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  Subjects -> PHILOSOPHY (Total: 762 journals)
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Rivista di estetica
Journal Prestige (SJR): 0.115
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  This is an Open Access Journal Open Access journal
ISSN (Print) 0035-6212 - ISSN (Online) 2421-5864
Published by OpenEdition Journals Homepage  [457 journals]
  • 84 2023 – Ontology of Finance

    • Abstract: RdE84-couverture Although, in social ontology, the nature of money has been extensively studied, little has been said about the nature of other entities populating the financial world, such as debts, economic exchanges, and price drops. This special issue of Rivista di Estetica gathers novel research papers dealing precisely with some ontological problems pertaining to the finance landscape. While these papers do not exhaust the issues associated with the ontology of finance, they certainly improve our comprehension of the financial world, which is crucial for both theoretical and practical reasons.
      Articoli
      Ontology of finance: an introduction [Testo integrale] Gloria Sansò e Barry Smith
      What is a financial crash' [Testo integrale] Emiliano Ippoliti
      Economic performativity: beyond binaries' [Testo integrale] Jack Mosse
      The walking debt – On the morals of ownership in debt and its alienability [Testo integrale] Simon Derpmann
      Ownership, preferences and offers [Testo integrale] Gloria Sansò
      Hierarchy and heterarchy in (impact) finance: an ontological analysis [Testo integrale] Noriaki Okamoto
      From Babylon to Bitcoin: some philosophical reflections on the ontology of money [Testo integrale] Dean Rickles
      Varia
      Heritage, community and future generations: the transgenerational quest for justice [Testo integrale] Davide Grasso
      Philosophy against literalism [Testo integrale] Graham Harman
      Per una fenomenologia dell’iper-lettura [Testo integrale] Martino Manca
      Il problema della significazione del nulla in Anselmo d’Aosta [Testo integrale] Dario Piumetti
      Recensioni
      Alessandro Armando, Giovanni Durbiano (a cura di) Critica della ragione progettuale [Testo integrale] Filippo De Pieri
      PubDate: 2024-02-01
       
  • 83 2023 – The Philosophy of Television Series

    • Abstract: RDE83-cover It is often said that television series are now- adays as good as films, or even better than them, but the philosophical inquiry into the former remains much less developed than the philosophy of film. A handful of recent books have tried to fill the gap, but there is much work still to be done. Significant con- tributions to the aesthetics of television series are coming from television studies and film studies, raising issues which philosophers are challenged to address. This special issue aims to offer philosophical perspectives on television series that are meant to explore this new area of research in which aesthetics and media studies can fruitfully interact.
      Articoli
      Introduction [Testo integrale] Mario Slugan e Enrico Terrone
      A Missed Education. Avoiding the Ordinary in The Sopranos [Testo integrale] Paolo Babbiotti
      Aesthetic Interactionism and My Brilliant Friend [Testo integrale] Héctor J. Pérez
      Technics and the Sacred. The Path to Freedom and Authenticity in American Gods [Testo integrale] Carlo Chiurco
      Epic Performed: The Poetic Nature of TV Series [Testo integrale] Marco Segala
      Glancing, Gazing and Binging: On The Appeal of Contemporary Television Serials [Testo integrale] Iris Vidmar Jovanović
      TV Series: A Form of Adaptation to The Contemporary Media Condition [Testo integrale] Angela Maiello
      Seriality as a Chronotope [Testo integrale] Dario Cecchi
      After Black(ness) [Testo integrale] Osman Nemli e Mukasa Mubirumusoke
      Varia
      Michel foucault e “Raymond Roussel” [Testo integrale] Chiara Scarlato
      Recensioni
      Roberta Dreon, Human Landscapes. Contributions to a Pragmatist Anthropology [Testo integrale] Alberto L. Siani
      Lambert Wiesing, Luxus [Testo integrale] Gregorio Fiori Carones
      PubDate: 2024-02-01
       
  • 82 2023 – Unpacking the Social World: Groups and Solidarity

    • Abstract: RdE82-couverture Groups and solidarity are, separately, widely debated concepts in contemporary social philosophy, yet their interplay remains largely unexplored and undertheorized. In fact, when it comes to investigating one of these concepts, more often than not the other is at best vaguely mentioned as a background assumption, and vice versa. This issue aims to foster a discussion of groups and solidarity as intimately related subjects, and this proposal is addressed to the domain of social philosophy. However, it is also intended to highlight some peculiar features that both discussions own independently, which could provide a preliminary groundwork for bridging the gap.
      Groups and Solidarity: Bridging a Gap in Contemporary Social Philosophy [Testo integrale] Francesco Camboni, Raul Hakli e Valeria Martino
      Trust in Solidarity [Testo integrale] Sally J. Scholz
      La solidarietà come funzione sociale [Testo integrale] Carlo Burelli e Francesco Camboni
      Solidarity and “Us” in three contexts: human, societal, political [Testo integrale] Arto Laitinen
      Che cosa sono i gruppi sociali' Risposta ontologico-metafisica nella prospettiva dell’intero e delle parti [Testo integrale] Marco di Feo
      Attaching Value to Membership: A Criterion' [Testo integrale] Valeria Martino
      Solidarity and We-reasoning [Testo integrale] Raul Hakli
      Solidarity and Theories of Collective Action [Testo integrale] Sara Rachel Chant
      Varia
      Cibo e libertà di scelta. Verso nuove narrazioni alimentari compatibili con la mitigazione climatica [Testo integrale] Erica Onnis
      PubDate: 2024-02-01
       
  • 81 2022 – The Aestethics of Idealism

    • Abstract: RdE81-couverture The last few decades have been characterized by an increasing interest in the aesthetics of German Idealism. In particular the recent scholarly debate on Hegel’s philosophy has given new impetus to the reflection on art as a structural element of the self understanding of the modern subject. At the same time, this Hegel Renaissance has opened the door for a more nuanced comprehension of Idealistic aesthetics. This issue of Rivista di estetica aims to explore the Idealistic philosophy of art as a constellation of themes, problems and partly conflicting positions, rather than as a unified and closed theoretical model.
      Preface [Testo integrale] Robert Clewis, Serena Feloj e Giovanna Pinna
      The Aesthetics of Idealism: Facets and Relevance of a Theoretical Paradigm [Testo integrale] Giovanna Pinna
      Aorgico. Il sublime dialettico di Hölderlin [Testo integrale] Andrea Mecacci
      Friedrich Hölderlin’s Die Bedeutung Der Tragödien: Paradox as the Foundation of Tragedy [Testo integrale] David Alvarado-Archila
      Hölderlin’s Theory of (Aesthetic) Production [Testo integrale] Marta Vero
      Hegel’s Conception of the Relationship Between Poetry and History [Testo integrale] Francesco Campana
      A Life Extreme. Life and Ideal in Hegel’s Aesthetic Paradigm [Testo integrale] Davide Mogetta
      Arte e società nell’estetica dell’idealismo italiano [Testo integrale] Paolo D’Angelo
      The Social Character of Literature: Adorno The Legacy of the Aesthetics of German Idealism [Testo integrale] Mario Farina
      Varia
      Rileggendo i Canti orfici. L’ombra di Nietzsche [Testo integrale] Pio Colonnello
      PubDate: 2024-02-01
       
  • 79 2022 – Aesthetics of Contemporary Work

    • Abstract: RdE79-couverture premiere Today, work is a widely debated theme: despite relevant criticalities due to the changes in the economic and political orders, it remains a basic component of our daily lives, a foundational aspect of human action as well as one of the main forms of social recognition. Across such background, the issue engages with a wide set of reflections concerning not only the representation and the conceptualization of work, but also the relationships between art and work: how does work define the artwork' How is the work of artists valued today'
      Contributions cover the fields of aesthetics, philosophy of art, ontology of art and work, legal and political philosophy, as well as literary theory.
      Articoli
      Aesthetics of Contemporary Work [Testo integrale] Angela Condello
      The private civilization [Testo integrale] Aljoša Krajišnik
      On Work’s Perdurance: Artworkers, Artworks and Contents [Testo integrale] Sue Spaid
      Artists as Workers: Rethinking Creativity in a Post-Pandemic World [Testo integrale] Andrea Baldini
      Viewing the Value of Contemporary Artistic Work from the Angle of Conceptual Art [Testo integrale] Zhao Kuiying
      On Two Kinds of Labor of Dagong Writers [Testo integrale] Lu Wenchao
      On Works and Workings of Art: A Perspective from Comparative Aesthetics [Testo integrale] Peng Feng
      The end of the working class and the tragic and ridiculous perversion of industry: Paolo Volponi’s Le mosche del capitale (1974-1989) [Testo integrale] Tiziano Toracca
      Labour and Leviathan: Anish Kapoor and the Idea of an Embodied Polity [Testo integrale] Bert van Roermund
      Varia
      Vindicating the Historical Condition of Art and its Consequences: Hegel’s Influence on Danto’s Philosophical System [Testo integrale] Raquel Cascales
      Recensioni
      Pio Colonnello, Sinestesie e anamorfismi [Testo integrale] Silvano Facioni
      PubDate: 2024-02-01
       
  • 78 2021 – The Senses of Smell: Scents, Odors and Aromatic Spaces

    • Abstract: RdE78 (3 2021). Although recent years have seen a growing philosophical interest in smell, aesthetic research on it still covers a relatively small domain, confinedto a niche. The present issue deals with smell as a very serious philosophical issue, in some cases even as a vector of a whole philosophical project.The papers here collected show how olfaction, odors, fragrances and, more in general, the aerial dimension of being and knowing cover a huge range of problems that even exceeds the aesthetic domain in its conventional sense. This is why readers will not find papers written exclusively by professional philosophers, but also by curators, artists, perfumers and semiologists.The relationship between smell, cognition and aesthetic experience, the use of odors in the arts and their symbolic meanings, and the socio-ontological and socio-aesthetic engagement through the ethical and political implications of smell are some of the topics the essays tackle through different approaches and perspectives.
      Introduction [Testo integrale] Nicola Perullo
      Opening the Way for an Olfactory Aesthetics: Smell’s Cognitive Powers [Testo integrale] Larry Shiner
      Objective smells and partial perspectives [Testo integrale] Giulia Martina
      The perfume and the spirit: from religion to perfumery [Testo integrale] Jenny Ponzo
      Re-humanizing Smell: A Conversation [Testo integrale] Nicola Perullo e Diletta Tonatto
      Value Disgust: Appreciating Stench’s Role in Attention, Retention and Deception [Testo integrale] Sue Spaid
      Ontological Anosmia [Testo integrale] Andreas Philippopoulos-Mihalopoulos
      OSMODRAMA – Theatre for the Nose [Testo integrale] Wolfgang Georgsdorf
      Towards a Sociopolitical Aesthetics of Smell [Testo integrale] Elena Mancioppi
      varia
      Lettura e non-lettura secondo Simone Weil [Testo integrale] Antonio Dall’Igna
      Enopé. Voce e volto dell’arte [Testo integrale] Gregorio Fracchia
      La responsabilità ecologica [Testo integrale] Gianluca Cuozzo
      recensioni
      Sara Guindani e Alexis Nuselovici, Jacques Derrida, la dissémination à l’œuvre [Testo integrale] Gregorio Fracchia
      PubDate: 2024-02-01
       
  • 77 2021 – Arte e fine dell'arte

    • Abstract: RdE77-couverture In Europa, gli scritti più conosciuti di Arthur C. Danto (1924-2013) restano certamente quelli di filosofia dell’arte. Negli ultimi vent’anni, la ricezione europea di questi lavori ha generato una vivace discussione, soprattutto in ambito estetico. Tale successo va interpretato nel riflesso dei complessi rapporti intrattenuti da Danto con i classici del pensiero continentale. Il presente fascicolo di Rivista di Estetica tenta di far luce sul variegato panorama di questi rapporti. Gli articoli di cui è composto interrogano, da prospettive differenti, la maniera in cui Danto ha assunto e rielaborato alcuni temi- chiave della tradizione continentale: lo statuto della narrazione, la mimesis, la bellezza, il sublime, la storicità dell’arte, il nesso fra arte ed esperienza sensibile. Ne risulta un quadro plurale che conferma quanto questa “conversazione europea” sia stata cruciale per l’originale attività di Danto come filosofo e critico d’arte: continuativa ma esposta a ripensamenti, vasta nei riferimenti, ispiratrice e irregolare nelle forme, peculiare nel metodo, eterodossa negli esiti.
      Introduzione [Testo integrale] Francesco Lesce, Luisa Sampugnaro e Lorenzo Vinciguerra
      L’errore di Danto [Testo integrale] Tiziana Andina
      L’arte di scrivere la storia. Il narrativismo proposizionale di Arthur C. Danto [Testo integrale] Marco Capozzi
      La ripetizione e il sublime. Danto, Lyotard, Wathol e la fine (differita) dell’arte [Testo integrale] Dario Cecchi
      La rue est à nous. Dal mondo dell’arte a Google street view (e ritorno) [Testo integrale] Filippo Fimiani
      Tradimenti, appropriazioni, ripensamenti. Arthur C. Danto e l’eredità della filosofia tedesca da Nietzsche a Kant [Testo integrale] Francesca Iannelli
      L’influsso morale dell’arte. Danto, Platone e le strategie della Mimesis [Testo integrale] Francesco Lesce
      La storia dell’arte dopo la fine della storia dell’arte [Testo integrale] Luca Marchetti
      “Euripidean dilemma”: Nietzsche’s influence on Danto’s philosophical understanding of performance art [Testo integrale] Benjamin Riado
      Danto, l’arte e i regimi di storicità. Un percorso di lettura [Testo integrale] Luisa Sampugnaro
      Sensi di una fine. Danto e l’arte post-storica [Testo integrale] Stefano Velotti
      Recensioni
      Emilio Garroni, Estetica. Uno sguardo-attraverso [Testo integrale] Gregorio Fracchia
      Pietro Montani, Emozioni dell’intelligenza: un percorso nel sensorio digitale [Testo integrale] Dario Cecchi
      PubDate: 2024-02-01
       
  • 80 2022 – Rethinking Through Art: East and West

    • Abstract: RdE80-couverture
      Articoli
      Introduction: Think Through Art Globally [Testo integrale] Xiao Ouyang e Tiziana Andina
      Kandinsky’s Composition and Zheng Xie’s Bamboo [Testo integrale] Ai 艾 Xin 欣
      Suna no Bi 砂の美. A critical appreciation of sand in Japanese karesansui 枯山水 gardens [Testo integrale] Rudi Capra
      Music, Nature and Trasncendence [Testo integrale] David E. Cooper
      Singing Trees. Note su Tōru Takemitsu [Testo integrale] Pier Alberto e Porceddu Cilione
      Ripensare l’esperienza estetica attraverso lo Zhuangzi [Testo integrale] Massimiliano Lacertosa
      Danto’s indiscernibility: an intercultural interpretation [Testo integrale] Peng Feng
      Varia
      Two interpretations of Gilbert’s plural-subject account [Testo integrale] Giulia Lasagni
      Bordi. Un confronto tra arte, filosofia e psicologia [Testo integrale] Germana Pareti
      Sono una di voi. Il soggetto delle azioni transgenerazionali [Testo integrale] Valeria Martino
      L’etica del cambiamento climatico alla prova dell’inefficacia causale individuale: Discutendo la libertà collettiva di emissione di gas serra rispetto all’obiettivo di 1.5°C [Testo integrale] Fausto Corvino e Alberto Pirni
      PubDate: 2024-01-01
       
  • 76 2021 – Rethinking Philosophy, Semiotics, and the Arts with
           Umberto Eco

    • Abstract: RdE76-couverture The theoretical path of Umberto Eco (1932-2016) was that of a great intellectual who ranged from non-fiction to literary production. His was a very extensive research programme. On the basis of studies concerning
      aesthetics, communication and medieval thought, Eco developed it by elaborating a semiotic theory and studying language and cognition. His reflections on the method and possibilities of theoretical formulation have been crucial to his research – precisely because, as he wrote, no theoretical system comes without contradictions. Philosophers therefore do not have the task of eliminating them but rather of seeking them out where they are not apparent. This issue of Rivista di Estetica collects essays that contribute to investigating several aspects and specificities of Eco’s research in philosophy, semiotics and the arts, in order to bring to light his reflection on theoretical investigation and his commitment to developing a practice that can offer important resources for today’s research. It is an invitation to rethink those three theoretical fields by drawing on the teachings of this great scholar.
       
      Introduction  [Testo integrale] Davide Dal Sasso, Maurizio Ferraris e Ugo Volli
      The Dog Schema [Testo integrale] Umberto Eco, Maurizio Ferraris e Diego Marconi
      Section one Philosophy
      Epigraph Section One [Testo integrale]
      The Notion of System in the Work of Umberto Eco: Summa, Structure, Code, Encyclopaedia and Rhizome [Testo integrale] Claudio Paolucci
      Dystopias and Historiographical Objects: The Strange Case of The Middle Ages [Testo integrale] Riccardo Fedriga
      Alive as You and Me [Testo integrale] Maurizio Ferraris
      Section Two Semiotics
      Epigraph Section Two [Testo integrale]
      The Origins Of Umberto Eco’s Semio-Philosophical Project [Testo integrale] Ugo Volli
      Power, Dangers and Resources of Forgery, from Theory to Novels [Testo integrale] Anna Maria Lorusso
      Indexes: Cultural Nature and Natural Culture [Testo integrale] Massimo Leone
      Section Three Arts
      Epigraph Section Three [Testo integrale]
      Some Remarks on Eco’s Confession and His Mystical Raptus [Testo integrale] Carola Barbero
      Eco and Berio between Music and Open Work [Testo integrale] Stefano Oliva
      The Openness of Art. The Poetics of Art and Loss of Autonomy of Art [Testo integrale] Polona Tratnik
      On Form and Structure: Umberto Eco and the Basis for a Positive Philosophy of the Arts [Testo integrale] Davide Dal Sasso
      varia
      Per un catalogo geografico universale. Ontologie ibride, rappresentazioni cartografiche e intersezioni geo-informatiche [Testo integrale] Timothy Tambassi
      PubDate: 2021-05-01
       
  • 75 2020 – Ethics of the Environmental Crisis

    • Abstract: RdE75-couverture Few would deny that we are currently experiencing an environmental crisis of unprecedented magnitude and severity. Yet, much less clear is what phenomena the environmental crisis refers to and why they are particularly unjust. For instance, one might wonder whether the environmental crisis is unjust because it impinges on the intrinsic value of the environment, or because it severely affects humans and their human rights in particular. Equally, it is far from clear who should bear the responsibility to remedy the environmental crisis and to what extent.
      This issue of Rivista di Estetica addressees these questions with the aim of clarifying what the environmental crisis is and involves, as well as how we should frame it from a justice-based perspective. It accomplishes this in four sections. The first section investigates what the environment is. The second section addresses the environmental crisis through the normative lenses of the concept of responsibility. The third section analyses the environmental crisis through a human-rights perspective. Finally, the fourth section introduces some new paths that the literature may and perhaps should take. This issue will appeal to anyone interested in the environment and its crisis.
      The Environmental Crisis and Its Injustice. An (Inevitably Short) Introduction [Testo integrale] Carlo Burelli e Davide Pala
      ontological reflections on the environment
      Climate issue: the principle of transgenerational responsibility [Testo integrale] Tiziana Andina
      Common-surrounding world and qualitative social ontology – phenomenological insights for the environment and its crisis [Testo integrale] Francesca De Vecchi
      responsibility for the environment
      Organismality grounds species collective responsibility [Testo integrale] Davide Vecchi
      Reasons for Agreeing, Reasons for Complying: The Paris Agreement and the Compliance Issue [Testo integrale] Silvia Bacchetta
      the environment and human rights
      Human Dignity: Final, Inherent, Absolute' [Testo integrale] Sebastian Muders
      On tackling the environmental crisis through human rights [Testo integrale] Markku Oksanen
      new problems and perspectives
      Ontological Frameworks for Food Utopias [Testo integrale] Andrea Borghini, Nicola Piras e Beatrice Serini
      Tying Climate Justice to Hydrological Justice [Testo integrale] Sue Spaid
      varia
      The Ontology of Landscapes [Testo integrale] Adam Andrzejewski e Mateusz Salwa
      Filosofia e Border Studies. Dal confine come “oggetto” al confine come “dispositivo” [Testo integrale] Ernesto C. Sferrazza Papa
      PubDate: 2021-02-02
       
 
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