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Abstract: Christine Orsini begins this volume as she began our conference at the Institute Catholique de Paris, welcoming us to commemorate the centenary of René Girard's birth. It was a powerful and symbolic meeting, not symbolic in the usual etymological sense of two halves of a broken medal rejoined to identify members of a secret society to each other, but a public reunion of members of AAR, COV&R, and 'Girardians' from all over the world who have worked to develop further his ideas. I will never let go of this feeling of fusion generated by seeing all the people I have known over the years, but also by the promise of so many acute readers of Girard whom I didn't already ... Read More PubDate: 2024-07-29T00:00:00-05:00
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Abstract: Like many of you, I was overwhelmed by reading René Girard's first book Mensonge romantique et vérité romanesque, published in 1961.1 But I belong to a special class: Compared to all the young and less young readers and researchers who make up this assembly, I am what in high places, at the ARM [Association Recherches mimétiques], we do not hesitate to qualify as a "historical Girardian": I read this book in 1961, thanks to Michel Deguy. And, of course, all his other books in the order of their publication. So I'm probably the oldest surviving groupie of René Girard. It's not a claim to fame, but it's in this way that I find a fellowship with you and that I'm happy to be before you. Indeed, I think that between ... Read More PubDate: 2024-07-29T00:00:00-05:00
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Abstract: An accusation is at first sight a triadic relation. Accusing relates three poles: the accuser, the accused, and what he or she is accused of—which is also often referred to simply as the "accusation," as if that accusation, the fault or the crime that is reproached in the person, were enough to define what it is to accuse. A person accuses another one of something, which is then three terms. This is both a social and a mundane relation: social because it relates two agents, and mundane, because the person accused is not what he or she is accused of, which pertains to the world—to what is—and in that sense is an object. The object of the accusation, the fault or crime, the accused's action that is condemned by the ... Read More PubDate: 2024-07-29T00:00:00-05:00
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Abstract: Sherman Alexie's audacious arrival onto the Native American literary scene in the early 1990s felt like the start of something new—but it was also the end of something old: namely, the Native American Renaissance (NAR).1 Younger by a generation than the graying canonized figures of preceding decades—N. Scott Momaday, James Welch, Leslie Marmon Silko, Gerald Vizenor, among others—Alexie assumed the pose of an enfant terrible and suggested that his elders were trying a bit too hard to produce an ultimately inauthentic sense of traditionalism. "We've been stuck in place since House Made of Dawn," he complained to an interviewer in 1997.2 Rather than presenting his readers with sick and/or depressed Indians caught ... Read More PubDate: 2024-07-29T00:00:00-05:00
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Abstract: My critics constantly accuse me of switching back and forth between the representation and the reality of what is being represented. Readers who have been following the text attentively will understand that I do not deserve the reproach or, if I do, we all deserve it equally because we affirm the existence of real victims behind the almost mythological texts of medieval persecutors.Girardian philosophical and theological thinking is founded on events: mainly the two generic events of mimetic desire and the purifying sacrifice. However, in addition, there is more nuanced cognition of evental structures that becomes highlighted, particularly when engaging with literary texts through Girardian concepts. It is my ... Read More PubDate: 2024-07-29T00:00:00-05:00
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Abstract: What does a theorist of imitation have to teach us about innovation' What could a thinker focused on the distant past have to offer us in building the immediate future' The answer to both questions, I hope to show, is a significant amount. I aim to rescue and develop a neglected strand of Girardian thought from one of his overlooked essays on a topic seemingly antithetical to imitation: innovation. This task proceeds in five steps. First, I articulate two contemporary perspectives on innovation, one dominant and one in the minority. Second, I reconstruct Girard's historical argument from "Innovation and Repetition" in favor of the minority view and, third, his psychological argument against the dominant view. ... Read More PubDate: 2024-07-29T00:00:00-05:00
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Abstract: My name is Carlos Garcia. I am 56 years old and a junior class member of the Hope College–Western Theological Seminary Prison Education Program. I have lived my entire life in the state of Michigan. Unfortunately, more than forty of those years have been spent in juvenile detention centers, county jails, rehabilitation centers, reformatories, and prisons. I have been accused, tried, and convicted legitimately, and wrongfully, for just about every crime less than murder. Needless to say, I know a thing or two about violence. As a result, I have embarked on a journey to understand and make use of those things I have learned in the field of mimetic desire to challenge the current system of prison politics. This ... Read More PubDate: 2024-07-29T00:00:00-05:00
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Abstract: It has been a long time since I first presented a paper at a Colloquium on Violence & Religion (COV&R) conference, in 1994 in Wiesbaden, entitled "Neck Riddles in Mimetic Theory." It discusses riddle stories in which a man sentenced to death saves his life by propounding to the judge a riddle that he cannot possibly solve, because it is based on bizarre experiences, unique to the condemned person. This was somewhat similar to what I did in my lecture, because I hid the fact that my research, which I would later base my doctorate on, was inspired by the eccentric experiences from psychoses that overtook me between 1979 and 1983 and landed me in a psychiatric hospital. Moreover, the motif of a condemned person saving ... Read More PubDate: 2024-07-29T00:00:00-05:00
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Abstract: The 2023 Colloquium on Violence & Religion conference held in Paris on the centenary of Girard's birth had as its theme "The Future of Mimetic Theory," suggesting both taking stock and a forward perspective. Lucid historical moments do not coincide necessarily with centenaries, but the pressures of our present time are great and the prompt of a hundred-years anniversary marks an opportune point to take a reckoning in a certain crucial aspect. This aspect—which presents at the moment as a kind of practical and theological impasse—has always been there, but the centennial inflection serves to lift it to deserved prominence as a central, if neglected, issue of the Girardian world-disclosure. I was struck at the ... Read More PubDate: 2024-07-29T00:00:00-05:00
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Abstract: It has gradually become clear to me what every great philosophy has hitherto been: a confession on the part of its author and a kind of involuntary and unconscious memoir.Friedrich Nietzsche's exemplary position in the history of philosophy owes as much to the untimely content of his thought as to the heterogeneous forms he used to express it. It is thus no accident that both his philosophical logic (logos) and the formal affect (pathos) that animate his writings are now a source of inspiration for mimetic studies as well—a transdisciplinary field that goes beyond antiquarian approaches to mimesis in order to develop a new theory of imitation that accounts for the becoming other of homo mimeticus in the present and ... Read More PubDate: 2024-07-29T00:00:00-05:00
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Abstract: This paper1 aims to analyze the figure of Patrick Bateman, the protagonist of the novel American Psycho,2 through René Girard's mimetic theory. It links the character created by Bret Easton Ellis to the concept of caricatural "ultra-Christianity," meaning the degeneration of Christian-based concern for innocent victims.Methodologically, it adopts the approach of the sociology of the imaginary, which is characterized by the division between invisible levels of signification and visible elements of culture. The latter, as a set of representations, narratives, and products, both material and ideal, are influenced by the former, which represent their condition of possibility.3 When considering caricatural ... Read More PubDate: 2024-07-29T00:00:00-05:00
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Abstract: Unfortunately, categorical violence (violence wrought against a scapegoat minority, like ethnic cleansing and genocide) is a perpetual human problem. Although many thinkers concerned themselves with the issue of categorical violence, I would like to discuss René Girard (1923–2015) and Giorgio Agamben (born in 1942), two contemporary thinkers who present intriguing perspectives on categorical violence. Rather than viewing violence as an external element of societal life, they discuss the societal function of categorical violence while situating a sacred victim at the heart of their theories. Girard and Agamben are an unlikely pairing. Girard is renowned for his socio-anthropological mimetic theory, while Agamben is ... Read More PubDate: 2024-07-29T00:00:00-05:00
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Abstract: In his interview with René Girard, Benoît Chantre connects the mimetic theory of René Girard with the ethics of Emmanuel Levinas, observing, "It is in the confrontation with otherness that the individual acquires self-consciousness. The self has no meaning except in the relationship, even when the relationship takes the form of a duel. Can we not say, following Levinas, that only experience of war can allow us to think about reconciliation'" Girard concurs and expands: "According to what you have said, Levinas saw the duel, like love, as an escape from totality that we absolutely need. However, it is in this sense that it explodes totality…. By affirming that the duel is already the relationship to the Other, it ... Read More PubDate: 2024-07-29T00:00:00-05:00
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Abstract: The most (or rather the only) effective form of reconciliation—that would stop this crisis, and save the community from total self-destruction—is the convergence of all collective anger and rage towards a random victim, a scapegoat, designated by mimetism itself, and unanimously adopted as such.How do we move from rage to ritual' How do we become human' The work of René Girard would seem to offer an answer to this question. In this brief essay I want to simply add some evolutionary and neuroscientific details to Girard's theory, which flesh out while also corroborating the basic components of it.To do this I need to draw a distinction between religion and culture. I mention this from the outset because the main ... Read More PubDate: 2024-07-29T00:00:00-05:00
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Abstract: This article seeks to contribute to the knowledge that we have on the market as the central institution of capitalism, according to Girard's perspective. Mimetic theory (MT) can explain both the success and malaise caused by the market. Success is measured by the spread of desire, and malaise by the mimetic resentment caused by this spread of desire.In 1979, Paul Dumouchel and Jean-Pierre Dupuy applied René Girard's mimetic theory for the first time to economics in their book L'Enfer des Choses.1 Both authors defended the need to advance toward the construction of a mimetic economic science placing at the center of the analysis the mimetic nature of the human being. They pointed out that the liberal conception of ... Read More PubDate: 2024-07-29T00:00:00-05:00
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