.The first deals with Prague as a Middle-European town, with a German and Czech University from 1882, where a philosopher, Anton Marty, from the Brentano school, focuses on language and semasiology in the framework of a psychology from an empirical standpoint. He cites Christian von Ehrenfels, and underscores the relational approach to psychic dynamism but, crucially, he emphasises the oscillations between linguistic “sketches” and semantic comprehension. Sprache ist eine Skizze, listeners are lead through suggestions, Nebenvorstellungen, to grasp meanings, Bedeutungen which do not coincide with the mere addition of explicit, variable components.Simultaneously, Vilém Mathesius, forthcoming founder (1926) of the Prague Linguistic Circle, dealing with English language and literature, enquires into the spontaneous ability of listeners to grasp, infer, integrate ellipsis in a sentence, consisting of a missing word, in omissione vocabuli, quod non dictum tamen cogitatur. Language enquiries will then require psychology, will aim to explain inferences, to infer implicit from explicit.The effort to obtain the whole, via super- or even subsummativity processes, has been a special topic for Gestalt psychology. Context being the proper habitat for both language and mind, we follow the fil rouge which leads directly to Gestalt contributions and further developments, e.g., inferential semantics and pragmatics. In conversation, as in architecture, less is more. We strive to prove this.
PubDate: Wed, 30 Aug 2023 00:00:00 GMT
- Glimpses from the Past: Michael Wertheimer dead at 95
PubDate: Wed, 30 Aug 2023 00:00:00 GMT
- Susanne K. Langers “Mind: An Essay on Human Feeling.” Eine
späte Wiederentdeckung
Abstract: SummaryIt is about 100 Years ago that the German-American philosopher Susanne K. Langer started a bold and courageous appearance on the stage of consciousness-research - until then exclusively dominated by male and paternalistic figures. This contribution is to highlight SK Langers work and impact on the theory of consciousness, especially on her final three volume publication: “Mind. An Essay on Human Feeling” (1967, 1972, 1982) which, until now, has not been translated into German.What stands out in Langer’s work is her intuitive closeness to many Gestalt-theorists and the overriding importance she attributes to symbolization in the specific make-up of the human mind. Her main focus is centered on presentative symbolics; meaning those early forms of human expression (prior or along the development of human language) in magic rituals, rhythm, music, painting and sculpturing, early collective work experience, formalized playing or funeral activities.Langers view on symbols goes far beyond the typical meaning of reference towards a much more sophisticated intertwinement of form, event and being in a matrix of “living tensions”. I would like to point out that her research is of important value to a revised thinking on mental health and mental crisis in reshaping the complex interaction between image, Gestalt and Symbol.
PubDate: Wed, 30 Aug 2023 00:00:00 GMT
- Critical Realist Foundations for Berlin Comparative Musicology()
Abstract: SummaryIs it possible to discover the critical realist foundations of Gestalt theory in Berlin comparative musicology (vergleichende Kunstwissenschaft) associated above all with Erich M. von Hornbostel' The balance of natural science explanation and phenomenal experience is a useful model for overcoming Eurocentrism in comparative ethnomusicology, relying both on third-person tools and indigenous music systems. This paper uses Gestalt critical realist epistemology and methodology and a portrayal of the strata making up the understanding of a musical act with chemico-physical, phenomenal and cultural components to create an “amphibian” ethnomusicology. Using this framework it is possible to understand Hornbostel and Sachs’ musical instrument classification system and Hornbostel’s account of “primitive” music as strata in a Gestalt explanatory system. The potential binding agent through the strata is isomorphism.
PubDate: Wed, 30 Aug 2023 00:00:00 GMT
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