Authors:Hisom Jati Prasetyo, Udi Utomo, Widodo Widodo Pages: 350 - 359 Abstract: Keroncong performances in Indonesia are now increasingly difficult to find both in rural and urban areas. The demands that arise due to the demands of the performing arts industry make keroncong also have to adapt to follow the direction of the creative industry to survive, including the Congwayndut group as performers of the performing arts creative industry. This study aims to analyze the adaptation strategy of the Congwayndut group's keroncong performance in dealing with the performing arts creative industry. The type of research used is descriptive qualitative using data collection techniques of observation, interviews, and documentation. Data analysis methods used are data collection, data presentation, data reduction, and data verification. The results showed that the form of the Congwayndut group's keroncong performance adapted from theatrical performances and made a breakthrough by renewing the keroncong performance combined with wayang art. The adaptation strategy used by the Congwayndut group to survive is by shifting to digital platforms (shifting to digital), building relationships in creative containers (creative hub), and rediscovering potential and opportunities (reinventing the trend). This is intended so that in the future the keroncong performance can be well received by the community. In addition, the creative industry practices contained in the adaptation strategy used will be able to improve the welfare of the Congwayndut group's artists. PubDate: 2023-03-14 DOI: 10.15294/catharsis.v11i3.65679
Authors:Elsa Luthfia Ahmad, Eko Sugiharto, Tjetjep Rohendi Rohidi Pages: 328 - 333 Abstract: Batik is actually an activity that cannot be separated from people's lives in every region in Indonesia, as well as the lives of the people of Kendal Regency who always coexist with batik activities. It is estimated that batik came to Kendal Regency by a batik entrepreneur from Pekalongan in the 19th century. The reappearance of batik in Kendal Regency was marked by the emergence of a group of batik entrepreneurs, one of which was called the Jambe Kusuma Batik Studio. The members of this studio are women, especially batik artisans whose backgrounds have worked abroad as female workers (TKW). Low wages and limited job opportunities force women to work away from their families. This condition makes a number of parties concerned so that many regional and private service agencies are looking for solutions in order to empower ex-TKW so that they can maximize their potential with various activities, one of which is through batik activities. The problem studied is the influence of the socio-economic environment of the Jambearum Village community on the aesthetic expression of batik works. The research location was located at the Jambe Kusuma Batik Studio in Jambearum Village, Patebon District, Kendal Regency with the research target being ex-Women Workers (TKW) in Kendal Regency in the batik production process. The Jambe Kusuma batik motif is dominated by endemic flora motifs found in Kendal Regency and marine fauna. The integrity of the turtle and godhong mbako motifs can be found in the turtle decoration which is harmonized with godhong mbako. The color integrity in image one lies in the background color which is dominated by blue to gray. The protrusion of the motif is found in the shape of the turtle which uses a decorative approach but can be identified by the structure of the subject so that it looks realistic. Jambe Kusuma Batik is the result of creativity that continues to experience development. Women's empowerment can be pursued through improving the quality of education, skills and economic conditions. The goal of overall empowerment can ideally increase gender development which creates a balance. PubDate: 2022-12-25 DOI: 10.15294/catharsis.v11i3.58232
Authors:Wahidah Wahyu Martyastuti, Hartono Hartono, Muhammad Jazuli Pages: 334 - 341 Abstract: The curriculum in Indonesia has undergone changes and improvements, it is the Merdeka curriculum. The Merdeka Curriculum focuses on freedom and creative thinking. In the Merdeka Curriculum on the material learning the Arts of Dance, students are not only formed to be intelligent. The purpose of this research is to analyze the implementation of the Merdeka curriculum in dance learning for SMP Negeri 4 students Demak. The Data collection techniques used observation techniques, interviews, and documentation. Technique the validity of the data used the credibility test, transferability test, dependability test, and confirmability test. This type of research is descriptive qualitative research. The result of the research showed that implementation of the Merdeka Curriculum in Dance Learning for Students of SMP Negeri 4 Demak are the implementation of Merdeka curriculum based on the phases the achievements, it’s namely in phase D. The learning steps can be started from the initial activities, core activities, and activities closing. In learning the art of dance students are invited to take advantage of the state of the school environment as dance motion exploration material, with the hope that students can get to know the environment better, and it can influence others to create art. PubDate: 2022-12-25 DOI: 10.15294/catharsis.v11i3.65423
Authors:Treyanus Homklom, Wadiyo Wadiyo, Widodo Widodo Pages: 342 - 349 Abstract: This research focuses on the Sasando Acoustic Electric instrument developed by Jacob as a cultural transfer strategy. The aim of this research is to demonstrate that Sasando is a part of the cultural heritage of the Rote Island community, and Jacob, as an artist, plays an important role in the development of the instrument. Sasando Acoustic Electric was created as an effort to preserve culture while maintaining its traditional characteristics, yet also able to adapt to the changing times. This musical instrument has become popular and is used for various purposes, including performances, beginners, and courses. Therefore, the researcher chose to investigate Jacob's Sasando Acoustic Electric instrument as one strategy for cultural transfer.The research method used a qualitative approach, using a case study design that analyzed the phenomena that occurred. Qualitative research is considered appropriate for exploring art phenomena. Data analysis in this study went through three stages, namely data collection, data reduction, and data presentation, using the Interactive Model for Qualitative Research by Miles and Huberman. To maintain data credibility, data triangulation and theory were employed. Data was collected through observation, interviews, and document study.The results of this study show that Jacob's Sasando Acoustic Electric is an innovation that successfully transfers traditional culture into a modern form. As an artist, Jacob was able to maintain the traditional characteristics of Sasando while also adapting to the changing times by adding acoustic and electric elements to the instrument. The results of this study can also contribute to the development of traditional culture and art in Indonesia. PubDate: 2022-12-25 DOI: 10.15294/catharsis.v11i3.65105
Authors:dian sarastiti, Malarsih Malarsih, Hartono Hartono Pages: 360 - 368 Abstract: Barongan dancers (Pembarong) are selected based on the level of the individual's movement technique ability and their popularity as pembarong (Slamet, 2003, p. 27). Pembarong is generally performed by men considering the size of the mask and the character that must be performed, which depicts tigers with strong, ferocious, savage, agile, and mighty characters. Therefore, it has a small chance to be performed by women. However, there is something different about the Samin Edan Semarang barongan performance, which shows female pembarong. The performance is packaged in such a way so that it raises various questions about the role of female pembarong based on gender requirements. Accordingly, the researchers are interested in examining these problems related to humanistic values in the Samin Edan Semarang barongan performance. This research used an interdisciplinary approach. Two data collection steps were used in this study, namely the field and the literature data collection. The field data was conducted through observation, interviews, and document studies. Data analysis techniques in this study used interactive data analysis, according to Miles and Huberman to analyze the position and role of female pembarong in the Samin Edan Group Barongan performance in Semarang and the humanistic values reflected in it. The study's results show the role of women and humanistic values in the Samin Edan Barongan performance. In conclusion, the open opportunities for women in the creative process in the Samin Edan Barongan performance show that there are no restrictions on social territory structurally, nor are there any attempts to differentiate the roles of men and women through different dance types, forms, material, or structure. Humanistic values are reflected in the creative process of Barongan Samin Edan. The implication gives space for free expression to all dancers to be the key to the creative process of Barongan Samin Edan. It is because the dance manifests the choreographer's hopes always to offer a liberating artistic experience. It is important to reposition the creative process that forms an individual's humanist character and the idea that education through art is actually the basis for the formation of a humanist character. PubDate: 2022-12-25 DOI: 10.15294/catharsis.v11i3.65347
Authors:Ni Gusti Ayu Ary Ratna, Muhammad Jazuli, Agus Cahyono Pages: 369 - 384 Abstract: Joged Bumbung is an art form that combines dance and percussion when viewed from the context of the art. These two elements were combined and then developed by allowing the audience to participate in dancing while the Joged Bumbung performance was taking place. However, as time went on Joged Bumbung underwent changes. The purpose of this study is to analyze the changes related to the Joged Bumbung show to present a new ideology behind the show. This study uses an etnochoreological approach with qualitative research methods. The research was focused on one place, namely the Joged Bumbung Dana Sunari sekha who came from Tabanan. The results of this study indicate the presence of market ideology, in which the emphasis on exchange rates indirectly requires Joged Bumbung to increase its attractiveness so that consumer tastes are met. Thus the Joged Bumbung sekha developed their creativity, one of which was the Joged Bumbung sekha Dana Sunari who presented Joged Bumbung which gave the impression of porn action due to offers from consumers. Even though not all Balinese people or artists make it normal for the Joged Bumbung performance to change towards porn action. It is justified as a tool to earn money, with bodily capital and eliminating aesthetic and ethical values in the Joged Bumbung performance. The market ideology present behind the changes in the Joged Bumbung performance is due to several indicators, namely , the orientation of the market performance, the artistic concepts and principles believed by Sekha Dana Sunari, the strategy for adjusting the performance, and the support from the local community who support perpetuating market ideology in the Joged Bumbung ngebor performance . PubDate: 2022-12-25 DOI: 10.15294/catharsis.v11i3.66045
Authors:Nurul Dwi Rahayuningtyas, Malarsih Malarsih, Hartono Hartono Pages: 385 - 396 Abstract: The Mina Tani Mask Dance is one of the content at the Pandu Dance Studio, the Mina Tani Mask dance represents an identity or characteristic that comes from elements in Pati district. Mina Tani Mask Dance is a new Creation Dance which is of the mask dance type and describes the social, economic and cultural conditions of the community which is packaged into a form of dance, namely the Mina Tani Mask dance. This research aims to analyze the integration of Character Education in the learning process of the Mina Tani Mask Dance at the Pandu Dance Studio, Pati Regency, which includes the character and behavior of noble Javanese culture. The research uses qualitative method in a descriptive form and a research approach in the form of an interdisciplinary approach. The data sources are used in this research is 4P which means person, place, process, and paper. The data collection techniques use observation, interview, and documentation technique. The data is obtained by descriptive analysis. The results of the research show that the Education of Ethics in Mina Tani Mask Dance at the Pandu Dance Studio, Pati Regency gives attention and applies social ethics that is based on manners that have a role in society or socializing, namely on the basis of the noble moral teachings of Javanese culture. PubDate: 2022-12-25 DOI: 10.15294/catharsis.v11i3.65261
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