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Authors:Kun Xian Shen University of CA Los Angeles Author Institution is Unverified; Los Angeles, CA, USAKun Xian Shen is a PhD student in the Department of Asian Languages Beyond. Pages: 1 - 19 Abstract: .
Citation: Journal of Chinese Cinemas PubDate: 2024-07-25T06:43:25Z DOI: 10.1080/17508061.2024.2376965
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Authors:Rui Jiao Jing Wang a School of Liberal Arts; Renmin University of China, Beijing, Chinab School of Journalism producer for documentaries for 11 years. Pages: 1 - 18 Abstract: .
Citation: Journal of Chinese Cinemas PubDate: 2024-07-12T02:51:37Z DOI: 10.1080/17508061.2024.2375699
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Authors:Pin Li Weichen Jia Innovation Center for Digital Culture; NingboTech University, Ningbo, People’s Republic of ChinaPin LI is an Assistant Professor in the Department of Journalism computational communication. Pages: 1 - 17 Abstract: .
Citation: Journal of Chinese Cinemas PubDate: 2024-07-12T02:45:30Z DOI: 10.1080/17508061.2024.2375698
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Authors:Kristine Harris Department of History & Program in Asian Studies; State University of New York, New Paltz, NY, USAKristine Harris is Associate Professor work of S. Rosen-Hoa. Pages: 1 - 32 Abstract: .
Citation: Journal of Chinese Cinemas PubDate: 2024-07-08T04:10:45Z DOI: 10.1080/17508061.2024.2335119
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Authors:Dylan Suher McGill University; Montreal, CanadaDylan Suher is a contract lecturer at McGill University. His book project, ‘‘Getting Electrocuted’: Media Screen. Pages: 1 - 18 Abstract: .
Citation: Journal of Chinese Cinemas PubDate: 2024-07-01T10:46:18Z DOI: 10.1080/17508061.2024.2372507
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Authors:Chu Wang East Asian Studies Department; University of Toronto, Toronto, CanadaChu Wang is a PhD candidate in the Department of East Asian Studies at the University of Toronto. His research interests include Modern Chinese culture, media studies, science technology studies. His dissertation investigates the cinematic production of the natural world through science education cinema in Mao-era China. Pages: 1 - 16 Abstract: .
Citation: Journal of Chinese Cinemas PubDate: 2024-06-22T01:38:15Z DOI: 10.1080/17508061.2024.2364580
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Authors:Mo ChenZhiwei XiaoYan-fei Songa China Film Art Research Center; Beijing, Chinab Department of History, California State University, San Marcos, CA, USAc School of Arts China Women’s News. Pages: 1 - 27 Abstract: .
Citation: Journal of Chinese Cinemas PubDate: 2024-04-05T03:25:01Z DOI: 10.1080/17508061.2024.2316545
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Authors:Xuelei HuangUniversity of Edinburgh; Edinburgh, UKXuelei Huang is Senior Lecturer (Associate Professor) in Chinese Studies at the University of Edinburgh. She is the author of Scents of China: A Modern History of Smell (Cambridge, 2023), Shanghai Filmmaking: Crossing Borders, Connecting to the Globe, 1922–1938 (Brill, 2014), Edinburgh Filmhouse. Pages: 1 - 20 Abstract: .
Citation: Journal of Chinese Cinemas PubDate: 2024-03-13T03:49:57Z DOI: 10.1080/17508061.2024.2320608
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Authors:Anatoly DetwylerDepartment of Asian Languages; contemporary China. Pages: 1 - 23 Abstract: .
Citation: Journal of Chinese Cinemas PubDate: 2024-02-19T05:10:33Z DOI: 10.1080/17508061.2024.2313353
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Authors:Victor FanKing’s College LondonVictor Fan is Reader in Film; Film History. Pages: 1 - 14 Abstract: .
Citation: Journal of Chinese Cinemas PubDate: 2024-02-12T08:11:08Z DOI: 10.1080/17508061.2024.2312727
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Authors:Alvin K. WongUniversity of Hong Kong; Hong Kong, SAR of ChinaAlvin K. Wong is Assistant Professor in Comparative Literature at the University of Hong Kong. His research covers Hong Kong culture, Chinese cultural studies, Sinophone studies, Film Theory (Rutgers University Press, 2022). He also coedited the volume Keywords in Queer Sinophone Studies (Routledge, 2020). Wong is an Associate Editor of the Journal of Intercultural Studies. Pages: 1 - 15 Abstract: .
Citation: Journal of Chinese Cinemas PubDate: 2024-02-12T08:07:17Z DOI: 10.1080/17508061.2024.2312715
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Authors:Lisa KumaradjajaChris Kumaradjajaa The Kumaradjaja Family History Archive; New York, NY, USAb Architecture, Planning applications of structural engineering in the preservation of historic buildings. Pages: 1 - 19 Abstract: .
Citation: Journal of Chinese Cinemas PubDate: 2024-02-12T08:07:17Z DOI: 10.1080/17508061.2023.2292462
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Authors:Hongwei BaoUniversity of Nottingham; UKHongwei Bao is an associate professor in Media Studies at the University of Nottingham, UK, where he directs the Centre for Critical Theory edits the Queer Lens column for the Chinese Independent Film Archive. Pages: 1 - 14 Abstract: .
Citation: Journal of Chinese Cinemas PubDate: 2024-02-09T02:13:58Z DOI: 10.1080/17508061.2024.2312681
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Authors:Evelyn ShihJulia Keblinskaa University of CO; Boulder, CO, USAb The OH State University, Columbus, OH, USAEvelyn Shih is a scholar of Sinophone television as an object of nostalgia in contemporary South Korea. She is the content co-editor of Chinese Theater Collaborative, a digital humanities resource that explores the multimedia afterlives of classic Chinese drama. Pages: 1 - 6 Abstract: .
Citation: Journal of Chinese Cinemas PubDate: 2024-02-09T02:13:58Z DOI: 10.1080/17508061.2024.2313345
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Authors:Junting HuangDepartment of Comparative Literature; Harvard University, Cambridge, MA, USAJunting Huang is a College Fellow in the Department of Comparative Literature at Harvard University. He received his PhD in Comparative Literature at Cornell University. His teaching Sinoglossia. Pages: 1 - 18 Abstract: .
Citation: Journal of Chinese Cinemas PubDate: 2024-02-08T10:28:25Z DOI: 10.1080/17508061.2024.2313361
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Authors:Heshen XieDepartment of Communication & Humanities; University of Huddersfield, Huddersfield, UKHeshen Xie is a Research Fellow at Yorkshire Film & Television School Innovation Lab at the University of Huddersfield, UK. He holds a PhD in Film Journal of Festive Studies. Pages: 1 - 13 Abstract: .
Citation: Journal of Chinese Cinemas PubDate: 2024-02-08T03:40:44Z DOI: 10.1080/17508061.2024.2312718
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Authors:Carlos RojasDuke University; USACarlos Rojas is Professor of Chinese Cultural Studies, Gender, Sexuality & Feminist Studies, Modern Chinese Literature. Pages: 1 - 13 Abstract: .
Citation: Journal of Chinese Cinemas PubDate: 2024-02-08T03:40:44Z DOI: 10.1080/17508061.2024.2312728
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Authors:Jamie J. ZhaoHongwei Baoa School of Creative Media; City University of Hong Kong, HKSAR For, Baob School of Cultures, Languages edits the Queer Lens column for the Chinese Independent Film Archive. Pages: 1 - 9 Abstract: .
Citation: Journal of Chinese Cinemas PubDate: 2024-02-08T03:39:41Z DOI: 10.1080/17508061.2024.2312677
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Authors:Dayton LeknerJoseph Lovella Ca’ Foscari; University of Venice, Italyb University of CA, Santa Barbara, CA, USADayton Lekner researches, translates, the journal Annali di Ca’Foscari. Serie Orientale. He is now in the early stages of an environmental humanities project concerning climate advocacy in the Chinese cultural context. Pages: 1 - 17 Abstract: .
Citation: Journal of Chinese Cinemas PubDate: 2024-02-08T03:37:49Z DOI: 10.1080/17508061.2023.2239318
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Authors:Zoran Lee PecicNorwegian University of Science; New Cinemas: Journal of Contemporary Film. Pages: 1 - 13 Abstract: .
Citation: Journal of Chinese Cinemas PubDate: 2024-02-07T12:14:08Z DOI: 10.1080/17508061.2024.2312711
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Authors:Raymond Kun-Xian ShenDepartment of Asian Languages; Beyond. Pages: 1 - 19 Abstract: .
Citation: Journal of Chinese Cinemas PubDate: 2024-02-06T02:26:44Z DOI: 10.1080/17508061.2024.2313877
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Authors:Jinyan ZengLund University; Lund, SwedenJinyan Zeng, documentary filmmaker ethnicity, with the focus of the Chinese-speaking world. Pages: 1 - 16 Abstract: .
Citation: Journal of Chinese Cinemas PubDate: 2024-02-06T02:22:57Z DOI: 10.1080/17508061.2024.2312721
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Authors:Yiman WangFilm & Digital Media; University of California Santa Cruz, Santa Cruz, California, USA Pages: 1 - 18 Abstract: .
Citation: Journal of Chinese Cinemas PubDate: 2024-02-05T05:09:19Z DOI: 10.1080/17508061.2024.2305766