Subjects -> ART (Total: 882 journals)
    - ART (468 journals)
    - DANCE (26 journals)
    - FILM AND AUDIOVISUALS (125 journals)
    - MUSIC (171 journals)
    - THEATER (92 journals)

ART (468 journals)            First | 1 2 3     

Showing 401 - 264 of 264 Journals sorted alphabetically
Sendas     Open Access  
Series - International Journal of TV Serial Narratives     Open Access  
Shanlax International Journal of Arts, Science and Humanities     Open Access  
Siècles     Open Access   (Followers: 1)
Significação : Revista de Cultura Audiovisual     Open Access  
Simbiótica     Open Access  
Sin Objeto : Arte, Investigación, Políticas     Open Access  
SIRJANĀ – A Journal on Arts and Art Education     Open Access   (Followers: 4)
SOBRE. Prácticas artísticas y políticas de la edición     Open Access  
Soletras Revista     Open Access  
Sound Studies : An Interdisciplinary Journal     Hybrid Journal  
Source: Notes in the History of Art     Full-text available via subscription   (Followers: 2)
South African Journal of Philosophy = Suid-Afrikaanse Tydskrif vir Wysbegeerte     Hybrid Journal   (Followers: 4)
South Central Review     Full-text available via subscription  
Southern Quarterly     Full-text available via subscription   (Followers: 2)
SPAFA Journal     Open Access  
Spirale : Arts, Lettres, Sciences humaines     Full-text available via subscription  
Sport and Art     Open Access   (Followers: 1)
Strategic Design Research Journal     Open Access   (Followers: 1)
Studia austriaca     Open Access   (Followers: 1)
Studia theodisca     Open Access  
Studia Vernacula     Open Access  
Studies in American Humor     Full-text available via subscription  
Studies in Ancient Art and Civilization     Open Access   (Followers: 3)
Studies in Art Education : A Journal of Issues and Research     Hybrid Journal  
Studies in Comics     Hybrid Journal   (Followers: 6)
Studies in Costume & Performance     Hybrid Journal  
Svenskt Gudstjänstliv     Open Access  
Swedish Journal of Romanian Studies     Open Access  
T'oung Pao     Hybrid Journal   (Followers: 16)
Tahiti     Open Access  
Tampa Review     Full-text available via subscription  
Teaching Artist Journal     Hybrid Journal   (Followers: 3)
Technè     Open Access  
Techne Series : Research in Sloyd Education and Craft Science A     Open Access   (Followers: 1)
Technoetic Arts a Journal of Speculative Research     Hybrid Journal  
Tenso     Full-text available via subscription   (Followers: 2)
Tercio Creciente     Open Access  
The Eighteenth Century     Full-text available via subscription   (Followers: 35)
The Massachusetts Review     Full-text available via subscription   (Followers: 1)
The Post     Open Access  
The Poster     Hybrid Journal   (Followers: 1)
The STEAM Journal     Open Access   (Followers: 1)
The Velvet Light Trap     Full-text available via subscription   (Followers: 7)
TicArtToc     Full-text available via subscription  
Tidsskrift for kulturforskning     Open Access  
Todas as Artes     Open Access  
Tracés     Open Access  
Trocadero     Open Access  
Tsantsa. Revista de Investigaciones Artisticas     Open Access  
TV/Series     Open Access  
Tydskrif vir Geesteswetenskappe     Open Access  
UJAH : Unizik Journal of Arts and Humanities     Open Access  
Uncommon Culture     Open Access  
Urdimento : Revista de Estudos em Artes Cênicas     Open Access  
Virtual Creativity     Hybrid Journal   (Followers: 1)
Visual Arts Research     Full-text available via subscription   (Followers: 7)
Visual Computing for Industry, Biomedicine, and Art     Open Access  
Visual Inquiry : Learning & Teaching Art     Hybrid Journal   (Followers: 6)
Visual Resources: An International Journal of Documentation     Hybrid Journal   (Followers: 2)
Visualidades     Open Access   (Followers: 1)
Voice and Speech Review     Hybrid Journal  
VRA Bulletin     Open Access   (Followers: 3)
West 86th     Full-text available via subscription   (Followers: 5)
William Carlos Williams Review     Full-text available via subscription   (Followers: 1)
Women and Music: A Journal of Gender and Culture     Full-text available via subscription   (Followers: 12)
Word & Image: A Journal of Verbal/Visual Enquiry     Hybrid Journal   (Followers: 13)
World Art     Hybrid Journal   (Followers: 5)
World of Antiques & Art     Full-text available via subscription   (Followers: 5)
WSQ: Women's Studies Quarterly     Full-text available via subscription   (Followers: 15)
Zeitschrift für Ästhetik und allgemeine Kunstwissenschaft     Full-text available via subscription   (Followers: 4)
Zibaldone : Estudios Italianos     Open Access  
Культура і мистецтво у сучасному світі     Open Access  
Текст і образ : актуальні проблеми історії мистецтв / Text and Image : Essential Problems in Art History     Open Access  

  First | 1 2 3     

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TV/Series
Number of Followers: 0  

  This is an Open Access Journal Open Access journal
ISSN (Online) 2266-0909
Published by OpenEdition Journals Homepage  [452 journals]
  • La série Fargo ou le ré-ensauvagement du monde. Une économie politique
           de la prédation

    • Authors: Laure Flandrin
      Abstract: Cet article propose d’examiner l’intelligence du social propre aux trois premières saisons de la série télévisuelle américaine Fargo, inspirée du film des frères Coen sorti en 1996, et diffusée sur la chaîne FX de 2014 à 2017. Ces trois saisons relèvent d’une structuration schématique commune en dépit du format anthologique de la série supposé garantir leur indépendance narrative. Dans chacune de ces saisons, une grande entreprise mafieuse s’avise en effet de réaliser une opération d’expansion aux dépends d’une unité familiale de production. La révolution reaganienne des années 1980 a libéré les désirs d’appropriation sous la forme brute de la prédation et les enjeux de sécurisation du capital sont devenus vitaux chez les entrepreneurs ciblés. Ces récurrences analogiques d’une saison à l’autre témoignent d’un minutieux travail d’exploration sérielle des grandes mythologies américaines, et en particulier du darwinisme social, qui se représente l’économie comme un biotope structuré pa...
      PubDate: 2022-05-03
       
  • Could Fleabag be a Parisienne' Camille Cottin’s Star Image and a
           New French Femininity

    • Authors: Mimi Kelly, Victoria Souliman
      Abstract: This article discusses Camille Cottin’s star image, considering more specifically what was at stake in her 2019 performance in Mouche, the French remake of British tragicomedy TV series Fleabag created by Phoebe Waller-Bridge. The framework of this remake and the transposition of Cottin in the character played by Waller-Bridge offers a discussion on the representation of female sexuality and gender through the main character of Mouche and Fleabag. It argues that the nexus of Cottin’s gendered stardom both meets and transgresses the ideals of the cinematic type of the Parisienne, which may lead to think that Cottin was the perfect fit to be the French version of Fleabag. However, as Mouche, her persona gestures toward the projection of a female subjectivity that escapes inscription into the French cultural imagination and social practices. Drawing from theories of the abject and the female grotesque as a subversive strategy to challenge gendered expectations in Fleabag, this article ...
      PubDate: 2022-05-03
       
  • “He’s Not Good, But He’s Not Bad”: Jason Bateman as the White,
           Middle-Class Devil

    • Authors: Barbara Selznick
      Abstract: Jason Bateman, as a former child star, a Hollywood party-boy-turned-family-man, and a seemingly un-aging actor imbued with privilege, created a persona that is instrumental for understanding the television shows (and films) in which he stars. Combining the rationality and order often associated with whiteness and the authoritative expertise connected to patriarchal privilege, examining Bateman in relation to his performances reveals the problematic position of dominance that he embodies. This essay argues that Bateman’s public image, as shaped by his publicity along with his role on Arrested Development, positioned him to – as an actor, executive producer, and director on Ozark – develop a character who offers a potential critique of hegemonic ideas about white, middle-class masculinity.
      PubDate: 2022-05-03
       
  • A “very politically correct, wholesome family show”: Jane Seymour’s
           white, heterosexual femininity in Dr. Quinn, Medicine Woman

    • Authors: Oline Eaton
      Abstract: In January 1993, the US television station CBS premiered a new TV drama about Michaela Quinn—a Boston doctor who moved alone to the Colorado frontier to establish her medical practice. Seymour’s biography played a critical role in the initial promotion of the show. The character of Dr. Quinn, as Seymour played her, was a feminist in the Hillary Rodham Clinton vein, and the show’s drama primarily revolved around Quinn’s gender deviance and issues arising from white patriarchy. Given this progressive, feminist bent, it’s surprising that the show resonated with conservative audiences and, in U.S. syndication, found a home on evangelical Christian networks such as PAX-TV and INSP. Combining media analysis, cultural analysis, and biographical research, this article analyzes how Jane Seymour’s star image and biography enabled Dr. Quinn to interrogate and challenge gender roles while also working to bolster the show’s position as “family values” TV. Ultimately, this analysis reveals the po...
      PubDate: 2022-05-03
       
  • From Friends to “The Girl Friend”: the Early Evolution of Jennifer
           Aniston’s Star Image

    • Authors: Jessica Thrasher Chenot
      Abstract: In the more than twenty-five years since the spectacular success of the iconic television sitcom/cultural phenomenon Friends (NBC, 1994-2004), the ensemble program’s six actors have parlayed that visibility into careers of varying success on network and cable television, streaming platforms, and the film industry. One of them, Jennifer Aniston, has managed to maintain a consistently visible star image which continues to resonate with fans and critics alike. In her nearly thirty-year career Aniston has successfully transitioned from her role on the small screen to starring roles in feature films, and most recently gaining critical and popular attention (as well as a Screen Actor’s Guild award) for her role in The Morning Show on the Apple + streaming service. While scholars have already considered work from her late and post-Friends career, this article examines her breakout role as the appealing and attractive Rachel Green as an effective vehicle for the transition into her early fi...
      PubDate: 2022-05-03
       
  • Kate Winslet dans Mildred Pierce de Todd Haynes (HBO, 2011) : enjeux
           d’un passage du grand au petit écran

    • Authors: Céline Bintein
      Abstract: Star de renommée mondiale depuis Titanic (James Cameron, 1996), privilégiant plutôt par la suite des films d’auteur indépendants comme Holy Smoke de Jane Campion (1999), Kate Winslet effectue un nouveau tournant dans sa carrière en interprétant l’héroïne de Mildred Pierce, mini-série réalisée par Todd Haynes pour la chaîne câblée HBO en 2011. Notre article s’attache à éclairer les enjeux esthétiques et culturels qui entourent ce passage de la star du cinéma à la télévision. Il tente notamment de montrer en quoi la persona de l’actrice nourrit la caractérisation du personnage, mais aussi en quoi ce dernier enrichit cette image en retour, et reflète le rapport conflictuel de Winslet avec la célébrité et le statut de star.
      PubDate: 2022-05-03
       
  • Dial M for Markham, McNutley and the Milland Show: Remaking and
           Reimagining Ray Milland’s Established Cinematic Image for 1950s
           Television

    • Authors: Gillian Kelly
      Abstract: This article investigates Ray Milland’s work on 1950s television, focusing on the two series he starred in: Meet Mr McNutley/The Ray Milland Show (1953–55) and Markham (1959–60). Over seven decades, the Welsh-born Milland moved seamlessly between British and American cinema, theatre, radio and television, effortlessly fitting the many roles and genre assigned to him, whether as lead or supporting player. His rise to stardom was particularly slow, his first leading man role was in his thirty-fourth film, The Jungle Princess (Wilhelm Thiele, 1936), and won his only Academy Award for his sixtieth film, The Lost Weekend (Billy Wilder, 1945).
      After twenty-one years at Paramount, and with his ‘stardom years’ behind him, Milland became an independent agent and began appearing regularly on television, firstly starring in all 77 episodes of the situation comedy Meet Mr McNutley, a role he concurrently portrayed on radio. Whilst establishing a new televisual image for Milland, the series conv...
      PubDate: 2022-05-03
       
  • Married to the Cape: Adam West, Batman and Signature Roles on the Small
           Screen

    • Authors: Carl Sweeney
      Abstract: Influential theoretical paradigms posit that television is unlike cinema because it creates personalities rather than stars. Conversely, Deborah Jermyn challenges prior theories through analysis of Sarah Jessica Parker’s image, suggesting that it may be time to revisit the notion that true stardom needs to be associated with a range of different roles. However, though this is pertinent to contemporary figures, it is also relevant to those who came earlier. In particular, American television stars of the 1960s and 1970s were likely to be defined by their connection to a flagship part, due to a variety of factors that helped cement such associations.
      By theorising star status for someone linked with a single role, a distinct form of televisual fame comes into focus. To argue this, this article proposes a new category of stardom, described by the term ‘signature role TV star’. It evaluates Adam West, best known for his leading role on Batman (ABC, 1966-1968), as an archetypal example. D...
      PubDate: 2022-05-03
       
  • Frank Gallop’s Ghoulish Lights Out Persona: Horror Host as Brand Image
           in Early US Anthology Television

    • Authors: Thomas Wilson
      Abstract: Frank Gallop’s role as the on-screen narrator of Lights Out (NBC, 1949-1952) marked a significant deviation in his presentational career as his image evolved from variety announcer to anthology TV horror host. Becoming the face of Lights Out, Gallop’s ghoulish persona formed a crucial component of the show’s brand image. In so doing, he offers the first distinct example to be inextricably linked to the branding of the early hosted horror anthology show during its emergence in the post-war live era of network US TV. Through analysis of archival materials related to aspects of promotion and publicity, this article examines the impact and legacy of Gallop’s Lights Out persona to the show’s overall identity and his presentational career.
      PubDate: 2022-05-03
       
  • Introduction

    • Authors: Jules Sandeau
      Abstract: Ce numéro de TV/Series porte sur les stars de séries télévisées, qui sont restées jusqu’ici très peu étudiées, car perdues dans une sorte d’entre-deux disciplinaire. D’un côté, les star studies se sont surtout développées au sein des études filmiques et sont restées centrées sur les stars de cinéma. De l’autre, les celebrity studies ont pris pour objet le phénomène plus large de la célébrité, et ont rassemblé un grand nombre de travaux sur la télévision, mais ces derniers se sont surtout intéressés aux personnalités les plus éloignées du modèle de la star de cinéma (animateur∙ice∙s, présentateur∙ice∙s, candidat∙e∙s de jeux télévisés ou d’émissions de télé-réalité, etc.), dont les spécificités pouvaient, dans une certaine mesure, sembler échapper aux concepts et théories forgées par les star studies – notamment parce que ces célébrités s’illustraient dans des programmes non fictionnels. Le désintérêt dont les stars de séries télévisées ont initialement fait l’objet tient sans doute e...
      PubDate: 2022-05-03
       
 
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