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Authors:Thouret; Clotilde Abstract: The controversies about theatre in Europe call for a redefinition of the place and role of
theatre in society, and doing so, they invite us to rethink the historiography of theatre (in terms of scale, of objects and of canon). In the light of the controversies, new perspectives may
be opened on playwrights and plays. This is particularly the case for spectatorship, which lies
at the crossroads of three different historical paths (cultural and aesthetic, scientific and
anthropological and theologico-political) and requires an aesthetical approach inspired by
pragmatism, since polemical texts aim at the theatrical experience … PubDate: 2021-09-01
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Authors:Röttger; Kati Abstract: This article delves into the interaction between newly emerging technologies, sciences and a new theory of knowledge that the spectacles of the phantasmagoria were calling up at the end of the 18th century. It claims that – having been established as a permanent attraction – these practices unfolded a specific energy, caused by the anachronistic mix ‘between a science centre and an amusement arcade’, between techno-logics (the scientific discourse on technics) and techno-magics (the experience of sensation, wonder and the supernatural caused by technical effects) in a context in which science – as a theory of nature and a theory of knowledge – … PubDate: 2021-09-01
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Authors:Wortelkamp; Isa Abstract: The article is dedicated to archival documents of early dance photography that are marked by
traces of use, threatened by decay, or deliberately destroyed. Taking the example of the photographic series of Olga Desmond’s Sword Dance (phot. Otto Skowranek 1908), which is riddled with bullet holes, the aesthetic appearance and material conditions of the object will be examined in order to present different approaches to dealing with historical documents of dance photography. PubDate: 2021-09-01
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Authors:Gusman; Tancredi Abstract: Using case studies of documenta 5 (1972) and documenta 6 (1977) in Kassel, this article investigates the role of documentation (photographs, videotapes, films, and relics) in
introducing performance art at large international exhibitions during the 1970s. The analysis,
conducted by scrutinizing archival sources at the documenta archive, examines the roles of
documentation as a medium of performance re-presentation, as a means of distribution and
dissemination of this art form, and as a vehicle for marketing and collecting works of
performance art. PubDate: 2021-09-01
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Authors:Balme; Christopher Abstract: In this article I discuss the current Covid-19 crisis in relation to an intensified reflection about the future of theatre. The argument proceeds via a review of crisis theory to a discussion of recent research into futurity, especially the idea of prospection. Specifically, I shall examine the interrelationship between crisis and prognosis as it pertains to theatre and the performing arts. Material is drawn from a database currently being assembled within the framework of the research project “Krisengefüge der Künste” which is collating public discourse on how the
pandemic is affecting the performing arts. PubDate: 2021-09-01
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Authors:Lazarzig; Jan Abstract: EditorialJan Lazardzig (Berlin)This volume sets out to discuss criticalapproaches to theatre and performancehistoriography. The focus lies on the pivotalrole text, image and performance play in theproduction of historical knowledge. Epistemicconceptualizations of text, image andperformance are at work in many ways incontemporary historiographies of theatreand performance – oftentimes in the formof discrete presuppositions. PubDate: 2021-09-01
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Authors:Daiber; Claudia; Huwiler, Elke Abstract: The article examines two specific types of theatre plays of the German-speaking theatre history of the Late Medieval and Early Modern period: The Passion Play and the Saint Play. In general, German-speaking theatre of the 16th and 17th century was characterized by the Reformation and Counter Reformation movements, and performances of theatre plays were, amongst other things, meant to spread religious beliefs and to show the citizens the ‘right’ way to believe and to behave. PubDate: 2021-09-01
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Authors:Lecercle; François Abstract: From its very beginning in Greece, the stage has provoked hostile reactions. Between 1550 and 1850, this hostility produced a vast and repetitive body of treatises and polemical tracts. The debates were endlessly rewritten, giving the impression that most polemicists repeated their predecessors. But under the appearance of immobility, the terms of the debate were extremely sensitive to local conditions. PubDate: 2021-09-01
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Authors:Lerm Hayes; Christa-Maria Abstract: James Joyce’s late work, FinnegansWake (1939), necessitates shared reading like few others: its
phonetic focus requires it to be read aloud, and the multiplicity of languages and fields of
knowledge used makes the presence of others indispensable. Since Joyce’s canonization, reading groups of his works have often been led by English Literature scholars, but they do not usually take place in university departments, rather in cafes, book shops and art spaces. PubDate: 2021-09-01
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Authors:Brandstetter; Gabriele Abstract: With the ‘turn’ of post-dramatic theatre and conceptual dance since the 1990s, the narration of history and the performance of stories became central in the practices and theory of theatre and dance. In this context, the format of the anecdote gained a key position for strategies in history, and narrating and dealing with the ‘effect of the real’. I will ask how narratives in/as performances work against the master narratives of social and economic hierarchies and of thought patterns of (neo-)colonialism and power relations. PubDate: 2021-09-01
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Authors:Möhring; Maren Abstract: RezensionenEvelyn Annuß. Volksschule des Theaters.Nationalsozialistische Massenspiele. Paderborn:Fink 2019, 569 Seiten.Formen und Formwandel der nationalsozialistischenMassenspiele stehen im Zentrum der materialreichenundanschaulichillustriertenStudiederTheaterwissenschaftlerin Evelyn Annuß. Aus gouvernementalitätstheoretischerPerspektive fragtdie Autorin nach den mit der MachteinsetzungHitlers sich entwickelnden und mit der Konsolidierungdes nationalsozialistischen Regimes veränderndenRegierungstechniken, die im Theater(mit)gestaltet und erprobt wurden. PubDate: 2021-09-01
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Authors:Schneider; Katja Abstract: 304 RezensionenZur vielschichtigen Einbettung des Untersuchungsgegenstandesgehört zudem, dass nebender theaterwissenschaftlichen Untersuchung derEntstehung und institutionellen Rahmung derMassenspiele, ihrer Sprech- und Bewegungschöreund – besonders eindrücklich – ihrer jeweiligen(Theater-)Architekturen auch eine dezidiertmediengeschichtliche Perspektive verfolgt wird.Denn der Versuch, nationalsozialistische Festspielezu schaffen, lässt sich ohne die Entwicklung desRadios und seiner Techniken der Lautverstärkungnicht verstehen. PubDate: 2021-09-01
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Authors:Volkland; Anna Abstract: 306 Rezensionendichtung einerseits und der detailreichen Darstellungandererseits die zugrundeliegenden Prozessein ihrem Ablauf (wenn auch nicht immerleicht) erkennbar bleiben. Auch die hochkomplexenVernetzungsleistungen, Systematisierungensowie die Diskussion der Ergebnisse sindhervorzuheben. Zugleich kann die Autorin überzeugendnachweisen, dass Artistic Research imTanz notwendig weder als sprachlos zu konzeptionierennoch jenseits gewohnter Handlungsabläufezu situieren ist. PubDate: 2021-09-01
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Authors:Pogoda; Sarah Abstract: 308 Rezensionender weiteren Debatte zum Thema“ verstandenwissen (S. 36). Dennoch wäre es notwendiggewesen, dass Fülle die eigenen Auswahlkriterienfür sein Quellenmaterial transparent macht undauf die notwendigen Ausklammerungen verweist;stattdessen fehlt eine Reflexion der eigenen theaterhistoriographischenMethoden.So blendet Fülle alle jene Dokumente undPublikationen aus, die eine andere Erzählung alsdie der von ihm immer wieder aufgerufenen„Teilung der Theaterlandschaft“ (S. PubDate: 2021-09-01
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Authors:Marx; Peter W. Abstract: Angesichts der immer größeren Bedeutung digitaler Verfahren für die kulturwissenschaftliche
Forschung diskutiert der Aufsatz die Potenziale für die Theaterhistoriographie. Dabei geht es
nicht allein um die innovativen, digital gestützten Methoden, sondern vielmehr um die spezifische Logik theaterhistorischer Forschung. Ausgehend von einer kritischen Diskussion des fachinternen Diskurses über die Entwicklung neuer Forschungsfragen und -paradigmen, formuliert der Aufsatz schließlich die Perspektive einer umfassenden Medienökologie, in der auch Forderungen nach einer substanziellen Dekolonialisierung des historischen Diskurses aufgezeigt … PubDate: 2021-09-01
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Authors:Nellis; Steff Abstract: When “All rise!” is being exclaimed in a courtroom, the attendees know they are supposed to
stand up for the judges to enter. When these judges have made a decision at the end, the
defendant becomes either guilty or not guilty. Yet, in a theatre hall, language lacks the specific coercive and punitive power to change reality directly. Nevertheless, lots of contemporary theatre and performance artists are implementing the stage to explore the relationship between law and theatre. PubDate: 2021-09-01
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Abstract: Autorinnen und AutorenChristopher Balme holds the chair in theatrestudies at LMU Munich. His publications includeDecolonizing the Stage: Theatrical Syncretism andPostcolonial Drama (Oxford 1999); Pacific Performances:Theatricality and Cross-CulturalEncounter in the South Seas (New York 2007);Cambridge Introduction to Theatre Studies (Cambridge2008); The Theatrical Public Sphere (Cambridge2014); The Globalization of Theatre 1870–1930: The Theatrical Networks of MauriceE. PubDate: 2021-09-01
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Authors:Wuttig; Bettina Abstract: Der postsouveräne Körper ist ein Körper, der sich seiner sozialen Konfiguration entzieht, indem er sich im ontogenetischen Modus fortlaufend materialisiert. Der Beitrag folgt am Beispiel der zeitgenössischen Performancepraxis des ‚physical dialog‘ (Lepkoff) und den performancephilosophischen Ausführungen des Theaters der Versammlung (Holkenbrink) der Spur, dass Emotionen eine soziale und kulturelle Praxis sind. PubDate: 2021-03-01
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Authors:Ellrich; Lutz Abstract: RezensionLeon Gabriel und Nikolaus Müller-Schöll (Hg.), Das Denken der Bühne. Szenenzwischen Theater und Philosophie, Bielefeld:transcript 2019, 276 Seiten.Forum Modernes Theater, 32/1 (2021), 129–130.Gunter Narr Verlag TübingenDer gegenwärtigen akademischen Philosophie istjüngst – mit vergleichendem Blick auf vier großeDenker des frühen 20. Jahrhunderts, nämlichWittgenstein, Benjamin, Cassirer und Heidegger– bescheinigt worden, dass sie nicht mehr denMut und die Kraft habe, „einen relevanten Verständnisbeitragzu ihrem eigenen, sich in seinenGrundfesten wandelnden Zeitalter zu liefern. PubDate: 2021-03-01
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Authors:Linhardt; Marion Abstract: Rezension131Judith Kemp, „Ein winzig Bild vom großenLeben“. Zur Kulturgeschichte von Münchenserstem Kabarett Die Elf Scharfrichter(1901–1904). Bavaria. Münchner Schriftenzur Buch- und Literaturgeschichte 4. München:Allitera Verlag 2017, 381 Seiten.„Ein winzig Bild vom großen Leben“ –dieseFormulierung Willy Raths, eines der Gründungsmitgliederder Elf Scharfrichter, die Judith Kempals Haupttitel ihrer Monographie gewählt hat, hatprogrammatischen Charakter nicht nur im Hinblickauf dieses frühe deutsche Kabarett, sondernauch im Hinblick auf das Anliegen des hieranzuzeigenden Buches: Kemp möchte anschaulichmachen, wie „sehr die Elf … PubDate: 2021-03-01
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Authors:Pewny; Katharina Abstract: 132 RezensionForum Modernes Theater, 32/1 (2021), 132–134.Gunter Narr Verlag TübingenProgrammteile nach Sparten/Genres, Herkunftund Besetzungen aufschlüsselt und soweit irgendmöglich – zu vielen der Nummern sind keineprimären Quellen überliefert – hinsichtlich Thematik/Sujet,Stilistik und Aufführungsmodalitätencharakterisiert. Als vorherrschende Nummerntypenidentifiziert Kemp dramatischeSzenen sowie Darbietungen mit musikalischerBegleitung und hier, wenig überraschend, Liederbzw. PubDate: 2021-03-01
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Abstract: Autorinnen und AutorenNeslihan Arol received her Master’s degree inFilm and Drama from Kadir Has University(Istanbul). For her PhD at the UdK Berlin, sheexpanded her scope to include stand-up comedyand meddahlık (a tradition of storytelling inTurkey) in her research on the intersection offeminism and comedy. In addition to her PhD,she continues an artistic research project onshadow play as an associate fellow at The BerlinCentre for Advanced Studies in Arts and Sciencessince 2019. PubDate: 2021-03-01
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Authors:Hoesch; Benjamin Abstract: The independent performing arts in Berlin, counterpart to the established city and state theatre system, have undergone fundamental change over the last decades. As part of this change, the 100 Grad Festival, a crucial event for the scene for over twelve years, ended in 2015 and was replaced by the Performing Arts Festival (PAF), which addresses the city of Berlin as a whole. This paper will trace the institutional transition from 100 Grad to PAF by highlighting organizational continuity and differences, and by analyzing the discourse accompanying the shift in the field of Berlin’s independent performing arts. PubDate: 2021-03-01
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Authors:Brucher; Rosemarie; Schrödl, Jenny Abstract: Editorial – Gender und KritikRosemarie Brucher (Wien) und Jenny Schrödl (Berlin)Verschiedene Auseinandersetzungen mit derKategorie ‚Geschlecht‘ in den szenischenKünsten in Gegenwart und Geschichte verstehensich selbst als kritisch oder werden mitdem Anspruch verbunden, hegemonialeNormen von Geschlechtlichkeit zu durchbrechenoder zu unterminieren. Die Strategienund Formen der Kritik sind äußerstheterogen und reichen von sogenanntenGenderperformances – etwa in Form vonGeschlechter-Parodie, Maskerade oderCross-Dressing – über inhaltliche Auseinandersetzungen,sprachliche oder ästhetischeProzesse der Dekonstruktion, bis hin zuFiguren … PubDate: 2021-03-01
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Authors:Siegmund; Gerald Abstract: Der Text entwirft unter Rekurs auf Michel Foucault und Judith Butler ein Verständnis von Kritik als einer Praxis der ‚Entunterwerfung‘ und damit der Desubjektivierung, was andere Formen von Subjektivität erprobt, die sich ihrerseits als ästhetische Praktiken selbst wieder aufs Spiel setzen. Sofern sich Kritik in ihrem Widerstand gegen bestimmte Regierungsformen des Subjekts wendet, sind derartige Einsprüche und Verschiebungen auch zu verstehen als kritische Wendungen gegen hegemoniale Ordnungen und damit also auch gegen heteronormative und patriarchale Gender-Ordnungen. PubDate: 2021-03-01
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Authors:Dreysse; Miriam Abstract: Der Aufsatz befragt zeitgenössisches Theater und Performance auf das kritische Potential der
Inszenierung von Geschlechtsidentitäten. Mit Judith Butler wird von der Performativität der
Geschlechtsidentität und der Möglichkeit ausgegangen, die zwingende Wiederholung der
performativen Akte zu verfehlen. Verschiedene theatrale Strategien der Subversion normativer Geschlechterbilder und des binären Geschlechtermodells wie z. PubDate: 2021-03-01
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Authors:Hinz; Melanie Abstract: Ausgehend von Judith Butlers Kritik-Begriff im Rekurs auf Michel Foucaults Vortrag Was ist Kritik' wird Kritik als eine widerständige Praktik der Ent-Unterwerfung verstanden, in der das
Subjekt sich in einem Akt der Selbstbildung und reflektierter Unfügsamkeit Gender-Normen und Zwängen widersetzt. Im Beitrag wird hierbei die Frage gestellt, inwiefern Alltagsexpert*innen im Theater eine solche Kritikposition einnehmen können' PubDate: 2021-03-01
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Authors:Reuband; Karl-Heinz Abstract: Publikumsumfragen im Theater zeigen, dass sich das Durchschnittsalter der Besucher längerfristig erhöht hat. Während in den 1970er Jahren die Jüngeren im Publikum überrepräsentiert waren, sind es heutzutage die Älteren. Die Altersbeziehung kultureller Partizipation hat sich grundlegend umgedreht. In dieser Hinsicht spiegelt sich ein Trend wider, welcher die kulturelle Partizipation in der Bevölkerung als Ganzes kennzeichnet. PubDate: 2021-03-01
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Authors:Bühler-Dietrich; Annette Abstract: Ausgehend von Ernst Bloch entwickelt der queere Theaterwissenschaftler José Esteban Muñoz in Cruising Utopia den Gedanken, dass sich das Potential des Zukünftigen aus dem Nicht-Mehr-Bewussten von Vergangenem entwickeln ließe, und wendet seinen Blick dem vergessenen Archiv queerer Kunst vor den 1980er Jahren zu. Der vorliegende Artikel geht auf Blochs Texte zurück und entwickelt aus ihnen die Formel von „Hoffnung als Kritik“. PubDate: 2021-03-01
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Authors:Arol; Neslihan Abstract: This article analyses the performance GRRRRRL (2016) by the theatre collective Henrike Iglesias based in Berlin and Basel. The production is a relevant example of contemporary feminist performance in the current theatre climate in Germany and is an especially interesting subject for detailed analysis since it tries not only to critique the dominant culture for its injustices against women, but also to offer a better alternative, a utopian place called FORT GRRRRRL. PubDate: 2021-03-01
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