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Abstract: Today, I am delighted to introduce one of the world’s most distinguished, performed, and heard composers, Gabriel Yared—so welcome again [claps]. Such French films as Betty Blue1 and Camille Claudel2 and the American film Cold Mountain3—as well as the epic The English Patient,4 for which he was awarded both an Oscar and a Grammy. Gabriel’s music and creative vision seamlessly cross continents, cultures, and musical styles, for which he has often engaged in rich and enduring creative collaborations with such filmmakers as Anthony Minghella5 and Jean-Jacques Beineix.6Gabriel was an official member of the Cannes Film Festival Jury7 in 2017 and was recently presented with the prestigious Lifetime Achievement Award by ... Read More PubDate: 2021-12-12T00:00:00-05:00
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Abstract: In the book Voices from Chernobyl [Tchernobylskaia Molitva], author and Nobel laureate Svetlana Alexievich collected oral testimonies from survivors of the Chernobyl catastrophe. One of the stories in her book is that of a war photographer by the name of Sergei Gurin, who took his camera and traveled to the exclusion zone to document the event. When he arrived there, he found himself bewildered. Trained as a war photographer, he was looking for disaster as visual spectacle. But, as he recounts to Alexievich, “nothing’s blowing up.”1 The cameraman finds only the surreal beauty and stillness of the spring bloom of the Belarussian countryside in 1986. He knows that everything around him is contaminated and highly ... Read More PubDate: 2021-12-12T00:00:00-05:00
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Abstract: If you want a happy ending, that depends, of course, on where you stop your story.1On a day like any other, as unremarkable as the one before, something out of the ordinary happens: You meet someone. Maybe you met this person in the past; maybe you have seen them on television, in movies, on the back of a book; or maybe this is the first time you have ever laid eyes upon them. Regardless, you meet in an unexpected fashion. The meeting . . . does not go well. At least, not as well as you may have hoped. Even so, there is a spark, an attraction the likes of which you have never experienced. Not even with your spouse, fiancé(e), or significant other if you have one. Eventually, you realize you love this person, but ... Read More PubDate: 2021-12-12T00:00:00-05:00
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Abstract: In memory of Danijela Kulezic-Wilson—our beloved colleague, scholar, MaMI journal author and conference ... Read More PubDate: 2021-12-12T00:00:00-05:00
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Abstract: max dosser is a doctoral student in the Communication Department at the University of Pittsburgh. His research interests largely fall within the fields of media studies and cultural studies, with particular focus on speculative fiction, music communication, and animated media. His other scholarly work on music can be found in the Journal of American Culture and Music, Sound, and the Moving Image. Dosser is also the cofounder and editor of the speculative fiction publication Flash Point Science Fiction.john richardson is professor of musicology at the University of Turku. He is the author of An Eye for Music: Popular Music and the Audiovisual Surreal (2011) and Singing Archaeology: Philips Glass’s Akhaten (1999). He ... Read More PubDate: 2021-12-12T00:00:00-05:00
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Abstract: The figure shown here corrects Table 1 in Shanti Nachtergaele'’'s article “Music, Form, and Crooked Time in Felix Van Groeningen’s The Broken Circle Breakdown (2012).” Music and the Moving Image 14, no. 1 (2021): 26–45. The corrected figure maintains a grid throughout the table, which improves legibility. Temporal structure and the five narrative threads in The Broken Circle Breakdown. Dates are given as indicated in the film. Numeric labels refer to diegetic chronology and alphabetic labels refer to the film’s five narrative threads. Thread A: Didier and Elise's relationship Thread B: Maybelle’s illness Thread C: Central thread after Maybelle’s death Thread D: Didier’s point of view on the night Elise/Alabama ... Read More PubDate: 2021-12-12T00:00:00-05:00
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