JournalTOCs

Critical Arts : South-North Cultural and Media Studies
Journal Prestige (SJR): 0.184

Number of Followers: 11

Hybrid journal (It can contain Open Access articles)
ISSN (Print) 0256-0046 - ISSN (Online) 1992-6049
Published by Taylor and Francis

[2652 journals]

Metaphorical Framing of Climate Change in Chinese and American News Media:
A Corpus-assisted Discourse Study
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  Authors: Jingyi Huang Ming Liu a School of Foreign Languages; Shenzhen Technology University, Shenzhen, People’s Republic of Chinab Department of Chinese Bilingual Studies, The Hong Kong Polytechnic University, Kowloon, Hong Kong, China
  Pages: 1 - 20
  Abstract: .
  
  Citation: Critical Arts
  PubDate: 2025-03-07T09:32:47Z
  DOI: 10.1080/02560046.2025.2470677
Transfers and Traversals: Translation, Interdisciplinarity, and the Arts
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  Authors: Martin P. Rossouw
  Pages: 1 - 7
  Abstract: .
  
  Citation: Critical Arts
  PubDate: 2025-03-06T06:18:20Z
  DOI: 10.1080/02560046.2025.2456326
Back to Common Roots: Exotic Imagination and Cultural Identity in
Cinematic Macao
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  Authors: Sijie Fan Yuan Zhao a School of Digital Media; Technology, Macao, Macau
  Pages: 1 - 15
  Abstract: .
  
  Citation: Critical Arts
  PubDate: 2025-03-06T05:48:35Z
  DOI: 10.1080/02560046.2025.2471917
Drawing Sovereignty: The Museum Work of Sámi Artist Ánddir Ivvár
Ivvár/Iver Jåks
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  Authors: Hanne Hammer Stien Academy of Arts; UiT The Arctic University of Norway, Tromsø, Norway
  Pages: 1 - 23
  Abstract: .
  
  Citation: Critical Arts
  PubDate: 2025-02-20T08:57:45Z
  DOI: 10.1080/02560046.2024.2438130
Fugitive Aesthetics in Sámi Artists Lena Stenberg’s Exhibition Borders
(2023) and Pauliina Feodoroff’s Performance Matriarchy (2022)
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  Authors: Kristine Nielsen Art History; Illinois Wesleyan University, Chicago, IL, USA
  Pages: 1 - 13
  Abstract: .
  
  Citation: Critical Arts
  PubDate: 2025-02-14T05:52:35Z
  DOI: 10.1080/02560046.2024.2430475
Discursive Negotiation in Post-Socialist China’s Media
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  Authors: Qi Ai School of Journalism; Communication, Shandong Normal University, Shandong, People’s Republic of China
  Pages: 1 - 10
  Abstract: .
  
  Citation: Critical Arts
  PubDate: 2025-02-14T05:52:15Z
  DOI: 10.1080/02560046.2025.2455732
Barca Nostra: Photography, Tourists, Travel and Refugees
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  Authors: Panizza Allmark School of Arts; Humanities, Edith Cowan University, Perth, Australia
  Pages: 1 - 20
  Abstract: .
  
  Citation: Critical Arts
  PubDate: 2025-02-11T06:02:24Z
  DOI: 10.1080/02560046.2025.2455728
Agencies in Feminist Translator Studies: Barbara Godard and the Crossroads
of Literature in Canada
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  Authors: Shen Chunli School of Foreign Languages; Literatures, Hangzhou Dianzi University, Hangzhou, People’s Republic of China
  Pages: 1 - 2
  Abstract: .
  
  Citation: Critical Arts
  PubDate: 2025-02-05T11:05:38Z
  DOI: 10.1080/02560046.2025.2459115
Translating Self and Other in Travel Writing: Fuchsia Dunlop’s Shark’s
Fin and Sichuan Pepper as a Case Study
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  Authors: Pan Xie Xiaoxiao Xin a School of Foreign Languages; Southwest Jiaotong University, Chengdu, People’s Republic of Chinab School of Foreign Languages, Huazhong University of Science Technology, Wuhan, People’s Republic of China
  Pages: 1 - 16
  Abstract: .
  
  Citation: Critical Arts
  PubDate: 2025-01-31T07:32:19Z
  DOI: 10.1080/02560046.2025.2455731
Media, Place and Tourism: Worlds of Imagination
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  Authors: Jing Hua Wanqi He School of Foreign Languages; East China University of Science Technology, Shanghai, People's Republic of China
  Pages: 1 - 2
  Abstract: .
  
  Citation: Critical Arts
  PubDate: 2025-01-31T07:24:17Z
  DOI: 10.1080/02560046.2025.2455727
Vandalism as a Mode of Visual Sovereignty: A New Definition and
Complications Arising
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  Authors: Shanade Bianca Barnabas Groningen Institute of Archaeology; University of Groningen, Groningen, The Netherlands
  Pages: 1 - 15
  Abstract: .
  
  Citation: Critical Arts
  PubDate: 2025-01-21T05:49:32Z
  DOI: 10.1080/02560046.2024.2432413
Folk Legends and Proverbs Related to Animals in Northeastern China:
Contemporary Young People’s Viewpoints and the Construction of Cultural
Codes
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  Authors: Lei Xiong Si-Jie Li Zihao Zhang Kaiyang Wang Hua Yang Guanqiang Wang a Faculty of Innovation; Public Art, Hubei Institute of Fine Arts, Wuhan, People’s Republic of China
  Pages: 1 - 17
  Abstract: .
  
  Citation: Critical Arts
  PubDate: 2025-01-16T06:25:45Z
  DOI: 10.1080/02560046.2024.2422434
Cultural Practice, Artistic Expression and Online Interaction in the
Context of Contemporary Chinese Patriotism: A Case Study of Awakening Lion
(醒·狮)
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  Authors: Aonan Wu Linfeng Zhu Qianqian Mao a School of Media & Communication; Shanghai Jiao Tong University, Shanghai, People’s Republic of Chinab Opéra de Grand Avignon, Avignon, FranceAonan (Yirong) Wu is a PhD of School of Media art policy in China.
  Pages: 1 - 6
  Abstract: .
  
  Citation: Critical Arts
  PubDate: 2025-01-14T09:18:10Z
  DOI: 10.1080/02560046.2024.2425948
The Routledge Handbook of Translation and Sexuality
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  Authors: Jing Hua East China East China University of Science; Technology Shanghai, China
  Pages: 1 - 3
  Abstract: .
  
  Citation: Critical Arts
  PubDate: 2025-01-14T09:17:31Z
  DOI: 10.1080/02560046.2024.2435505
Addressing a Difficult History: Representations of Sarah Baartman by Three
South African Artists
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  Authors: Brenda Schmahmann SARChI Chair in South African Art; Visual Culture, University of Johannesburg, Johannesburg, South Africa
  Pages: 1 - 22
  Abstract: .
  
  Citation: Critical Arts
  PubDate: 2025-01-13T06:10:17Z
  DOI: 10.1080/02560046.2024.2438131
Grappling with Refusal, Self-representation, and Visual Sovereignty at the
Knoflokskraal Khoisan “Reclaim”
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  Authors: Rafael Verbuyst William Ellis a History Department; Ghent University, Ghent, Belgiumb Faculty of Humanities, University of Johannesburg, Johannesburg, South Africac Department of Anthropology, University of the Western Cape, Belville, South Africa
  Pages: 1 - 16
  Abstract: .
  
  Citation: Critical Arts
  PubDate: 2025-01-13T06:09:28Z
  DOI: 10.1080/02560046.2024.2434593
Of Worlds and Artworks: A Relational View on Artistic Practices from
Africa and the Diaspora (Africa Multiple, 3)
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  Authors: Lin Wu School of Foreign Studies; University of Science Technology Beijing, People’s Republic of China
  Pages: 1 - 2
  Abstract: .
  
  Citation: Critical Arts
  PubDate: 2024-12-20T09:56:49Z
  DOI: 10.1080/02560046.2024.2438134
The Routledge handbook of arts and global development
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  Authors: Lin Wang Jing Hua a University of Shanghai for Science; Technology, Shanghai, China
  Pages: 1 - 3
  Abstract: .
  
  Citation: Critical Arts
  PubDate: 2024-12-18T03:12:05Z
  DOI: 10.1080/02560046.2024.2438133
Publishing from the African South
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  Authors: Sarah Nuttall University of the Witwatersrand South Africa
  Pages: 1 - 9
  Abstract: .
  
  Citation: Critical Arts
  PubDate: 2024-12-09T06:05:08Z
  DOI: 10.1080/02560046.2024.2411259
Between Cultural Engineering, Media Sensationalism & Memetic Propaganda: A
Curious Case of Erratic Obituaries for Late American Secretary
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  Authors: Milos Moskovljevic Danica Lazovic a Department of Media; Communication, City University of Hong Kong, Hong Kong, SAR Chinab Institute of Social Sciences, Belgrade, Serbia
  Pages: 1 - 22
  Abstract: .
  
  Citation: Critical Arts
  PubDate: 2024-12-06T06:30:13Z
  DOI: 10.1080/02560046.2024.2421554
On the Seeable Limits of Decolonial and Indigenous Scholarship:
Conceptualising Ondeursigbaarheid as Critical Analytic Through Reference
to the xam, the Bleek and Lloyd Archive, and Bushman Studies
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  Authors: Luan Staphorst a Nelson Mandela University; Gqeberha South Africab University of Oxford, Oxford, United Kingdom
  Pages: 1 - 24
  Abstract: .
  
  Citation: Critical Arts
  PubDate: 2024-12-02T06:23:43Z
  DOI: 10.1080/02560046.2024.2430473
“The Dam Wall Broke”: A Constructivist Grounded Theory Method Analysis
of Writing on the First Decade of Democracy in the South African Art World
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  Authors: Leandra Koenig-Visagie Department of Art; Music, University of South Africa, Pretoria, South Africa
  Pages: 1 - 18
  Abstract: .
  
  Citation: Critical Arts
  PubDate: 2024-12-02T06:19:37Z
  DOI: 10.1080/02560046.2024.2421568
Sámi Cultural Heritage in Audiovisual Archives – Ethical Reflections on
the Sámi Audiovisual Collection
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  Authors: Ragnhild Nilsson Department of Humanities; Social Science, Mid Sweden University, Östersund, Sweden
  Pages: 1 - 15
  Abstract: .
  
  Citation: Critical Arts
  PubDate: 2024-11-27T06:01:37Z
  DOI: 10.1080/02560046.2024.2430474
Ordinary Whites in Apartheid Society
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  Authors: Robert Morrell University of Cape Town
  Pages: 1 - 3
  Abstract: .
  
  Citation: Critical Arts
  PubDate: 2024-11-27T05:57:34Z
  DOI: 10.1080/02560046.2024.2430470
Go-Itata Ritualised Theatre Performance Modes of koma Aesthetics in a
Performance as Research Production: Wela
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  Authors: Gifter Ngobeni Janine Lewis Department of Performing Arts; Tshwane University of Technology, Tshwane, South Africa
  Pages: 1 - 19
  Abstract: .
  
  Citation: Critical Arts
  PubDate: 2024-11-07T07:32:37Z
  DOI: 10.1080/02560046.2024.2405743
Diplomatic Communication of Silk Sign: Vehicle, Signification, and
Narrative
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  Authors: Ge Gao School of Foreign Language Studies; Zhejiang Sci-Tech University, Hangzhou, the People's Republic of China
  Pages: 1 - 15
  Abstract: .
  
  Citation: Critical Arts
  PubDate: 2024-11-04T11:39:38Z
  DOI: 10.1080/02560046.2024.2421558
When a Literary Translator Took an Activist Turn: Lin Yutang’s
Translation of New Democracy
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  Authors: Min He School of Foreign Languages; contemporary Chinese literature was presented in translation anthologies. Translation anthologies are found to be more than a bringing together of translations, but instead play a vital role in shaping how Chinese literature and, by extension, how China are perceived by target readers. He is currently working on a project to build a database of archives resulting from the translation of contemporary Chinese literature into English.
  Pages: 1 - 16
  Abstract: .
  
  Citation: Critical Arts
  PubDate: 2024-10-09T09:18:52Z
  DOI: 10.1080/02560046.2024.2408548
Gender, Feminist and Queer Studies: Power, Privilege and Inequality in a
Time of Neoliberal Conservatism
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  Authors: Jing Hua Yue Wu School of Foreign Languages; East China University of Science Technology, China
  Pages: 1 - 3
  Abstract: .
  
  Citation: Critical Arts
  PubDate: 2024-10-07T05:48:02Z
  DOI: 10.1080/02560046.2024.2408571
Pentadic Cartography and India’s Foreign Policy: Insights from
Jaishankar’s GLOBSEC Forum Interview
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  Authors: Zhou Li Xinxin Jiang a School of Foreign Languages; Southwest Jiaotong University, Chengdu, People’s Republic of Chinab Faculty of International Studies, Southwestern University of Finance Economics, Chengdu, People’s Republic of China
  Pages: 1 - 18
  Abstract: .
  
  Citation: Critical Arts
  PubDate: 2024-10-04T06:29:35Z
  DOI: 10.1080/02560046.2024.2408570
The Passing of Vincent Mosco: Reflections on his Career and Critical
Discourses on Power, Technology Policy and Global Communication
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  Authors: Hopeton S. Dunn a Communications Policy; Digital Media, University of Botswana, Gaborone, Botswanab School of Communication, University of Johannesburg, Johannesburg, South Africa
  Pages: 1 - 4
  Abstract: .
  
  Citation: Critical Arts
  PubDate: 2024-10-02T07:09:01Z
  DOI: 10.1080/02560046.2024.2403711
The Routledge Handbook of Cultural Discourse Studies
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  Authors: Xinman Liu Shaohua Wang School of Foreign Languages; Cultures, Nanjing Normal University, Nanjing, People’s Republic of China
  Pages: 1 - 4
  Abstract: .
  
  Citation: Critical Arts
  PubDate: 2024-10-01T05:59:54Z
  DOI: 10.1080/02560046.2024.2403713
Digital Platforms and the Global South: Reconfiguring Power Relations in
the Cultural Industries
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  Authors: Jie Guo Xiaobo Dong a School of Foreign Studies; Nanjing Agricultural University, Nanjing, People’s Republic of Chinab Academy of China's Modernization of Rule of Law at School of Foreign Languages Cultures, Nanjing Normal University, Nanjing, People’s Republic of China
  Pages: 1 - 3
  Abstract: .
  
  Citation: Critical Arts
  PubDate: 2024-10-01T05:59:20Z
  DOI: 10.1080/02560046.2024.2405744
“Awe, Masekinders!”: Kullid Identities from Eden Park, Johannesburg in
the Work of Bougaard
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  Authors: Bougaard Irene Enslé Bronner a Office of the NRF Research Chair in South African Art; Visual Culture, University of Johannesburg, Johannesburg, South Africab Wits Art Museum, University of the Witwatersrand, Johannesburg, South Africa
  Pages: 1 - 20
  Abstract: .
  
  Citation: Critical Arts
  PubDate: 2024-09-25T05:39:09Z
  DOI: 10.1080/02560046.2024.2402928
Platformisation Practice for Emancipation or Subordination' A Multimodal
Critical Discourse Study of Self-presentations of African-Chinese Families
on Douyin
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  Authors: Run Li Department of Linguistics; English Language, Lancaster University, Lancaster, UK
  Pages: 1 - 18
  Abstract: .
  
  Citation: Critical Arts
  PubDate: 2024-09-19T06:13:16Z
  DOI: 10.1080/02560046.2024.2402423
“Some White Women (Are Not Like That)”. Affective Gestures in
Post-Apartheid Visual Art from South Africa
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  Authors: Leana van der Merwe Department of Art; Music, University of South Africa, Pretoria
  Pages: 1 - 21
  Abstract: .
  
  Citation: Critical Arts
  PubDate: 2024-09-18T05:49:19Z
  DOI: 10.1080/02560046.2024.2398798
Between Representation and Reality: Zhao Chuan’s World Factory as
Social Theatre
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  Authors: Guicheng Liu School of Arts; Peking University, Beijing, People’s Republic of China
  Pages: 1 - 13
  Abstract: .
  
  Citation: Critical Arts
  PubDate: 2024-09-11T06:33:40Z
  DOI: 10.1080/02560046.2024.2400976
Unlocking the Perfect Beat: Reflections on Musical Hybridisation in the
Work of Lander Gyselinck
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  Authors: Lander Gyselinck Pieter-Jan Maes a KASK & Conservatorium; School of Arts, Hogeschool Gent, Ghent, Belgiumb IPEM – Dept. of Art, Music Theatre Sciences, Ghent University, Ghent, Belgium
  Pages: 1 - 18
  Abstract: .
  
  Citation: Critical Arts
  PubDate: 2024-09-02T06:57:50Z
  DOI: 10.1080/02560046.2024.2391344
A Woman Warrior in Alternative Voices: Analysing English and French
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  Authors: Jianwen Liu Department of English Language; Literature, Hong Kong Shue Yan University. Her research interests include feminist literature, gender-based translation studies, corpus-based translation studies.
  Pages: 1 - 18
  Abstract: .
  
  Citation: Critical Arts
  PubDate: 2024-08-26T06:44:26Z
  DOI: 10.1080/02560046.2024.2391970
Under the Publisher’s Undifferentiated Patronage: A Corpus-Based Case
Study of Chinese Editorial Censorship on Translation about EU-Russia
Relationship
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  Authors: Zheng Jianwei a School of Foreign Languages; Fuzhou University, Fuzhou, People’s Republic of Chinab Center for Translation Studies, Guangdong University of Foreign Studies, Guangzhou, People’s Republic of ChinaJianwei Zheng is an associate professor at the School of Foreign Languages, Fuzhou University, International Journal of Communication. Email: transark@sina.com
  Pages: 1 - 16
  Abstract: .
  
  Citation: Critical Arts
  PubDate: 2024-08-26T06:42:23Z
  DOI: 10.1080/02560046.2024.2391962
Recharacterising Confucius in Multimodal Translation: From Analects to
Comics
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  Authors: Xi Wang Jiashuai Li a The Youth Innovation Team of Shaanxi Universities/School of English Studies; Xi’an International Studies University, Xi’an, People’s Republic of Chinab National Research Centre for Foreign Language Education, Beijing Foreign Studies University, Beijing, People's Republic of China
  Pages: 1 - 20
  Abstract: .
  
  Citation: Critical Arts
  PubDate: 2024-08-21T06:12:19Z
  DOI: 10.1080/02560046.2024.2376315
Translating Spacetime Intensities of Movie Barcodes
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  Authors: Damien Tomaselli a Visual Identity; Design (VIAD), The University of Johannesburg, South Africab The University of Nottingham, Ningbo, China
  Pages: 1 - 18
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  Citation: Critical Arts
  PubDate: 2024-08-20T06:24:15Z
  DOI: 10.1080/02560046.2024.2383407
Multiplicities of Socialist Spaces: Subjectivity Construction and Spatial
Configuration in 1950s Shanghai Urban Films
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  Authors: Fanghao Chen Institute for Global City; Shanghai Normal University, Shanghai, People's Republic of China
  Pages: 1 - 15
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  Citation: Critical Arts
  PubDate: 2024-08-20T06:22:05Z
  DOI: 10.1080/02560046.2024.2383850
Screening China in Carnival: A Powerful China Framed in Participatory
Documentary
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  Authors: Jingmei Ouyang School of Journalism; she has contributed to a forthcoming book, Introduction to Film Sociology (2024).
  Pages: 1 - 18
  Abstract: .
  
  Citation: Critical Arts
  PubDate: 2024-08-12T06:18:51Z
  DOI: 10.1080/02560046.2024.2386567
Aggression, Disempowerment, and Feminism in the “Scum Men” Discourse
on Chinese Social Media
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  Authors: Du Yiwei School of Foreign Languages; Ningbo University of Technology, Ningbo, People’s Republic of China
  Pages: 1 - 18
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  Citation: Critical Arts
  PubDate: 2024-08-12T06:17:29Z
  DOI: 10.1080/02560046.2024.2384632
Disease as a Medium: Exploring the Metaphorical Turn and Discourse Changes
in Chinese AIDS Films (1988–2023)
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  Authors: Zaozao Zhang Institute of Journalism; Shanghai Academy of Social Sciences, Shanghai, People’s Republic of China
  Pages: 1 - 18
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  Citation: Critical Arts
  PubDate: 2024-08-12T06:16:46Z
  DOI: 10.1080/02560046.2024.2364675
A Paratextual Approach to Disney’s New Mulan in China: Localization
and Reception
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  Authors: Chunli Shen Jinquan Yu a School of Foreign Languages; Cultures, Nanjing Normal University, Nanjing, People’s Republic of Chinac Center for Translation Studies, Guangdong University of Foreign Studies, Guangzhou, People’s Republic of China
  Pages: 1 - 15
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  Citation: Critical Arts
  PubDate: 2024-08-07T06:06:41Z
  DOI: 10.1080/02560046.2024.2384629
Discourses, Modes, Media and Meaning in an Era of Pandemic: A Multimodal
Discourse Analysis Approach
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  Authors: Enyao Li School of Foreign Studies; Guangzhou University of Chinese Medicine, Guangzhou, People’s Republic of China
  Pages: 1 - 3
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  Citation: Critical Arts
  PubDate: 2024-08-02T05:58:38Z
  DOI: 10.1080/02560046.2024.2383840
Transmedial Perspectives on Humour and Translation: From Page to Screen to
Stage
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  Authors: Zhimiao Yang Huan Mei a Graduate Institute of Interpretation; Translation, Shanghai International Studies University, Shanghai, People’s Republic of Chinab School of Foreign Languages, Central China Normal University, Wuhan, People’s Republic of China
  Pages: 1 - 2
  Abstract: .
  
  Citation: Critical Arts
  PubDate: 2024-07-24T08:30:45Z
  DOI: 10.1080/02560046.2024.2383837
Monuments and memory in Africa: reflections on coloniality and
decoloniality
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  Authors: Jie Guo Xiaobo Dong a School of Foreign Studies; Nanjing Agricultural University, Nanjing, People’s Republic of Chinab Academy of China's Modernization of Rule of Law at School of Foreign Languages Cultures of Nanjing Normal University, Nanjing, People’s Republic of China
  Pages: 1 - 3
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  Citation: Critical Arts
  PubDate: 2024-07-18T07:40:01Z
  DOI: 10.1080/02560046.2024.2376319
Can one obtain dignity while using the Master's categories'
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  Authors: Robert Gordon a University of the Free State; Bloemfontein, South Africab University of Vermont, Burlington, VT, USA
  Pages: 1 - 4
  Abstract: .
  
  Citation: Critical Arts
  PubDate: 2024-07-01T07:09:19Z
  DOI: 10.1080/02560046.2024.2322553
The Female Body, Christianity, and Colonial Modernity: Representation of
Foot-bound Women in Alicia Little’s Travelogues
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  Authors: Haonan Chi English Department; Southeast University, Nanjing, China
  Pages: 1 - 17
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  Citation: Critical Arts
  PubDate: 2024-06-26T06:27:34Z
  DOI: 10.1080/02560046.2024.2361000
“Prince Mangosuthu Buthelezi Wept”: Exploring Translations of
Language, Practices and Story Forms in IsiZulu Journalism
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  Authors: Khanyile Mlotshwa University of KwaZulu Natal (UKZN); Scottsville, RSA
  Pages: 1 - 18
  Abstract: .
  
  Citation: Critical Arts
  PubDate: 2024-06-19T06:15:19Z
  DOI: 10.1080/02560046.2024.2346853
Amy Tan’s Thing-Narrative in The Valley of Amazement
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  Authors: Junwu Tian Shuyue Liu School of Foreign Languages; Beihang University, Beijing, People's Republic of China
  Pages: 1 - 14
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  Citation: Critical Arts
  PubDate: 2024-06-19T06:13:20Z
  DOI: 10.1080/02560046.2024.2341866
Emancipatory Communication: A Critical Reflection on Communication
Sciences in the Post-Pandemic Era1
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  Authors: Thomas Tufte a Institute for Media; Media Studies, University of Johannesburg, Johannesburg, South Africa
  Pages: 1 - 13
  Abstract: .
  
  Citation: Critical Arts
  PubDate: 2024-06-13T05:52:47Z
  DOI: 10.1080/02560046.2024.2358374
Adelheid Frackiewicz: Landart, Mourning, and Translation
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  Authors: Suzanne de Villiers-Human Adelheid von Maltitz a Department of Art History; Image Studies, University of the Free State, Bloemfontein, South Africab Department of Fine Arts, University of the Free State, Bloemfontein, South Africa
  Pages: 1 - 13
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  Citation: Critical Arts
  PubDate: 2024-06-07T09:52:56Z
  DOI: 10.1080/02560046.2024.2346855
Where Is the Place to Call Home' The Diasporic Writings of Hmong
Americans
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  Authors: Yi Yang Xunqian Liu a School of Humanities; Shanghai Jiao Tong University, Shanghai, People’s Republic of Chinab Department of History, Shanghai Jiao Tong University, Shanghai, People’s Republic of China
  Pages: 1 - 21
  Abstract: .
  
  Citation: Critical Arts
  PubDate: 2024-05-30T10:52:54Z
  DOI: 10.1080/02560046.2024.2349095
Unfulfilled Future Perfect' Comics as a Site of Liberty in Post-Mao
China
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  Authors: Yang YuxiangWang JiabaoFaculty of Creative Arts; Universiti Malaya, Kuala Lumpur, Malaysia
  Pages: 1 - 14
  Abstract: .
  
  Citation: Critical Arts
  PubDate: 2024-05-17T05:40:21Z
  DOI: 10.1080/02560046.2024.2351950
Wayward Feeling — Audio-Visual Culture and Aesthetic Activism in
Post-Rainbow South Africa
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  Authors: Jiayao FanSchool of English Studies; Shanghai International Studies University, Shanghai, China
  Pages: 1 - 2
  Abstract: .
  
  Citation: Critical Arts
  PubDate: 2024-05-02T06:34:10Z
  DOI: 10.1080/02560046.2024.2346856
Dark Humour in Moving Frames: A Discourse Analysis of Bollywood Black
Comedies
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  Authors: Manash P. GoswamiK. Shruthia Department of Journalism; Communication, Central University of Tamil Nadu, Thiruvarur, India
  Pages: 1 - 19
  Abstract: .
  
  Citation: Critical Arts
  PubDate: 2024-04-25T06:29:45Z
  DOI: 10.1080/02560046.2024.2340705
Martial Dance: Stage Wushu as a Performing Art
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  Authors: Guojun DongSchool of Humanities; Gansu Agricultural University, Lanzhou, People’s Republic of China
  Pages: 1 - 11
  Abstract: .
  
  Citation: Critical Arts
  PubDate: 2024-04-16T05:47:51Z
  DOI: 10.1080/02560046.2024.2340128
A Timely Example of Deep Listening: Tackling the Epistemological Crisis in
the North ; Khoisan Consciousness: An Ethnography of Emic Histories and
Indigenous Revivalism in Post-Apartheid Cape Town
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  Authors: June BamCentre for Education Rights; Transformation, University of Johannesburg, Johannesburg, South Africa
  Pages: 1 - 2
  Abstract: .
  
  Citation: Critical Arts
  PubDate: 2024-04-11T06:22:47Z
  DOI: 10.1080/02560046.2024.2322554
Khoisan Consciousness: An Ethnography of Emic Histories and Indigenous
Revivalism in Post-Apartheid Cape Tow
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  Authors: Basil CoetzeeIndependent Scholar; Paarl, South Africa
  Pages: 1 - 4
  Abstract: .
  
  Citation: Critical Arts
  PubDate: 2024-04-09T06:04:46Z
  DOI: 10.1080/02560046.2024.2322551
Between Calligraphic Untranslatability and Symbolic Translatability: Xu
Bing’s Pictographic Art
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  Authors: Zhen ZhangSchool of Liberal Arts; Renmin University of China, Beijing, People’s Republic of China
  Pages: 1 - 18
  Abstract: .
  
  Citation: Critical Arts
  PubDate: 2024-03-19T05:52:25Z
  DOI: 10.1080/02560046.2024.2327496
Emic and etic perspectives on Khoisan revivalism: a response to Bam,
Coetzee, Gordon, and Øvernes. Khoisan Consciousness: An Ethnography of
Emic Histories and Indigenous Revivalism in Post-Apartheid Cape Town
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  Authors: Rafael Verbuysta Ghent University; Ghent, Belgiumb Faculty of Humanities, University of Johannesburg, Johannesburg, South Africa
  Pages: 1 - 4
  Abstract: .
  
  Citation: Critical Arts
  PubDate: 2024-03-13T10:01:54Z
  DOI: 10.1080/02560046.2024.2322556
People Living with HIV/AIDS are Nothing to be Afraid of: A Critical
Discourse Analysis (CDA) of HIV/AIDS Stigmas and Mythologies in One
Selected IsiXhosa Short Story
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  Authors: Mlamli DikoDepartment of African Languages; University of South Africa (UNISA), Pretoria, South Africa
  Pages: 1 - 15
  Abstract: .
  
  Citation: Critical Arts
  PubDate: 2024-03-12T05:55:07Z
  DOI: 10.1080/02560046.2024.2323618
Art Gallery Education Between Translation and Dialogism: Artwork, Learning
and Pedagogy
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  Authors: Anwar TliliSchool of Education; Communication & Society, King's College London, Franklin-Wilkins Building (WBW) Waterloo Road, London SE1 9NH, London, UK
  Pages: 1 - 17
  Abstract: .
  
  Citation: Critical Arts
  PubDate: 2024-03-11T06:12:20Z
  DOI: 10.1080/02560046.2024.2324986
Verbuyst and the Khoisan Phenomenon: A review of Khoisan Consciousness –
an Ethnography of Emic Histories and Indigenous Revivalism in
Post-Apartheid
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  Authors: Siv ØvernesUiT; The Arctic University of Norway, Tromsø, Norway
  Pages: 1 - 2
  Abstract: .
  
  Citation: Critical Arts
  PubDate: 2024-03-07T05:55:39Z
  DOI: 10.1080/02560046.2024.2322550
Analysing the Character Types and Power Relationships in Metaverse-Themed
Movies from the Perspective of Discipline and Anti-discipline
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  Authors: Bai LianWang Lia College of Software; Shanxi Agricultural University, Jinzhong, People’s Republic of Chinab College of Creative Arts, Universiti Teknologi MARA, Shah Alam, Malaysia
  Pages: 1 - 10
  Abstract: .
  
  Citation: Critical Arts
  PubDate: 2024-02-16T09:45:31Z
  DOI: 10.1080/02560046.2024.2316898

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