Authors:Journal of Fine Arts Chiang Mai University Pages: 1 - 11 Abstract: Journal of Fine Arts Vol.12 No. 2 (July - December 2021) detail PubDate: 2021-12-30 Issue No:Vol. 12, No. 2 (2021)
Authors:Journal of Fine Arts Chiang Mai University Pages: 1 - 277 Abstract: Journal of Fine Arts Vol.12 No. 2 (July - December 2021) (FULL) PubDate: 2021-12-30 Issue No:Vol. 12, No. 2 (2021)
Authors:Pasutt Kanrattanasutra Pages: 12 - 51 Abstract: The creation of art from metal waste with participation of young volunteers in order to raise environmental awareness aims to: 1) study the context of waste materials from industries, establishments, and shops, as well as environmental issues related to waste materials at the Ladkrabang Industrial Estate, Bangkok; 2) create contemporary art by synthesizing the knowledge of metal waste at the Ladkrabang Industrial Estate, Bangkok that entails inspiration and way to produce contemporary art to be aesthetic medium to raise awareness of the environmental problem; 3) give an opportunity for volunteer or community to participate in establishing a masterpiece and gain knowledge of the waste material. This research project contains the substances, perspectives, and concepts of the artists and designers regardless of the document-based research related to Conceptual art. This art makes activity and thought of relational art pertaining to the relationship between the “time,” which destroys the dividing lines of life and art. It emphasizes the process of viewers’ participation in the activity and the modification of space from the artistic to safe space and VDO documentary art which is a video recording real events or demonstrating a creative social environment known as a creative practice in the real thing. This practice displays through animation and the process of communicating reality via creative activities. The activity linking with art emphasizes the performing process more than the result, responds to the desire of social or community involvement. This project (that explores and aims to create innovative materials and new sustainable systems) pays attention to waste materials of beverage cans re-melted from the worthless to the liquid aluminum. Its fine materials can be further applied to create artwork through an artistic exchange of volunteers or the community. PubDate: 2021-04-09 Issue No:Vol. 12, No. 2 (2021)
Authors:Piyachat Udomsri Pages: 52 - 87 Abstract: Hmong ethnic folk tales are considered as one of the cultural heritages that can learn the imagination, ideas, attitude of the Hmong people who have inherited teachings and beliefs from generation to generation. The changes in migration to find arable land, outbreak, education, and trading, caused the new generation Hmong people forget the cultural heritage. Reviewing the Hmong folk tales is like resurrecting the meaning of those memories to live closely with the people in modern times so that they will be proud of their knowledge and appreciate the value of cultural identity for future generations. The purpose of this study is to study the context of history, society, and culture of the Hmong community, including concepts and wisdom in various fields as well as studying the Hmong folk tales in the Hmong community at Mae Sa Mai village and Mae Sa Noi village, Pong Yaeng subdistrict, Mae Rim district, Chiang Mai province. Perform synthetic analysis for the creation of mixed media arts with the participation of youth in the community. Inspired by imagination, stories or folk tales of the Hmong people to stimulate the awareness of the cultural identity of the Hmong people, with the Art Creative Research style, using Interdisciplinary research and presenting the results of the study in descriptive form and presenting the art creation work. The study found that The 9 folktales of the Hmong folktales of Mae Sa Mai and Mae Sa Noi villages, Pong Yaeng Subdistrict, Mae Rim District, Chiang Mai Province. Then selected Hmong folktales stories from the Hmong community youth to choose by using human principles as the centre. The group of relations between the Hmong folktales is divided into 3 groups as follows: The relationship between humans and humans, The relationship between humans and nature, The relationship between humans and the supernatural. Therefore select 3 Hmong folk tales (from 9 Hmong folk tales) To bring the process of visiting the art activity area with the Hmong youth Mae Sa Mai Village and Mae Sa Noi Village, Pong Yaeng Subdistrict, Mae Rim District, Chiang Mai Province. As a result of the activities, the students synthesized the lines of the Hmong youth together with the imagination of the students. Turned out to be a mixed media art participation with Hmong youth by creating techniques from natural materials in Hmong lifestyle. Presented in the form of a mixed media art exhibition Which is installation art for the Hmong youth and those interested in art. Can participate in the creative work that is displayed at this time. PubDate: 2021-04-09 Issue No:Vol. 12, No. 2 (2021)
Authors:Saranyaphach Jitpilai Pages: 88 - 110 Abstract: Graphic Designing that Reflect the Identities of Phupapoh in Phawhai community, Nong Hin District, Loey province. This study aimed to (1) study the identities of Phupapoh in Phawhai community, Nong Hin District, Loey province, (2) create and develop graphic design on T-Shirts that reflect the identities of Phupapoh in Phawhai community, Nong Hin District, Loey province and (3) survey satisfaction levels of the graphic designs on the T-shirts. The study used two groups of people to collect the data. The first group was a group of ten from purposive sampling, which can provide academic knowledge comprising of three academicians, one leader of the community, three villagers, and three souvenir shopkeepers. The second group was 100 tourists from accidental sampling. Tools that were employed in this research were interview form, assessment form and questionnaire form. The research found that identities of Phupapoh were wooden swings, a Phuhoh mountain, Sea of mist, a field of tree marigold or Maxican sunflower, resting pavilions along the scenic route, the Phapoh mountain itself, and E-Tak carriages. According to the survey from the first group, high satisfaction was shown towards the identical graphic design on the T-shirts that were sold as a souvenir. Survey results from the 100 tourists showed that their gratifications toward the graphic designs on the T-shirts were extremely high, and the number nine graphic art was the most popular. Therefore, creating graphic designs on T-shirts as a souvenir should be interesting by embedding the identities of the tourist place on them as well as the quality, and the T-shirts can be worn at any occasion. These aspects were concerned by the consumers. PubDate: 2021-04-09 Issue No:Vol. 12, No. 2 (2021)
Authors:Udom Chimpukdee Pages: 111 - 139 Abstract: Bowling in the garden is the result of research on creating interactive art or Relational art/Relational Aesthetics that has brought a new process into games that do not have a set of pre-defined rules such as in sports. The rules are defined jointly between the creative researcher and the visitors of the work in each group for the experiences, joyfulness, and cordiality. The Relationship of people in today’s society is changing because of technology in this digital era, with people spending most of the time with electronic gadgets, being engaged with online presence, primarily online media. Hence, outdoor activities are becoming increasingly uncommon in today’s society. The bowling ball is a simple activity used as a medium to forge friendship and relationship. The rules are not complicated and most of the participants can come up with their own rules. The goal is to encourage participation. The arbitrary rules that vary according to the group of participants are part of the work in accordance with the objective of participation in creative art. The Creative researcher creates the work together with the participants of the interactive art. The visitors are able to participate in the work through the interaction with the bowling and garden as medium. This creates a conversation which contributes to a healthy mind, body and relieve participants from fatigue accumulated from routine work or main work in daily life. The Merging point between two different sciences in the context of application in society is the intersecting world between the arts and sports. This results in an overall benefit of generosity, compassion, and love for unity among the participants in the organized activities and the audience that is interested in participating in the activities of the new branch of contemporary art called “related aesthetics or interacting aesthetics”. The Beauty of the work is seen in the joy of the participants in the ‘Bowling in the garden’ found on their facial expressions and through the gestures in which the participants must “create meaning” and “interpret” the art by him/herself. The artwork is experienced and the meaning is acquired at the end of the participation in the activity. PubDate: 2021-04-09 Issue No:Vol. 12, No. 2 (2021)
Authors:Arunee Charoensup Pages: 140 - 165 Abstract: The purposes of this study were to: 1) collect bodies of knowledge on creating documentary films in order to develop awareness in conserving natural resources at Khao Sab Kaeng Kai Forest, Lam Sonthi District, Lop Buri Province; and 2) present 10 episodes depicting events and facts on Khao Sap Kaeng Kai Forest – an attempt to pass on knowledge in the form of edutainment using songs and sounds to capture viewers’ attention. Each shot and scene flows smoothly by using film-making techniques. The film was rated at a very high level by youths and experts. The researcher’s observance of the focus group while watching the film revealed that this edutainment multimedia was able to capture the attention of the focus group, and was able to develop their understanding in the study of natural diversity and local resources. They also learned to love and treasure the Khao Sap Kaeng Kai Forest. Hopefully, there will be sustainable conservation of the forest. PubDate: 2021-04-09 Issue No:Vol. 12, No. 2 (2021)
Authors:Kridtayot Comeming Pages: 166 - 193 Abstract: The lamp design inspiration inspired by shadow and light is aimed to design lamps exposing concept of form development by applying shadow and light for design and then create lamps with unique forms associated with usage. The data collection tools of this creative work that used the measure work and the observation to approach the design. The population of this work is defined as characteristics of light and shadow are derived from nature. The sample group selected of samples of light and shadow by using purposive sampling. This work selected the shapes of light and shadow from the leaves and branches because it has been occurred to naturally and regularly. The process of building the lamps used porcelain clay and forming them by slip casting and then gloss firing is made at 1,250 degrees Celsius. The studies indicate that:1) able to design and develop lamps inspired by light and shadow; 2) able to make audience impressive in light and shadow from lamps; 3) able to create lamps reflecting concept and subsequently produce three prototypes. PubDate: 2021-04-09 Issue No:Vol. 12, No. 2 (2021)
Authors:Sansern Rianthong Pages: 194 - 222 Abstract: The objective of this creative research is to study the identity of the Buddhabhucha community, Phitsanulok, and to use that information to create pixel art presenting the identity of the community. Research methods began with surveying the area for collecting data. From then, use the findings as a guideline for creating works. Beginning with conceptualisation, job scoping, creating a prototype image, creating a presentation image, and then taking the resulting work assessed by locals and experts and distributed via digital media. The results of this research are seven views of pixel art images such as top, top-down, 45° dimetric, side scroller, Isometric, oblique, and true perspective. All of them have characteristics of pixel Art which are using the dot, limited colour palettes, grid arrangement, and deliberately arrangement. They represent the three distinctive identities of the Buddhabhudha Community, Phitsanulok. such as area Identity, lifestyle identity, and historical identity. PubDate: 2021-04-09 Issue No:Vol. 12, No. 2 (2021)
Authors:Krisana Honguten Pages: 223 - 256 Abstract: Although the Kruba Srivichai Monument, located at the foothill Doi Suthep Chiang Mai, was constructed with funds from the Chiang Mai provincial budget, it was closely tied to the great faith and reverence of the Lanna people towards the holy monk who was called the “Saint of the Lanna Thai”. The study of the biography of Pra Kruba Srivichai, the great developer and most influential monk of the era, has revealed the immense faith and respect of the Lanna people towards him, which explains why all of his countless public construction and renovation works were easily completed without any hindrances. Additionally, the study of the history of the Kruba Srivichai monument construction, which took seven years to be completed, has enabled us to conclude that the Kruba Srivichai bronze statue was built during 1956-1958. Moreover, the Kruba Srivichai Monument was found to have been designed and the head of the statue sculpted by Professor Silpa Bhirasri whereas the body had been sculpted by Khien Yimsiri. Most importantly, documentary evidence has shown the important empirical evidence that could refute the myths of the miracles involving the monk’s holy proclamation that “As long as the River Ping does not flow back north, I shall not step on the land of Chiang Mai again”. The legend about the holy proclamation was somehow linked to the inauguration of Bhumibol Dam through the irrational claim involving the return of the Kruba to Chiang Mai and the official opening of the dam. Specifically, it was rumored that on May 17, 1964 which marked the state opening of Bhumibol dam, the River Ping had overflown the dam and flown up to the north as far as the Hod District of Chiang Mai, thus enabling the bronze statue to be successfully erected in Chiang Mai on the same day. According to the documentary evidence, however, the statue of Kruba Srivichai was established at the foothill Doi Suthep on June 8, 1963. This finding, therefore, is a fact that can be considered as the closure of the previously mentioned legend of the miracles surrounding the holy proclamation. PubDate: 2021-04-09 Issue No:Vol. 12, No. 2 (2021)
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