Subjects -> ART (Total: 882 journals)
    - ART (468 journals)
    - DANCE (26 journals)
    - FILM AND AUDIOVISUALS (125 journals)
    - MUSIC (171 journals)
    - THEATER (92 journals)

ART (468 journals)                  1 2 3 | Last

Showing 1 - 200 of 264 Journals sorted alphabetically
(Pensamiento), (palabra) y obra     Open Access   (Followers: 3)
1895. Mille huit cent quatre-vingt-quinze     Open Access   (Followers: 7)
9ª Arte     Open Access  
A&P Continuidad     Open Access   (Followers: 1)
ABO : Interactive Journal for Women in the Arts, 1640-1830     Open Access   (Followers: 3)
Acta ad archaeologiam et artium historiam pertinentia     Open Access   (Followers: 1)
Acta Artis : Estudis d'Art Modern     Open Access   (Followers: 4)
Aesthetic Investigations     Open Access   (Followers: 3)
African Arts     Hybrid Journal   (Followers: 18)
Afrique : Archéologie & Arts     Open Access   (Followers: 5)
Afterall : A Journal of Art, Context, and Enquiry     Full-text available via subscription   (Followers: 15)
Airea : Arts & Interdisciplinary Research     Open Access   (Followers: 2)
Aisthesis     Open Access   (Followers: 5)
Akra Kültür Sanat ve Edebiyat Dergisi / Akra Journal of Culture Art and Literature     Open Access   (Followers: 2)
American Art     Full-text available via subscription   (Followers: 22)
American Music     Full-text available via subscription   (Followers: 18)
American Society for Aesthetics Graduate E-journal     Open Access   (Followers: 4)
Anales de Historia del Arte     Open Access   (Followers: 5)
Andharupa : Journal of Visual Communication Design & Multimedia     Open Access   (Followers: 3)
ANIAV : Revista de Investigación en Artes Visuales     Open Access  
Animation Practice, Process & Production     Hybrid Journal   (Followers: 4)
Animation Studies     Open Access   (Followers: 7)
Annales islamologiques     Open Access   (Followers: 3)
Annales Universitatis Mariae Curie-Sklodowska, sectio L – Artes     Open Access  
Anuario del Departamento de Historia y Teoría del Arte     Open Access  
Anuario TAREA : Revista de estudios sobre el Patrimonio Cultural     Open Access  
Appalachian Heritage     Full-text available via subscription   (Followers: 4)
Appareil     Open Access  
Arbejdspapirer : Professionshøjskolen Metropol     Open Access  
ArcheoArte. Rivista Elettronica di Archeologia e Arte     Open Access   (Followers: 7)
ArcHistoR     Open Access   (Followers: 3)
Archives of American Art Journal     Full-text available via subscription   (Followers: 3)
Archives of Asian Art     Full-text available via subscription   (Followers: 8)
ArDIn. Arte, Diseño e Ingeniería     Open Access   (Followers: 1)
ARS     Open Access   (Followers: 1)
Ars & Humanitas     Open Access   (Followers: 8)
Ars Adriatica     Open Access  
Ars Longa : Cuadernos de arte     Open Access  
Ars Lyrica     Full-text available via subscription  
Art & the Public Sphere     Hybrid Journal   (Followers: 14)
Art & Perception     Hybrid Journal   (Followers: 4)
Art + Law     Full-text available via subscription   (Followers: 11)
Art and Design Review     Open Access   (Followers: 13)
Art Bulletin     Full-text available via subscription   (Followers: 22)
Art Design & Communication in Higher Education     Hybrid Journal   (Followers: 22)
Art Documentation : Journal of the Art Libraries Society of North America     Full-text available via subscription   (Followers: 12)
Art Education     Hybrid Journal  
Art History     Full-text available via subscription   (Followers: 130)
Art History & Criticism     Open Access   (Followers: 12)
Art In Translation     Hybrid Journal   (Followers: 9)
Art Journal     Hybrid Journal   (Followers: 37)
Art Libraries Journal     Hybrid Journal   (Followers: 10)
Art Monthly Australia     Full-text available via subscription   (Followers: 9)
Art Pritas Journal     Open Access  
Art Therapy Online     Open Access   (Followers: 3)
Art Therapy: Journal of the American Art Therapy Association     Hybrid Journal   (Followers: 14)
Art-Sanat Dergisi     Open Access   (Followers: 2)
Art/Research International : A Transdisciplinary Journal     Open Access   (Followers: 4)
arte e ensaios     Open Access  
Arte, Individuo y Sociedad     Open Access   (Followers: 3)
Artefact : Techniques, histoire et sciences humaines     Open Access   (Followers: 1)
Artelogie     Open Access   (Followers: 2)
Artes Humanae     Open Access  
Arteterapia. Papeles de arteterapia y educación artística para la inclusión social     Open Access   (Followers: 3)
Artifact : Journal of Design Practice     Open Access   (Followers: 8)
Artivate : A Journal of Entrepreneurship in the Arts     Open Access   (Followers: 2)
Artl@s Bulletin     Open Access   (Followers: 4)
Artlink     Full-text available via subscription   (Followers: 5)
Arts     Open Access   (Followers: 3)
Arts & Health: An International Journal for Research, Policy and Practice     Hybrid Journal   (Followers: 8)
Arts and Design Studies     Open Access   (Followers: 23)
Arts and Humanities in Higher Education     Hybrid Journal   (Followers: 36)
Arts and the Market     Hybrid Journal   (Followers: 5)
Arts et Savoirs     Open Access   (Followers: 2)
Artseduca : Revista electrónica de educación en las ARTES     Open Access  
ASAP / Journal     Full-text available via subscription   (Followers: 3)
Asian Diasporic Visual Cultures and the Americas     Hybrid Journal   (Followers: 1)
Asian Music     Full-text available via subscription   (Followers: 9)
Asian Theatre Journal     Full-text available via subscription   (Followers: 5)
Athanor     Open Access  
Atrio : Revista de Historia del Arte     Open Access  
AusArt : Journal for Research in Art     Open Access  
Australasian Leisure Management     Full-text available via subscription   (Followers: 2)
Australian and New Zealand Journal of Art     Hybrid Journal   (Followers: 8)
Australian Art Education     Full-text available via subscription   (Followers: 6)
Australian Humanist, The     Full-text available via subscription   (Followers: 3)
Balkanologie : Revue d'Études Pluridisciplinaires     Open Access   (Followers: 5)
Baltic Journal of Art History     Open Access   (Followers: 1)
Barnelitterært forskningstidsskrift     Open Access   (Followers: 1)
Baroque     Open Access   (Followers: 1)
Biography     Full-text available via subscription   (Followers: 20)
Black Camera     Full-text available via subscription   (Followers: 8)
Boletín del Museo Chileno de Arte Precolombino     Open Access   (Followers: 1)
Book History     Full-text available via subscription   (Followers: 118)
BR::AC - Barcelona, Research, Art, Creation     Open Access   (Followers: 4)
British Journal of Aesthetics     Hybrid Journal   (Followers: 21)
Brumal. Revista de investigación sobre lo Fantástico     Open Access   (Followers: 1)
BSAA arte     Open Access  
Buildings & Landscapes: Journal of the Vernacular Architecture Forum     Full-text available via subscription   (Followers: 12)
BUKS : Tidsskrift for Børne- & Ungdomskultur     Open Access  
Bulletin de l'AFAS     Open Access   (Followers: 1)
Bulletin of Kyiv National University of Culture and Arts. Series in Management of Social and Cultural Activity     Open Access  
Bulletin of Kyiv National University of Culture and Arts. Series in Stage Art     Open Access  
Bulletin of Spanish Visual Studies     Hybrid Journal  
Bulletin of the Comediantes     Full-text available via subscription   (Followers: 2)
Cadernos de Arte e Antropologia     Open Access   (Followers: 1)
Cahiers Charlevoix : Études franco-ontariennes     Full-text available via subscription  
Cahiers de civilisation espagnole contemporaine     Open Access   (Followers: 2)
Cahiers de Narratologie     Open Access   (Followers: 3)
Cahiers des Amériques latines     Open Access   (Followers: 2)
Cahiers d’études italiennes     Open Access   (Followers: 5)
Callaloo     Full-text available via subscription   (Followers: 13)
CALLE14 : revista de investigación en el campo del arte     Open Access   (Followers: 4)
Cambridge Opera Journal     Hybrid Journal   (Followers: 4)
Canadian Journal of Art Therapy : Research, Practice, and Issues     Hybrid Journal  
Canadian Review of Art Education     Open Access   (Followers: 1)
Canadian Theatre Review     Full-text available via subscription   (Followers: 2)
Caribbean Quilt     Open Access  
Carte Italiane     Open Access   (Followers: 4)
Cartema     Open Access  
Catharsis : Journal of Arts Education     Open Access  
CeROArt     Open Access   (Followers: 1)
CHINOPERL : Journal of Chinese Oral and Performing Literature     Hybrid Journal   (Followers: 2)
Choreographic Practices     Hybrid Journal   (Followers: 1)
Ciel variable : Art, photo, médias, culture     Full-text available via subscription  
Cinema Journal     Full-text available via subscription   (Followers: 25)
CLARA : Classical Art and Archaeology     Open Access   (Followers: 6)
Cogent Arts & Humanities     Open Access   (Followers: 2)
Collections électroniques de l'INHA     Open Access   (Followers: 1)
Columbia Journal of Law & the Arts     Open Access   (Followers: 2)
Comicalités     Open Access   (Followers: 1)
Comparative Drama     Full-text available via subscription   (Followers: 5)
Conceição/Conception     Open Access  
Concorso. Arti e lettere     Open Access  
Conservatorium / Konservatoryum     Open Access  
Contemporaneity : Historical Presence in Visual Culture     Open Access   (Followers: 4)
Convivium     Full-text available via subscription   (Followers: 1)
CoSMo | Comparative Studies in Modernism     Open Access   (Followers: 1)
Counterculture Studies     Open Access   (Followers: 1)
Critical Arts : South-North Cultural and Media Studies     Hybrid Journal   (Followers: 10)
Critical Interventions : Journal of African Art History and Visual Culture     Hybrid Journal   (Followers: 1)
Critique d’art     Open Access   (Followers: 5)
Cuadernos de arte de la Universidad de Granada     Open Access  
Cuadernos de historia de España     Open Access   (Followers: 3)
Cuadernos de Historia del Arte     Open Access  
Cuadernos de Música, Artes Visuales y Artes Escénicas     Open Access   (Followers: 1)
Culturas. Revista de Gestión Cultural     Open Access  
Dante e l'Arte     Open Access  
DATJournal : Design, Art, and Technology     Open Access  
De Arte     Hybrid Journal   (Followers: 3)
De Arte : Revista de Historia del Arte     Open Access   (Followers: 1)
Demiurge: Ideas, Technologies, Perspectives of Design     Open Access  
Design Journal : An International Journal for All Aspects of Design     Hybrid Journal   (Followers: 33)
Design Management Journal     Hybrid Journal   (Followers: 18)
Design Management Review     Hybrid Journal   (Followers: 14)
Design Philosophy Papers     Full-text available via subscription   (Followers: 11)
Dialectic : A scholarly journal of thought leadership, education and practice in the discipline of visual communication design     Open Access   (Followers: 1)
Double jeu     Open Access  
Drawing : Research, Theory, Practice     Hybrid Journal  
EARI : Educación Artística Revista de Investigación     Open Access  
Eastern Christian Art     Full-text available via subscription   (Followers: 2)
Écosystème     Open Access  
Eighteenth-Century Fiction     Full-text available via subscription   (Followers: 20)
Éire-Ireland     Full-text available via subscription   (Followers: 9)
El Artista     Open Access   (Followers: 2)
El Hilo de la Fabula     Open Access  
EME Experimental Illustration, Art & Design     Open Access   (Followers: 2)
Empirical Studies of the Arts     Full-text available via subscription   (Followers: 3)
Escena. Revista de las artes     Open Access  
Escritura e Imagen     Open Access   (Followers: 1)
Espace Sculpture     Full-text available via subscription   (Followers: 1)
Essais     Open Access  
esse arts + opinions     Full-text available via subscription  
ETC MEDIA     Full-text available via subscription  
Études de lettres     Open Access   (Followers: 2)
Eureka Street     Full-text available via subscription   (Followers: 4)
European Comic Art     Full-text available via subscription   (Followers: 8)
European Medieval Drama     Full-text available via subscription   (Followers: 3)
Exchange     Hybrid Journal   (Followers: 4)
Experiment : A Journal of Russian Culture     Hybrid Journal   (Followers: 7)
Explorations in Renaissance Culture     Hybrid Journal   (Followers: 6)
Feminist German Studies     Full-text available via subscription   (Followers: 6)
Fibreculture Journal     Open Access   (Followers: 9)
FORMakademisk - forskningstidsskrift for design og designdidaktikk     Open Access   (Followers: 2)
FORUM : University of Edinburgh Postgraduate Journal of Culture & the Arts     Open Access  
Forum Modernes Theater     Full-text available via subscription  
Forum+     Open Access   (Followers: 1)
Fragmenta     Full-text available via subscription   (Followers: 1)
Gardens and Landscapes of Portugal     Open Access  
Gazi University Journal of Science Part B : Art, Humanities, Design and Planning     Open Access   (Followers: 2)
George Herbert Journal     Full-text available via subscription   (Followers: 1)
Gesta     Full-text available via subscription   (Followers: 6)
Gradhiva     Open Access   (Followers: 5)
Grafica : Documents de Disseny Gràfic     Open Access  
Green Letters : Studies in Ecocriticism     Hybrid Journal   (Followers: 1)
Harmonia     Open Access  
HAUNT Journal of Art     Open Access   (Followers: 3)
Hemisphere : Visual Cultures of the Americas     Open Access  
Herança : Revista de História, Património e Cultura     Open Access   (Followers: 1)
Heritage & Society     Hybrid Journal   (Followers: 14)

        1 2 3 | Last

Similar Journals
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Harmonia
Number of Followers: 0  

  This is an Open Access Journal Open Access journal
ISSN (Print) 2541-1683 - ISSN (Online) 2541-2426
Published by Universitas Negeri Semarang Homepage  [45 journals]
  • Music Assessment Techniques for Evaluating the Students’ Musical
           Learning and Performance in the Philippine K-12 Basic Education Curriculum
           

    • Authors: Almighty Cortezo Tabuena, Glinore Santiago Morales, Mary Leigh Ann Corpuz Perez
      Pages: 192 - 203
      Abstract: The primary objective of this study is to review and characterize research-based music assessments that might be used to guide and assist teachers and students in transforming their attitudes and perceptions, ability to express their ideas and concepts during the assessment process openly. This study employed descriptive and autoethnographic methods to elicit information about current conditions and practices through the library approach and literature review. The identified music assessment techniques were used to determine how well students comprehend important points in a session. It includes the Music Concept Memory Exercise and Instrumental and Vocal Schematic Processing for music lesson instructions and the Five-Letter Name Pitch Memory Test and Three-Chord Familiarization Assessment for basic instrumental music instructions. They are used as a core component deliberately designed to expose classroom teachers and prospective teachers to the essentials for effective instructional practices. Effective evaluation ensures that learners’ knowledge, understanding, and skills are transferred effectively in future contexts.
      PubDate: 2022-01-01
      DOI: 10.15294/harmonia.v21i2.32872
      Issue No: Vol. 21, No. 2 (2022)
       
  • Ryuji Kunimatsu Guitar Arrangement on the Oblivion by Astor Piazzolla: A
           Critical Analysis

    • Authors: Andre Indrawan, Noer Iskandar Albarsani, Kustap Kustap, Suryati Suryati
      Pages: 204 - 220
      Abstract: This study examined the characteristics of Kunimatsu’s guitar arrangements in Astor Piazzolla’s Oblivion by comparing aspects of musical form, melody, and harmony. As with other arrangements’ performances, the primary motif of Astor Piazzola’sOblivion melodic theme in Kunimatsu guitar arrangement has always been played differently from the original version. This performance phenomenon could responsibly risk blurring the identification of structural boundaries within its musical form. The purpose of this study is to prove the basic construction of Oblivion melody, including its form structure and rhythmic characteristics, by comparing Kunimatsu’s arrangements against the composer’s original score. This study uses musicological research methods. The approaches applied in studying this work are analytical, theoretical, and comparative.  This study compares the two data to reveal the musical forms and the differences in the primary motive rhythmic characteristics. The results of this study are findings of the Oblivion musical forms in both publications and the differences in primary motives rhythmic patterns in both sources. The difference in musical form is impressive, possibly caused by the insertion of auxiliary members. As a result, Kunamitsu arrangement includes using the two-part song form, originally a three-part song form. With the revelation of the original melodic structure that is clear from the results of this study, the musicians who will present the Oblivion will at least have the essential reference in their interpretation. This research contributes to expanding studies in classical guitar performance and musical forms and new approaches in textual musicological analysis that are still infrequent.
      PubDate: 2022-01-01
      DOI: 10.15294/harmonia.v21i2.31750
      Issue No: Vol. 21, No. 2 (2022)
       
  • Pedagogical Competency of Dance Instructors in The Training of Malay Court
           Dance Skills Among Upper Secondary Students at Johor National Art School

    • Authors: Muhammad Fazli Taib Bin Saearani, Abdul Hamid Chan, Nur Nabila Micheal Lung Abdullah
      Pages: 221 - 232
      Abstract: Dance pedagogy is a complex and dynamic field of competency that involves various skills and self-appearance. Therefore, dance instructors must widen the scope of their competency to strengthen and improve their level. This research aimed to identify the competency of dance instructors teaching the practical subject of Malay Court Dance based on factors including the components of pedagogy, curriculum, assessment, and professionalism. The data was collected from interviews with the instructors and was analyzed through thematic analysis. The findings indicated that the instructors’ competency level development could be mapped into three dimensions, namely orientation, agent, and competency content. It was concluded that art schools in Malaysia need to develop dance instructors’ competency in terms of (1) 21st-century learning needs, (2) vertical and horizontal knowledge sharing, (3) workshop, study tour, and competition, and (4) standardization of technological development relevant for curriculum, across knowledge, practical, and feeling domains.
      PubDate: 2022-01-01
      DOI: 10.15294/harmonia.v21i2.31668
      Issue No: Vol. 21, No. 2 (2022)
       
  • Renteng Dance in Saren Village, Nusa Penida as a Source of Inspiration for
           the Creation of Ceremonial Dances in Bali

    • Authors: Ni Made Ruastiti, Anak Agung Indrawan, I Ketut Sariada
      Pages: 232 - 245
      Abstract: This article aims to discuss the Renteng Dance in Saren Village, Nusa Penida, which is actually the forerunner of the Rejang Renteng Dance performance, which is now widely danced by mothers in the context of the dewa yadnya ceremony in Bali. Supposedly, as the forerunner of ceremonial dance performances, the Balinese people know the Renteng Dance. However, in reality, this is not the case. Balinese people seem to know more about the Rejang Renteng Dance than the Renteng Dance. (1) What is the form of the Renteng Dance in Saren Village' (2) Why is the Renteng Dance the source of the creation of ceremonial dance in Bali' This study uses a qualitative method with research data sources such as Renteng Dance performances, dancers, musicians, traditional elders, community leaders, and journals related to research results. Aesthetic theory and structural-functional theory were used to analyze all the data gathered during the observation, interviews, and literature review. The study results show that: (1) the community in Saren Village presents Renteng Dance in the form of a freelance dance (without a play). It can be seen from the way of presentation, the structure of the show, the make-up of clothes, and the musical accompaniment of the performance; and (2) the existence of Renteng Dance is the source of the creation of ceremonial dance in Bali because it has a unique appearance that is easy to imitate, according to their aesthetic taste and faith. The new findings of this research show that the level of conflict, aesthetic taste, and faith of the actors greatly influence the development and preservation of the performing arts.
      PubDate: 2022-01-01
      DOI: 10.15294/harmonia.v21i2.32199
      Issue No: Vol. 21, No. 2 (2022)
       
  • The Role of Dance Education for Personality Development of Upper Primary
           School Students

    • Authors: Huidrom Rakesh Singh, Laimayum Subhadra Devi
      Pages: 246 - 255
      Abstract: This paper studies the history of dance education in Manipur and social value, psychomotor domain, and creative development of students at the school curriculum in Manipur (India). Dance education plays an essential role in molding a person into a perfect human being with good health and behaviour in society. It also furnishes the essential elements humans need to live in our society other than imparting knowledge and skills. In overall development, Manipuri dance plays the most crucial role in the school curriculum. The descriptive research method used in this study revealed the importance and the role of dance education for the four upper primary school students, i.e., class VI to class VIII of Imphal West District and Imphal East District, where dance class had been adopted as one of the subjects in these schools. The 915 students have been taken from the following four schools: Kendriya Vidyalaya-Lamphelpat, Tolchou Ibeton Memorial Academy-Hiyangthang, Rajkumari Sanatombi Devi Vidyalaya-Haotal Pangei, and SL Arena of Learning-Khurai Khaidem Leikai. The researcher collected 70% of students’ respondents, of which 287 are males and 343 are females out of 630 students. Finally, the investigator has found that the social value of students is significantly improving due to dance education. Dance education helped in realizing one’s own potential for self-enhancement, confidence, problem-solving, and creativity among the students. Moreover, it also developed and enhanced the psychomotor domain and the students’ creativity to a certain extent. Thus, dance education should be made compulsory as a curriculum subject at all levels of schools.
      PubDate: 2022-01-01
      DOI: 10.15294/harmonia.v21i2.31634
      Issue No: Vol. 21, No. 2 (2022)
       
  • Baris Memedi Dance in Jatiluwih Village Tabanan Bali: A Strategy to
           Preserve Traditional Arts

    • Authors: I Wayan Dana, Ni Kadek Juni Artini
      Pages: 256 - 265
      Abstract: The Baris Memedi dance depicts a group of ‘ghosts’ who live in haunted places such as graves, cliffs, and in large trees. It is danced by 7-15 male dancers. This dance is performed in Ngaben (cremation) ceremony called Pitra Yadnya, using the Baleganjur gamelan accompaniment. The objective of this study is  to analyze the form of existence of the Baris Memedi dance in implementing the Pitra Yadnya ceremony. Another objective is to understand the strategy for its preservation as a traditional art so that this dance can live and be long-lasting until today. The additional objective is to find the uniqueness of the dance that it needs preservation. The method used was a qualitative method that considers the issues of cultural context, ideology, interests, power in the culture, and meaning which refers to the culturalistic-humanistic paradigm, namely civilizing humans and humanizing humans. Based on observation, Baris Memedi dance has four stages in its presentation form. The preservation strategy is the active role of supporting the community, the role of Jatiluwih Village apparatus, Jatiluwih artists’ participation, and the government’s support. The most important aspect of Baris Memedi it is inseparable from its community. The proponents of traditional arts should continue to pursue these preservation efforts so that the arts have cultural resilience through Ajeg Bali. 
      PubDate: 2022-01-01
      DOI: 10.15294/harmonia.v21i2.31890
      Issue No: Vol. 21, No. 2 (2022)
       
  • Production of Aesthetic Tastes and Creativity Education of Indonesian
           Glass Painting Artists

    • Authors: Casta Casta, Tjetjep Rohendi Rohidi, Triyanto Triyanto, Abdul Karim
      Pages: 266 - 277
      Abstract: This study aims to find the repertoire of aesthetic taste as a creative act and its relation to symbolic power in the arena of Indonesian cultural production of glass painting. The study used a qualitative approach with a phenomenological design. Data collection used in-depth interviews, participant observation, individual life’s history, and document examination. Data analysis used interpretive phenomenological analysis. The study finds five aesthetic taste repertoires that include: (1) the aesthetic taste of the palace which is characterized by the symbolic decorative visualization of calligraphy pictographs of petarekatan  with wadasan and mega mendung ornaments; (2) the taste of strengthening cultural identity is marked by the symbolic decorative visualization of a traditional sourcebook for puppet shadow objects with wadasan and mega mendung ornaments; (3) the taste of traditional renewal is characterized by liberating expressive decorative visualizations; (4) the taste of cultural revitalization is characterized by decorative visualization of the superiority of tradition which is involute; and (5) the taste of marginalized community is characterized by the simplicity of traditional object visualizations. The five aesthetic tastes carry a decorative expression style with an interpretation of tradition based on the cultural capital of the artists. The production of aesthetic taste cannot fully be used to classify the social class structure of appreciators but is related to the identity of the cultural capital they have. The production of aesthetic taste is a creative education model that responds to the doxa of symbolic power in the form of orthodox or heterodox, resulting in defensive, subversive, defensive-subversive synthesis, and pseudo-subversive strategies, which are fought for legitimacy as symbolic power.
      PubDate: 2022-01-01
      DOI: 10.15294/harmonia.v21i2.30348
      Issue No: Vol. 21, No. 2 (2022)
       
  • Musical Facts and Sustainability of Trunthung Music in Eco-cultural
           Studies

    • Authors: Fajry Sub'haan Syah Sinaga, Syahrul Syah Sinaga
      Pages: 278 - 289
      Abstract: This study aims to review the sustainability of Trunthung Music that shapes an ecosystem within the context of eco-culture. The study belongs to the nature of qualitative research with an interdisciplinary approach and several ecological concepts that reflect the culture of the peasant community over the slope of Merbabu Mountain in Magelang. The study itself is conducted in Warangan Hamlet and Gejayan Hamlet, the Regency of Magelang. The data are gathered through observation, documentation, and in-depth interviews with the informants related to the Trunthung Music. Then, the source triangulation technique is implemented through the test of trustworthiness by inspecting the data on the development of Trunthung Music toward the artists in Warangan Hamlet and the members of Lima Gunung Community. The data that have been attained from various sources are described, categorized, and eventually analyzed so that the ecosystem of Trunthung Music that has been on the progress can be identified. The results of the study show that Trunthung Music has been a performance that combines sonoric, kinesthetic, and visual dimensions, including their association with the natural condition and the peasant life over the Slope of Merbabu. The dialectics of Trunthung Music and the components of its ecosystem are in interaction with one another, resulting in the sustainability of the music until the present days. Then, the components of such ecosystem are the local agents who create the Trunthung Music and their interaction with the art community, be it with the Lima Gunung Community in the context of the Regency of Magelang and with the artists living outside the Regency of Magelang. In addition, the presence of Trunthung Music is associated with the traditional rites in the Warangan Hamlet, such as Nyadran Kali and Tapak Jaran Sembrani. All of these activities have good correlations among music, environment, and culture within the context of eco-culture. 
      PubDate: 2022-01-01
      DOI: 10.15294/harmonia.v21i2.31528
      Issue No: Vol. 21, No. 2 (2022)
       
  • Idris Sardi’s Influence on Musical Development and Education in
           Indonesia

    • Authors: Fu'adi Fu'adi, Putu Sudira, Kun Setyaning Astuti
      Pages: 290 - 302
      Abstract: Idris Sardi is known as a music maestro in Indonesia. This study aims to reveal the influence of Idris Sardi on the development of music and its implications in music education. This study uses a qualitative method with a narrative approach. The data were collected through observation, in-depth interviews, and documentation. The research informants were carefully selected from the family, violin students, and colleagues of Idris Sardi in Jakarta and Bogor, West Java. The data were analyzed by organizing data and creating codes, describing codes in chronological categories and themes, developing interpretations, and visualizing data. The results showed that Idris Sardi was influential in developing (1) keroncong music by varying the tempo and expanding the repertoire; (2) the violin playing techniques included unique characters such as vibrato, glissando, and octave variations; (3) ethnic and popular music were made through orchestrations and collaboration with orchestral music. The implications in music vocational education were (1) problem-based learning by creating a new keroncong style to be accepted by society; (2) the improvement capability by exploring skills to play the violin; (3) life-based-learning by raising local and popular music to be qualified while enhancing the level of society’s music appreciation. In conclusion, Idris Sardi provided a strong influence on the music development in Indonesia, and the implication could be a new strategy to improve the quality of music education.
      PubDate: 2022-01-01
      DOI: 10.15294/harmonia.v21i2.32243
      Issue No: Vol. 21, No. 2 (2022)
       
  • The Identity Construction Through Music Notation of The Indigenous Style
           of Gitar Tunggal Lampung Pesisir

    • Authors: Riyan Hidayatullah, Muhammad Jazuli, Muhammad Ibnan Syarif
      Pages: 303 - 317
      Abstract: This study aims to reveal the meaning of music notation writing of gitar tunggal Lampung Pesisir written by Imam Rozali. Imam is a gitar tunggal player who wrote his technique and playing style in notation symbols. This article uses a case study research design with pattern matching techniques (Yin, 2018). Data were collected through observation, interviews, document analysis, and audio recordings.  A series of tests were carried out on the notation and other supporting information to improve the validity of the data.  Laboratory analysis was carried out to describe signs, interpret symbols, and compare Western musical notation. As a result, (1) the music notation written by Imam Rozali is a musical expression used as a medium for remembering; (2) the writing of Imam Rozali’s musical notation constructs his musical identity as a Gitar tunggal Lampung Pesisir player; (3) Imam Rozali’s music notation symbolizes an indigenous style which has its concept of gitar tunggal music; (4) Imam Rozali tries to add value to his musical identity among gitar tunggal players because the notation is a symbol of intellectuality.
      PubDate: 2022-01-01
      DOI: 10.15294/harmonia.v21i2.30253
      Issue No: Vol. 21, No. 2 (2022)
       
  • Braindance Activities Based on Minang Dance Basic Movements in Children
           Ages 5-6 Years Old

    • Authors: Elindra Yetti, Erie Siti Syarah
      Pages: 330 - 339
      Abstract: Braindance activities based on Minang dance basic movements are moving activities carried out by children aged 5-6 years at an early childhood education institution in Bukittinggi City since 2019 when the trial results of the development of braindance based on the Minang dance basic movements were implemented at the Early Childhood Institutions.  This study aims to (1) examine the uniqueness of the braindance movement based on the Minang dance basic movements, (2) examine the growth and development of children that appear after participating in the braindance activities, (3) examine the situation and condition of the child in the Minang braindance activities. This study used qualitative methods with data collection techniques through observation, interviews, and documentation. Data analysis was carried out with the stages of condensation, data presentation, and drawing conclusion. Data validation was carried out using triangulation of techniques, sources, and time. The study was conducted on fifteen students aged 5-6 years at an early childhood education institution in Bukittinggi. The results showed that: (1) Braindance based on Minang dance basic movements is an activity that combines gymnastic movements with the basic movements of Minang dance, as well as Minang music accompaniment; (2) Children’s motor skills become better, children can coordinate movement, brain, and feelings, and children’s creativity becomes more developed; (3) Minang braindance activities are fun for children.
      PubDate: 2022-01-01
      DOI: 10.15294/harmonia.v21i2.32046
      Issue No: Vol. 21, No. 2 (2022)
       
  • Changes in Form and Style in Randai Performance at The Minangkabau
           Diaspora in Malaysia

    • Authors: Indrayuda Indrayuda, Mohd Effindi Samsuddin
      Pages: 340 - 355
      Abstract: This article reveals the changes in form and style of the Randai performance performed by the Minangkabau’s diaspora in Malaysia. The novelty of this research is the study of changes in forms and styles in Randai carried out by the Malaysian Minangkabau diaspora. The disconnection of socio-cultural communication and the long distance between Minangkabau and Peninsular Malaysia impacts the shift in forms and styles of Randai in the Minangkabau diaspora. This research was conducted qualitatively by designing research works such as pre-field studies, by collecting preliminary data based on a diffusion approach. In the field stage, the informants were selected by snowball sampling. The interview and observation instruments were designed based on the performance structure and performance procedures. Researchers conducted data analysis using the techniques recommended by Spradley, namely: (1) domain analysis, (2) taxonomic analysis, (3) componential analysis, and (4) discovering cultural themes. The study results revealed that the forms and styles were caused by mixing cultures between the diaspora and the Malaysian Malays. These changes were done so that the local community could accept Randai. In addition, Randai can be easily learned and cultivated by the Malay Malays and easily expressed by the Malaysian community and the Minangkabau diaspora as the perpetrators of Randai. These changes occur through a process of adaptation and acculturation. The implication of this research is the emergence of a new Randai model, namely Randai, which refers to local culture, both from the aspect of the story, Silat style, and music, as an identity and tradition for the Malaysian Minangkabau diaspora for the future.
      PubDate: 2022-01-01
      DOI: 10.15294/harmonia.v21i2.32043
      Issue No: Vol. 21, No. 2 (2022)
       
  • A Comparative Study of Playing Patterns on Gambang and Ranat Ek
           Instruments

    • Authors: Abdul Rachman, Pramot Teangtrong, Phakamas Jirajarupat, Indrawan Nur Cahyono
      Pages: 356 - 368
      Abstract: Gambang Semarang is one of Indonesia’s traditional music which has an instrument made of wood, namely gambang (xylophone). Thai Pi Phat Ensemble has a Gambang-like instrument called Ranat Ek. In the presentation, each of these instruments certainly has a playing pattern that is characteristic of the music itself. This study aims to identify and describe the pattern of traditional music playing in the Gambang Semarang, especially the Gambang instrument and the traditional music of Thai Pi Phat Ensemble, especially the Ranat Ek instrument. The research method used is qualitative with a musicological approach. Data collection techniques were carried out by using observation, interviews, document studies, and Focused Group Discussions. Data analysis was carried out with the stages of data reduction, data classification, and concluding. The results show that the playing pattern of the Gambang instrument in the Gambang Semarang music contains two types of playing patterns, namely sekaran Nglagu and cengkok ajeg. While the playing pattern of the Ranat Ek instrument in the Pi Phat Ensemble consists of kan ti kro, kan ti kep, kan ti siao mue, kan ti sado, and kan ti sabat. The two instruments have similarities and differences in playing patterns which are most likely due to differences in functions and roles in group play. 
      PubDate: 2022-01-01
      DOI: 10.15294/harmonia.v21i2.31037
      Issue No: Vol. 21, No. 2 (2022)
       
  • The Image of Woman in the Sintren and Kuda Kepang Arts: Gender Reality and
           Aesthetic Exploration

    • Authors: Wahyu Lestari, Veronica Eny Iryanti, Syukur Samuel Barus
      Pages: 369 - 376
      Abstract: The image of women that is actualized through the construction of gender roles, positions, and adaptation processes in artistic expression through Sintren and Kuda Kepang performances is very different. In this regard, the research aims to: (1) explain the forms of art performances of Sintren and Kuda Kepang; and (2) explain the image of women in the art performances of Sintren and Kuda Kepang in the context of gender reality and aesthetic exploration. The research was conducted on the art of Sintren Ujung Gede in Pemalang Regency and Kuda Kepang Turonggoseto in Semarang Regency. The research data were collected using the techniques of (1) observation, (2) interviews, and (3) document studies. The validity of the research data was carried out using the confirmability technique. The study used an interactive model analysis procedure, which was carried out with the stages of data collection, data reduction, data classification, and drawing conclusions. The results show that: (1) Sintren and Kuda Kepang arts are forms of traditional folk-art performances in which there is a scene of trance. This art is usually performed on stage or open arena by involving women as players; (2) The presence of women in the Sintren performances is a requirement that traditionally must be fulfilled until now. On the other hand, in the Kuda Kepang performances, the presence of women is a new phenomenon that provides opportunities and freedom for women to express themselves through dance. In the Sintren performance, the position of women becomes the center, subject, and object during the performance process. As a result, changes in the function of arts often result in the exploitation of Sintren dancers. On the other hand, in the Kuda Kepang art, the involvement of women with all their adaptations provides a new space for resistance to the existing gender stereotypes.
      PubDate: 2022-01-01
      DOI: 10.15294/harmonia.v21i2.29927
      Issue No: Vol. 21, No. 2 (2022)
       
  • A Review of The Sundanese Scale Theory

    • Authors: Mariko Sasaki, Juju Masunah
      Pages: 318 - 329
      Abstract: This article aims to discuss Kusumadinata’s scale theory in Sundanese music which has been taught in educational institutions in West Java, Indonesia. According to Kusumadinata’s scale theory, sorog and pelog are scales derived from salendro scale in gamelan salendro performance. In my previous research, I investigated three genres of Sundanese performing arts which have existed since the Hindu era, namely goong renteng, pantun, and tarawangsa. The results indicate that the pelog scale has independently existed since the Hindu era. Then, I analyzed the phenomenon that occurs in the gamelan salendro performance, i.e., its melody (rebab and vocals) conventionally modulate into scale ‘like sorog’, occasionally into scale ‘like pelog’. In contrast, the instruments of gamelan are in the salendro scale. However, the analysis on the sorog in the previous research was not enough, so that in this paper, I will focus on the sorog. To find out the relationship between melody (vocal and rebab) and gamelan instruments, I examined the actual performances of gamelan salendro and wayang golek purwa. It became clear that the salendro scale derives four types of sorog. The findings of this study indicate that sorog has existed since the 19th century by this phenomenon, and the scale now called sorog is a scale derived from salendro.
      PubDate: 2021-12-01
      DOI: 10.15294/harmonia.v21i2.32995
      Issue No: Vol. 21, No. 2 (2021)
       
 
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