Please help us test our new pre-print finding feature by giving the pre-print link a rating. A 5 star rating indicates the linked pre-print has the exact same content as the published article.
Please help us test our new pre-print finding feature by giving the pre-print link a rating. A 5 star rating indicates the linked pre-print has the exact same content as the published article.
Please help us test our new pre-print finding feature by giving the pre-print link a rating. A 5 star rating indicates the linked pre-print has the exact same content as the published article.
Please help us test our new pre-print finding feature by giving the pre-print link a rating. A 5 star rating indicates the linked pre-print has the exact same content as the published article.
Please help us test our new pre-print finding feature by giving the pre-print link a rating. A 5 star rating indicates the linked pre-print has the exact same content as the published article.
Please help us test our new pre-print finding feature by giving the pre-print link a rating. A 5 star rating indicates the linked pre-print has the exact same content as the published article.
Please help us test our new pre-print finding feature by giving the pre-print link a rating. A 5 star rating indicates the linked pre-print has the exact same content as the published article.
Authors:Morgan FalconerMorgan Falconer teaches at Sotheby’s Institute of Art in New York. His recent publications include Painting Beyond Pollock (Phaidon; 2015), a history of painting after 1945. He is currently working on a group biography of the historical avant-garde, to be published by W. W. Norton. Pages: 24 - 37 Abstract: Volume 82, Issue 2, Summer 2023, Page 24-37 .
Please help us test our new pre-print finding feature by giving the pre-print link a rating. A 5 star rating indicates the linked pre-print has the exact same content as the published article.
Authors:Hava AldoubyHava Aldouby is senior lecturer in The Open University of Israel’s Department of Literature; Language, Contemporary Artists’ Moving Image is forthcoming with Palgrave Macmillan. Pages: 38 - 56 Abstract: Volume 82, Issue 2, Summer 2023, Page 38-56 .
Please help us test our new pre-print finding feature by giving the pre-print link a rating. A 5 star rating indicates the linked pre-print has the exact same content as the published article.
Authors:Eva DíazEva Díaz is the author of The Experimenters: Chance; is a 2023–24 Getty Scholar. Pages: 57 - 67 Abstract: Volume 82, Issue 2, Summer 2023, Page 57-67 .
Please help us test our new pre-print finding feature by giving the pre-print link a rating. A 5 star rating indicates the linked pre-print has the exact same content as the published article.
Authors:Bryony WhiteBryony White is an assistant professor of theatre; performance studies at the University of Warwick. Pages: 68 - 81 Abstract: Volume 82, Issue 2, Summer 2023, Page 68-81 .
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Authors:christina ongchristina ong is a PhD candidate in the Department of Sociology at the University of Pittsburgh. Pages: 82 - 84 Abstract: Volume 82, Issue 2, Summer 2023, Page 82-84 .
Please help us test our new pre-print finding feature by giving the pre-print link a rating. A 5 star rating indicates the linked pre-print has the exact same content as the published article.
Authors:Tara KuruvillaTara Kuruvilla is a PhD candidate at the Department of Art History & Archaeology; Columbia University. She is currently the collections research preceptor at the Smart Museum of Art, University of Chicago. Pages: 84 - 87 Abstract: Volume 82, Issue 2, Summer 2023, Page 84-87 .
Please help us test our new pre-print finding feature by giving the pre-print link a rating. A 5 star rating indicates the linked pre-print has the exact same content as the published article.
Authors:Theo GordonTheo Gordon is Leverhulme early career fellow in history of art at the University of York; UK, working on HIV/AIDS art in Britain. Pages: 87 - 89 Abstract: Volume 82, Issue 2, Summer 2023, Page 87-89 .
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