Authors:Karsten Berr, Olaf Kühne Abstract: The famous definition of landscape by Joachim Ritter unmistakably names the aesthetic act of construction that makes landscape vision possible: “Landscape is nature that is aesthetically present in the sight for a feeling and sensing observer”. Landscape is an aesthetic construct, in whose act of construction, however, social, cultural, individual and other constitutional factors flow. Following Karl Popper’s 3-world theory, a physical landscape (world 1), an individual landscape (world 2) and a social landscape (world 3) can be distinguished. In each case, aesthetic and other constitutional factors are interconnected in a complex and complicated way. In addition, this situation is aggravated by the fact that different scientific basic positions (essentialism, positivism, constructivism) find their way into corresponding analyses (partly unreflected) and make scientific understanding difficult. Finally, this scientific starting position produces different paradigms, theories and terminology, which are often played off against each other and can lead to unfruitful dissent in science. The lecture counters this with a “neopragmatic” approach that can show that and how different paradigms, theories and conceptualisations can be related to each other in such a way that unfruitful dissent can be avoided and instead the advantages of the scientific plurality of theories, concepts and paradigms can be used and made fruitful for concrete research goals. PubDate: 2023-11-01
Authors:Marko Ćeranić Abstract: The aim of this work is to show, first of all, how landscape cannot but stand out on the horizon of a cognitive flux that affects every aspect of our being in the world (or, better said, of our being in the world) world). A special role will be reserved for aesthetic mediation, to be understood as a n act that regulates the epistemic negotiation between what is in the center and what is ”in the surroundings”. In this sense, the work will start from bio cognitive assumptions on the species specific ways in which an organism circumscribes and enriches its world, and will then finally arrive at considerations that should, in our hopes, demonstrate how aisthesis is, in fact, the conceptual category that best lends itself to describing this process, in virtue of the particular gnoseological value it assigns to the se nsitive body and its extension extension. PubDate: 2023-11-01
Authors:Paolo Furia Abstract: This article aims to overcome the representational conceptions of landscape in or-der to recover its substantive character. Landscape appears as a semantically ambiguous and tensive concept in both conceptualizations, but if the representational approaches draw on the dualisms of modernity (between nature and culture, subject and object, art and sciences) and understands landscape in terms of a spiritual / artistic / visual construction opposed to nature, a substantive approach towards landscape emphasizes the continuity between the natural and the anthropic and, without denying the constructive potential of subjective or cultural perceptions, endows the geographical forms with the capacity to produce meanings, constraints and socio-political options by means of their aesthetic qualities. The article is divided in five paragraphs: the first four discuss different kinds of representational attitude towards landscape elaborated during the XX century (the cognitive, the idealistic, and the critic approach), while in the fifth paragraph I will pin down some elements to build an integrally substantive conception of landscape, opening the path for further research developments. PubDate: 2023-11-01
Authors:Annalisa Metta Abstract: In 1665 Athanasius Kircher published the treatise Mundus Subterraneus, to ex-plore the complex relationships between the visible forms of the landscape and the reasons that produce them. Kircher was peer of Claude Lorrain, who gave a critical contribution in founding landscape as an artistic genre, making indistinguishable its existence as a real place and its representation as a picture. Compared to Kircher, Lorrain had the greatest influence on Western landscape culture. Yet today, thanks to scholars and landscape architecture practitioners, Kircher’s intuition seems effective to describe the contemporary idea of landscape as a performative field, encompassing all living forms, soils and waters, and intangible substances working together, impossible to understand just by the investigation of their visible forms. Today landscape exists because it is perceived and because it works: Lorrain and Kircher have finally met. PubDate: 2023-11-01
Authors:Maurizio Paolillo Abstract: In ancient Chinese culture, landscape constituted a fundamental element in religious, literary and artistic expressions. This contribution is intended as an imperfect and concise attempt to trace the “guidelines” – influenced above all by Daoist doctrine – of Chinese thought on landscape within the literature and pictorial art of traditional China. PubDate: 2023-11-01
Authors:Alberto L. Siani Abstract: This paper suggests that the understanding of the use and the concept of “landscape” can be facilitated by a comparison with Wittgenstein’s language games and that indeed “landscape” functions in a similar way to language games, understood in their intertwinement with forms of life. On this basis, I proceed to outline three fundamental elements of a pragmatist, anti-essentialist conception of landscape and develop two of them schematically. In conclusion, I reflect on some ramifications and possible developments of the proposed perspective. PubDate: 2023-11-01
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