Subjects -> ART (Total: 882 journals)
    - ART (468 journals)
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ART (468 journals)            First | 1 2 3     

Showing 401 - 264 of 264 Journals sorted alphabetically
Shanlax International Journal of Arts, Science and Humanities     Open Access  
Siècles     Open Access   (Followers: 1)
Significação : Revista de Cultura Audiovisual     Open Access  
Simbiótica     Open Access  
Sin Objeto : Arte, Investigación, Políticas     Open Access  
SIRJANĀ – A Journal on Arts and Art Education     Open Access   (Followers: 2)
SOBRE. Prácticas artísticas y políticas de la edición     Open Access  
Soletras Revista     Open Access  
Sound Studies : An Interdisciplinary Journal     Hybrid Journal  
Source: Notes in the History of Art     Full-text available via subscription   (Followers: 2)
South African Journal of Philosophy = Suid-Afrikaanse Tydskrif vir Wysbegeerte     Hybrid Journal   (Followers: 4)
South Central Review     Full-text available via subscription  
Southern Quarterly     Full-text available via subscription   (Followers: 2)
SPAFA Journal     Open Access  
Spirale : Arts, Lettres, Sciences humaines     Full-text available via subscription  
Sport and Art     Open Access   (Followers: 1)
Strategic Design Research Journal     Open Access   (Followers: 1)
Studia austriaca     Open Access   (Followers: 1)
Studia theodisca     Open Access  
Studia Vernacula     Open Access  
Studies in American Humor     Full-text available via subscription  
Studies in Ancient Art and Civilization     Open Access   (Followers: 3)
Studies in Art Education : A Journal of Issues and Research     Hybrid Journal  
Studies in Comics     Hybrid Journal   (Followers: 6)
Studies in Costume & Performance     Hybrid Journal  
Svenskt Gudstjänstliv     Open Access  
Swedish Journal of Romanian Studies     Open Access  
T'oung Pao     Hybrid Journal   (Followers: 16)
Tahiti     Open Access  
Tampa Review     Full-text available via subscription  
Teaching Artist Journal     Hybrid Journal   (Followers: 3)
Technè     Open Access  
Techne Series : Research in Sloyd Education and Craft Science A     Open Access   (Followers: 1)
Technoetic Arts a Journal of Speculative Research     Hybrid Journal  
Tenso     Full-text available via subscription   (Followers: 2)
Tercio Creciente     Open Access  
The Eighteenth Century     Full-text available via subscription   (Followers: 35)
The Massachusetts Review     Full-text available via subscription   (Followers: 1)
The Post     Open Access  
The Poster     Hybrid Journal   (Followers: 1)
The STEAM Journal     Open Access   (Followers: 1)
The Velvet Light Trap     Full-text available via subscription   (Followers: 7)
TicArtToc     Full-text available via subscription  
Tidsskrift for kulturforskning     Open Access  
Todas as Artes     Open Access  
Tracés     Open Access  
Trocadero     Open Access  
Tsantsa. Revista de Investigaciones Artisticas     Open Access  
TV/Series     Open Access  
Tydskrif vir Geesteswetenskappe     Open Access  
UJAH : Unizik Journal of Arts and Humanities     Open Access  
Uncommon Culture     Open Access  
Urdimento : Revista de Estudos em Artes Cênicas     Open Access  
Virtual Creativity     Hybrid Journal   (Followers: 1)
Visual Arts Research     Full-text available via subscription   (Followers: 7)
Visual Computing for Industry, Biomedicine, and Art     Open Access  
Visual Inquiry : Learning & Teaching Art     Hybrid Journal   (Followers: 5)
Visual Resources: An International Journal of Documentation     Hybrid Journal   (Followers: 2)
Visualidades     Open Access   (Followers: 1)
Voice and Speech Review     Hybrid Journal  
VRA Bulletin     Open Access   (Followers: 3)
West 86th     Full-text available via subscription   (Followers: 5)
William Carlos Williams Review     Full-text available via subscription   (Followers: 1)
Women and Music: A Journal of Gender and Culture     Full-text available via subscription   (Followers: 12)
Word & Image: A Journal of Verbal/Visual Enquiry     Hybrid Journal   (Followers: 13)
World Art     Hybrid Journal   (Followers: 5)
World of Antiques & Art     Full-text available via subscription   (Followers: 5)
WSQ: Women's Studies Quarterly     Full-text available via subscription   (Followers: 15)
Zeitschrift für Ästhetik und allgemeine Kunstwissenschaft     Full-text available via subscription   (Followers: 4)
Zibaldone : Estudios Italianos     Open Access  
Культура і мистецтво у сучасному світі     Open Access  
Текст і образ : актуальні проблеми історії мистецтв / Text and Image : Essential Problems in Art History     Open Access  

  First | 1 2 3     

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Studies in American Humor
Number of Followers: 0  
 
  Full-text available via subscription Subscription journal
ISSN (Print) 0095-280X - ISSN (Online) 2333-9934
Published by Penn State University Press Homepage  [34 journals]
  • The Editor's Drawers

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      Abstract: Readers:We're very happy to release StAH 8.1. Although we didn't plan it, the four articles that make up the primary content are all authored by women scholars who have a strong interest in the role of women in humor, as creators and objects of that humor. Kirsten Leng's personally framed essay, "Comedy as a Practice of Care: Restorative Laugher and Reciprocal Empathy in the Pandemic," examines how the tone of late-night comedians shifted, along with its relationship to its audience, during COVID times. Applying feminist theory, Leng shows how comedy can generate a sense of communal solace and expand our understanding of how care can be practiced. In her essay "Mother's and Whores: Female Performers and Comedic ... Read More
      PubDate: 2022-04-17T00:00:00-05:00
       
  • The Year's Work in American Humor Studies, 2020

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      Abstract: 2020 was the year, as Stephen Colbert put it in the December 18, 2020, episode of The Late Show, "that took years." To say that 2020 was a challenging year around the globe is at best an understatement and at worst, an unforgivable understatement. The year began on an ominous note with news of a dangerous new virus affecting residents in Wuhan, China, and beginning to spread abroad. By the end of January, the first case was confirmed in the United States, and by March, it and other countries around the globe had issued stay-at-home orders for all but essential workers and essential travel. Airports, hotels, restaurants, and most businesses shut their doors as the world hunkered down in an attempt to slow the spread ... Read More
      PubDate: 2022-04-17T00:00:00-05:00
       
  • Comedy as a Practice of Care: Restorative Laugher and Reciprocal Empathy
           in the Pandemic

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      Abstract: When Donald Trump was elected president of the United States in November 2016, I was three months pregnant and terrified. As the election results rolled in and the inevitable became clear, I was engulfed by fear of the world my child would be born into. In the following days, the only way I could process the news was through late-night comedians. Whether it was oversensitivity or immaturity on my part, I turned to Samantha Bee, Trevor Noah, Seth Meyers, and Stephen Colbert to mediate the world for me. By relentlessly exposing the cruelty, cupidity, and corruption of the Trump administration and calling it to account in ways that traditional news outlets failed to do from the beginning, in time these comedians would ... Read More
      PubDate: 2022-04-17T00:00:00-05:00
       
  • Seeing MAD: Essays on MAD Magazine's Humor and Legacy ed. by Judith Yaross
           Lee and John Bird (review)

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      Abstract: Seeing MAD is a triumph. From 1952 until the original magazine was retired in 2018, MAD was a humor touchstone for Americans. Because some of the humor tended toward the sophomoric, it has often been overlooked when discussing the intellectual anchors of American humor, but beneath the at times juvenile gross-out humor was a smart, incisive, unrelenting satiric take on American life that turned a lens on the darker parts of our world for the better part of seventy years. Judith Yaross Lee and John Bird set out to fill the surprising gap in scholarship on this pioneering ... Read More
      PubDate: 2022-04-17T00:00:00-05:00
       
  • Satire as the Comic Public Sphere: Postmodern "Truthiness" and Civic
           Engagement by James E. Caron (review)

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      Abstract: Is the world getting too ridiculous for satire' If the news of the day all seems ridiculous, do acts of ridicule lose their point' On the contrary, James Caron makes a powerful argument about why and how satire remains relevant in the postmodern world and even in contemporary American politics. In Caron's terms, satire's continued relevance is best understood when satire is conceived not as political discourse per se but as a comic counterpart to political discourse, the "comic public sphere." In other words, satire is a primarily aesthetic phenomenon but with a crucial political and social role to play ... Read More
      PubDate: 2022-04-17T00:00:00-05:00
       
  • Caricature and National Character: The United States at War by Christopher
           J. Gilbert (review)

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      Abstract: What do political caricatures want, to paraphrase W. J. T. Mitchell's famous question about paintings' What purpose do they serve' Can caricatures be a mirror that helps us understand the shortcomings of American democracy, the interplay between self and nation' Can they help us see what is obvious, but we keep missing' Christopher J. Gilbert addresses these questions with a study of four major cartoonists—James Montgomery Flagg, Theodor Geisel (Dr. Seuss), Oliver Harrington, and Ann Telnaes—all of whose work was a response to particularly loaded moments in American history.Two of the cartoonists, Flagg and ... Read More
      PubDate: 2022-04-17T00:00:00-05:00
       
  • Abjection Incorporated: Mediating the Politics of Pleasure and Violence
           ed. by Maggie Hennefeld and Nicholas Sammond (review)

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      Abstract: Abjection Incorporated: Mediating the Politics of Pleasures and Violence does not unite abjection into one body per its title. The views it presents on abjection diverge widely and explore many types of bodies. This messy collectivism is a strength. Not just abjection but its Freudian source, the individual psyche, has become a dominant mode in American humor. Comedy has become confessional. The constellations of thought illuminated in this collection might help us navigate the burden the self has put on comedy and, as many of the essays explore, transform our very conception of the body ... Read More
      PubDate: 2022-04-17T00:00:00-05:00
       
  • We Had a Little Real Estate Problem: The Unheralded Story of Native
           Americans and Comedy by Kliph Nesteroff (review)

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      Abstract: Kliph Nesteroff's We Had a Little Real Estate Problem: The Unheralded Story of Native Americans and Comedy is a much-needed book-length exploration of Native American omissions from as well as contributions and innovations to the US stand-up comedy canon. Nesteroff, a Canadian comic and writer, author of The Comedians (2015), highlights "a cross section of comics representing a diverse range of styles and backgrounds" (xiii), stressing that these voices are only a selection, not the full picture. The book touches on important and timely issues in Native and Indigenous humor, such as the ... Read More
      PubDate: 2022-04-17T00:00:00-05:00
       
  • Comic Empires: Imperialism in Cartoons, Caricature, and Satirical Art ed.
           by Richard Scully and Andrekos Varnava (review)

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      Abstract: Comic Empires: Imperialism in Cartoons, Caricature, and Satirical Art abounds in transnational support for its premise that editorial cartooning developed through imperialism, which not only prompted satirical art but also circulated its political vocabulary. Most of the authors in this collection of fourteen essays share editors' Richard Scully and Andrekos Varnava's background as Australian specialists in European history, so the British Empire garners the most attention, with essays devoted to graphic commentary on colonization in India, Cyprus, Egypt, South Africa, Australia ... Read More
      PubDate: 2022-04-17T00:00:00-05:00
       
  • Laughter After: Humor and the Holocaust ed. by David Slucki et al.
           (review)

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      Abstract: Laughter After: Humor and the Holocaust investigates the role humor plays in remembering and shaping contemporary understandings of the Holocaust. Coeditors David Slucki, Gabriel N. Finder, and Avinoam Patt present essays written by thinkers with backgrounds in Jewish history, Yiddish studies, humanities as well as cultural, film, and media studies. The book features a wide range of attention-grabbing titles including "Too Soon' Yiddish Humor and the Holocaust in Postwar Poland," "'This Way to the Ovens, Señoras y Señores': Holocaust Cartoons in Latin America," and "The Holocaust ... Read More
      PubDate: 2022-04-17T00:00:00-05:00
       
  • Who's Laughing Now': Feminist Tactics in Social Media by Jenny Sundén
           and Susanna Paasonen (review)

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      Abstract: What role can humor play in battling online harassment, shame, and misogyny and in building a different kind of world, especially in our post-#MeToo moment' This question is at the heart of Who's Laughing Now' Feminist Tactics in Social Media. As Jenny Sundén and Susanna Paasonen explain, online hate and harassment toward subjects "coded as female or feminine" thrive on affective mechanisms like shame and fear (1). Paying particular attention to the dynamics of shame and the "potentialities of shamelessness," the authors examine humorous online responses to misogyny, some well known ... Read More
      PubDate: 2022-04-17T00:00:00-05:00
       
  • A Comedian and an Activist Walk into a Bar: The Serious Role of Comedy in
           Social Justice by Caty Borum Chattoo and Lauren Feldman (review)

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      Abstract: A Comedian and an Activist Walk into a Bar is an illuminating text for social activists and justice advocacy groups. In part 1, Caty Borum Chattoo and Lauren Feldman ground the book's over-arching claim that mediated comedy in various forms gets people to engage in important social issues and that that makes it a useful—even essential—modality for drawing others into serious efforts to change the world. Chapter 1 offers definitions of social justice and change and gives a brief history of comedy entertainment in the US. It includes an excellent summary of how shifts from analog ... Read More
      PubDate: 2022-04-17T00:00:00-05:00
       
  • Going "There": Black Visual Satire by Richard J. Powell (review)

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      Abstract: Richard J. Powell's Going "There": Black Visual Satire offers a historical survey and detailed analysis of black visual satire during the twentieth and early twenty-first centuries. The book, which originated from Powell's 2016 Richard D. Cohen lectures on African and African American art at Harvard University, explores topics such as "black visual satire," "racial stereotypes as a tool in satire," "painter/satirist Robert Colescott," and black editorial cartoonist Ollie Harrington (ix).In the first chapter, "More Than a One-Liner," Powell offers a strong theoretical grounding and background ... Read More
      PubDate: 2022-04-17T00:00:00-05:00
       
  • Tragedy plus Time: National Trauma and Television Comedy by Philip
           Scepanski (review)

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      Abstract: Philip Scepanski's book Tragedy plus Time feels prescient. Reading the book, I got the sense that I was immersed in a discourse that society will be examining for the foreseeable future in trying to understand the relationship between comedy and trauma. The book opens with Comedy Central's 2011 roast of Hugh Hefner at the New York Friars Club. The event happened mere weeks after the 9/11 attacks, and, as Scepanski deftly describes, it was an uneasy and uncertain time concerning what constituted acceptable humor. The United States was experiencing massive trauma, and what was fair game to ... Read More
      PubDate: 2022-04-17T00:00:00-05:00
       
  • The Comics of R. Crumb ed. by Daniel Worden, and: R. Crumb: Literature,
           Autobiography, and the Quest for Self by David Stephen Calonne (review)

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      Abstract: Two radically different books about the notorious but much-revered cartoonist/satirist/confessionalist R. Crumb have been published by the University Press of Mississippi. The first is a multiauthored, critical analysis of the cartoonist's complicated work and career; the second is a single-authored tribute. As scholarly studies, both books excel in some respects and falter in others—and those contrasting qualities become especially pronounced when the books are read in tandem. We can begin with The Comics of R. Crumb., a collection of essays edited by Daniel ... Read More
      PubDate: 2022-04-17T00:00:00-05:00
       
  • On Second Thought

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      Abstract: Editors:In her response to my article "Cutting to the Punch: Graphic Stunt Comedy and the Emergence of Crisis Slapstick" (StAH 7, no. 1 [2o21]: 11–8), Maggie Hennefeld raises a number of important questions about fraught humor and body crisis, particularly as they relate to the radical alterity of risk taking and violence in different historical eras, which I agree are underexplored in my essay.1 Hennefeld's observation that earlier examples of radical crisis slapstick comedic disruptions can be found in theater, pornography, and avant-garde performance spaces (Ahwesh, Wishman, Waters, etc.) is particularly insightful, and I intend to address those disruptions in my forthcoming book. However, Hennefeld's main ... Read More
      PubDate: 2022-04-17T00:00:00-05:00
       
  • Mothers and Whores: Female Performers and Comedic Controversies

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      Abstract: When comedian Samantha Bee called Ivanka Trump a "feckless cunt" during her show, her studio audience audibly gasped before breaking into applause and whoops of delight.1 Reactions from those in the press echoed the studio audience's initial shock but none of its enjoyment (unless of course one counts the evident satisfaction gained in sternly denouncing another's transgressions). A chorus of voices chimed in to explain that Bee had gone too far. Importantly, remarkably similar condemnations had rung out just a month earlier when comedian Michelle Wolf delivered a scathing and profane takedown of the Trump administration at the White House Correspondents' Association (WHCA) dinner.In recent years, a greater number ... Read More
      PubDate: 2022-04-17T00:00:00-05:00
       
  • Incongruent Bodies: The Gender Politics of SNL's Hillary Clintons

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      Abstract: "How will I go on with the debate'" she sobs into the microphone, succumbing to the ruthless tactics of her opponent. It was mere moments ago that she, wearing her signature pantsuit and a plastered smile, had attempted a "casual lean," awkwardly assuming the posture of a future president. Now it appears that she has buckled in typical melodramatic fashion, triggered by the memory of her marital woes. "I'll never be able to remember my facts and figures now!" she despairs, histrionically crumpling in defeat.For Hillary Clinton, who is usually portrayed as unflappable in her ambition to become the first woman president of the United States, it is a rare display of emotion. Faced with this sobbing, blubbering mess of ... Read More
      PubDate: 2022-04-17T00:00:00-05:00
       
  • Resistance TV: In Search of Racism's Off Switch

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      Abstract: At its best, satire holds up a mirror that reflects social realities we often do not want to see, choose to ignore, and even desire to perpetuate to the benefit of the few. By holding up a mirror to persistent racism, African American satirical sketch comedy undermines common white stereotypes of Blackness, using humor to flip the script. In this article I examine three sketch comedies—Chappelle's Show (2003–6), Key & Peele (2012–15), and A Black Lady Sketch Show (2019–present)—and assert that each series actively does this resistance work, thereby disrupting the status quo of white imagined Blackness as well as compelling white viewers to question their embrace of racism. The long history of stereotypical ... Read More
      PubDate: 2022-04-17T00:00:00-05:00
       
  • George D. Prentice and the Whig Sense of Humor

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      Abstract: In 1860, George D. Prentice, the long-serving editor of the Louisville Journal, published Prenticeana; Or, Wit and Humor in Paragraphs. In his preface, Prentice explains that he had decided to publish the collection so that he would have editorial control over the jokes that were selected. He admits, however, that there were "just grounds of grave objection to this book," as it contains much "partisan bitterness." Fearful that the publication of the jokes would be harmful, Prentice adds that he has "carefully excluded, out of deference to the sensibilities of persons whom I now esteem and love, thousands ... Read More
      PubDate: 2022-04-17T00:00:00-05:00
       
 
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