Subjects -> ART (Total: 882 journals)
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ART (468 journals)            First | 1 2 3     

Showing 401 - 264 of 264 Journals sorted alphabetically
Shanlax International Journal of Arts, Science and Humanities     Open Access  
Siècles     Open Access   (Followers: 1)
Significação : Revista de Cultura Audiovisual     Open Access  
Simbiótica     Open Access  
Sin Objeto : Arte, Investigación, Políticas     Open Access  
SIRJANĀ – A Journal on Arts and Art Education     Open Access   (Followers: 2)
SOBRE. Prácticas artísticas y políticas de la edición     Open Access  
Soletras Revista     Open Access  
Sound Studies : An Interdisciplinary Journal     Hybrid Journal  
Source: Notes in the History of Art     Full-text available via subscription   (Followers: 2)
South African Journal of Philosophy = Suid-Afrikaanse Tydskrif vir Wysbegeerte     Hybrid Journal   (Followers: 4)
South Central Review     Full-text available via subscription  
Southern Quarterly     Full-text available via subscription   (Followers: 2)
SPAFA Journal     Open Access  
Spirale : Arts, Lettres, Sciences humaines     Full-text available via subscription  
Sport and Art     Open Access   (Followers: 1)
Strategic Design Research Journal     Open Access   (Followers: 1)
Studia austriaca     Open Access   (Followers: 1)
Studia theodisca     Open Access  
Studia Vernacula     Open Access  
Studies in American Humor     Full-text available via subscription  
Studies in Ancient Art and Civilization     Open Access   (Followers: 3)
Studies in Art Education : A Journal of Issues and Research     Hybrid Journal  
Studies in Comics     Hybrid Journal   (Followers: 6)
Studies in Costume & Performance     Hybrid Journal  
Svenskt Gudstjänstliv     Open Access  
Swedish Journal of Romanian Studies     Open Access  
T'oung Pao     Hybrid Journal   (Followers: 16)
Tahiti     Open Access  
Tampa Review     Full-text available via subscription  
Teaching Artist Journal     Hybrid Journal   (Followers: 3)
Technè     Open Access  
Techne Series : Research in Sloyd Education and Craft Science A     Open Access   (Followers: 1)
Technoetic Arts a Journal of Speculative Research     Hybrid Journal  
Tenso     Full-text available via subscription   (Followers: 2)
Tercio Creciente     Open Access  
The Eighteenth Century     Full-text available via subscription   (Followers: 35)
The Massachusetts Review     Full-text available via subscription   (Followers: 1)
The Post     Open Access  
The Poster     Hybrid Journal   (Followers: 1)
The STEAM Journal     Open Access   (Followers: 1)
The Velvet Light Trap     Full-text available via subscription   (Followers: 7)
TicArtToc     Full-text available via subscription  
Tidsskrift for kulturforskning     Open Access  
Todas as Artes     Open Access  
Tracés     Open Access  
Trocadero     Open Access  
Tsantsa. Revista de Investigaciones Artisticas     Open Access  
TV/Series     Open Access  
Tydskrif vir Geesteswetenskappe     Open Access  
UJAH : Unizik Journal of Arts and Humanities     Open Access  
Uncommon Culture     Open Access  
Urdimento : Revista de Estudos em Artes Cênicas     Open Access  
Virtual Creativity     Hybrid Journal   (Followers: 1)
Visual Arts Research     Full-text available via subscription   (Followers: 7)
Visual Computing for Industry, Biomedicine, and Art     Open Access  
Visual Inquiry : Learning & Teaching Art     Hybrid Journal   (Followers: 5)
Visual Resources: An International Journal of Documentation     Hybrid Journal   (Followers: 2)
Visualidades     Open Access   (Followers: 1)
Voice and Speech Review     Hybrid Journal  
VRA Bulletin     Open Access   (Followers: 3)
West 86th     Full-text available via subscription   (Followers: 5)
William Carlos Williams Review     Full-text available via subscription   (Followers: 1)
Women and Music: A Journal of Gender and Culture     Full-text available via subscription   (Followers: 12)
Word & Image: A Journal of Verbal/Visual Enquiry     Hybrid Journal   (Followers: 13)
World Art     Hybrid Journal   (Followers: 5)
World of Antiques & Art     Full-text available via subscription   (Followers: 5)
WSQ: Women's Studies Quarterly     Full-text available via subscription   (Followers: 15)
Zeitschrift für Ästhetik und allgemeine Kunstwissenschaft     Full-text available via subscription   (Followers: 4)
Zibaldone : Estudios Italianos     Open Access  
Культура і мистецтво у сучасному світі     Open Access  
Текст і образ : актуальні проблеми історії мистецтв / Text and Image : Essential Problems in Art History     Open Access  

  First | 1 2 3     

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Swedish Journal of Romanian Studies
Number of Followers: 0  

  This is an Open Access Journal Open Access journal
ISSN (Print) 2003-0924
Published by Lunds universitet Homepage  [14 journals]
  • Cartografierea ca enactivare. Poetica cognitivă și subgenurile
           narativului: repere teoretice

    • Authors: Alina Buzatu
      Pages: 13 - 22
      Abstract: My study, though concise, problematizes the methodology and some of the conceptual vocabulary of cognitive poetics in relation to the narrative (sub)genre(s). This metatheoretical research attempts to reveal the specific algorithms and concepts of cognitive literary cartography, seen as an enactive process - the interpretation of narrative texts is defined as a dynamic interaction, a mutual transformation of both the `literary mind` and the text. In this respect, concepts such as `figure`, `image schemata`,`scenario` or`cognitive model` are relevant for the attempts to observe and explain the enactive (interpretative) approaches.
      PubDate: 2022-05-15
      DOI: 10.35824/sjrs.v5i1.23889
      Issue No: Vol. 5, No. 1 (2022)
       
  • Insuportabila versatilitate a modernismului

    • Authors: Diana Stroescu
      Pages: 23 - 40
      Abstract: This article aims to investigate the specifics of modernism by identifying several critical moments in intellectual history that are symptoms of significant tendencies in Western literature. In the absence of viable delimitations that would give modernism the status of a literary movement, the specificity of this literary-artistic period can be depicted by dwelling in the field of ideas that shaped a common way of conceiving human existence. The issue of the newness, around which the idea of modernity is built, summarizes a whole socio-cultural process that involves attitudes moving between the fascination and the anxiety of change. Considering these two perspectives towards the metamorphoses of the age in which writers lived with enthusiasm or drama, one can identify a conception of the condition of knowledge in a developing world. The social aspects, the individual identity, the established moral and religious principles, and the possibilities of creation are subjected to interrogation and therefore cause the tensions that irrigate modernist works.
      PubDate: 2022-05-15
      DOI: 10.35824/sjrs.v5i1.23875
      Issue No: Vol. 5, No. 1 (2022)
       
  • „Bucegiștii”. Vacanțele în munți ale familiei Urechia:
           construcția unei filiații literare

    • Authors: Ligia Tudurachi
      Pages: 41 - 68
      Abstract: Focusing on a family of writers that of V.A. Urechiă and his sons, Nestor and Alceu, the article aims at a comparative analysis of the family's sociability that they develop in the summers spent at their villas in Câmpina and Sinaia, with expeditions in the Bucegi Mountains, and the literature that feeds on these expeditions. Beyond the opportunity offered by the writings of the Urechiă family, we wish to observe the production and efficiency of genealogical forms (Georges Didi-Huberman); the stake of such an approach comes from its historical situation. The moment of founding the Urechia family coincides with the founding of the Romanian culture and nation, making the investigation of their mountain expeditions, genealogical issues, and literary forms gain a political weight with an accent on the nation rather than on the family itself.
      PubDate: 2022-05-15
      DOI: 10.35824/sjrs.v5i1.23898
      Issue No: Vol. 5, No. 1 (2022)
       
  • Romanul misterelor în literatura română a secolului al XIX-lea - o
           pagină de istorie literară uitată -

    • Authors: Manuela-Gabriela Ursu
      Pages: 69 - 84
      Abstract: The following study looks into the history of a minimally studied Romanian literary form: the mystery novel. The particular aspects that define this subgenre are illustrated by the prose of Ioan M. Bujoreanu, entitled Mistere din București. The nineteenth-century Romanian literature is characterized by a tremendous expansion, particularly when we consider the general development of the novel. The first novels available in Romanian are translations from French literature, most of them very successful books belonging to the popular culture of that time. Following the French model, the Romanian authors created similar novels in which the most important elements were the extraordinary, the intrigue and the sensational situations that were meant to attract a very large public. Analyzing these numerous novels, most of them forgotten today, and trying to classify them we observe that the Romanian literary frame is very diverse. We can identify certain types such as the outlaw, the woman, the criminal or the mystery novel, all of them being eclectic proses. Of all the genres belonging to popular literature, the mystery novel stands out for its preoccupation and openness to illustrating the nineteenth-century social aspects. This type of novel succeeds to capture the literary style and the particular elements embedded in the first novelist writings. One of the most prominent writers who managed to incorporate an image of nineteenth-century society into his novel is Ioan M. Bujoreanu. He creates a very realistic scene of that time by observing the human condition, condemning the injustices of aristocrats against the Romanian peasants and closely describing the city of Bucharest down to the most minute detail. His novel demonstrates the importance of the mystery novel in the nineteenth-century Romanian popular writings which is a sociological one as well as a documentary one.
      PubDate: 2022-05-15
      DOI: 10.35824/sjrs.v5i1.23775
      Issue No: Vol. 5, No. 1 (2022)
       
  • Imaginarul rețelelor de socializare și poetica distanțării în romanul
           Interior Zero de Lavinia Braniște

    • Authors: Cristina Hermeziu
      Pages: 85 - 96
      Abstract: After 2004, the year when Facebook was created, the issue of social networks as increasingly widespread and generalized ways of communication and relationship in society also invested in the field of literature, becoming an ingredient of the literary diegesis. To the extent that the writers of the so-called digital generation, respectively the one born and formed directly in the society of communication technologies, can no longer ignore the presence of social networks in the daily lives of created characters, what kind of imaginary literature does this create' Our analysis focuses on how the narrative voice in Lavinia Braniște's novels establishes a meta-critical relationship with social networks, especially in the universe of the first novel, Interior Zero, published in 2016. We are interested in finding out to what extent, in the age of millennials and the virtualization of existence, literature is a subtle form of ontological resistance through catharsis.
      PubDate: 2022-05-15
      DOI: 10.35824/sjrs.v5i1.23884
      Issue No: Vol. 5, No. 1 (2022)
       
  • From Mircea Eliade’s text to its cinematographic representations: the
           picture of Miss Christina as centre of the labyrinthine pathway

    • Authors: Carmen Dominte
      Pages: 97 - 111
      Abstract: As commonly known the labyrinth represents not only a major element of the intercultural dialogue but also a cultural, mythological, religious, literary and artistic icon. Its pattern implies several stages, among which the initiation, the inner change and the conversion, all being meant to deeply modify the subject that is confronting such a complex pathway. Plunged into a space full of obstacles, the subject is continuously experimenting. Thus, he has to enter the labyrinth, to search the only true way through the labyrinth, to hesitate, to lose himself, to descend into Inferno, to split his soul, to find the centre of the labyrinth and finally to find the exit. Such complex patterns could be found in many of Mircea Eliade’s narrative texts. For the characters that find themselves trapped inside the maze every experience can be regarded as an attempt to reach the centre of the labyrinth. It is the case of the novel “Miss Christina”, where the protagonists, despite their efforts, miss their meeting in the centre of the labyrinth and implicitly their individual initiation. Since this centre stands for the place where two different types of worlds could find each other, it may be interpreted as the most important element of the labyrinthine pathway. The study intends to give an insight into the protagonists’ search for the centre as well as an analysis of the very centre as a synthesis between life and death. Having the form of a picture, this centre is meant to become a substitute of life. Exceeding the literary area, the analysis of Miss Christina’s picture takes into consideration its cinematographic representations as means of visual expression of the same experience.
      PubDate: 2022-05-15
      DOI: 10.35824/sjrs.v5i2.23811
      Issue No: Vol. 5, No. 1 (2022)
       
  • Peregrin în Suedia. Nicolae Milescu Spătarul

    • Authors: Marcela Ciortea
      Pages: 112 - 136
      Abstract: Nicolae Milescu Spătarul, a scholar from Moldova (born in 1636), is known especially for his activity during the second half of his life, from his permanent relocation to Russia (1671) to the year of his death (1708). Within this interval, in which he served the Tsars’ interests as a translator at Posolski Prikaz, some sort of Ministry of External Affairs, he is sent by the Tsar Alexei Mihailovici with an embassy to the Emperor of China, thus becoming the first European scholar who travelled from Moscow to Pekin, crossing through Siberia. This paper is focused on the first half of his life, following, firstly, his studies at the Great School of the Patriarchate of Constantinople, the education he received there, his relationships with the princes of Moldova, the relationships with other scholars from his time. Then follows his European journey: Berlin – Stettin – Stockholm – Paris, his relationship with the jansenists of Port Royal and the presentation of his work Enchiridion sive Stella Orientalis splendens Occidentali, in which he analyses a theological dispute that was of interest for the jansenists. The Enchiridion is made in Paris, in the year 1699, and is the first work published by a Romanian in the Occident. Our paper includes, for the first time integrally translated into Romanian, a few pages of correspondence, which illustrate, on one hand, the bond with the French ambassador of Stockholm and on the other, the accreditation of Milescu at the Court of Sweden as a representative of the former prince, Gheorghe Ștefan.
      PubDate: 2022-05-15
      DOI: 10.35824/sjrs.v5i1.23883
      Issue No: Vol. 5, No. 1 (2022)
       
  • Mihai Drăgănescu: arhitectura modelului său ontologic-informaţional cu
           şi fără conştiinţă fundamentală

    • Authors: Gorun Manolescu
      Pages: 137 - 160
      Abstract: After his demise (in 2010), the philosophical works of Mihai Drăgănescu began to enter the attention of specialists from various backgrounds. His approach's incredible complexity and originality have been viewed and approached from various specific points of view until now. The aim of this paper is to present only a few essential features of the Drăgănescu philosophical approach as a whole, answering the following questions: (a) Is the model he recommended metaphysical, theological, or both' (b) How does the model highlight a certain Logos that becomes primordial in relation to the Being' (c) Why, quite unexpectedly, is the information considered a phenomenon' (d) How does the model he recommends solve some of the problems issued by Husserl and his phenomenology' In a forthcoming paper, we will try to show how Drăgănescu's Ontological-informational model allows a ChaOrdic application („Cha” from Chaos and „Ord” from Order) that characterizes the Reality of today when a natural Chaos appeared under which a new order emerges. Finally, our main conclusion will be that in relation to other similar attempts of recent times, which we know about, the approach of Drăgănescu presents strong originality by integrating the information with the ontological aspect. Furthermore, this confirms what our well-known Romanian philosopher Constantin Noica said a century ago: „Will the novelties of this work make their place in the world'” We should say that we do not doubt if we do not know the inertia that reigns in the world of culture. However, we will say that we do not know about a work that shakes this inertia better than the work of professor Drăgănescu. And if by impossibility it would not impose itself from now on in the culture of the twentieth century, let us be allowed to believe that it will astonish and deeply impress the non-perverted thinkers of the twenty-first century.
      PubDate: 2022-05-15
      DOI: 10.35824/sjrs.v5i1.23758
      Issue No: Vol. 5, No. 1 (2022)
       
  • Arta sofismului. Retorică, discurs, simulare și profeții în
           Însemnările zilnice ale lui Carol al II-lea

    • Authors: Felix Nicolau
      Pages: 161 - 177
      Abstract: The diary of the Romanian king Carol II, Însemnări zilnice (Daily Notes), may seem sketchy, but it is loaded with significant deeds and details. Additionally, it is stylistically marked from the point of view of omissions, allusions, and dissimulations. The epoch was one of complex historical background and the author made use of various, even if diminished, rhetoric figures. Rhetoric, oratory, and stylistics play many roles in the autobiographical pact. Carol II made use of them în a scarce manner precisely with the purpose of increasing the authenticity and sincerity of his discourse. On the other hand, many entries in the diary are hasty, but they strive to glorify or justify the king and his entourage. We sooner than later identify a macrorhetoric intended to delineate, on the one hand, a sophistic royal potrait and to decipher and characterize people belonging to the high society, on the other hand, a strategy to tackle with a tumultuous decade.
      PubDate: 2022-05-15
      DOI: 10.35824/sjrs.v5i1.23920
      Issue No: Vol. 5, No. 1 (2022)
       
  • History of states, history of individuals. Eminescu on Austria and the
           Romanian Principalities

    • Authors: Cătălin Pavel, Daniel Citirigă
      Pages: 178 - 202
      Abstract: The present article aims to offer excerpts f an essential article by the Romanian “national poet” Mihai Eminescu in the English translation, with a historical commentary. The translation aims to make Eminescu’s text available to an international audience of scholars, helping to write a more accurate social and cultural history of 19th century Europe. In turn, the commentary aims to show that Eminescu’s political vision, although substantially conservative, incorporated a number of tenets that were to become an inspiration for a number of politicians of highly diverse backgrounds, from the Iron Guard nationalists to the Socialists and Communists. Eminescu’s work was used, in ways he could no longer control, in order to legitimize their varied, and at times downright contradictory, claims. The article discussed here, on “The Austrian influence on the Romanians in the Principalities” (1876) offered Eminescu the opportunity to cast a critical eye on the state organization of the Romanians. His conclusion is exceedingly pessimistic: their state organization is presented as a failure, with the main sources of this failure being the personal interests of the Romanians themselves, compounded by the influence of foreigners. Hence the society based on corruption, rather than on principles, a society where having a job meant ruling, and not having one, being in opposition. In this gloomy picture, the author singled out a class on whose back the whole people lived: the Romanian peasants. The future of this class could not possibly be bright, as Eminescu expected that it be crushed from within, and “along with it, the state and the nation”. Did he also envisage a solution' In order to escape the situation in which “the proximity of Austria is devastating for us, unless we wake up soon”, Eminescu pinpointed three redeeming elements: stability, labour and economy. In other words, hereditary monarchy, the revocation of privileges for the “proletariat of the pen” and the careful spending of public budgets. The alternatives were the Austrian rule, or the Russian rule, none of which comes across to Eminescu as a solution.
      PubDate: 2022-05-15
      DOI: 10.35824/sjrs.v5i1.23805
      Issue No: Vol. 5, No. 1 (2022)
       
  • Brașovul și cartea veche între 1805 și 1827

    • Authors: Marcela Ciortea
      Pages: 203 - 207
      Abstract: This paper presents the volume “Graphic Art of Old Romanian Books Printed in Brașov” (1805-1827) written by Anca Elisabeta Tatay and Cornel Tatai-Baltă and published in excellent graphic conditions at the Mega Publishing House in Cluj-Napoca, in 2020. First, we talk about the theoretical excursion in the first part, then about the album with fine reproductions of title sheets, vignettes, seals, engravings, in the second part.
      PubDate: 2022-05-15
      DOI: 10.35824/sjrs.v5i1.23918
      Issue No: Vol. 5, No. 1 (2022)
       
  • Drama unei familii țărănești din Ardeal

    • Authors: Gabriela Chiciudean
      Pages: 208 - 219
      Abstract: As the traditional village had gradually faded with time, writing a novel encompassing this subject has become a predicament, yet Lucian Domșa undertook writing about the Transylvanian rural context, revealing his most authentic sense of artistry. Măriuca is a novel portraying the tragic existence of a countryman returning home after World War I. The realities of the traditional village are depicted in the background, for it is the character development, the representation of the profound history of a family, the history of an existence lived according to the old ways of the countryside, all explored under the veil of most authentic vernacular language, that notably constitute the centre of the novel. The typical tragedy of a family from a village in Transylvania is gradually built in the novel, in sync with the space it inhabits, and with the action, also capturing several monographical elements of the Transylvanian village. Although the novel is entitled Măriuca, the main character is Manole a lui Țapu’, however, in virtue of the way the female heroine is composed, through her desire for emancipation, Măriuca becomes the main important character who announces a change of mentality and attitude in the interwar period in the rural environment.
      PubDate: 2022-05-15
      DOI: 10.35824/sjrs.v5i1.23929
      Issue No: Vol. 5, No. 1 (2022)
       
 
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