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  Subjects -> PHILOSOPHY (Total: 841 journals)
Showing 1 - 135 of 135 Journals sorted alphabetically
'Ilu. Revista de Ciencias de las Religiones     Open Access   (Followers: 10)
Acheronta     Open Access   (Followers: 12)
ACME : Annali della Facoltà di Studi Umanistici dell'Università degli Studi di Milano     Open Access   (Followers: 6)
Acta Philosophica     Full-text available via subscription   (Followers: 3)
Acta Universitatis Carolinae Theologica     Open Access   (Followers: 2)
Advances in Medical Ethics     Open Access   (Followers: 7)
African Journal of Business Ethics     Open Access   (Followers: 8)
Agora     Full-text available via subscription  
Agora: papeles de Filosofía     Full-text available via subscription   (Followers: 1)
Ahkam : Jurnal Ilmu Syariah     Open Access   (Followers: 1)
Aisthema, International Journal     Open Access  
Aisthesis     Open Access   (Followers: 7)
Aisthesis. Pratiche, linguaggi e saperi dell’estetico     Open Access   (Followers: 3)
Ajatus : Suomen Filosofisen Yhdistyksen vuosikirja     Open Access   (Followers: 1)
AJIS : Academic Journal of Islamic Studies     Open Access  
Akademos     Open Access   (Followers: 1)
al-Afkar : Journal For Islamic Studies     Open Access  
Al-Banjari : Jurnal Ilmiah Ilmu-Ilmu Keislaman     Open Access   (Followers: 2)
Al-Fikra     Open Access  
Al-Jami'ah : Journal of Islamic Studies     Open Access   (Followers: 6)
AL-Qadissiya Magzine for Human Sciences     Open Access   (Followers: 3)
Al-Tijary : Jurnal Ekonomi dan Bisnis Islam     Open Access   (Followers: 2)
Al-Ulum     Open Access   (Followers: 1)
Albertus Magnus     Open Access  
Algemeen Nederlands Tijdschrift voor Wijsbegeerte     Full-text available via subscription   (Followers: 1)
Alpha (Osorno)     Open Access  
Alter : Revue de phénoménologie     Open Access   (Followers: 1)
American Journal of Semiotics     Full-text available via subscription   (Followers: 9)
American Journal of Theology & Philosophy     Full-text available via subscription   (Followers: 45)
American Society for Aesthetics Graduate E-journal     Open Access   (Followers: 4)
An-Nisbah : Jurnal Ekonomi Syariah     Open Access   (Followers: 1)
Anais de Filosofia Clássica     Open Access   (Followers: 1)
Anais Eletrônicos do Congresso Epistemologias do Sul     Open Access   (Followers: 1)
Analecta Hermeneutica     Open Access   (Followers: 2)
Anales de la Cátedra Francisco Suárez     Open Access  
Anales del Seminario de Historia de la Filosofía     Open Access   (Followers: 1)
Análisis     Open Access  
Análisis : Revista de investigación filosófica     Open Access  
Analysis     Hybrid Journal   (Followers: 32)
Analytic Philosophy     Hybrid Journal   (Followers: 24)
Analytica : Revista de Filosofia     Open Access   (Followers: 1)
Ancient Philosophy     Full-text available via subscription   (Followers: 15)
Andrews University Seminary Student Journal     Open Access   (Followers: 3)
ANFUSINA : Journal of Psychology     Open Access   (Followers: 8)
Angewandte Philosophie / Applied Philosophy     Hybrid Journal   (Followers: 2)
Annales Universitatis Mariae Curie-Sklodowska, sectio I – Philosophia-Sociologia     Open Access  
Annali del Dipartimento di Filosofia     Open Access   (Followers: 1)
Annals in Social Responsibility     Full-text available via subscription  
Annals of the University of Bucharest : Philosophy Series     Open Access  
Annuaire du Collège de France     Open Access   (Followers: 6)
Anthropological Measurements of Philosophical Research     Open Access   (Followers: 1)
Anuari de la Societat Catalana de Filosofia     Open Access  
Anuario Filosófico     Full-text available via subscription  
Appareil     Open Access   (Followers: 1)
Apuntes Filosóficos     Open Access  
Apuntes Universitarios     Open Access   (Followers: 1)
Araucaria. Revista Iberoamericana de Filosofía, Política y Humanidades     Open Access   (Followers: 1)
Archai : revista de estudos sobre as origens do pensamento ocidental     Open Access  
Archiv fuer Rechts- und Sozialphilosphie     Full-text available via subscription   (Followers: 2)
Archiv für Geschichte der Philosophie     Hybrid Journal   (Followers: 15)
Areté : Revista de Filosofia     Open Access  
Argos     Open Access   (Followers: 1)
Argumentos - Revista de Filosofia     Open Access  
Assuming Gender     Open Access   (Followers: 14)
Astérion     Open Access   (Followers: 1)
Astrolabio     Open Access   (Followers: 2)
At-Tabsyir : Jurnal Komunikasi Penyiaran Islam     Open Access  
At-Taqaddum     Open Access  
At-Turats     Open Access  
Attarbiyah : Journal of Islamic Culture and Education     Open Access  
Augustinian Studies     Full-text available via subscription   (Followers: 6)
Augustiniana     Full-text available via subscription   (Followers: 2)
Augustinianum     Full-text available via subscription   (Followers: 2)
Aurora : papeles del Seminario María Zambrano     Open Access   (Followers: 2)
Auslegung : A Journal of Philosophy     Open Access   (Followers: 2)
Australasian Catholic Record, The     Full-text available via subscription   (Followers: 6)
Australasian Journal of Philosophy     Hybrid Journal   (Followers: 66)
Australasian Philosophical Review     Full-text available via subscription  
Australian Humanist, The     Full-text available via subscription   (Followers: 4)
Australian Journal of Parapsychology     Full-text available via subscription   (Followers: 2)
Axiomathes     Hybrid Journal   (Followers: 6)
Bajo Palabra     Open Access  
Balkan Journal of Philosophy     Full-text available via subscription   (Followers: 1)
BELAJEA : Jurnal Pendidikan Islam     Open Access  
Between the Species     Open Access   (Followers: 2)
Bijdragen     Full-text available via subscription   (Followers: 3)
Binghamton Journal of Philosophy     Full-text available via subscription  
Bioethica     Open Access   (Followers: 2)
Bioethics Research Notes     Full-text available via subscription   (Followers: 16)
BioéthiqueOnline     Open Access   (Followers: 1)
Biology and Philosophy     Hybrid Journal   (Followers: 21)
BMC Medical Ethics     Open Access   (Followers: 25)
Bochumer Philosophisches Jahrbuch für Antike und Mittelalter     Hybrid Journal   (Followers: 5)
Bohemistyka     Open Access  
Bollettino Filosofico     Open Access   (Followers: 1)
British Journal for the History of Philosophy     Hybrid Journal   (Followers: 48)
British Journal for the Philosophy of Science     Hybrid Journal   (Followers: 46)
British Journal of Aesthetics     Hybrid Journal   (Followers: 26)
British Journal of Music Therapy     Hybrid Journal   (Followers: 9)
Budhi : A Journal of Ideas and Culture     Full-text available via subscription  
Bulletin d'Analyse Phénoménologique     Open Access   (Followers: 2)
Bulletin de Philosophie Medievale     Full-text available via subscription   (Followers: 3)
Bulletin of Symbolic Logic     Full-text available via subscription   (Followers: 3)
Bulletin of Yaroslav Mudryi NLU : Series : Philosophy, philosophy of law, political science, sociology     Open Access  
Business and Professional Ethics Journal     Full-text available via subscription   (Followers: 5)
Business Ethics Quarterly     Full-text available via subscription   (Followers: 18)
C@hiers du CRHIDI     Open Access  
Cadernos Benjaminianos     Open Access  
Cadernos de Ética e Filosofia Política     Open Access   (Followers: 1)
Cadernos de Filosofia Alemã : Crítica e Modernidade     Open Access   (Followers: 3)
Cadernos do PET Filosofia     Open Access   (Followers: 1)
Cadernos Espinosanos     Open Access   (Followers: 4)
Cadernos Nietzsche     Open Access  
Cadernos Zygmunt Bauman     Open Access  
Cahiers de Philosophie de l’Université de Caen     Open Access  
Cahiers Droit, Sciences & Technologies     Open Access   (Followers: 1)
Cakrawala : Jurnal Studi Islam     Open Access   (Followers: 1)
Canadian Journal of Bioethics     Open Access   (Followers: 4)
Canadian Journal of Philosophy     Full-text available via subscription   (Followers: 25)
Chiasmi International     Full-text available via subscription  
Childhood & Philosophy     Open Access   (Followers: 10)
Chisholm Health Ethics Bulletin     Full-text available via subscription   (Followers: 1)
Chôra : Revue d’Études Anciennes et Médiévales - philosophie, théologie, sciences     Full-text available via subscription   (Followers: 4)
Christian Journal for Global Health     Open Access  
Chromatikon     Full-text available via subscription  
Church Heritage     Full-text available via subscription   (Followers: 5)
Ciência & Trópico     Open Access   (Followers: 4)
Cinta de Moebio     Open Access  
Circe de clásicos y modernos     Open Access  
Civitas Augustiniana     Open Access  
Clareira - Revista de Filosofia da Região Amazônica     Open Access  
Claridades : Revista de Filosofía     Open Access  
Clotho     Open Access   (Followers: 3)
Cognitio : Revista de Filosofia     Open Access  
Cognitive Semiotics     Hybrid Journal   (Followers: 3)
Collingwood and British Idealism Studies     Full-text available via subscription  
Colombia Forense     Open Access   (Followers: 1)
Comparative and Continental Philosophy     Hybrid Journal   (Followers: 10)
Comparative Philosophy     Open Access   (Followers: 14)
Con-Textos Kantianos (International Journal of Philosophy)     Open Access  
Conatus : Journal of Philosophy     Open Access   (Followers: 4)
Conciencia     Open Access   (Followers: 5)
CONJECTURA : filosofia e educação     Open Access   (Followers: 1)
Constellations     Hybrid Journal   (Followers: 25)
Contagion : Journal of Violence, Mimesis, and Culture     Full-text available via subscription   (Followers: 7)
Contemporary Chinese Thought     Full-text available via subscription   (Followers: 7)
Contemporary Political Theory     Hybrid Journal   (Followers: 54)
Continental Philosophy Review     Partially Free   (Followers: 25)
Contrastes. Revista Internacional de Filosofía     Open Access  
Contributions to the History of Concepts     Full-text available via subscription   (Followers: 7)
Controvérsia     Open Access  
Convivium : Revista de Filosophia     Open Access   (Followers: 1)
Correspondences : Journal for the Study of Esotericism     Open Access   (Followers: 2)
CoSMo | Comparative Studies in Modernism     Open Access   (Followers: 1)
Cosmos and History : The Journal of Natural and Social Philosophy     Open Access   (Followers: 8)
CR : The New Centennial Review     Full-text available via subscription   (Followers: 4)
Cracow Indological Studies     Open Access   (Followers: 1)
Creativity Studies     Open Access   (Followers: 6)
Critical Horizons     Hybrid Journal   (Followers: 4)
Croatian Journal of Philosophy     Full-text available via subscription   (Followers: 1)
Cuadernos de Filosofía     Open Access   (Followers: 2)
Cuadernos de Filosofía Latinoamericana     Open Access  
Cuestiones de Filosofía     Open Access   (Followers: 2)
Cultura : International Journal of Philosophy of Culture and Axiology     Open Access   (Followers: 3)
Cultural-Historical Psychology     Open Access   (Followers: 3)
Cuyo Anuario de Filosofía Argentina y Americana     Open Access  
Daimon Revista Internacional de Filosofía     Open Access  
Dalogue and Universalism     Full-text available via subscription  
Dao : A Journal of Comparative Philosophy     Hybrid Journal   (Followers: 8)
Design Philosophy Papers     Full-text available via subscription   (Followers: 12)
Deutsche Vierteljahrsschrift für Literaturwissenschaft und Geistesgeschichte     Hybrid Journal  
Deutsche Zeitschrift für Philosophie     Hybrid Journal   (Followers: 18)
Diagonal : Zeitschrift der Universität Siegen     Hybrid Journal  
Diakrisis Yearbook of Theology and Philosophy     Open Access  
Dialectic : A scholarly journal of thought leadership, education and practice in the discipline of visual communication design     Open Access   (Followers: 1)
Dialektiké     Open Access  
Dialogue Canadian Philosophical Review/Revue canadienne de philosophie     Full-text available via subscription   (Followers: 5)
Diánoia     Open Access   (Followers: 1)
Dianoia     Open Access   (Followers: 7)
Diferencia(s)     Open Access   (Followers: 1)
Dimas : Jurnal Pemikiran Agama untuk Pemberdayaan     Open Access   (Followers: 1)
Diogenes     Hybrid Journal   (Followers: 8)
Dios y el Hombre     Open Access  
Dirosat : Journal of Islamic Studies     Open Access  
Discurso     Open Access   (Followers: 3)
Discusiones Filosóficas     Open Access   (Followers: 1)
Disputatio     Open Access  
Dissonância : Revista de Teoria Crítica     Open Access  
Doctor virtualis     Open Access  
Doxa : Cuadernos de Filosofía del Derecho     Open Access  
EarthSong Journal: Perspectives in Ecology, Spirituality and Education     Full-text available via subscription   (Followers: 1)
Economica : Jurnal Ekonomi Islam     Open Access   (Followers: 1)
Edukasi : Jurnal Pendidikan Islam     Open Access  
Eidos     Open Access  
Ekstasis : Revista de Hermenêutica e Fenomenologia     Open Access   (Followers: 1)
El Banquete de los Dioses     Open Access  
Elenchos     Hybrid Journal   (Followers: 1)
Eleutheria     Open Access   (Followers: 1)
Elpis - Czasopismo Teologiczne Katedry Teologii Prawosławnej Uniwersytetu w Białymstoku     Open Access  
Empedocles : European Journal for the Philosophy of Communication     Hybrid Journal   (Followers: 2)

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Chiasmi International
Number of Followers: 0  
 
  Full-text available via subscription Subscription journal
ISSN (Print) 1637-6757 - ISSN (Online) 2155-6415
Published by Philosophy Documentation Center Homepage  [93 journals]
  • Extrait. Proust. Une théorie, – et une pratique concordante,
           – du langage
    • Authors: Maurice Merleau-Ponty
      PubDate: Wed, 15 Jan 2020 05:06:43 GMT
       
  • Introduction - Sur la littérature et le vrai
    • Authors: Galen A. Johnson
      PubDate: Wed, 15 Jan 2020 05:06:43 GMT
       
  • Introduzione - Il significato del luogo
    • Authors: Ann V. Murphy
      PubDate: Wed, 15 Jan 2020 05:06:43 GMT
       
  • A Sense of Place - Cézanne and Merleau-Ponty in Le Tholonet
    • Authors: William D. Adams
      Abstract: Merleau-Ponty spent the summer of 1960 in the small French village of Le Tholonet writing Eye and Mind. His choice of location was no accident. Le Tholonet was the physical and emotional epicenter of Paul Cezanne’s late painting, the ultimate proving ground of his relentless quest to reveal the truth of landscape in art.It makes perfect sense that Merleau-Ponty wrote Eye and Mind in Le Tholonet. The essay is a philosophical meditation on vision and painting. But it also is a meditation on place, in the deeply saturated sense that encompasses the landscape, its natural and human history, and the history of the painter who brought this part of Provence to universal visibility in his art. Le Tholonet is the terroir of Eye and Mind, the site and soil of this final, extraordinary expression of Merleau-Ponty’s thinking.
      PubDate: Wed, 15 Jan 2020 05:06:43 GMT
       
  • Merleau-Ponty and Mexica Ontology - On Time as Contingent Templacement and
           the Beginnings of Philosophy
    • Authors: David Morris
      Abstract: Movement is crucial to Merleau-Ponty’s effort to comprehend sense, meaning as generated within being. This requires a new concept of movement, not as a dislocation within an already determinate space- or time- frame, but as a deeper, more fundamental change that first engenders space and time as determinate contexts in which movement can follow a sensible course. This poses a novel challenge: conceptualizing determinate space and time as contingently arising from a deeper sort of change, which I call templacement. I address this challenge by turning to the Mexica/Aztecs because the most basic term of their ontology is motion-change, and it is obvious to them that motion-change does not occur in an abstract space-time container. Instead, time-place is woven out of ‘prior’ motion-change. This study leads to a deeper lesson for phenomenology, regarding ‘obvious’ presuppositions about what time and philosophy obviously are – and how these presuppositions go hand in hand.
      PubDate: Wed, 15 Jan 2020 05:06:43 GMT
       
  • L’animisme de Merleau-Ponty et Guattari. Une critique de La machine
           sensible de Stefan Kristensen
    • Authors: Judith Wambacq
      Abstract: Avec son livre La machine sensible, Stefan Kristensen réalise, de façon magistrale, deux objectifs. D’abord, il met en lien la pensée de deux philosophes qui sont à première vue très éloignés l’un de l’autre. Il s’agit de Félix Guattari et de Maurice Merleau-Ponty. Traditionnellement, Merleau-Ponty est considéré comme le philosophe du corps, tandis que Guattari est connu comme le philosophe du corps sans organes. Merleau-Ponty est un phénoménologue, tandis que Guattari prétend abandonner le point de vue du sujet. Kristensen démontre avec succès quel est le terrain commun des deux auteurs : la critique de la conception psychanalytique du sujet.Le deuxième objectif du livre découle directement du premier : présenter au lecteur une alternative à la conception intimiste de la subjectivité, soit comprendre la subjectivité comme fondamentalement parcourue par une altérité. Merleau-Ponty a été l’un des premiers, à l’instar de Paul Schilder, à mettre l’accent sur le caractère collectif et intersubjectif de cette altérité. Guattari a compris que cette altérité possède des sédiments politiques et historiques.With his book La machine sensible, Stefan Kristensen accomplishes two goals in a masterly way. First, he links the works of two philosophers who are very different at first sight: Maurice Merleau-Ponty and Félix Guattari. Traditionally, Merleau-Ponty is considered the philosopher of the body, whereas Guattari is known as the philosopher of the body without organs. Merleau-Ponty is a phenomenologist, whereas Guattari pretends to abandon the point of view of the subject. Kristensen identifies the common ground of the two authors: the criticism of the psychoanalytical conception of the subject.The second goal of the book derives directly from the first: present the reader with an alternative for the intimate conception of subjectivity, that is, present him or her with the idea that subjectivity is always characterized by an alterity. Merleau-Ponty, following the example of Paul Schilder, has been one of the first to stress the collective and intersubjective nature of this alterity. Guattari has understood that this alterity has political and historical sediments.Con il suo libro La machine sensible, Stefan Kristensen realizza magistralmente due obiettivi. Innanzitutto, egli mette in relazione il pensiero di due filosofi a prima vista molto distanti tra loro: Félix Guattari e Maurice Merleau-Ponty. Se tradizionalmente Merleau-Ponty è considerato il filosofo del corpo, Guattari è invece noto come il filosofo del corpo senza organi. Merleau-Ponty è un fenomenologo, mentre il pensiero di Guattari intende abbandonare il punto di vista del soggetto. Kristensen propone allora di leggere la critica della concezione psicoanalitica del soggetto come terreno comune tra i due autori. Il secondo obiettivo del libro discende direttamente dal primo: presentare al lettore un’alternativa alla concezione intimista della soggettività, ovvero concepire la soggettività come fondamentalmente percorsa da un’alterità. Merleau-Ponty è tra i primi, sulla scorta di Paul Schilder, a porre l’accento sul carattere collettivo e intersoggettivo di questa alterità. Dal canto suo, Guattari ha compreso che questa alterità possiede dei sedimenti politici e storici.
      PubDate: Wed, 15 Jan 2020 05:06:43 GMT
       
  • Compte Rendu de Anna Caterina Dalmasso, Le Corps, c’est l’écran. La
           philosophie du visuel de Merleau-Ponty
    • Authors: Charles Bobant
      Abstract: Dans son livre Le corps, c’est l’écran. La philosophie du visuel de Merleau-Ponty, Anna Caterina Dalmasso met en évidence la présence de la pensée merleau-pontienne dans les réflexions contemporaines relevant des visual studies, de la médiologie et des études cinématographiques. Les analyses menées révèlent un Merleau-Ponty à l’origine d’un certain nombre de « tournants » majeurs dans le questionnement, touchant notamment à la conception de l’image (de l’image copie d’un modèle à l’image qui nous regarde) et du médium (du modèle de la transparence à celui de l’opacité). Enfin, l’une des ambitions – et l’une des réussites – de l’ouvrage est de restituer l’apport significatif de Merleau-Ponty pour les film studies. A.C. Dalmasso jette des lumières nouvelles sur une interrogation en constante évolution, en s’appuyant à la fois sur les textes bien connus (« Le cinéma et la nouvelle psychologie », L’OEil et l’esprit) et les « inédits » (Le Monde sensible et le monde de l’expression).In her book Le corps, c’est l’écran. La philosophie du visuel de Merleau-Ponty, Anna Caterina Dalmasso brings to light the presence of Merleau-pontian thought in contemporary reflections relevant to visual studies, as well as film and media studies. The analyses she carried out reveal a Merleau-Ponty at the origin of a certain number of major “turns” in the inquiry, touching notably on the conception of the image (from the image as copy of a model to the image that looks at us) and of the medium (from the model of transparency to that of opacity). Besides, one of the ambitions – and one of the successes – of the work is to demonstrate the significant contribution of Merleau-Ponty for film studies. A.C. Dalmasso throws new light on an interrogation in constant evolution, stressing both well-known texts (“Film and the New Psychology,” Eye and Mind) and unpublished manuscripts (Le monde sensible et le monde de l’expression).Nel volume Le corps, c’est l’écran. La philosophie du visuel de Merleau-Ponty, Anna Caterina Dalmasso mette in evidenza la presenza del pensiero merleau-pontyano nelle riflessioni contemporanee dei visual studies, della teoria del cinema e dei media. Le analisi che vi sono condotte rivelano un Merleau-Ponty all’origine di alcune importanti “svolte”, che riguardano in particolare la concezione dell’immagine (dall’immagine come copia di un modello ad un’immagine che ci guarda) e del medium (da un modello basato sulla trasparenza a uno che fa perno sulla sua opacità). Inoltre, una delle ambizioni – e uno degli aspetti più originali – dell’opera è quella di restituire il significativo apporto di Merleau-Ponty per l’ambito dei film studies. A.C. Dalmasso fa luce in modo innovativo su un tema di ricerca in costante evoluzione, appoggiandosi ad un tempo su scritti più noti (come “Il cinema e la nuova psicologia” e L’occhio e lo spirito) e su alcuni testi “inediti” (in particolare Le monde sensible et le monde de l’expression).
      PubDate: Wed, 15 Jan 2020 05:06:43 GMT
       
  • Presentation
    • Authors: Galen A. Johnson
      PubDate: Wed, 15 Jan 2020 05:06:42 GMT
       
  • Introduction - The Problem of Speech Excerpt from the February 25th
           Lecture. Proust and Literature
    • Authors: Lovisa Andén;Franck Robert
      PubDate: Wed, 15 Jan 2020 05:06:42 GMT
       
  • Introduzione - Le problème de la parole, estratto della lezione del 25
           febbraio 1954. Proust e la letteratura
    • Authors: Lovisa Andén;Franck Robert
      PubDate: Wed, 15 Jan 2020 05:06:42 GMT
       
  • Estratto. Proust. Una teoria, – e una pratica concordante, –
           del linguaggio
    • Authors: Maurice Merleau-Ponty;Claudio Rozzoni
      PubDate: Wed, 15 Jan 2020 05:06:42 GMT
       
  • La surface obscure - La littérature et la philosophie en tant que
           dispositifs de vision selon Merleau-Ponty
    • Authors: Mauro Carbone
      Abstract: The whole path of Merleau-Ponty’s thought is crossed – some times more evidently than others – by what I propose to qualify as the idea of literature and philosophy as visual apparatuses (dispositifs), to use an expression that was born – and not by chance – in the field of Film Studies. More precisely, I aim at asserting that Merleau-Ponty sees literature and philosophy working in his epoch as convergent apparatuses of vision, in turn understood as a bodily and not merely ocular practice. Immediately after that, I should specify that such convergent visual apparatuses peculiarly function by words, and that Merleau-Ponty stresses their different efficiency in expressing his epoch. Moreover, I think that the implicit idea of philosophy as a visual apparatus working by words “like all literature” has a particularly relevant but so far not consequently developed place in in the last period of Merleau-Ponty’s thought. Also, I would like to stress that such a perspective is crucial in our own time too, even though I consider it to be different from Merleau-Ponty’s. Indeed, I think that both our time and Merleau-Ponty’s are characterized by a tension between the increasing importance of images and the traditional centrality of the concept in our culture.
      PubDate: Wed, 15 Jan 2020 05:06:42 GMT
       
  • Introduction - The Significance of Place
    • Authors: Ann V. Murphy
      PubDate: Wed, 15 Jan 2020 05:06:42 GMT
       
  • Introduction - Le sens du lieu
    • Authors: Ann V. Murphy
      PubDate: Wed, 15 Jan 2020 05:06:42 GMT
       
  • Merleau-Ponty et l’art - un itinéraire philosophique
    • Authors: Charles Bobant
      Abstract: In this work, we undertake to demonstrate that the merleau-pontian inquiry into art orders itself according to three distinct and successive speculative movements. In the 1940s, the elaboration of a phenomenology of perception led Merleau-Ponty to approach art starting from the work of art and the perceiving subject who receives it, the spectator. From the beginning of the 1950s, this phenomenology of the work of art and aesthetic perception gave way to a philosophy of expression. The point of departure for artistic questioning changes: it is no longer the meaning expressed, but the expressive or creative act. The signification of the work of art sees itself from this moment understood starting from the meaning of being for the artist: the work is a response to perceptive omissions (manques perceptifs) of the artist. At the end of the 1950s, the merleau-pontian progress of thought experiences an ontological turning. Merleau-Ponty wants to regress below the artist, toward Being itself, which imposes itself finally as the true creator. The last merleau-pontian philosophy of art takes from this moment the aspects of a traditional philosophy of inspiration.
      PubDate: Wed, 15 Jan 2020 05:06:42 GMT
       
  • Wild Red: Synesthesia, Deuteranomaly, and Euclidean Color Space
    • Authors: Rawb Leon-Carlyle
      Abstract: In a promising working note to the Visible and Invisible, Merleau-Ponty proposes that we understand Being according to topological space – relations of proximity, distance, and envelopment – and move away from an image of Being based on homogeneous, inert Euclidean space. With reference to treatments of cross-sensory perception, color-blindness, and the concept of quale or qualia, I seek to rehearse this shift from Euclidean to topological Being by illustrating how modern science confines color itself to a Euclidean model of color space. I discuss “being as Object” in Merleau-Ponty’s later work before showing how color, and indeed all perception, is reduced to being as Object in the form of “quale”. Next, I address discussions in Merleau-Ponty’s work and contemporary research to illustrate how synesthesia and so-called color-blindness are rendered abnormal by this objectified being of color. Merleau-Ponty’s reading of synesthesia follows directly from his rejection of quale, and his use of color perception serves as a rejection of solipsism. With appeal to his proposed topological model of Being, I conclude by recognizing the problematic nature of synesthesia and color-blindness as being ontological, not psychological.
      PubDate: Wed, 15 Jan 2020 05:06:42 GMT
       
  • Recensione ad “aut aut”, numero 381, “Sartre/Merleau-Ponty. Un
           dissidio produttivo”
    • Authors: Matteo Segatto
      Abstract: Hanno ancora qualcosa da dirci Sartre e Merleau-Ponty oggi' Sessant’anni dopo i loro “contraccolpi” – consumatisi nella redazione di una rivista come “Les Temps Modernes” – vale ancora la pena di ripercorrere quella storia' È questa la domanda che apre l’ultimo numero di “aut aut” curato da Enrica Lisciani-Petrini e Raoul Kirchmayr. Si tratta di una domanda a cui è difficile rispondere e che ha a che fare con che cos’è la filosofia (oggi) e – soprattutto – che cos’è un filosofo (oggi). È una domanda che, nel caso di Sartre e di Merleau-Ponty, non chiama in causa soltanto due differenti scuole di pensiero, ma anche due modi differenti di intendere il mondo, la politica, gli altri e le relazioni con essi. Ma si tratta, in fondo, di una domanda che – con le parole di Sartre – ci porta a riflettere sul fatto che “si è filosofi quando si è morti”, poiché – in fondo – “fino a quando viviamo, siamo uomini che, tra l’altro, scrivono opere di filosofia”. E allora la risposta a quella domanda non può che essere affermativa: il loro “dissidio produttivo” (è questo il titolo del numero 381 di “aut aut”) è un atto vitale, un incontro-scontro necessario fra persone che fanno vivere la filosofia.Sartre et Merleau-Ponty ont-ils encore quelque chose à nous dire aujourd’hui ' Soixante années après leurs « contrecoups » – qui ont eu lieu dans la rédaction de la revue Les Temps Modernes – vaut-il encore la peine de reparcourir cette histoire ' Voilà la question qui ouvre le dernier numéro de la revue « aut aut », sous la direction d’Enrica Lisciani-Petrini et Raoul Kirchmayr. Il s’agit d’une question à laquelle il est difficile de répondre et qui est en rapport avec ce qu’est la philosophie (aujourd’hui) et – surtout – avec ce qu’est un philosophe (aujourd’hui). Il s’agit d’une question qui, chez Sartre et Merleau-Ponty, ne met pas seulement en cause deux courants de pensée différents, mais aussi deux différentes manières de concevoir le monde, la politique, les autres et les relations qu’on entretient avec eux. Mais il s’agit, au fond, d’une question qui – en employant les mots de Sartre – nous conduit à réfléchir sur le fait que « l’on est philosophes quand on est morts », parce que – après tout – « jusqu’à ce que nous vivons, nous sommes des hommes qui, entre autre, écrivent des oeuvres de philosophie ». Alors la réponse à cette question ne peut être qu’affirmative : leur « différend productif » (c’est le titre du numéro 381 de « aut aut ») est un acte vital, en même temps une rencontre et un affrontement nécessaires entre des personnes qui font vivre la philosophie.Do Sartre and Merleau-Ponty still have something to say to us today' Sixty years after their “breakup” – which took place in editing the journal Les Temps Modernes – is it still worthwhile to go over this history' This is the question that opens the last issue of the journal “aut aut,” under the direction of Enrica Lisciani-Petrini and Raoul Kirchmayr. It is a question to which it is difficult to respond and bears on what philosophy is (today) – and especially with what a philosopher is today. It is a matter which, according to Sartre and Merleau-Ponty, does not only call into question two different currents of thought, but also two different ways of conceiving the world, politics, others and the relations between them. But it is a matter, at its core, which – employing the words of Sartre – leads us to reflect on the fact that “we are philosophers when we are dead,” because – after all – “while we are alive, we are men who, among other things, write works of philosophy.” Thus, the response to this question can only be affirmative: their “productive difference” (this is the title of number 381 of “aut aut”) is a vital act, at the same time an encounter and necessary confrontation between persons who breathe life into philosophy.
      PubDate: Wed, 15 Jan 2020 05:06:42 GMT
       
  • Présentation
    • Authors: Galen A. Johnson
      PubDate: Wed, 15 Jan 2020 05:06:41 GMT
       
  • Introduction - Le problème de la parole, extrait de la leçon du 25
           février 1954. Proust et la littérature
    • Authors: Lovisa Andén;Franck Robert
      PubDate: Wed, 15 Jan 2020 05:06:41 GMT
       
  • Excerpt. Proust. A Theory, – and a Concordant Practice, – of
           Language
    • Authors: Maurice Merleau-Ponty;Rajiv Kaushik
      PubDate: Wed, 15 Jan 2020 05:06:41 GMT
       
  • Introduction - On the Literary and the True
    • Authors: Galen A. Johnson
      PubDate: Wed, 15 Jan 2020 05:06:41 GMT
       
  • Introduzione - Su letteratura e verità
    • Authors: Galen A. Johnson
      PubDate: Wed, 15 Jan 2020 05:06:41 GMT
       
  • Merleau-Ponty, L’origine de la géométrie et la
           littérature
    • Authors: Franck Robert
      Abstract: The commentary Merleau-Ponty offers in 1960 on Husserl’s The Origin of Geometry gives a privileged place to language, to writing: it is perhaps a great astonishment to see Merleau-Ponty, in continuity with Husserl, thinking about the genesis of geometrical ideality beginning from a meditation on literature. Merleau-Ponty’s reflection on literature took a decisive ontological turn at the beginning of the 1950s, notably in the long commentary on Proust in 1953-1954. It is in this spirit that the course of 1960 grants to literature an ontological sense: the ideality of geometry can occur as ideality by the passage to speech and to writing, but the meaning of even scientific ideality can be understood only if one places it on the basis of more fundamental idealities that literature precisely reveals, idealities that are linked across time, in the connection between past and present, self and other. Literature clarifies the history of geometry in yet another manner: it brings to light the intertwining of human-language-world, condition of the emergence of a true sense, which occurs in the history of geometry, and which literature, assuming our being in speech bears more fundamentally still.
      PubDate: Wed, 15 Jan 2020 05:06:41 GMT
       
  • Merleau-Ponty’s and Paul Claudel’s Overlapping Expression of
           Poetic Ontology
    • Authors: Glen A. Mazis
      Abstract: Merleau-Ponty characterizes the poetic or literary use of language as bringing forth of sense as if it is a being that is an interlocutor with its readers. Sense will be explored as interwoven with a deeper imagination that works within the temporality of institution to become more fully manifest. Throughout the essay will be seen the overlap with Claudel’s ontology as expressed in L’Art poetique and Claudel’s approach to language. Why Merleau-Ponty’s articulation of embodiment and perception must culminate in the poetic expression of the flesh ontology will be seen in: 1) how the phenomenology of sense leads to the flesh ontology as closely tied to the literary dimension of language (resonating with Claudel’s L’Art poetique), 2) that the analysis of sense leads to the vital importance of the physiognomic or vertical imagination as opening the latent depths of perception by its expression within poetic language, and also tracing the link between metaphor and the flesh ontology, and that 3) the expression of the latent sense of perception as the interplay of lateral relations as access to Being is the reversibility of the flesh, also articulated by Claudel as co-naissance, and calls for an “interrogative knowing,” a “question-savior.” The articulation of the texture of Being is an overlapping endeavor with Claudel as the poetic articulation of a stream of sense below our reflective life.
      PubDate: Wed, 15 Jan 2020 05:06:41 GMT
       
  • Eliciting Deviation - Merleau-Ponty and Valéry on Literary Language
    • Authors: Daniel Rosenberg
      Abstract: In his discussions on literature, Merleau-Ponty often turns to the notion of deviation as a constitutive principle of literary language. Deviation indicates the capacity of a literary work (and other aesthetic objects) to transgress against its own limits and to offer an experience of otherness, or alterity. This alterity is not given in the work, but is constituted by the recipient through the more visceral and physical aspects of literary language. The recipient of the work thus adopts a second voice: that of the author or creator of the work, which is absent from the text yet is reconstructed by the reader in a post hoc manner. The analysis of Merleau-Ponty’s ideas is complemented using the aesthetic insights of Paul Valéry, from which the philosopher was greatly inspired. The essay further explores the way in which the notion of literature as deviation illuminates other aspects in Merleau-Ponty’s theory of language.
      PubDate: Wed, 15 Jan 2020 05:06:41 GMT
       
  • Le premier livre de Merleau-Ponty, un roman
    • Authors: Emmanuel Alloa
      Abstract: In his late writings, Merleau-Ponty stressed the convergences between philosophy and literature, highlighting their “common task” of describing the world. His early philosophical texts though – both Simone de Beauvoir and Jean-Paul Sartre pointed this out – insist on demarcating themselves from literature. However, well before publishing his first monographs (The Structure of Behaviour in 1942 and Phenomenology of Perception in 1945), Merleau-Ponty had already written a book on someone else’s behalf: Nord. Récit de l’arctique, published in 1928 by French publisher Grasset. The novel, which deals with the life of an explorer in Canada’s far north, between fur trade and encounters with the Inuit, is the result of ghostwriting, carried out for a friend (Jacques Heller). Merleau-Ponty later never stood to that book. There are nonetheless some interesting motifs in this early piece of writing that prefigure his future thinking.
      PubDate: Wed, 15 Jan 2020 05:06:41 GMT
       
  • From the Body Schema to the Historical-Racial Schema - Theorizing Affect
           between Merleau-Ponty, Fanon, and Ahmed
    • Authors: Shiloh Whitney
      Abstract: What resources does Merleau-Ponty’s account of the body schema offer to the Fanonian one' First I show that Merleau-Ponty’s theory of the body schema is already a theory of affect: one that does not oppose affects to intentionality, positioning them not only as sense but as force, cultivating affective agencies rather than constituting static sense content. Then I argue that by foregrounding the role of affect in both thinkers, we can understand the way in which the historical-racial schema innovates, anticipating and influencing feminist theories of the affective turn – especially Sara Ahmed’s theory of affective economies. The historical-racial schema posits the constitution of affective agencies on a sociogenic scale, and these affective economies in turn account for the possibility of the collapse of the body schema into a racial epidermal schema, a disjunction of affective intentionality Fanon calls “affective tetanization.”
      PubDate: Wed, 15 Jan 2020 05:06:41 GMT
       
  • Presentazione
    • Authors: Galen A. Johnson
      PubDate: Wed, 15 Jan 2020 05:06:40 GMT
       
  • The Philosopher’s Truth in Fiction - An Interview with David
           Kleinberg-Levin
    • Authors: Amy A. Foley;David M. Kleinberg-Levin
      Abstract: This interview with David Kleinberg-Levin, Professor Emeritus in the Department of Philosophy at Northwestern University, concerns his recent trilogy on the promise of happiness in literary language. Kleinberg-Levin discusses the relationship between and among philosophy, phenomenology, and literature. Among others, he addresses questions regarding literature’s ability to offer redemption, its response to suffering and justice, literary gesture, the ethics of narrative logic, and the surface of the text.
      PubDate: Wed, 15 Jan 2020 05:06:40 GMT
       
  • Proust’s Disenchantments, the “Repoetization” of Experience, and the
           Lineaments of the Visible
    • Authors: Stephen H. Watson
      Abstract: This paper investigates the role of literature and, in particular, Proust in Merleau-Ponty’s late works’ rehabilitation of the ontology of the sensible. First, I trace Proust’s role in Phenomenology of Percpetion, contrasting it with the somewhat more paradigmatic status as a model it plays in the late works. Second, I compare this with the role of the novel as partial myth in Schelling, who also played an essential role in Merleau-Ponty’s refiguration of the sensible. I briefly trace his examination of the historical or “sociological meaning” of literature through works of the fifties, beginning with his Collège de France candidacy proposal and continuing through his examination of the rationality of modern disenchantment (Entzauberung) or dépoétization in the Adventures of the Dialectic. Finally, discussing the late analysis of Proust against this backdrop, I conclude with considerations concerning the relevance of Merleau-Ponty’s overall analysis of Proust both in his thought and contemporary literary criticism and philosophy more generally.
      PubDate: Wed, 15 Jan 2020 05:06:40 GMT
       
  • Proust e la biologia. È possibile una letteratura di fantasmi'
    • Authors: Federico Leoni
      Abstract: This article examines the place of literature in the ensemble of Merleau-Ponty’s research, comparing the function it fills in the economy of his thought to the role other practices and other disciplines such as biology and psychology play in his philosophy. Each of these “discourses” offered Merleau-Ponty access to something comparable to a common phantasmatic substance, a common metaphorical stability of Being, that the biologist, the writer, and the psychoanalyst work on, each in their own writings and categories. But here emerges also a major question. To what extent does the language of Proust reveal itself up to the task of writing the phantasm, to what extent does it respond to this challenge' In what manner are the limits of his language, which are perhaps the limits of language itself, an obstacle to his project' And what is it that permits, at times, the sciences to obtain greater success in engaging in this way' Was it precisely the structure of metaphor that hindered Proust in truly writing encroachment, and the dimension of metonymy was, on the contrary, that in which a certain scientific discourse succeeded at setting itself up on the first try' If, finally and especially, metonymy was the very heart of metaphor, with more or less success touched by one or the other of the “regional” writings of the phantasm'
      PubDate: Wed, 15 Jan 2020 05:06:40 GMT
       
  • Le sensible est introuvable... Merleau-Ponty e il linguaggio - da La prose
           du monde alle Cinq notes sur Claude Simon
    • Authors: Giuseppe Crivella
      Abstract: The purpose of this paper is to study the role of language in the philosophy of Merleau-Ponty. In particular, our analysis will concentrate mainly on The Prose of the World and, following that, on the notes about the novels of Claude Simon. Thus, we will attempt to discern the specific nature of such language, analyzing its sources, exploring its limits, and examining in detail its potentialities.
      PubDate: Wed, 15 Jan 2020 05:06:40 GMT
       
  • The Tension of Intention - Merleau-Ponty Gestures toward Kafka
    • Authors: Amy A. Foley
      Abstract: This article examines Maurice Merleau-Ponty’s reference to Franz Kafka’s “The Metamorphosis” and “Investigations of a Dog” in his lecture on gesture and reconciliation, “Man Seen from the Outside.” Given the centrality of gesture in Kafka’s work, this essay considers the connections between the two figures and the likely influence of Kafka on Merleau-Ponty’s concept of gesture and intentionality. It compares their respective philosophies of gesture as they relate to meaning, reliability, silence, music, and intention. Finally, Kafka’s gestural motif of the springing body is suggested as a significant example of Merleau-Ponty’s “escaping intentions,” expressing a powerful will to intend toward others.
      PubDate: Wed, 15 Jan 2020 05:06:40 GMT
       
  • Entrando al cinema. Il ritmo come segreto del mondo
    • Authors: Gianluca Solla
      Abstract: In the text of his lecture on “Film and the new psychology,” Merleau-Ponty introduces a singular and decisive reading of filmic art, approaching the notion of “rhythm.” This notion engages in a reflection on image and on the relation between the image and the gaze of the spectator at the cinema. In this article, Merleau-Ponty’s actual usage of this notion and the meaning of this operation will be read starting from the reflection of Émile Benveniste on rhythm as well as certain notes presented in Merleau-Ponty’s courses at the Collège de France on The sensible world and the world of expression and Research on the literary usages of language, that follow some years after the lecture.
      PubDate: Wed, 15 Jan 2020 05:06:40 GMT
       
  • On the Place of Resistance in Ontology - Rereading Merleau-Ponty after
           Fanon and the “Flaw that Outlaws any Ontological Explanation”
    • Authors: Jay Worthy
      Abstract: Beginning with Fanon’s challenge to the universality of the project of ontology, this paper considers whether and how Merleau-Ponty’s early and late thinking may yield a response. From the outset, Merleau-Ponty’s appeal to the materiality of the body is intended as a limit on the scope of ontology. As I argue, however, Merleau-Ponty’s early concept of ‘one’s own body’ (corps propre) suggests an “ontological equality” that would be shared among all embodied beings; implicitly, this early approach risks reinforcing Fanon’s concern that ontology is indifferent to embodied experiences of racial exclusion and oppression. Merleau-Ponty’s later ontology of the flesh, by contrast, entails a more radically differential structure of the body that troubles the notion of equality in principle, suggesting an ontology that could be more attentive to the fundamental grounds of systemic oppression.
      PubDate: Wed, 15 Jan 2020 05:06:40 GMT
       
 
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