Subjects -> ART (Total: 882 journals)
    - ART (468 journals)
    - DANCE (26 journals)
    - FILM AND AUDIOVISUALS (125 journals)
    - MUSIC (171 journals)
    - THEATER (92 journals)

ART (468 journals)            First | 1 2 3     

Showing 401 - 264 of 264 Journals sorted alphabetically
Sendas     Open Access  
Series - International Journal of TV Serial Narratives     Open Access  
Shanlax International Journal of Arts, Science and Humanities     Open Access  
Siècles     Open Access   (Followers: 1)
Significação : Revista de Cultura Audiovisual     Open Access  
Simbiótica     Open Access  
Sin Objeto : Arte, Investigación, Políticas     Open Access  
SIRJANĀ – A Journal on Arts and Art Education     Open Access   (Followers: 4)
SOBRE. Prácticas artísticas y políticas de la edición     Open Access  
Soletras Revista     Open Access  
Sound Studies : An Interdisciplinary Journal     Hybrid Journal  
Source: Notes in the History of Art     Full-text available via subscription   (Followers: 2)
South African Journal of Philosophy = Suid-Afrikaanse Tydskrif vir Wysbegeerte     Hybrid Journal   (Followers: 4)
South Central Review     Full-text available via subscription  
Southern Quarterly     Full-text available via subscription   (Followers: 2)
SPAFA Journal     Open Access  
Spirale : Arts, Lettres, Sciences humaines     Full-text available via subscription  
Sport and Art     Open Access   (Followers: 1)
Strategic Design Research Journal     Open Access   (Followers: 1)
Studia austriaca     Open Access   (Followers: 1)
Studia theodisca     Open Access  
Studia Vernacula     Open Access  
Studies in American Humor     Full-text available via subscription  
Studies in Ancient Art and Civilization     Open Access   (Followers: 3)
Studies in Art Education : A Journal of Issues and Research     Hybrid Journal  
Studies in Comics     Hybrid Journal   (Followers: 6)
Studies in Costume & Performance     Hybrid Journal  
Svenskt Gudstjänstliv     Open Access  
Swedish Journal of Romanian Studies     Open Access  
T'oung Pao     Hybrid Journal   (Followers: 16)
Tahiti     Open Access  
Tampa Review     Full-text available via subscription  
Teaching Artist Journal     Hybrid Journal   (Followers: 3)
Technè     Open Access  
Techne Series : Research in Sloyd Education and Craft Science A     Open Access   (Followers: 1)
Technoetic Arts a Journal of Speculative Research     Hybrid Journal  
Tenso     Full-text available via subscription   (Followers: 2)
Tercio Creciente     Open Access  
The Eighteenth Century     Full-text available via subscription   (Followers: 35)
The Massachusetts Review     Full-text available via subscription   (Followers: 1)
The Post     Open Access  
The Poster     Hybrid Journal   (Followers: 1)
The STEAM Journal     Open Access   (Followers: 1)
The Velvet Light Trap     Full-text available via subscription   (Followers: 7)
TicArtToc     Full-text available via subscription  
Tidsskrift for kulturforskning     Open Access  
Todas as Artes     Open Access  
Tracés     Open Access  
Trocadero     Open Access  
Tsantsa. Revista de Investigaciones Artisticas     Open Access  
TV/Series     Open Access  
Tydskrif vir Geesteswetenskappe     Open Access  
UJAH : Unizik Journal of Arts and Humanities     Open Access  
Uncommon Culture     Open Access  
Urdimento : Revista de Estudos em Artes Cênicas     Open Access  
Virtual Creativity     Hybrid Journal   (Followers: 1)
Visual Arts Research     Full-text available via subscription   (Followers: 7)
Visual Computing for Industry, Biomedicine, and Art     Open Access  
Visual Inquiry : Learning & Teaching Art     Hybrid Journal   (Followers: 6)
Visual Resources: An International Journal of Documentation     Hybrid Journal   (Followers: 2)
Visualidades     Open Access   (Followers: 1)
Voice and Speech Review     Hybrid Journal  
VRA Bulletin     Open Access   (Followers: 3)
West 86th     Full-text available via subscription   (Followers: 5)
William Carlos Williams Review     Full-text available via subscription   (Followers: 1)
Women and Music: A Journal of Gender and Culture     Full-text available via subscription   (Followers: 12)
Word & Image: A Journal of Verbal/Visual Enquiry     Hybrid Journal   (Followers: 13)
World Art     Hybrid Journal   (Followers: 5)
World of Antiques & Art     Full-text available via subscription   (Followers: 5)
WSQ: Women's Studies Quarterly     Full-text available via subscription   (Followers: 15)
Zeitschrift für Ästhetik und allgemeine Kunstwissenschaft     Full-text available via subscription   (Followers: 4)
Zibaldone : Estudios Italianos     Open Access  
Культура і мистецтво у сучасному світі     Open Access  
Текст і образ : актуальні проблеми історії мистецтв / Text and Image : Essential Problems in Art History     Open Access  

  First | 1 2 3     

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Journal Cover
SIRJANĀ – A Journal on Arts and Art Education
Number of Followers: 4  

  This is an Open Access Journal Open Access journal
ISSN (Print) 2565-5086
Published by Nepal Journals Online Homepage  [114 journals]
  • Widening Sphere of Modern Art and Literature in Nepal: A study of the
           interface between them

    • Authors: Abhi Subedi
      Pages: 6 - 27
      Abstract: I see modernism in painting in this region as an evolutionary process that should trigger discussions about its constituent features. This argument harps on the two questions. Is modernism only an emulation of the Western style and methods in paintings and literature, or is it also the evolution of native cultural consciousness that is reflected in the experiments made by painters in art and by writers in creative literary works' To answer these questions, this article includes discussions about evolutions of modernism in paintings and culture in meta-artistic and literary discourses. Examples are drawn from very selective discussions about literature and works of art for reason of space. The basic argument of this article is that modernism in Nepali paintings should be seen in its evolutionary process. Modernism in art is not a condition that we see in palpable form today. It has grown over a long period of creative engagements and efforts both by painters and literary writers. Nepali art students' exposure to art education in Kolkata and literary writers' engagements with print-capitalism in Banaras over a century ago have played significant roles in introducing modernism in both paintings and literature. But I have said clearly that the use of the Western techniques and education has played great role in this process. We can see that in the interface between art and literature, which should be seen in the widening sphere of such sharing in terms of both techniques, and native orientations.
      PubDate: 2021-09-21
      DOI: 10.3126/sirjana.v7i1.39340
      Issue No: Vol. 7, No. 1 (2021)
  • Caryā of Padasādhana – A Vajrayāna Ritual

    • Authors: Arun Shrestha
      Pages: 28 - 35
      Abstract: Padasādhana ritual or caryā is an alphabet of vajrayāna religion represented by twenty eight caryāgīti forming a major structure of the ritual performed. All the caryāgīti enacted during the ceremony is a climbing of steps one by one culminating in vajrapada. Construction of maņđala, utterance of mantra and formation of mudra in course of worships are the pillars on which edifice of salvation is built. All the worships are based on maņđala, mudra and mantra. What transpires for spiritual emancipation is through gītī or song and nŗtya or dance which is meant for visualization and ultimate realization of the set goal of the vajrayāna religion that is Buddhahood or Nirvāņa.
      PubDate: 2021-09-21
      DOI: 10.3126/sirjana.v7i1.39341
      Issue No: Vol. 7, No. 1 (2021)
  • Arts and Culture in Building and Sustaining Peace

    • Authors: Binod P. Bista
      Pages: 36 - 43
      Abstract: Peace, harmony and development are essential conditions for any society, developed or developing, to progress. The 2011 World Development Report revealed that growing recognition of the link between social services, conflict and peace has helped in inclusion of social services’ provision in peace agreements. A report from ‘Policy Link’ gives equitable development as the key to peace. Music plays a great role in building peace in conflict situations, so does religion, media, performance, theatre. For achieving peaceful conditions there is a need to strike a balance between two extremes including inner and outer peace. Salzburg Global Seminar (2014) focused on using soft power, especially arts and culture, since cultural engagement helps transform perceptions. Case studies referred to in this write up provide sufficient evidence of the high usefulness of arts and culture in every phase of conflict. A detailed portfolio of case studies covering seven countries including Nepal of Asia describes the importance of ‘narratives’ and ‘story telling’, preservation of historical artifacts, photographs etc. for building peace mostly in post conflict stage. The researchers were of the view that the affected persons or beneficiaries needed to be involved right from the beginning of a peace project. British Council’s publication named ‘The Art of Peace’ emphasizes on the importance of local actors’ engagement as well as arts and cultural programs in linking culture, security and development. A project launched by the World Bank and the United Nations, entitled pathways to peace, offered guiding principles, namely, target institutional failure responsible for conflict, to be of inclusive nature, and form sustainable overtime character. Arts and Culture have a distinct place in resolving conflict thus it deserves adequate government support and a networking with other actors such as local municipalities, societies and groups.
      PubDate: 2021-09-21
      DOI: 10.3126/sirjana.v7i1.39342
      Issue No: Vol. 7, No. 1 (2021)
  • A Mural at the Southwest Corner of the Mohan Chowk: Piece of History
           – Rediscovered

    • Authors: Madan Chitrakar
      Pages: 44 - 49
      Abstract: During the restoration process, the experts from JAICA, made a chance discovery of a mural. But unfortunately, its viewing was/is almost totally blocked by an extra wall, built right in-front of the actual wall, with the murals. To demystify the contents, it has had remained a professional challenge, as it could be barely viewed by one end only – from within a space between 8-9 inches gap. It posed challenge for many reasons. First was its difficult location. Secondly, the painted wall was also damaged beyond descriptions – plaster-surface peeled off spread all over – making the task to read the images even harder. Most importantly, to read the contents or to identify the imageries in such a location, it asked for a professional ability of an art writer or an art historian, to be able to read and analyze. However, after a very meticulous effort and a proper reading of the postures, emblems and other iconographical features, the narratives are being made – explaining on and about the murals found. The essay is prepared and is made, after a series of exercises – begun by field visits, and followed by closer examination of the images on the spot and as is available in digital images. The writing is made - after the long afterthoughts, and in consultation with the available references.
      PubDate: 2021-09-21
      DOI: 10.3126/sirjana.v7i1.39343
      Issue No: Vol. 7, No. 1 (2021)
  • Symbolic Values Behind Art in the Animistic Practices among the Tharus of
           Dang and Deukhuri

    • Authors: Poonam R.L. Rana
      Pages: 50 - 59
      Abstract: The symbolic values behind the art in the animistic practices among the Tharus of Dang and Deukhuri is a paper that deals with various symbolic objects, that are termed as fetish associated with the animistic practices observed by the Tharus of Dang and Deukhuri of Terai Nepal. The objects or the fetish created by them when analyzed through an artistic perspective, seems, to the outsiders or through the ‘Etic Approach’ just a local ethnic crude handicraft. However, when analyzed through the ‘Emic Approach’ these artistic creations or fetish have great symbolic values associated with it. This paper-based on a field survey of the two regions has brought to limelight the symbolic values behind artistic creativity associated with their animistic practices.
      PubDate: 2021-09-21
      DOI: 10.3126/sirjana.v7i1.39351
      Issue No: Vol. 7, No. 1 (2021)
  • Developing Trends of Music in the Vedic and Mythological Eras

    • Authors: Ramesh Pokharel
      Pages: 60 - 65
      Abstract: The Vedas are religious texts which inform the religion of Hinduism also known as Sanatan Dharma; meaning eternal order or eternal Path. The Vedic – mythological period is considered to be the golden era in the history of world literature. Not only did the philosophy of the age reach a new pinnacle; but even aspects of music, art, culture, literature, sculpture, religion, and spiritualism were extended to their highest point. Amongst these cultural instruments, Music represents vocal and instrumental sounds combined in such a way as to produce beauty of form, harmony and expression of emotions. During this era music – vocal and instrumental were held in high respect in society. Music had both ritual and secular aspects. Sāmaveda is considered as the root of Vedic music as well as the root of today's south Asian classical music. Sāmagāna was considered as the sound of inspiration for the people of that age. This paper attempts to discuss the musical situations in Vedic and Mythological periods regarding its origin, development, extension and practices in ancient south-eastern i.e. Hindu civilization. The paper also points out why the need and importance of Vedic music in present day society is much more; especially in regards to the adoption of lessons and ethics from Sanatan Hinduism.
      PubDate: 2021-09-21
      DOI: 10.3126/sirjana.v7i1.39352
      Issue No: Vol. 7, No. 1 (2021)
  • Archetypes in Batsa Gopal Vaidya's Paintings

    • Authors: Yam Prasad Sharma
      Pages: 66 - 73
      Abstract: Batsa Gopal Vaidya's paintings integrate primordial images, symbols, and figures from myths, cultures, and rituals. These images and symbols are the archetypes that appear recurrently in his artworks. The artist shares these primordial images from his collective unconscious, the common heritage of mankind, and the storehouse of archetypes that reappear in the creative process. They suggest the pattern of experiences of our ancestors. These recurring communicable images function as an aesthetic mode of communication in society. Swastika, shaligram, tilaka, the Himalaya, rivers, various deities, and their attributes are such images and symbols that do not only provide aesthetic pleasure but also take the viewers back to their cultural roots, rituals, and myths. This article attempts to trace the archetypes in Vaidya's works and explain their significances.
      PubDate: 2021-09-21
      DOI: 10.3126/sirjana.v7i1.39353
      Issue No: Vol. 7, No. 1 (2021)
  • संरक्षण कविता यात्रा (२०५३)
           मा पर्यावरण [Environment in Conservation Poetry
           Journey (2053)]

    • Authors: गीता थपलिया Geeta Thapaliya त्रिपाठी Tripathi
      Pages: 75 - 83
      Abstract: ‘संरक्षण कविता यात्रा (२०५३)’ सङ्ग्रहभित्र दस जना कविहरू हरिदेवी कोइराला, जे. अस्मिता,
      भूपिन व्याकुल, धनप्रसाद तामाङ, नवराज अधिकारी, सरस्वती श्रेष्ठ ‘सरू’, सुकुम शर्मा, रमेश श्रेष्ठ,
      पुष्प आचार्य तथा सरूभक्तका कविताहरू सङ्कलित छन् । यसभित्र पाँच जना स्थानीय सहभागीका
      प्रकृतिमुखी लयात्मक सिर्जनालाई पनि समावेश गरिएको छ । प्रकृति संरक्षणको मुख्य ध्येय बनाएर
      आरम्भ गरिएको यस अभियानका मुख्य परिकल्पनाकार कवि सरूभक्त हुन् । प्रस्तुत अध्ययन संरक्षण
      कविता यात्रा (२०५३) का कवितामा प्रयुक्त पर्यावरणीय चेतनाको खोजीसँग सम्बद्ध रहेको छ । यसका
      निम्ति संरक्षण कविता यात्रा (२०५३) मा सङ्कलित कविताहरूबाट प्रतिनिधि साक्ष्यहरूको विश्लेषण गरी
      यहाँ  प्रयुक्त पर्यावरणीय समस्या पहिल्याउनु तथा ती कवितामा प्रयुक्त शिल्पगत विशिष्टताको पहिचान
      गर्नुमा केन्द्रित रही अध्ययन गरिएको छ ।
      PubDate: 2021-09-21
      DOI: 10.3126/sirjana.v7i1.39885
      Issue No: Vol. 7, No. 1 (2021)
  • नेपाली धातुकला विधि र
           परम्परा [Nepali Metalwork Method and Tradition]

    • Authors: ओम Om खत्री Khatri
      Pages: 84 - 101
      Abstract: मूर्ति रचना पद्धतिका सन्दर्भमा नेपालमा धातुकलाको निकै लामो र विशिष्ट परम्परा रहिआएको छ ।
      धातुकलामा ढलाइ (Casting) पद्धति र पाता अर्थात् रिपोसे (Sand casting) पद्धति प्रचलित रहेका छन् ।
      स्यान्ड कास्टिङ (Sand casting)  लाई ढलान पद्धतिमा वैकल्पिक विधिका रूपमा लिइन्छ । धातुमूर्ति रचना पद्धतिमा मैन निर्गम पद्धति (Lost wax Process) को अलगै महत्व रहेको छ । प्रस्तुत अध्ययन
      मैन निर्गम पद्धतिको परम्परामा केन्द्रित रहेको छ । ढलाइ पद्धति साँचामा पग्लेको धातु खन्याई
      मैनको ‘मानसरा’ मा मधुच्छिष्ट विधानम् भनी उल्लेख गरिएको पाइन्छ । यस पद्धतिलाई फ्रान्सेली
      भाषामा ‘सेर पर्डु’ (cere-perdue) र अङ्ग्रेजी भाषामा (lost wax process)
      भनिन्छ । ऐतिहासिकताका दृष्टिले सिन्धुघाटी सभ्यताको मोहेन्जोदारोमा प्राप्त २५०० इस्वी संवत्पूर्वको
      ‘नर्तकी’ नाम दिइएको धातु मूर्ति सर्वाधिक प्राचीन मानिएको छ । मैन निर्गम पद्धतिबाट गठित तथा
      खोक्रो दुबै खालका मूर्ति बनाउन सकिन्छ । यो पद्धति भारतका बिभिन्न आदिवासी समुदायमा पनि
      ‘डोकरा कास्टिङ’ नामले प्रचलित रहेको पाइन्छ । आधुनिक पद्धतिका तुलनामा यो पद्धति कम खर्चिलो
      भए तापनि परम्परागत पद्धतिमा केही चुनौतीहरू पनि रहेका छन् ।

      PubDate: 2021-09-21
      DOI: 10.3126/sirjana.v7i1.39887
      Issue No: Vol. 7, No. 1 (2021)
  • नेपाली आधुनिक गीत: देश, काल र
           चिन्तन [Nepali Modern Songs: Country, Time and Thought]

    • Authors: प्रकाश Prakash सायमी Sayami
      Pages: 102 - 114
      Abstract: नेपाली गीतको प्रारम्भिक स्वरूप लोकगीत नै हो । लोकगीतकै भाका र भावबाट एउटा विशिष्ट
      कालखण्डमा आएर आधुनिकताका मानकहरूसंग सापेक्ष रही रचना भएका गीतलाई ‘आधुनिक गीत’
      भनिएको हो । गीतमा एकातिर शब्द–संरचना र अर्कोतिर प्रयुक्त शब्दको अर्थका तहमा हुने
      फराकिलो युग चेतनासंगै गीतमा अन्तर्निहित नवीन सङ्गीत शैलीका आधारमा पनि गीतमा
      आधुनिकताको चरण निर्धारण गरिन्छ । प्रस्तुत अध्ययनमा नेपाली लेख्य गीतको पृष्ठभूमि र त्यस
      सम्बन्धमा गीत रेकर्ड र गायनका आरम्भ र विकासलाई समेत आधार मानी विश्लेषणको ढा“चा तयार
      पारिएको छ । नेपाली गीतमा आधुनिकताको मापनका निम्ति नेपाली परिवेशमा बढ्दै गएको बाह्य
      प्रभाव र नेपालभित्र पनि सामाजिक, राजनीतिक घटनाक्रम संगै संस्कृति र परम्परामा सुधारका अपेक्षा र
      अवधारणा लिएर उपस्थित भएका परिवर्तनगामी चिन्तनका पक्षबाट विकसित भएका गीतलाई
      आधुनिकताको आधार मानी अध्ययनलाई अघि बढाइएको छ ।
      PubDate: 2021-09-21
      DOI: 10.3126/sirjana.v7i1.39892
      Issue No: Vol. 7, No. 1 (2021)
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