Subjects -> PHILOSOPHY (Total: 762 journals)
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- Disgust, Race and Ideology in Carl Franklin’s Devil in a Blue Dress
Authors: Dan Flory Pages: 103 - 129 Abstract: Film-Philosophy, Volume 26, Issue 2, Page 103-129, June, 2022.
Citation: Film-Philosophy PubDate: 2022-06-13T02:14:12Z DOI: 10.3366/film.2022.0191 Issue No: Vol. 26, No. 2 (2022)
- Humility and Greatness in Damien Chazelle’s First Man
Authors: Sylvie Magerstaedt Pages: 130 - 148 Abstract: Film-Philosophy, Volume 26, Issue 2, Page 130-148, June, 2022.
Citation: Film-Philosophy PubDate: 2022-06-13T02:14:14Z DOI: 10.3366/film.2022.0192 Issue No: Vol. 26, No. 2 (2022)
- Kant and Burke’s Sublime in Werner Herzog’s Films: The Quest
for an Ecstatic Truth Authors: Patrícia Castello Branco Pages: 149 - 170 Abstract: Film-Philosophy, Volume 26, Issue 2, Page 149-170, June, 2022.
Citation: Film-Philosophy PubDate: 2022-06-13T02:14:14Z DOI: 10.3366/film.2022.0193 Issue No: Vol. 26, No. 2 (2022)
- The Disrobing of Aphrodite: Brigitte Bardot in Le Mépris
Authors: Oisín Keohane Pages: 171 - 195 Abstract: Film-Philosophy, Volume 26, Issue 2, Page 171-195, June, 2022.
Citation: Film-Philosophy PubDate: 2022-06-13T02:14:15Z DOI: 10.3366/film.2022.0194 Issue No: Vol. 26, No. 2 (2022)
- Hegel and Hitchcock’s Vertigo: On Reconciliation
Authors: Dylan Shaul Pages: 196 - 218 Abstract: Film-Philosophy, Volume 26, Issue 2, Page 196-218, June, 2022.
Citation: Film-Philosophy PubDate: 2022-06-13T02:14:14Z DOI: 10.3366/film.2022.0195 Issue No: Vol. 26, No. 2 (2022)
- Robert Breer’s Perpetual Motion Machine
Authors: Dong Yang Pages: 219 - 241 Abstract: Film-Philosophy, Volume 26, Issue 2, Page 219-241, June, 2022.
Citation: Film-Philosophy PubDate: 2022-06-13T02:14:13Z DOI: 10.3366/film.2022.0196 Issue No: Vol. 26, No. 2 (2022)
- Receptivity, Simultaneity: The Thin Red Line as Ecological Cinematic
Poesis Authors: Paul W. Burch Pages: 242 - 266 Abstract: Film-Philosophy, Volume 26, Issue 2, Page 242-266, June, 2022.
Citation: Film-Philosophy PubDate: 2022-06-13T02:14:13Z DOI: 10.3366/film.2022.0197 Issue No: Vol. 26, No. 2 (2022)
- LĂșcia Nagib (2020) Realist Cinema as World Cinema: Non-cinema,
Intermedial Passages, Total Cinema Authors: Navid Darvishzadeh Pages: 267 - 271 Abstract: Film-Philosophy, Volume 26, Issue 2, Page 267-271, June, 2022.
Citation: Film-Philosophy PubDate: 2022-06-13T02:14:13Z DOI: 10.3366/film.2022.0198 Issue No: Vol. 26, No. 2 (2022)
- Shane Denson (2020), Discorrelated Images
Authors: Christian de Mouilpied Sancto Pages: 272 - 275 Abstract: Film-Philosophy, Volume 26, Issue 2, Page 272-275, June, 2022.
Citation: Film-Philosophy PubDate: 2022-06-13T02:14:13Z DOI: 10.3366/film.2022.0199 Issue No: Vol. 26, No. 2 (2022)
- Gilberto Perez (2019) The Eloquent Screen: A Rhetoric of Film
Authors: James Mulvey Pages: 276 - 279 Abstract: Film-Philosophy, Volume 26, Issue 2, Page 276-279, June, 2022.
Citation: Film-Philosophy PubDate: 2022-06-13T02:14:12Z DOI: 10.3366/film.2022.0200 Issue No: Vol. 26, No. 2 (2022)
- David Huckvale (2020) Terrors of the Flesh: The Philosophy of Body Horror
in Film Authors: Kristina Šekrst Pages: 280 - 283 Abstract: Film-Philosophy, Volume 26, Issue 2, Page 280-283, June, 2022.
Citation: Film-Philosophy PubDate: 2022-06-13T02:14:12Z DOI: 10.3366/film.2022.0201 Issue No: Vol. 26, No. 2 (2022)
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