Subjects -> ART (Total: 882 journals)
    - ART (468 journals)
    - DANCE (26 journals)
    - FILM AND AUDIOVISUALS (125 journals)
    - MUSIC (171 journals)
    - THEATER (92 journals)

ART (468 journals)                  1 2 3 | Last

Showing 1 - 200 of 264 Journals sorted alphabetically
(Pensamiento), (palabra) y obra     Open Access   (Followers: 3)
1895. Mille huit cent quatre-vingt-quinze     Open Access   (Followers: 7)
9ª Arte     Open Access  
A&P Continuidad     Open Access  
ABO : Interactive Journal for Women in the Arts, 1640-1830     Open Access   (Followers: 3)
Acta ad archaeologiam et artium historiam pertinentia     Open Access   (Followers: 1)
Acta Artis : Estudis d'Art Modern     Open Access   (Followers: 4)
Aesthetic Investigations     Open Access   (Followers: 2)
African Arts     Hybrid Journal   (Followers: 18)
Afrique : Archéologie & Arts     Open Access   (Followers: 5)
Afterall : A Journal of Art, Context, and Enquiry     Full-text available via subscription   (Followers: 15)
Airea : Arts & Interdisciplinary Research     Open Access   (Followers: 1)
Aisthesis     Open Access   (Followers: 5)
Akra Kültür Sanat ve Edebiyat Dergisi / Akra Journal of Culture Art and Literature     Open Access   (Followers: 2)
American Art     Full-text available via subscription   (Followers: 22)
American Music     Full-text available via subscription   (Followers: 17)
American Society for Aesthetics Graduate E-journal     Open Access   (Followers: 4)
Anales de Historia del Arte     Open Access   (Followers: 5)
Andharupa : Journal of Visual Communication Design & Multimedia     Open Access   (Followers: 3)
ANIAV : Revista de Investigación en Artes Visuales     Open Access  
Animation Practice, Process & Production     Hybrid Journal   (Followers: 4)
Animation Studies     Open Access   (Followers: 7)
Annales islamologiques     Open Access   (Followers: 3)
Annales Universitatis Mariae Curie-Sklodowska, sectio L – Artes     Open Access  
Anuario del Departamento de Historia y Teoría del Arte     Open Access  
Anuario TAREA : Revista de estudios sobre el Patrimonio Cultural     Open Access  
Appalachian Heritage     Full-text available via subscription   (Followers: 4)
Appareil     Open Access  
Arbejdspapirer : Professionshøjskolen Metropol     Open Access  
ArcheoArte. Rivista Elettronica di Archeologia e Arte     Open Access   (Followers: 7)
ArcHistoR     Open Access   (Followers: 3)
Archives of American Art Journal     Full-text available via subscription   (Followers: 3)
Archives of Asian Art     Full-text available via subscription   (Followers: 8)
ArDIn. Arte, Diseño e Ingeniería     Open Access   (Followers: 1)
ARS     Open Access   (Followers: 1)
Ars & Humanitas     Open Access   (Followers: 8)
Ars Adriatica     Open Access  
Ars Longa : Cuadernos de arte     Open Access  
Ars Lyrica     Full-text available via subscription  
Art & the Public Sphere     Hybrid Journal   (Followers: 14)
Art & Perception     Hybrid Journal   (Followers: 4)
Art + Law     Full-text available via subscription   (Followers: 11)
Art and Design Review     Open Access   (Followers: 13)
Art Bulletin     Full-text available via subscription   (Followers: 22)
Art Design & Communication in Higher Education     Hybrid Journal   (Followers: 22)
Art Documentation : Journal of the Art Libraries Society of North America     Full-text available via subscription   (Followers: 12)
Art Education     Hybrid Journal  
Art History     Full-text available via subscription   (Followers: 121)
Art History & Criticism     Open Access   (Followers: 11)
Art In Translation     Hybrid Journal   (Followers: 9)
Art Journal     Hybrid Journal   (Followers: 37)
Art Libraries Journal     Hybrid Journal   (Followers: 10)
Art Monthly Australia     Full-text available via subscription   (Followers: 9)
Art Pritas Journal     Open Access  
Art Therapy Online     Open Access   (Followers: 3)
Art Therapy: Journal of the American Art Therapy Association     Hybrid Journal   (Followers: 14)
Art-Sanat Dergisi     Open Access   (Followers: 2)
Art/Research International : A Transdisciplinary Journal     Open Access   (Followers: 4)
arte e ensaios     Open Access  
Arte, Individuo y Sociedad     Open Access   (Followers: 3)
Artefact : Techniques, histoire et sciences humaines     Open Access   (Followers: 1)
Artelogie     Open Access   (Followers: 2)
Artes Humanae     Open Access  
Arteterapia. Papeles de arteterapia y educación artística para la inclusión social     Open Access   (Followers: 3)
Artifact : Journal of Design Practice     Open Access   (Followers: 8)
Artivate : A Journal of Entrepreneurship in the Arts     Open Access   (Followers: 2)
Artl@s Bulletin     Open Access   (Followers: 4)
Artlink     Full-text available via subscription   (Followers: 5)
Arts     Open Access   (Followers: 3)
Arts & Health: An International Journal for Research, Policy and Practice     Hybrid Journal   (Followers: 8)
Arts and Design Studies     Open Access   (Followers: 23)
Arts and Humanities in Higher Education     Hybrid Journal   (Followers: 36)
Arts and the Market     Hybrid Journal   (Followers: 5)
Arts et Savoirs     Open Access   (Followers: 2)
Artseduca : Revista electrónica de educación en las ARTES     Open Access  
ASAP / Journal     Full-text available via subscription   (Followers: 3)
Asian Diasporic Visual Cultures and the Americas     Hybrid Journal   (Followers: 1)
Asian Music     Full-text available via subscription   (Followers: 9)
Asian Theatre Journal     Full-text available via subscription   (Followers: 5)
Athanor     Open Access  
Atrio : Revista de Historia del Arte     Open Access  
AusArt : Journal for Research in Art     Open Access  
Australasian Leisure Management     Full-text available via subscription   (Followers: 2)
Australian and New Zealand Journal of Art     Hybrid Journal   (Followers: 7)
Australian Art Education     Full-text available via subscription   (Followers: 6)
Australian Humanist, The     Full-text available via subscription   (Followers: 3)
Balkanologie : Revue d'Études Pluridisciplinaires     Open Access   (Followers: 5)
Baltic Journal of Art History     Open Access   (Followers: 1)
Barnelitterært forskningstidsskrift     Open Access   (Followers: 1)
Baroque     Open Access   (Followers: 1)
Biography     Full-text available via subscription   (Followers: 20)
Black Camera     Full-text available via subscription   (Followers: 8)
Boletín del Museo Chileno de Arte Precolombino     Open Access   (Followers: 1)
Book History     Full-text available via subscription   (Followers: 112)
BR::AC - Barcelona, Research, Art, Creation     Open Access   (Followers: 4)
British Journal of Aesthetics     Hybrid Journal   (Followers: 21)
Brumal. Revista de investigación sobre lo Fantástico     Open Access   (Followers: 1)
BSAA arte     Open Access  
Buildings & Landscapes: Journal of the Vernacular Architecture Forum     Full-text available via subscription   (Followers: 12)
BUKS : Tidsskrift for Børne- & Ungdomskultur     Open Access  
Bulletin de l'AFAS     Open Access   (Followers: 1)
Bulletin of Kyiv National University of Culture and Arts. Series in Management of Social and Cultural Activity     Open Access  
Bulletin of Kyiv National University of Culture and Arts. Series in Stage Art     Open Access  
Bulletin of Spanish Visual Studies     Hybrid Journal  
Bulletin of the Comediantes     Full-text available via subscription   (Followers: 2)
Cadernos de Arte e Antropologia     Open Access  
Cahiers Charlevoix : Études franco-ontariennes     Full-text available via subscription  
Cahiers de civilisation espagnole contemporaine     Open Access   (Followers: 2)
Cahiers de Narratologie     Open Access   (Followers: 3)
Cahiers des Amériques latines     Open Access   (Followers: 2)
Cahiers d’études italiennes     Open Access   (Followers: 5)
Callaloo     Full-text available via subscription   (Followers: 13)
CALLE14 : revista de investigación en el campo del arte     Open Access   (Followers: 4)
Cambridge Opera Journal     Hybrid Journal   (Followers: 4)
Canadian Journal of Art Therapy : Research, Practice, and Issues     Hybrid Journal  
Canadian Review of Art Education     Open Access  
Canadian Theatre Review     Full-text available via subscription   (Followers: 2)
Caribbean Quilt     Open Access  
Carte Italiane     Open Access   (Followers: 4)
Cartema     Open Access  
Catharsis : Journal of Arts Education     Open Access  
CeROArt     Open Access   (Followers: 1)
CHINOPERL : Journal of Chinese Oral and Performing Literature     Hybrid Journal   (Followers: 2)
Choreographic Practices     Hybrid Journal   (Followers: 1)
Ciel variable : Art, photo, médias, culture     Full-text available via subscription  
Cinema Journal     Full-text available via subscription   (Followers: 25)
CLARA : Classical Art and Archaeology     Open Access   (Followers: 6)
Cogent Arts & Humanities     Open Access   (Followers: 2)
Collections électroniques de l'INHA     Open Access   (Followers: 1)
Columbia Journal of Law & the Arts     Open Access   (Followers: 2)
Comicalités     Open Access   (Followers: 1)
Comparative Drama     Full-text available via subscription   (Followers: 5)
Conceição/Conception     Open Access  
Concorso. Arti e lettere     Open Access  
Conservatorium / Konservatoryum     Open Access  
Contemporaneity : Historical Presence in Visual Culture     Open Access   (Followers: 4)
Convivium     Full-text available via subscription   (Followers: 1)
CoSMo | Comparative Studies in Modernism     Open Access   (Followers: 1)
Counterculture Studies     Open Access   (Followers: 1)
Critical Arts : South-North Cultural and Media Studies     Hybrid Journal   (Followers: 10)
Critical Interventions : Journal of African Art History and Visual Culture     Hybrid Journal   (Followers: 1)
Critique d’art     Open Access   (Followers: 5)
Cuadernos de arte de la Universidad de Granada     Open Access  
Cuadernos de historia de España     Open Access   (Followers: 3)
Cuadernos de Historia del Arte     Open Access  
Cuadernos de Música, Artes Visuales y Artes Escénicas     Open Access   (Followers: 1)
Culturas. Revista de Gestión Cultural     Open Access  
Dante e l'Arte     Open Access  
DATJournal : Design, Art, and Technology     Open Access  
De Arte     Hybrid Journal   (Followers: 3)
De Arte : Revista de Historia del Arte     Open Access   (Followers: 1)
Demiurge: Ideas, Technologies, Perspectives of Design     Open Access  
Design Journal : An International Journal for All Aspects of Design     Hybrid Journal   (Followers: 33)
Design Management Journal     Hybrid Journal   (Followers: 18)
Design Management Review     Hybrid Journal   (Followers: 14)
Design Philosophy Papers     Full-text available via subscription   (Followers: 11)
Dialectic : A scholarly journal of thought leadership, education and practice in the discipline of visual communication design     Open Access   (Followers: 1)
Double jeu     Open Access  
Drawing : Research, Theory, Practice     Hybrid Journal  
EARI : Educación Artística Revista de Investigación     Open Access  
Eastern Christian Art     Full-text available via subscription   (Followers: 2)
Écosystème     Open Access  
Eighteenth-Century Fiction     Full-text available via subscription   (Followers: 20)
Éire-Ireland     Full-text available via subscription   (Followers: 9)
El Artista     Open Access   (Followers: 2)
El Hilo de la Fabula     Open Access  
EME Experimental Illustration, Art & Design     Open Access   (Followers: 2)
Empirical Studies of the Arts     Full-text available via subscription   (Followers: 3)
Escena. Revista de las artes     Open Access  
Escritura e Imagen     Open Access   (Followers: 1)
Espace Sculpture     Full-text available via subscription   (Followers: 1)
Essais     Open Access  
esse arts + opinions     Full-text available via subscription  
ETC MEDIA     Full-text available via subscription  
Études de lettres     Open Access   (Followers: 2)
Eureka Street     Full-text available via subscription   (Followers: 4)
European Comic Art     Full-text available via subscription   (Followers: 8)
European Medieval Drama     Full-text available via subscription   (Followers: 3)
Exchange     Hybrid Journal   (Followers: 4)
Experiment : A Journal of Russian Culture     Hybrid Journal   (Followers: 7)
Explorations in Renaissance Culture     Hybrid Journal   (Followers: 6)
Feminist German Studies     Full-text available via subscription   (Followers: 6)
Fibreculture Journal     Open Access   (Followers: 9)
FORMakademisk - forskningstidsskrift for design og designdidaktikk     Open Access   (Followers: 2)
FORUM : University of Edinburgh Postgraduate Journal of Culture & the Arts     Open Access  
Forum Modernes Theater     Full-text available via subscription  
Forum+     Open Access  
Fragmenta     Full-text available via subscription   (Followers: 1)
Gardens and Landscapes of Portugal     Open Access  
Gazi University Journal of Science Part B : Art, Humanities, Design and Planning     Open Access   (Followers: 2)
George Herbert Journal     Full-text available via subscription   (Followers: 1)
Gesta     Full-text available via subscription   (Followers: 6)
Gradhiva     Open Access   (Followers: 5)
Grafica : Documents de Disseny Gràfic     Open Access  
Green Letters : Studies in Ecocriticism     Hybrid Journal   (Followers: 1)
Harmonia     Open Access  
HAUNT Journal of Art     Open Access   (Followers: 3)
Hemisphere : Visual Cultures of the Americas     Open Access  
Herança : Revista de História, Património e Cultura     Open Access   (Followers: 1)
Heritage & Society     Hybrid Journal   (Followers: 14)

        1 2 3 | Last

Similar Journals
Journal Cover
CoSMo | Comparative Studies in Modernism
Number of Followers: 1  

  This is an Open Access Journal Open Access journal
ISSN (Print) 2281-6658
Published by Università degli Studi di Torino Homepage  [12 journals]
  • Scarica l'intero fascicolo

    • Authors: Franca Bruera
      Pages: 1 - 200
      PubDate: 2021-12-23
      DOI: 10.13135/2281-6658/6355
  • Scarica il sommario

    • Authors: Franca Bruera
      Pages: 3 - 4
      PubDate: 2021-12-23
      DOI: 10.13135/2281-6658/6354
  • Une voix protéiforme et polymorphe

    • Authors: Franca Bruera
      Pages: 7 - 12
      Abstract: André Salmon has explored manyfold forms of writing over the span of an extremely long career, extending from the turn of the century – he started as a poet in 1903 – up to the post-WW II years. Salmon’s oeuvre encompasses poetry and prose writing, reaches out to theatre, memoir and art criticism, while embracing journalism in general. His polyphonic work deserves its place in the context of international modernism, especially when reconsidered in the light of recent archival research and the discovery of new documents.
      PubDate: 2021-12-23
      DOI: 10.13135/2281-6658/6341
  • André Salmon face à Picasso, « Le premier artiste de son
           âge »

    • Authors: Peter Read
      Pages: 13 - 26
      Abstract: André Salmon and Pablo Picasso enjoyed a close relationship from 1905 onwards and Salmon’s poetry and prose offer exceptionally clear-sighted responses to Picasso’s work. Writing as an insider and eye-witness, Salmon provides vivid insights and key information on individual works, but also identifies and highlights significant turning points in the artist’s development. Picasso cold-shouldered Salmon from 1935 to 1951, because of his journalistic activities. Once reconciled, they saw each other regularly in Sanary-sur-Mer and a late Picasso drawing indicates his interest in La Terreur noire, Salmon’s 1959 history of anarchism.
      PubDate: 2021-12-23
      DOI: 10.13135/2281-6658/6342
  • « Halte-là la musique / par ici les chansons »

    • Authors: Jacqueline Gojard, Alessandro Maras
      Pages: 27 - 42
      Abstract: This article has two parts. In the first, Jacqueline Gojard studies the privileged relationship between poetry and song in the life and work of André Salmon (1881-1969). In the second, Alessandro Maras analyses the relationship between this poet and art music. Although he lived in a time of great musical revolutions, Salmon seems to have had nothing to do with the world of Stravinsky and Debussy, thus confirming and making explicit the attitude of many artists and poets in the context of the aesthetic paradigm shift between the nineteenth and twentieth centuries.
      PubDate: 2021-12-23
      DOI: 10.13135/2281-6658/6343
  • « Le faux n’est révéré que pour l’amour du
           vrai »

    • Authors: Alexander Dickow
      Pages: 43 - 56
      Abstract: This article argues that André Salmon’s Prikaz (1919) mounts a virulent critique of pre-World War I aestheticism through an obsessive return to the idea of falsity – false appearances, inauthenticity, the counterfeit, and related leitmotive. On the one hand, the poem proposes itself as “mere” play, a carnival that’s all for show; on the other, this representational “fake” concerns real horrors and atrocities. Although Salmon explicitly suggests that he reserves all judgment with regard to the Revolution, the poem seems to demand that the reader judge for her own sake whether historical atrocities are an acceptable object for a playful, poeticized representation. In the wake of the historical trauma of World War I, the Revolution, and the Spanish flu, this voluntary ambiguity seems to tempt the reader to decide one way or the other – and it proves difficult not to condemn the pre-war aestheticism Salmon stages.
      PubDate: 2021-12-23
      DOI: 10.13135/2281-6658/6345
  • Un roman-conversation '

    • Authors: Émilien Sermier
      Pages: 57 - 70
      Abstract: Long marginalised by literary history, André Salmon’s novels contributed to the modernist and international renewal of the genre at the turn of the century. This article examines the ‘simultaneist’ composition of La Négresse du Sacré-Cœur (1920). While this ‘urban novel’ makes Montmartre the main enunciative subject of the text, it also redeploys the procedures of the ‘poem-conversation’ – as defined by Apollinaire – on the scale of the novel.
      PubDate: 2021-12-23
      DOI: 10.13135/2281-6658/6346
  • André Salmon journaliste

    • Authors: Marilena Pronesti
      Pages: 71 - 88
      Abstract: For years, several specialists have questioned the damnatio memoriae that has dogged the writer, poet and journalist, André Salmon, who, nevertheless, played an essential role in poetry and aesthetics, and was a considerable influence on the world of arts and letters during the first decades of the twentieth century. In this article, I propose a few different areas of research that help us trace the origin of this literary oblivion, which even today is difficult to understand. Tracking these clues, scattered over different sources—periodicals, books, or even court documents—I have reconstructed the contexts for the various reasons that André Salmon lost his rightful place (either large or small, time will tell) in the history of French letters. Thanks to the few but significant sentences written by Salmon in his memoirs, and above all, thanks to the courage of a small group of literary and art specialists on this common path, I have been able to find meaning in certain clues, strewn like pebbles in a fairytale, from the memories and commentaries dedicated to this author since the 1930s. It is an itinerary marked by a precise series of chronological steps that allow me today to better understand André Salmon the person and the strange fate of his literary career.
      PubDate: 2021-12-23
      DOI: 10.13135/2281-6658/6347
  • André Salmon à la confluence de la littérature et du

    • Authors: Maria Dario
      Pages: 89 - 112
      Abstract: This article aims to study the creative interferences between the newspaper, considered as an aesthetical model, a textual support and a media vehicle and André Salmon poetic work’s from Les Féeries (1907) to the after war poetical cycle (Prikaz, L’Age de l’Humanité, Peindre). After having sketched out the features of “lyrisme du quotidien” conceived in the first phase of his poetic work, I will focus more specifically on the great post-war epics, where Salmon develops a new poetic form, the “poem-reportage”, capable of expressing “le climat instable de l’inquiétude universelle”. The poème-reportage proposes a redefinition of poetry that, by accepting the risks of confrontation with the referential, gives it the means to reappropriate its function of privileged intermediary with the world.
      PubDate: 2021-12-23
      DOI: 10.13135/2281-6658/6348
  • Guillaume Apollinaire et André Salmon: deux poètes en

    • Authors: Jacqueline Gojard
      Pages: 113 - 121
      Abstract: This article, based on correspondence and various exchanges, tells the story of an undying friendship between two poet-brothers: Guillaume Apollinaire and André Salmon. This story has indeed continued well beyond the death of Guillaume, November 9, 1918. This is evidenced by a posthumous dialogue with the lost friend, maintained by the author of Souvenirs sans fin, who died on March 12, 1969.
      PubDate: 2021-12-23
      DOI: 10.13135/2281-6658/6344
  • « Un acte où le hazard est en jeu »

    • Authors: Benoît Monginot
      Pages: 123 - 130
      Abstract: For Mallarmé, chance can be defined as an ontological and anthropological fact, but the poet’s originality lies in the fact that he also defines chance as a quasi-transcendental modal category that conditions and allows every symbolic production. This implies that to abolish chance (the oft-stated project of Mallarméan poetics) is the same of performing chance itself: this proposition surprisingly situates Mallarméan poetics in relation to the chance it plans to abolish and allows us to understand the paradoxical meaning of the negation envisaged. Such an attempted negation forms a system with a set of strategies that aim to signal the contingent status of the poem. It is thus part of a pedagogy aimed to fight the illusionary wanderings of the language, while at the same time laying the foundations of a poetics of the performativity which initiates a deep change in the conceptions of what poetry is or can accomplish.
      PubDate: 2021-12-24
      DOI: 10.13135/2281-6658/6359
  • Un viaggio del Gaddus

    • Authors: Matteo Bafico
      Pages: 131 - 144
      Abstract: The paper, based on unpublished private documents, aims to reconstruct the editorial history of the French translation of Quer pasticciaccio brutto de via Merulana. The reconstruction was carried out starting from the letters Gadda, François Wahl and Louis Bonalumi exchanged between 1958 and 1963: the study of these has allowed us to open a glimpse of the complex work that was carried out for five years around the Pasticciaccio and which was at the origin of the engineer’s French fortune. The final aim of this article is, on the one hand, to bring to light and study archival sources of extraordinary value and, on the other, to provide new elements on the translation and diffusion of Carlo Emilio Gadda’s work in France.
      PubDate: 2021-12-23
      DOI: 10.13135/2281-6658/6350
  • Imparare a vedere

    • Authors: Vanessa Pietrantonio
      Pages: 145 - 158
      Abstract: The essay intends to consider the letters written by Rilke to his wife Clara Westhoff on the occasion of the two rooms dedicated to Cézanne in the Salon d’Automne exhibition held in Paris (where Rilke was staying at the time) in 1907. These letters are a sort of account of Rilke’s almost daily visits to the exhibition. The encounter with Cézanne’s painting has the value, for Rilke, of a real event which, in absolute harmony with the painter, allows him to become definitively aware of the metamorphosis that had been taking place for some time in his literary creation. The call, made by Cézanne, to represent the sensitive universe starting from the modalities through which it appears crosses, in fact, with the apprenticeship towards a new way of seeing “things” chosen by Rilke – in the New Poems and in the Notebooks of Malte – as the privileged epicenter of his poetics, which will find, then, in the Duino Elegies its summit.
      PubDate: 2021-12-23
      DOI: 10.13135/2281-6658/6351
  • Il Tanztheater: dalla danza libera di Rudolf Laban al metodo di Pina

    • Authors: Cristina Grandi
      Pages: 159 - 172
      Abstract: This essay aims to retrace the history of Tanztheater, starting from the early 20th century, with the birth of free dance by the Hungarian master Rudolf Laban, to the contemporary Tanztheater later developed by the German dancer and choreographer Pina Bausch. The first step of the analysis consists in identifying the common points on a technical and compositional level. Then, we examine the innovations, mainly methodological, brought and systematically adopted by Pina Bausch since 1977, with the choreographic composition of the pièce “Blaubart”. In conclusion, the essay proposes a reflection about the symbolic dimension of movement and dance, which can be considered the main element in establishing continuity between the free dance of Rudolf Laban and the Tanztheater of Pina Bausch.
      PubDate: 2021-12-23
      DOI: 10.13135/2281-6658/6352
  • Tutti gli artisti sono i cannibali dei loro predecessori

    • Authors: Franca Franchi
      Pages: 173 - 186
      Abstract: The imagery of cannibalism and its persistence over the centuries are investigated from an interdisciplinary and transcultural perspective, which brings together Literature, visual Arts, Anthropology and Psychoanalysis. Especially from Montaigne’s enlightening Des cannibales, and on till the 20th century, the anthropophagic motif, while combining repulsion and attraction, oscillates between the ancestral horror of its own dissolution and the pleasure of inescapable communion and appropriation. As a founding experience of initiation and metamorphosis, it declines the dynamics of critical-artistic-literary creation.
      PubDate: 2021-12-23
      DOI: 10.13135/2281-6658/6353
  • Scrivere libri nella società dello spettacolo

    • Authors: Alessandro Grosso
      Pages: 189 - 197
      Abstract: Published in 2020, Meizoz’s essay focuses on contemporary writers’ relationship with money and the media, two forces that play an increasingly decisive role in the crafting of literary works and their reception. After an initial theoretical section in which the author discusses current research on “literature outside the book” and the “literary industry”, the gaze shifts to a series of case studies illustrating the postural differences between writers who choose “success” and those who choose “prestige”: on the one hand, public notoriety ensured by large sales volumes and media presence; on the other hand, peer appreciation, wich is the only source of lasting “consecration”. This review retraces the structure of the text and provides a comprehensive evaluation of it.
      PubDate: 2021-12-23
      DOI: 10.13135/2281-6658/6349
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Heriot-Watt University
Edinburgh, EH14 4AS, UK
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