Subjects -> ART (Total: 882 journals)
    - ART (468 journals)
    - DANCE (26 journals)
    - FILM AND AUDIOVISUALS (125 journals)
    - MUSIC (171 journals)
    - THEATER (92 journals)

MUSIC (171 journals)                     

Showing 1 - 166 of 166 Journals sorted alphabetically
American Music     Full-text available via subscription   (Followers: 18)
American String Teacher     Full-text available via subscription   (Followers: 1)
Anuario Musical     Open Access   (Followers: 1)
Ars Lyrica     Full-text available via subscription  
ARTES. Journal of Musicology     Open Access  
Asian Music     Full-text available via subscription   (Followers: 9)
Australasian Music Research     Full-text available via subscription   (Followers: 2)
Australian Journal of Music Education     Full-text available via subscription   (Followers: 7)
Australian Journal of Music Therapy     Full-text available via subscription   (Followers: 9)
Australian Voice     Full-text available via subscription   (Followers: 4)
AV Notas : Revista de Investigación Musical     Open Access  
Biannual Online-Journal of Springsteen Studies     Open Access  
Black Music Research Journal     Full-text available via subscription   (Followers: 12)
British Journal of Music Education     Hybrid Journal   (Followers: 18)
British Journal of Music Therapy     Hybrid Journal   (Followers: 8)
Bulletin of Kyiv National University of Culture and Arts. Series in Musical Art     Open Access  
Cahiers d'ethnomusicologie     Open Access   (Followers: 2)
Cambridge Opera Journal     Hybrid Journal   (Followers: 4)
Circuit : musiques contemporaines     Full-text available via subscription   (Followers: 1)
Computer Music Journal     Hybrid Journal   (Followers: 18)
Conservatorium / Konservatoryum     Open Access  
Contemporary Music Review     Hybrid Journal   (Followers: 13)
Context: Journal of Music Research     Full-text available via subscription   (Followers: 7)
Cuadernos de Investigación Musical     Open Access  
Cuadernos de Música Iberoamericana     Open Access  
Cuadernos de Música, Artes Visuales y Artes Escénicas     Open Access   (Followers: 1)
De Arte     Hybrid Journal   (Followers: 3)
De Musica     Open Access  
Diagonal : An Ibero-American Music Review     Open Access  
Divergence Press     Open Access  
Early Music     Hybrid Journal   (Followers: 12)
Early Music History     Hybrid Journal   (Followers: 7)
East Asian Journal of Popular Culture     Hybrid Journal   (Followers: 6)
Eighteenth-Century Music     Hybrid Journal   (Followers: 13)
El Oído Pensante     Open Access  
Empirical Musicology Review     Open Access   (Followers: 3)
Epistemus : Revista de Estudios en Música, Cognición y Cultura     Open Access  
Ethnomusicology Forum     Hybrid Journal   (Followers: 11)
Ethnomusicology Translations     Open Access   (Followers: 2)
EURASIP Journal on Audio, Speech, and Music Processing     Open Access   (Followers: 7)
Folk och musik     Open Access   (Followers: 1)
Forum Modernes Theater     Full-text available via subscription  
Gamut : Online Journal of the Music Theory Society of the Mid-Atlantic     Open Access   (Followers: 3)
General Music Today     Hybrid Journal   (Followers: 2)
Gli Spazi della Musica     Open Access  
Greek and Roman Musical Studies     Hybrid Journal   (Followers: 3)
I Tatti Studies in the Italian Renaissance     Full-text available via subscription   (Followers: 15)
IASPM@Journal     Open Access   (Followers: 2)
International Journal of Community Music     Hybrid Journal   (Followers: 8)
International Journal of Music Business Research     Open Access  
International Journal of Music Education     Hybrid Journal   (Followers: 18)
International Journal of Music in Early Childhood     Hybrid Journal   (Followers: 1)
Intervención     Open Access  
Jazz Perspectives     Hybrid Journal   (Followers: 8)
Jazz Research Journal     Hybrid Journal   (Followers: 6)
Journal of Folklore Research     Full-text available via subscription   (Followers: 7)
Journal of Historical Research in Music Education     Hybrid Journal   (Followers: 4)
Journal of Interdisciplinary Voice Studies     Hybrid Journal  
Journal of Jazz Studies     Open Access   (Followers: 3)
Journal of Mathematics and Music: Mathematical and Computational Approaches to Music Theory, Analysis, Composition and Performance     Hybrid Journal   (Followers: 12)
Journal of Music Teacher Education     Hybrid Journal   (Followers: 8)
Journal of Music Therapy     Hybrid Journal   (Followers: 13)
Journal of Music, Technology and Education     Hybrid Journal   (Followers: 11)
Journal of Musicological Research     Hybrid Journal   (Followers: 7)
Journal of New Music Research     Hybrid Journal   (Followers: 12)
Journal of Popular Music Education     Hybrid Journal   (Followers: 4)
Journal of Research in Music Education     Hybrid Journal   (Followers: 18)
Journal of the Alamire Foundation     Full-text available via subscription  
Journal of the Musical Arts in Africa     Hybrid Journal   (Followers: 1)
Journal of the Royal Musical Association     Hybrid Journal   (Followers: 5)
Journal of the Society for American Music     Hybrid Journal   (Followers: 12)
Journal of World Popular Music     Full-text available via subscription   (Followers: 6)
Latin American Music Review     Full-text available via subscription   (Followers: 6)
Leonardo Music Journal     Hybrid Journal   (Followers: 11)
Metal Music Studies     Hybrid Journal   (Followers: 3)
Music & Science     Open Access   (Followers: 2)
Music + Practice     Open Access   (Followers: 3)
Music Analysis     Hybrid Journal   (Followers: 15)
Music and Letters     Hybrid Journal   (Followers: 23)
Music and Medicine     Hybrid Journal   (Followers: 2)
Music and Politics     Open Access   (Followers: 10)
Music and the Moving Image     Full-text available via subscription   (Followers: 6)
Music Education Research     Hybrid Journal   (Followers: 15)
Music Educators Journal     Hybrid Journal   (Followers: 7)
Music Reference Services Quarterly     Hybrid Journal   (Followers: 8)
Music Scholarship / Problemy Muzykal'noj Nauki     Open Access   (Followers: 1)
Music Theory and Analysis (MTA)     Full-text available via subscription   (Followers: 4)
Music Theory Spectrum     Hybrid Journal   (Followers: 12)
Music Therapy Perspectives     Hybrid Journal   (Followers: 7)
Music, Sound, and the Moving Image     Hybrid Journal   (Followers: 10)
MUSIC.OLOGY.ECA     Open Access   (Followers: 1)
Música e Linguagem - Revista do Curso de Música da Universidade Federal do Espírito Santo     Open Access  
Música em Contexto     Open Access  
Musica Tecnologia     Open Access  
Musicae Scientiae     Hybrid Journal   (Followers: 5)
Musical Offerings     Open Access  
Musical Quarterly     Hybrid Journal   (Followers: 7)
Musicological Annual     Full-text available via subscription  
Musicological Explorations     Open Access   (Followers: 1)
Musicologist     Open Access  
Musicology Australia     Hybrid Journal   (Followers: 1)
Musicology Today     Open Access   (Followers: 2)
MUSICultures     Full-text available via subscription   (Followers: 1)
Musicworks: Journal of the Australian Council of Orff Schulwerk     Full-text available via subscription  
Musiikki     Open Access  
Musik- Tanz und Kunsttherapie     Hybrid Journal  
Musikk og Tradisjon     Open Access  
Musikterapi i Psykiatrien Online     Open Access  
Muziki: Journal of Music Research in Africa     Hybrid Journal   (Followers: 2)
New Soundtrack     Hybrid Journal   (Followers: 2)
New Zealand Journal of Music Therapy     Full-text available via subscription   (Followers: 5)
Nineteenth-Century Music Review     Hybrid Journal   (Followers: 6)
Nordic Journal of Music Therapy     Hybrid Journal   (Followers: 7)
Nota Bene : Canadian Undergraduate Journal of Musicology     Open Access  
Notes     Full-text available via subscription   (Followers: 14)
Online Journal of Music Sciences     Open Access   (Followers: 1)
Opera Quarterly     Hybrid Journal   (Followers: 3)
OPUS : Revista Electronica da ANPPOM     Open Access  
Organised Sound     Hybrid Journal   (Followers: 6)
Perfect Beat     Hybrid Journal   (Followers: 2)
Performance Practice Review     Open Access   (Followers: 2)
Peritia     Full-text available via subscription   (Followers: 6)
Philomusica on-line     Open Access  
Philosophy of Music Education Review     Full-text available via subscription   (Followers: 5)
Plainsong and Medieval Music     Hybrid Journal   (Followers: 8)
Popular Music     Hybrid Journal   (Followers: 17)
Popular Music and Society     Hybrid Journal   (Followers: 19)
Popular Music History     Hybrid Journal   (Followers: 14)
Pro Musica Sacra     Open Access  
Psychology of Music     Hybrid Journal   (Followers: 21)
Psychomusicology : Music, Mind, and Brain     Full-text available via subscription   (Followers: 6)
Punk & Post Punk     Hybrid Journal   (Followers: 3)
Research and Issues in Music Education     Open Access   (Followers: 1)
Research Perspectives in Music Education     Full-text available via subscription   (Followers: 6)
Research Studies in Music Education     Hybrid Journal   (Followers: 9)
Revista Catalana de Musicologia     Open Access  
Revista de Investigación en Musicoterapia     Open Access  
Revista de Investigaciones en Técnica Vocal     Open Access  
Revista del Instituto de Investigación Musicológica "Carlos Vega"     Open Access  
Revista Electrónica Complutense de Investigación en Educación Musical - RECIEM     Open Access  
Revista Electrónica de LEEME     Open Access  
Revista Internacional de Educación Musical     Open Access  
Revista Musical Chilena     Open Access  
Revue musicale OICRM     Open Access  
Rock Music Studies     Full-text available via subscription   (Followers: 5)
Royal Musical Association Research Chronicle     Hybrid Journal  
Sonora     Open Access  
Sound Scripts     Open Access  
Sound Studies : An Interdisciplinary Journal     Hybrid Journal  
String Research Journal     Hybrid Journal  
Studia Musicologica     Full-text available via subscription   (Followers: 1)
Studia Musicologica Norvegica     Open Access  
Tempo     Hybrid Journal   (Followers: 1)
The Soundtrack     Hybrid Journal   (Followers: 1)
Trans. Revista Transcultural de Música     Open Access  
Transactions of the International Society for Music Information Retrieval     Open Access  
Translingual Discourse in Ethnomusicology     Open Access  
Transposition : Musique et sciences sociales     Open Access   (Followers: 1)
Twentieth-century music     Hybrid Journal   (Followers: 6)
Update : Applications of Research in Music Education     Hybrid Journal   (Followers: 3)
Victorian Journal of Music Education     Full-text available via subscription   (Followers: 3)
Voices : A World Forum for Music Therapy     Open Access   (Followers: 4)
Volume ! La revue des musiques populaires     Open Access  
Women and Music: A Journal of Gender and Culture     Full-text available via subscription   (Followers: 12)
Yearbook of Ethnomusicology / Etnomusikologian vuosikirja     Open Access  
Yegâh Mûsikî Dergisi / Yegah Musicology Journal     Open Access  


Similar Journals
Journal Cover
Music and Politics
Number of Followers: 10  

  This is an Open Access Journal Open Access journal
ISSN (Online) 1938-7687
Published by Michigan Publishing Homepage  [22 journals]
  • Persecution and Resistance Resounded: Trajectories of WWII Musical
           Memorializations in Germany

    • Authors: Martin Ringsmut
      Abstract: This special issue of Music & Politics presents some of the major outcomes of a three-year-long collaborative research project between the University of Cologne and the Leuphana University in Lüneburg. The researchers set out to explore the roles of music in past and current memorialization and commemoration practices in Germany. While working on separate case studies, similar issues concerning the memorialization of WWII emerged. Through regular discussions on memory theories, a set of concepts arising from modern memory studies has come to shape our understanding of socially shared memories and the role of music in memorialization processes.
      PubDate: Summer 2021
      Issue No: Vol. 15, No. 2 (2021)
  • Rapping against Old and New Nazis: Bejarano and Microphone Mafia’s
           Multidirectional Musical Memory Work

    • Authors: Monika E. Schoop
      Abstract: It is January 27, 2015, the International Holocaust Remembrance Day and the seventieth anniversary of the liberation of Auschwitz concentration camp. Esther Bejarano steps on the stage of a Cologne theater in a former factory building. The diminutive woman of 90 years of age appears fragile as she takes a seat at a small desk in the center of the stage. The audience falls silent. Her voice is firm as she starts to read about her deportation to Auschwitz and her time as a member of the camp’s orchestra; Esther bears witness to the inconceivable atrocities of the Nazi regime. Recounting her memories of the end of WWII and the liberation, Esther ends her testimony and invites the audience to what she terms “my revenge on the Nazis.” Together with rapper Kutlu Yurtseven and her son Joram Bejarano, who plays the bass, she embarks on a musical journey, weaving together multiple histories of antifascist resistance. The three perform songs from the camps and ghettos—partisan and Jewish songs, as well as original compositions—always combining multiple languages, including German, Turkish, French, Italian, and Yiddish. Today’s repertoire ranges from a defiant intonation of the Jewish resistance song “Mir lebn eybig” to “Avanti Popolo” and “Bella Ciao.” In their reworking of historical antifascist songs, and especially through the infusion of rap, they draw parallels between the Nazi atrocities and right-wing terrorism and racist attacks of the 1990s and the new century. The cross-generational and transcultural group of Esther, the Jewish concentration camp survivor, Joram, who was born in Israel, and Kutlu, the son of Turkish migrant workers, makes their voices heard against “old and new Nazis” and for a peaceful future.
      PubDate: Summer 2021
      Issue No: Vol. 15, No. 2 (2021)
  • Maro Drom: Music and Mnemonic Imagination in the Commemoration of German
           Sinti Victims during WWII

    • Authors: Martin Ringsmut
      Abstract: At the beginning of June 2018, the Cologne “Zigeunerwagenfestival” (Gypsy wagon festival) invited guests and passers-by who walked along the Rhine promenade in Deutz to sit in the cool shade under old trees, to listen to a variety of live music, to enjoy food and drink, and to gain insights into the history and culture of German Sinti. The centerpiece of this four-day festival was a large, wooden-clad circus wagon. It stood in a semicircle with a couple of tents in which hot and cold drinks, cakes, and freshly cooked hot meals were served. Festooned with colorful garlands, with views of the Rhine and the iconic skyline of Cologne in the background, the festival attracted hundreds of people who talked of a Pariser Flair am Rheinufer (a Parisian flair on the banks of the Rhine). Over the course of four days, the festival provided a varied program of different musical acts, film screenings, public discussions, and readings, as well as a commemoration ceremony for the predominantly Sinti victims who had been deported to various concentration camps in May 1940. The festival was organized by the “Zigeunerfestkommitee” (Gypsy festival committee) and Maro Drom, a grassroots association newly founded by members of the Sinti community in Cologne and their affiliates. Two other installations in Worringen and Ehrenfeld followed in the same year. All three festivals featured a similar program, including Sinti-led interactive workshops and presentations, music, discussions, and film screenings.
      PubDate: Summer 2021
      Issue No: Vol. 15, No. 2 (2021)
  • Rapping the Shoah: (Counter-)Narratives and Judaism in German Hip-Hop

    • Authors: Thomas Sebastian Köhn
      Abstract: The Berlin-based rap artist Ben Salomo combines discursive negotiations of “being Jewish” with statements against racism, discrimination, and right-wing populism in his songs. In this process, he draws on memories connected to National Socialism and the Holocaust and interweaves them with other historiographic and political representations. The track “Identität” (Identity), which was released on his 2016 album Es gibt nur einen (There is only one), makes this particularly clear. Salomo uses aspects of Jewish history and liturgy and connects them to autobiographical, family, and wider collective memories. The track was uploaded to YouTube with an accompanying music video and currently has about 193,000 views. In this article, I will use Salomo’s work as a focus for broader musical considerations to investigate how negotiations and interweavings of memory, history, and politics are built upon the relationship of narratives and counter-narratives.
      PubDate: Summer 2021
      Issue No: Vol. 15, No. 2 (2021)
  • About the Authors

    • Abstract: Thomas Sebastian Köhn studied musicology at the University of Oldenburg, with a focus on the cultural history of music, gender studies, and media. From 2019 to 2020, he was a doctoral researcher in the project “Sounding Memories: Nazi Persecution and Anti-Nazi Resistance in the Music of Contemporary Germany,” funded by the German Research Foundation (2017–2020). In 2021, he began working as a doctoral researcher at the Chair of Musicology, with a special focus on Popular Music Studies, at Leuphana University, Lüneburg. He conducts research on memories of the Holocaust and World War II in contemporary German-language hip-hop by Jewish artists, combining approaches from music and media analysis and ethnomusicology. His research interests include the intersections between musicology, sound studies, intersectionality research, and cultural memory studies.
      PubDate: Summer 2021
      Issue No: Vol. 15, No. 2 (2021)
  • Memory is a Weapon: Ton Steine Scherben’s Use of WWII Memory in the
           Political Upheavals of the 1970s

    • Authors: Sidney König
      Abstract: The “Agit-Rock” band Ton Steine Scherben is one of the most unusual musical phenomena in German postwar history. A highly politicized rock band, their music is often considered the de facto soundtrack of the political upheavals of 1970s West Germany, and is still frequently played at demonstrations. Their singular status in German music culture is evidenced by numerous cover versions of their songs by artists of nearly all genres of popular music. There can be little doubt about their influence on German pop music culture. Yet, despite their lasting impact, the Scherben were never commercially successful. They were never signed to a major label, opting instead to produce and distribute their music themselves via leftist bookstores, and the band’s staunchly anti-capitalist stance and rootedness in the 1970s West German leftist scene often led them to play in support of causes that involved little to no compensation. Given these factors, the fact that the Scherben are so well known is a testament to how much their music reverberated within their generation and for subsequent generations.
      PubDate: Sum
      Issue No: Vol. 15, No. 2
School of Mathematical and Computer Sciences
Heriot-Watt University
Edinburgh, EH14 4AS, UK
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