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Abstract: The Stuart R. Rose Manuscript, Archives, and Rare Book Library at Emory University (hereafter Rose Library), located in Atlanta, Georgia, is one of the pre-eminent academic special and archival collections in the Southern United States. Rose Library’s African American holdings are extensive and include collections relating to literary figures such as Alice Walker, Vincent Harding, Mari Evans, Langston Hughes, Carter G. Wood-son, Pearl Cleage, James Weldon Johnson, and more. Rose Library also holds the records of the Civil Rights organization the Southern Christian Leadership Conference (SCLC) and the papers of one of its leaders, C. T. Vivian. Curators purchase rare books relating to African Americans, for example ... Read More PubDate: 2024-05-29T00:00:00-05:00
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Abstract: Music monograph and score publishing has become increasingly complex in the current digital age. Library approaches and methods of acquiring these monographs and scores continue to evolve and grow in what often feels like an insurmountable number of ways. Staying informed and relevant to the publishing economy and patron needs is a constant challenge and one we hope this column can provide information, direction, and ideas.In June 2022, a survey was sent to the Music Library Association membership and recently lapsed members asking for feedback and perspective regarding Notes. The results revealed that of all the columns, “Prices of Music Monographs and Scores” column was ranked the least useful. When this column ... Read More PubDate: 2024-05-29T00:00:00-05:00
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Abstract: Juilliard received a $124,000 grant from the Leon Levy Foundation to digitize our Martha Hill Papers. A pathbreaking dance educator, Ms. Hill (1900–1995) was the founder and first Director of Juilliard’s Dance Division, which was established in 1951. She brought notable choreographers to teach at Juilliard, among them Martha Graham, José Limón, and Antony Tudor.In other news, Juilliard received the papers and compositions of Kermit Moore (1929–2013) and Dorothy Rudd Moore (1940–2022). Cellist, composer, and conductor, Kermit Moore studied at Juilliard with Felix Salmond; he and his wife Dorothy Rudd Moore founded the Society for Black Composers in 1968. The Kermit Moore Collection also includes compositions by Duke ... Read More PubDate: 2024-05-29T00:00:00-05:00
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Abstract: As I contemplated this review, the question that kept coming to mind was, Would the founders of music librarian-ship recognize the field as we know it today' The answer would probably be yes and no. Surely the basic foundations of the field remain the same, while other issues and initiatives have changed the way in which we do our work. The volume under review is the fourth iteration—not edition— of a publication that first appeared in 1990 (Carol Tatian, comp., Careers in Music Librarianship: Perspectives from the Field, MLA Technical Reports, no. 18 [Canton, MA: Music Library Association, 1990]). Subsequent volumes appeared in 2004 (Paula Elliot and Linda Blair, eds., Careers in Music Librarianship II: Traditions ... Read More PubDate: 2024-05-29T00:00:00-05:00
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Abstract: In this volume, Kirstin Dougan Johnson updates two books by Robert Michael Fling, Library Acquisition of Music (Music Library Association Basic Manual Series, no. 4 [Lanham, MD: Scarecrow Press, 2004]) and Guide to Developing a Library Music Collection (Collection Management and Development Guides, no. 14 [Chicago: American Library Association, 2008]). The landscape of music library collection development and management has changed since those books were published, not only because of new publishing, discovery, and access models for music and media but also because of the increased emphasis on diversity, equity, and inclusion in music collections. Since the scope of this book could be quite large, Johnson is very ... Read More PubDate: 2024-05-29T00:00:00-05:00
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Abstract: In regard to music performances, librarians are often overlooked in their role in making these events happen. Their contributions, however, are crucial to the success of any performance. As Wei-En Hsu states, “The music libraries are the heart of a concert hall, orchestra, and opera house” (v. 1, p. xiii). In the two-volume set of Stories and Lessons from the World’s Leading Opera, Orchestra Librarians, and Music Archivists, Patrick Lo, in collaboration with Robert Sutherland, Hsu, and Russ Girsberger, interviews fifty-three music librarians in opera companies, orchestras, bands, archives, theaters, and academic libraries. Through these interviews, we get a glimpse into their lives and their careers working with ... Read More PubDate: 2024-05-29T00:00:00-05:00
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Abstract: The recent expansion of music scholarship on artificial intelligence (AI) reflects the growing concern in and outside academic circles over the impact of machine learning on every aspect of the production, distribution, and fruition of music. While some researchers, such as Eric Drott, Ross Cole, Melissa Avdeef, and Charles Hiroshi Garrett have investigated the ethical and aesthetic implications of the use of AI in connection with copyright issues and creative and listening practices, other scholarly efforts, such as the recent European Research Council–funded project Music and Artificial Intelligence: Building Critical Interdisciplinary Studies, led by anthropologist and musicologist Georgina Born, aim at bridging ... Read More PubDate: 2024-05-29T00:00:00-05:00
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Abstract: In Music for Prime Time: A History of American Television Themes and Scoring, Jon Burlingame provides a much-needed survey of the genre, with a particular focus on the 1950s–1970s. To deliver an overview of US television music and its significant contributors in one text is ambitious, and Burlingame has published the first of many historical studies hopefully to come. In his previous book, TV’s Biggest Hits: The Story of Television Themes from “Dragnet” to “Friends” (New York: Schirmer, 1996), he presented a detailed historical study of the theme music for core television programming. In Music for Prime Time, Burlingame has revised and substantially expanded that text to cover topics previously omitted and to ... Read More PubDate: 2024-05-29T00:00:00-05:00
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Abstract: In his well-sourced and well-written study Live Music in America: A History from Jenny Lind to Beyoncé, Steve Waksman document s how performance practices and concert venues, business practices of the music industry, innovations in transportation and communication, audience expectations, class and race relations, and sound reinforcement technologies have all evolved tremendously over the last two centuries—and have all impacted and been impacted by the business of live music performance in the United States. Developments in each of these areas have transformed society in both glaring and subtle ways and have encouraged and enabled more and more people of vastly different cultural backgrounds to experience live ... Read More PubDate: 2024-05-29T00:00:00-05:00
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Abstract: The spate of Vaughan Williams literature in recent years shows no signs of slowing. He and his music continue to be objects of sustained musicological focus to an extent that was hardly predictable just three decades ago. By my count, Vaughan Williams and His World is the eighth collection of essays wholly devoted to the composer since 1996, with a ninth collection forthcoming (Julian Onderdonk and Ceri Owen, eds., Vaughan Williams in Context, Composers in Context [Cambridge: Cambridge University Press, 2024]). In the present collection, the authors take a deeply contextual approach, providing extensive treatment of the people, places, events, and ideas that surrounded the composer throughout his career. In several ... Read More PubDate: 2024-05-29T00:00:00-05:00
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Abstract: What a pleasure to have this lovingly detailed portrait of two giants of twentieth-century English music! That one was a composer and the other a conductor specifically associated with that composer’s music makes for an intriguing exploration of one of the most profound mysteries of the art: the process by which musical notation, appearing prosaic on the page, is transformed into miraculous sound that has power—and poetry—to move us.Nigel Simeone is well appointed to the task. First, he knew Adrian Boult personally and was granted access to his private music library for this study, including the very conducting scores that Boult used in his Vaughan Williams performances. Second, he is an experienced music ... Read More PubDate: 2024-05-29T00:00:00-05:00
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Abstract: Following the Second World War, nearly every aspect of British life and culture underwent a period of upheaval and change as part of postwar reconstruction. The UK government dealt with imperial contraction abroad and the rise of social welfare domestically, while simultaneously, a range of local and global influences shaped art and culture. For example, Queen Elizabeth II’s coronation in 1953 inspired a resurgence of sixteenth-century music, leading to what many deemed the “New Elizabethan Age.” Meanwhile, young Britons turned to imported US rock ’n’ roll, prompting much anxiety about Britain’s place in the global matrix of power. Emerging from this mix of influences was Peter Maxwell Davies (1934–2016). More so ... Read More PubDate: 2024-05-29T00:00:00-05:00
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Abstract: In the busy world of Schubert studies, Brian Newbould, long a prominent and respected name, has been known perhaps less for his scholarly work than for his sophisticated and bold—some might say misguided—forays into an edgy business that would bring his own completion to a number of works that Franz Schubert did not finish. Newbould comes to his task with impressive credentials. He is a musician first, as he likes to remind us. His arguments in Schubert’s Workshop, both in the justification of his undertakings and in support of his musical decisions, must be taken seriously.Newbould puts his credentials on display across the pages of these two volumes. The display is a bit chaotic, beginning with a title ... Read More PubDate: 2024-05-29T00:00:00-05:00
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Abstract: In the mid-1960s, Leonard Bernstein wondered if symphonies were, by that time, “a thing of the past” (“Bernstein: What I Thought . . . ,” New York Times, 24 October 1965). And he provided a characteristically ambivalent answer. “The classical concept of a symphony,” which relied on tonality, “is a thing of the past,” he wrote, and so “in a strict sense the decline of the symphony can perceivably be dated back to the beginning of our [twentieth] century.” At the same time, symphonies “are still being written in substantial quantity” and “in a loose sense the word ‘symphony’ can be applied to all kinds of structures.” Even though symphonies of various shapes and sizes (including Bernstein’s own) have appeared in the ... Read More PubDate: 2024-05-29T00:00:00-05:00
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Abstract: In his Nouveau dictionnaire de musique illustré (1855), Charles Soulier described the French mélodie as “a sort of romance” characterized by “sweet and piquant inflections” (Frits Noske, French Song from Berlioz to Duparc: The Origin and Development of the Mélodie, 2nd ed., trans. Rita Benton [New York: Dover, 1970], 23). Hardly a ringing endorsement, Soulier’s assessment reflects the disregard with which French song has often been treated, especially when compared to stage, chamber, and symphonic music. Emerging from the nineteenth-century chanson tradition and bolstered by the popularity of Franz Schubert’s lieder, the mélodie found new life in the works of Hector Berlioz, whose Neuf mélodies irlandaises (1830; ... Read More PubDate: 2024-05-29T00:00:00-05:00
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Abstract: Since the 1990s, several gifted daughters of famous male songwriters have written invaluable memoirs describing what it was like growing up in the shadow of a megacelebrity father. The first was Susan Loesser’s A Most Remarkable Fella: Frank Loesser and the Guys and Dolls in His Life: A Portrait by His Daughter (New York: Donald I. Fine, 1993). The next year Mary Ellin Barrett’s Irving Berlin: A Daughter’s Memoir (New York: Simon & Schuster, 1994) arrived (reviewed by the present author in Notes 52, no. 2 [December 1995]: 485–86). Twenty-four years later, Jamie Bernstein celebrated her famous dad along with the centennial of his birth in Famous Father Girl: A Memoir of Growing Up Bernstein (New York: Harper, 2018). ... Read More PubDate: 2024-05-29T00:00:00-05:00
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Abstract: With Madama Butterfly/Madamu Batafurai: Transpostions of a “Japanese Tragedy,” Arthur Groos has produced a sui generis study that fastidiously documents the full panoply of cultural history underlying not just Giacomo Puccini’s opera Madama Butterfly but also the origins of a rich East/West cultural exchange, for which Madama Butterfly remains the primary musical example. Groos further documents how Madama Butterfly evolved in Japanese culture and consciousness in the twentieth century and—ironically—found its way back to modern Broadway, where it began with David Belasco’s play Madame Butterfly in 1900. Its story is still being told.Groos tells us the book is the result of a lifelong passion project with Japanese ... Read More PubDate: 2024-05-29T00:00:00-05:00
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Abstract: William Rothstein, the eminent music theorist, has published a second monograph, The Musical Language of Italian Opera, 1813–1859. This book (hereafter MLIO) has at least a dual nature: it is a massive yet remarkably concise text on the musical structure of nineteenth-century Italian opera. Totaling more than 550 pages, MLIO fills a significant void belonging to the close music analysis of Italian opera by nineteenth-century Italian composers—Gioacchino Rossini, Giuseppe Verdi, Vincenzo Bellini, Saverio Mercadante, and Gaetano Donizetti. (The only German composer whose operas Rothstein considers in detail in MLIO is Giacomo Meyerbeer.) Until now, Rothstein’s meticulous and decades-long research on this topic has ... Read More PubDate: 2024-05-29T00:00:00-05:00
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Abstract: Since 1975, composer and multi-instrumentalist Henry Threadgill has reaped a remarkable oeuvre in jazz, as cataloged by Lars Backström (“The Illustrated Henry Threadgill Discography,” https://discography.backstrom.se/threadgill [accessed 11 March 2024]). Each of his albums upon release receives high praise from critics. Two recording firms have collected much of his music through 1996 in box sets, namely The Complete Novus & Columbia Recordings of Henry Threadgill & Air (Mosaic Records MD-247 [2010], CD) and Henry Threadgill: The Complete Remastered Recordings on Black Saint & Soul Note (CAM London BXS 1003 [2011], CD). Chief among his career honors are the 2016 Pulitzer Prize for Music (for his album In for a ... Read More PubDate: 2024-05-29T00:00:00-05:00
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Abstract: Alec Wilder’s American Popular Song, first published in 1972, touched up and reissued posthumously in 1990, is presented in a new edition under the editorship of Robert Rawlins. A professor of music theory at Rowan University and the author of numerous books on jazz and US popular music, Rawlins brings to his task a comprehensive knowledge of the songs from the first half of the twentieth century and an insider’s knowledge of the ways they have been used by singers, musicians, and entertainers. His editorial work will be addressed below, but first, it is well to consider the scope of Wilder’s project and his approach.The central part of the book contains individual chapters devoted to noteworthy US popular-song ... Read More PubDate: 2024-05-29T00:00:00-05:00
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Abstract: In Women in Rock, Women in Romanticism, editor James Rovira brings together nine essays on women’s creative agency that bridge intellectual movements from the romantic period to musical intersections relevant today. A key to understanding the book is its inclusion within the Routledge Interdisciplinary Perspectives on Literature series. Although this collection indeed offers an interdisciplinary perspective, with authors representing a variety of humanistic fields, it should be read primarily as an intervention within literary studies rather than as a study of musical romanticism or rock-music history. Given this orientation, the strength of the volume is in its exploration of how women rock musicians from the ... Read More PubDate: 2024-05-29T00:00:00-05:00
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Abstract: At the concert celebrating the twenty-fifth anniversary of the Rock & Roll Hall of Fame, held at Madison Square Garden in New York City on 30 October 2009, U2’s Bono inserted a short sermon into his band’s set:Thinking in this moment about all the pilgrims, all the pioneers that got us all here. The saints and the heretics, the poets and the punks that now make up the Hall of Fame. It’s a dangerous thing, this business of building idols, but at least rock ’n’ roll is not, at its best, about worshipping sacred cows. It’s about the thousands of voices gathered in one great unwashed congregation, like tonight. For a lot of us here, rock ’n’ roll just means just one word: liberation—political, sexual, spiritual— ... Read More PubDate: 2024-05-29T00:00:00-05:00
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Abstract: Defining a new academic field requires considerable boldness. Guy L. Beck’s attempt to define the musicology of religion demonstrates this in three interrelated ways. First, he details a vast array of disciplinary methods and perspectives that he considers contributory to the new discipline; second, he interprets a range of earlier scholarly publications by noted researchers on music and religion as precursors of the new discipline; third, he makes broad generalized criticisms of the social-scientific methods, perspectives, and assumptions of several scholarly disciplines that engage with religion and music. He draws these three facets together to assert that the musicology of religion is both necessary and ... Read More PubDate: 2024-05-29T00:00:00-05:00
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Abstract: Research and scholarship on and about medieval chant since the mid-twentieth century have been both exciting and extensive. Both general and specialized overviews of repertories, regions, cities, and individuals continue to grow our knowledge, especially around the accretive process of chant composition itself. Nardini succinctly recounts this scholarship in chapter 1 (pp. 19–23). She also discusses the textual and musical similarities and differences between the various genres of these accretions—tropes, sequences, prosulas, and motets—as she telescopes down to the substance of this book: the prosulas found in the proper of the Mass in Beneventan manuscripts between the eighth and fifteenth centuries. The author ... Read More PubDate: 2024-05-29T00:00:00-05:00
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Abstract: William Hettrick’s addition to the canon of books about the history of the piano combines the technological approach of Alfred Dolge (Pianos and Their Makers: A Comprehensive History of the Development of the Piano from the Monochord to the Concert Grand Player Piano [Covina, CA: Covina, 1911; reprint, New York: Dover, 1972]) and Edwin M. Good (Giraffes, Black Dragons, and Other Pianos: A Technological History from Cristofori to the Modern Concert Grand [Stanford, CA: Stanford University Press, 1982]); the corporate history focus of Robert Adelson (Erard: A Passion for the Piano [New York: Oxford University Press, 2021]) and Richard K. Lieberman (Steinway & Sons [New Haven, CT: Yale University Press, 1995]); and ... Read More PubDate: 2024-05-29T00:00:00-05:00
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Abstract: This seriously flawed book is the first English-language treatment of the life and career of one of the most esteemed pianists of the twentieth century. Josef Hofmann (1876–1957), who was born near Kraków and studied initially with his father and then with Moritz Moszkowski. He later became the only private pupil of Russia’s Anton Rubinstein. He began playing in public at the age of six and made his US debut at ten. He quickly attracted attention as a child prodigy of extraordinary ability but withdrew from the concert platform in 1888. Hofmann returned as a mature artist in 1894 and, after frequent international touring, eventually settled in the US. During the early decades of the twentieth century, Hofmann ... Read More PubDate: 2024-05-29T00:00:00-05:00
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Abstract: Historical attempts to “define” mini-malist music often struggle to reconcile the variegated artistic styles of those categorized as minimalists under the umbrella of a single definition, and this struggle has often led to a narrowed view of who gets to “count” in the stories we tell about the minimalist music. Common origin stories perpetuated through music history textbooks and courses, and through the scholarly communities of musicology and music theory, choose to focus on the compositional strategies and resulting works of what editors Kerry O’Brien and William Robin call “the Big Four”: La Monte Young, Terry Riley, Steve Reich, and Philip Glass (p. 4). In doing so, the stories ignore the plethora of artists ... Read More PubDate: 2024-05-29T00:00:00-05:00
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Abstract: The present volume gathers presentations, dialogues, and audience questions from a series of events organized by the Barry S. Brook Center for Music Research and Documentation (City University of New York) between 2012 and 2016. The events dealt with the concept of musical modernism, a multifaceted subject in constant evolution.Although welcomed and embraced seamlessly by the graphic arts and literature, modernism remains a point of controversy in the music sphere. Modernism is not in the least a novelty, and its achievements have already left an indelible footprint on the musical scene. Criticized by some as cerebral, elitist, and purportedly incapable of communicating feelings, modernism is, however, hailed by ... Read More PubDate: 2024-05-29T00:00:00-05:00
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Abstract: This column is compiled quarterly from a variety of sources, including publisher and vendor websites and announcements. If you are an author or editor of a recently-published music book and would like to request inclusion in a future column, please send a message to ... Read More PubDate: 2024-05-29T00:00:00-05:00
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Abstract: The Polish-Jewish virtuoso and composer Maria Szymanowska (1789–1831) occupies a central, and in many ways unequalled, position among women composers. Because of her ability to support herself and her children solely through concerts and publications, she is widely considered the first professional female pianist in history. During the era of early romantic virtuosos, the celebrated Szymanowska was a household name in Poland, Russia, Ukraine, Lithuania, Germany, France, Great Britain, the Netherlands, and Italy. Great poets, such as Wolfgang von Goethe and Adam Mickiewicz, dedicated their verses to her, sculptors and painters, such as Bertel Thorvaldsen, eternalized for posterity her physical beauty.As a composer ... Read More PubDate: 2024-05-29T00:00:00-05:00
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Abstract: The year 2022 marked the 200th anniversary of the birth of composer Joseph Joachim Raff (1822–1882). In recognition of this milestone, a year-long festival of performances, exhibitions, publications, and conferences took place in his hometown, Lachen (Switzerland), where the Joachim Raff Society maintains an archive of scores and other memorabilia and fosters research into the composer’s life and works. (An extended report in German, or “Schlüssbericht,” on the 2022 Jubilee is available at the Raff Society’s website: https://joachim-raff.ch/raff-foerderwerk-2022/.) The 2022 Jubilee also celebrated the fiftieth anniversary of the Raff Society’s founding in 1972. A Swiss composer who spent most of his adult career in ... Read More PubDate: 2024-05-29T00:00:00-05:00
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Abstract: This column features works by contemporary self-published Mexican composers who were either born in Mexico or had a large part of their musical upbringing there. The 38 composers included in this column were found through the Living Composers Project – Mexico or the Mexican Repertoire Collection at Dartmouth. The lists of works included are a sample of one or two representative works, including works of all instrumentation or electronic/electroacoustic music. Because these are self-published composers, an email and/or personal website link is listed as a point of contact for each.Scores offered by each of these composers are digital unless otherwise indicated in the bibliography entry. If you need a model for ... Read More PubDate: 2024-05-29T00:00:00-05:00
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