Subjects -> LANGUAGE AND LITERATURE (Total: 2147 journals)
    - LANGUAGE AND LITERATURE (954 journals)
    - LANGUAGES (276 journals)
    - LITERARY AND POLITICAL REVIEWS (201 journals)
    - LITERATURE (GENERAL) (180 journals)
    - NOVELS (13 journals)
    - PHILOLOGY AND LINGUISTICS (500 journals)
    - POETRY (23 journals)

POETRY (23 journals)

Showing 1 - 16 of 16 Journals sorted alphabetically
Brill Research Perspectives in Classical Poetry     Full-text available via subscription   (Followers: 2)
Calíope : Journal of the Society for Renaissance and Baroque Hispanic Poetry     Full-text available via subscription   (Followers: 1)
Dictynna     Open Access   (Followers: 2)
Mawlana Rumi Review     Hybrid Journal   (Followers: 1)
nonsite.org     Full-text available via subscription   (Followers: 7)
Nordisk poesi     Open Access  
Passwords     Open Access  
Plath Profiles : An Interdisciplinary Journal for Sylvia Plath Studies     Open Access  
Poem International English Language Quarterly     Full-text available via subscription   (Followers: 1)
Postcolonial Text     Open Access   (Followers: 10)
Prosemas : Revista de Estudios Poéticos     Open Access  
Pushkin Review     Full-text available via subscription  
Revista de Poética Medieval     Open Access  
Style     Full-text available via subscription   (Followers: 3)
The Vernal Pool     Open Access  
Wallace Stevens Journal     Full-text available via subscription  
Similar Journals
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Wallace Stevens Journal
Journal Prestige (SJR): 0.1
Number of Followers: 0  
 
  Full-text available via subscription Subscription journal
ISSN (Print) 0148-7132 - ISSN (Online) 2160-0570
Published by Project MUSE Homepage  [305 journals]
  • Introduction: Stevens and Germany, Stevens in (West) Germany

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      Abstract: WALLACE STEVENS NEVER visited Germany, but he was no stranger to German language or culture. He grew up in a polyglot Pennsylvania Dutch context speaking some German, which he improved by taking language classes at Harvard; he had German ancestors on his mother's side, expressed early interest in German art and music, was drawn to German poetry throughout his life, and used a German inscription attributed to one of his maternal ancestors as a bookplate (Mariani 14, 144, 262, 268, 306). His letters are littered with German phrases, and his poems include German terms such as "Got" ("Examination of the Hero in a Time of War"; CPP 244), "Herr Gott" ("Analysis of a Theme"; CPP 305), "Herr Doktor" ("Delightful Evening"; ... Read More
      PubDate: 2024-03-17T00:00:00-05:00
       
  • Stevens, Germany, and the Churches

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      Abstract: WALLACE STEVENS'S CONNECTIONS with Germany as well as his understandings of the country and its cultures form a patchwork of biographical, aesthetic, and philosophical relations across his career. Whether emanating from his own family history or from his early formative years growing up in Reading, Pennsylvania, and its surrounding areas, Germany retained an imaginative as well as a personal hold over Stevens. He had an interest in German art and culture, and he sought to comprehend the divide between a political Germany and a cultural one, particularly during and after World War II. At each juncture, his conception of Germany or of German thinking is filtered, either through the experiences of "epistolary ... Read More
      PubDate: 2024-03-17T00:00:00-05:00
       
  • "Blue and White Munich": Images of Germany in Stevensian Regeneration

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      Abstract: "IF THERE IS ANY place in Germany which I could have thought of describing as blue and white," wrote Wallace Stevens in a 1948 letter to Barbara Church, "it would have been Hanover, which . . . I know nothing about but which, nevertheless, is one of the places that I go to when I want to go anywhere and sit in the park without really getting up" (L 605). Written as a response to Church's description of Munich as "blue and white" in a note she sent to Stevens the same year—only three years after Munich's bombing during World War II—Stevens's remarks feature a trope that occurs frequently in his writing: the desire to transgress the limits of physical locality and place.1 His poetic rendering of Munich is an instance ... Read More
      PubDate: 2024-03-17T00:00:00-05:00
       
  • "Infinite Humble Things": Stevens and German Art of the Fin de Siècle

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      Abstract: WE DO NOT HAVE trouble connecting Wallace Stevens with developments in modern art. We can see how his work sits alongside the shifts and changes of the modernist visual arts in all their experimentation and irreverence. Stevens's work might in fact be characterized by its links to post-impressionism. To name but a few examples from the considerable body of scholarship that exists on this question: Betty Buchsbaum has written about the place of Paul Cézanne in Stevens's work, exploring how Stevens drew on the painter's struggle with the "essential," with both performing "a juggling act between the familiar look of things and their underlying reality" (303). In Wallace Stevens and Modern Art, Glen MacLeod has ... Read More
      PubDate: 2024-03-17T00:00:00-05:00
       
  • "The Heart's Residuum": Adorno's Metaphysical Experience in Stevens's
           "Extracts from Addresses to the Academy of Fine Ideas"

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      Abstract: BETWEEN 1939 AND 1945, Wallace Stevens's poetry appeared in The Kenyon Review twice: "Variations on a Summer Day" in 1940, "Esthétique du Mal" in 1944. During the same period, two issues of the Review—edited by John Crowe Ransom—included two essays by Theodor W. Adorno.1 This is a coincidence. The two writers were seemingly unaware of each other's work. Considering their distinct responses to the looming threat of Nazi concentration camps, however, the coincidence takes on a more significant resonance. Adorno would later most famously summarize his response with his dictum against poetry after Auschwitz. In 1940, Stevens writes a poem—"Extracts from Addresses to the Academy of Fine Ideas"—and though it cannot ... Read More
      PubDate: 2024-03-17T00:00:00-05:00
       
  • Stevens's "Peter Quince at the Clavier" and the Pleasures of Merely Going
           Round

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      Abstract: MY JOURNEY WITH Wallace Stevens's poetry began decades ago, in the 1980s, when I was a graduate student at Bonn University. I can't remember when precisely I first encountered Stevens, but it must have been while I was working on my master's thesis about William Carlos Williams. Stevens's poetry seemed cerebral to me then, by comparison, and its author distant, perhaps even unlikable. I do remember reading a somewhat appalling letter in which Stevens weighed in on the controversy that had arisen after Williams, sickened by strokes, was offered the consultancy in poetry at the Library of Congress, only to have it withdrawn when suspicions emerged that he might be a Communist. In his letter to José Rodríguez Feo ... Read More
      PubDate: 2024-03-17T00:00:00-05:00
       
  • For The Moment, at Least

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      Abstract: Notre DameOctober 12–13 ... Read More
      PubDate: 2024-03-17T00:00:00-05:00
       
  • The Teacher, and: The Old Argentine Wandering

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      Abstract: (for Dr. ... Read More
      PubDate: 2024-03-17T00:00:00-05:00
       
  • Wallace Stevens in Theory ed. by Thomas Gould and Ian Tan (review)

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      Abstract: For poets to become recognized as major—worthy of regularly taught, single-author courses at colleges and universities, say, or able to sustain long-running, single-author journals devoted to their writing—it helps for them to have written in more than one genre. Stevens's foray into drama did little to advance his cultural importance, but the essays published as The Necessary Angel and much of his long-since-collected "Uncollected Prose" have secured his status as Wordsworth's various prefaces once augmented his. The Letters are arguably comparable to Keats's and Dickinson's in their contribution. It has also been fortunate for Stevens, as Thomas Gould and Ian Tan claim, that his "investments in a mode of thinking ... Read More
      PubDate: 2024-03-17T00:00:00-05:00
       
 
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  Subjects -> LANGUAGE AND LITERATURE (Total: 2147 journals)
    - LANGUAGE AND LITERATURE (954 journals)
    - LANGUAGES (276 journals)
    - LITERARY AND POLITICAL REVIEWS (201 journals)
    - LITERATURE (GENERAL) (180 journals)
    - NOVELS (13 journals)
    - PHILOLOGY AND LINGUISTICS (500 journals)
    - POETRY (23 journals)

POETRY (23 journals)

Showing 1 - 16 of 16 Journals sorted alphabetically
Brill Research Perspectives in Classical Poetry     Full-text available via subscription   (Followers: 2)
Calíope : Journal of the Society for Renaissance and Baroque Hispanic Poetry     Full-text available via subscription   (Followers: 1)
Dictynna     Open Access   (Followers: 2)
Mawlana Rumi Review     Hybrid Journal   (Followers: 1)
nonsite.org     Full-text available via subscription   (Followers: 7)
Nordisk poesi     Open Access  
Passwords     Open Access  
Plath Profiles : An Interdisciplinary Journal for Sylvia Plath Studies     Open Access  
Poem International English Language Quarterly     Full-text available via subscription   (Followers: 1)
Postcolonial Text     Open Access   (Followers: 10)
Prosemas : Revista de Estudios Poéticos     Open Access  
Pushkin Review     Full-text available via subscription  
Revista de Poética Medieval     Open Access  
Style     Full-text available via subscription   (Followers: 3)
The Vernal Pool     Open Access  
Wallace Stevens Journal     Full-text available via subscription  
Similar Journals
Similar Journals
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JournalTOCs
School of Mathematical and Computer Sciences
Heriot-Watt University
Edinburgh, EH14 4AS, UK
Email: journaltocs@hw.ac.uk
Tel: +00 44 (0)131 4513762
 


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