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Materiali di Estetica
Number of Followers: 0 ![]() ISSN (Online) 2283-558X Published by U of Milan ![]() |
- Introduzione
Authors: Deianira Amico, Ferruccio Capelli
Abstract: -
PubDate: 2022-10-04
DOI: 10.54103/mde.i9.1-2.18372
- Introduction
Authors: Deianira Amico, Ferruccio Capelli
Abstract: -
PubDate: 2022-10-04
DOI: 10.54103/mde.i9.1-2.18373
- Una testimonianza sulla nascita della Fondazione Corrente
Authors: Gianni Cervetti
Abstract: The article is a direct witness of the birth of Fondazione Corrente given by one of his President. It underlines the relations between the historical movement of “Corrente” in 1938 and the new venture in 1978, focusing on the political engagement
PubDate: 2022-10-04
DOI: 10.54103/mde.i9.1-2.18375
- Per Ernesto Treccani
Authors: Fulvio Papi
Abstract: Fulvio Papi reflects on the work of Ernesto Treccani, founder of Corrente, by the point of view of a philosopher
PubDate: 2022-10-04
DOI: 10.54103/mde.i9.1-2.18376
- Tenere un cielo per cinque anni
Authors: Antonello Negri
Abstract: The article is dedicated to the great work of Ernesto Treccani for the house in via Porta in Milan, headquarters of Fondazione Corrente, conceived in the form of a sculpted and painted ceramic wall, consisting of over two thousand tiles, all different from each other. In this monumental work, Treccani shows a language that updates the line of post-impressionist Lombard tonalism according to the ways of a painting of matter and gesture
PubDate: 2022-10-04
DOI: 10.54103/mde.i9.1-2.18377
- Eredità di Antonio Banfi nel pensiero di Raffaele De Grada sulla storia e
critica d’arte: dagli anni della formazione all’attività della
Fondazione Corrente
Authors: Deianira Amico
Abstract: The article analyzes Raffaele De Grada’s thinking about art history and criticism, underlying the influence of Antonio Banfi’s teaching from his education to Fondazione Corrente’s debates in the 80’ies. By studying unpublished and little-known archival sources, it emerges how De Grada’s writings were focused on a thought opened to different points of view, such as historical context and artwork’s tecnique, to avoid an idealistic aesthetic. Moreover, De Grada conceived both art history and criticism as a political action, inspired by the ethical value of the person and of the creative human vision against any aestheticism or alienation
PubDate: 2022-10-04
DOI: 10.54103/mde.i9.1-2.18378
- Per una storia delle mostre della Fondazione Corrente
Authors: Giorgio Seveso
Abstract: Through an overview leaded on the Archive of the Events preserved in Fondazione Corrente, this article traces the Institution’s cultural choices following the point of view of the exhibitions’ history since 1978. It emerges a continuity between the proposal of shows dedicated to artists who were part of Corrente movement together with the desire to find in the youngest generation the fruits of those seeds of commitment in art sown before the war. At the center there is a focus on the topic of the image as an “icon”, a medium that gives the most effective and immediate communication between the sensitivity of the authors and that of the public
PubDate: 2022-10-04
DOI: 10.54103/mde.i9.1-2.18379
- Vittorio Sereni e «Corrente»
Authors: Edoardo Esposito
Abstract: After a short story of the journal «Corrente», founded in 1938 by Ernesto Treccani, the article remembers the role played in it by Vittorio Sereni, who studied at Milan's University with Antonio Banfi, and looks at his first poetry book, Frontiera, in which ermetic manner coexists with something that can be said realistic. Sereni took also part in 1978 in the establishment of, and participated in its initiatives
PubDate: 2022-10-04
DOI: 10.54103/mde.i9.1-2.18380
- Antonia Pozzi a «Corrente»: il saggio su Aldous Huxley
Authors: Graziella Bernabò
Abstract: An important contribution by Antonia Pozzi to the journal "Vita Giovanile" (the future "Corrente") is examined here: an essay on Aldous Huxley, centred mainly on Eyeless in Gaza but also referring to the other works of the English writer. Pozzi was particularly attracted by the idea that such a writer with scientific approach like Huxley developed a style closely linked to life. Life understood not only as reason but also as body, emotion, empathy towards others and towards the world. This was in fact the way Pozzi herself conceived life and writing
PubDate: 2022-10-04
DOI: 10.54103/mde.i9.1-2.18381
- Dal Moderno al genius loci. Sul concetto della città-territorio a
Corrente
Authors: Jacopo Muzio
Abstract: The article offers an excursus on with some debates related to the world of architecture and urban planning. The traces of a “school of Milan” are manifested in a thought that understands the city not as a place of economic speculation but as a territory for human expression, as the words of Ernesto Treccani recall
PubDate: 2022-10-04
DOI: 10.54103/mde.i9.1-2.18382
- L'impronta della "scuola di Milano" sulla Casa della
Cultura
Authors: Ferruccio Capelli
Abstract: The philosophical cenacle gathered around Antonio Banfi was the undisputed protagonist of the first decades of Casa della Cultura in Milan. But even in subsequent seasons, until today, traces of a cultural heritage that has proved particularly fruitful can be easily grasped
PubDate: 2022-10-04
DOI: 10.54103/mde.i9.1-2.18383
- La filosofia alla Casa della Cultura
Authors: Fabio Minazzi
Abstract: -
PubDate: 2022-10-04
DOI: 10.54103/mde.i9.1-2.18384
- Martinetti e Banfi tra teoria e prassi
Authors: Davide Assael
Abstract: The Martinetti-Banfi relationship was investigated by critics, who identified the point of origin of the Milan School in the Banfi work. Yet, if the texts are analyzed, it is not difficult to find a continuity between teacher and pupil. If this seems evident in the first Banfi writings, the more markedly theoretical ones, even the more mature Banfi production seems indebted to Martinetti's origins. Both in the confrontation with phenomenology and with Marxism, Banfi insists on Martinetti's attempt to reconcile the dualisms characteristic of the metaphysical tradition. In this continuity, elements of discontinuity also emerge, starting with a growing materialism absent in Martinetti's spiritualism
PubDate: 2022-10-04
DOI: 10.54103/mde.i9.1-2.18385
- Banfi e Bontadini, tracce di un rapporto tra due scuole di pensiero
Authors: Roberto Diodato
Abstract: -
PubDate: 2022-10-04
DOI: 10.54103/mde.i9.1-2.18766
- L'educazione alla libertà
Authors: Marzio Zanantoni
Abstract: The essay presents the debate between national PCI and Milan’s PCI about the building of a new popular culture after the fall of fascism. The philosopher Antonio Banfi and the writer Elio Vittorini were the protagonists of this period. Banfi had already analysed this issue in the “Fronte della cultura” and in the programmes of the “Casa della Cultura” of Milan, while Vittorini had intervened with some articles published in the Florentine periodical «Il Bargello» then recalled in «Il Politecnico». Their point of view would have been questioned by national PCI in which prevailed the cultural approach inspired by Gramsci’s «Quaderni del carcere» that came out in the same years
PubDate: 2022-10-04
DOI: 10.54103/mde.i9.1-2.18386
- Un aspetto internazionale della scuola di Milano
Authors: Gianni Trimarchi
Abstract: The philosophical school of Milan has always paid a great attention to the international relationships. We examine here the case of the publication of Ricoeur's De l'interprétation. This text was the object of great controversies in France, but was uphold in Italy by Enzo Paci and his school. They were able to highlight some innovative aspects of the discourse and in particular the connection between phenomenology and psychoanalysis, connection linked to the intersubjective dimension
PubDate: 2022-10-04
DOI: 10.54103/mde.i9.1-2.18387
- Casa della Cultura e Fondazione Corrente: confronto aperto e crescita
Authors: Nicola Vitale
Abstract: The author recounts his experience of collaboration with the Casa della Cultura and later with Fondazione Corrente, combining the autobiographical aspect with a critical analysis. It was an opportunity for comparison between practical knowledge of art and theoretical visions expressed in the academic field. Starting from specific experiences in various fields of artistic expression, the Author reports the controversy on the centrality of beauty, in the different perceptions and conceptions of art, touching on issues that are generally rarely addressed
PubDate: 2022-10-04
DOI: 10.54103/mde.i9.1-2.18388
- In ricordo di Egle Becchi
Authors: Fulvio Papi
Abstract: -
PubDate: 2022-10-04
DOI: 10.54103/mde.i9.1-2.18393
- Egle Becchi: il bambino e la sua pedagogia
Authors: Anna Bondioli
Abstract: -
PubDate: 2022-10-04
DOI: 10.54103/mde.i9.1-2.18394
- L'estetica e il gusto della pedagogia in ottica diacronica negli
studi di Egle Becchi
Authors: Monica Ferrari
Abstract: This essay discusses some traits of the research path of Egle Becchi starting from the essential questions and heuristic constructs that have characterised it over the years, not least the development of a reflection on the concept of connoisseurship as a perspective for the analysis of pedagogical phenomena. Re-reading some aspects of this path where the theme of taste, the ability to choose and discriminate, the aesthetic quality of proposals and research in pedagogy, together with a specific process of acculturation, plays here a central role, the essay also discusses subjects, figures and places of education from a contextual and diachronic perspective, in both theory and practice
PubDate: 2022-10-04
DOI: 10.54103/mde.i9.1-2.18395
- Le categorie aristoteliche nel prisma del diritto penale
Authors: Gabriele Civello
Abstract: In September 2016, Enrico Berti gave an interview to the Paduan jurist Gabriele Civello on the relationship between Aristotelian philosophy and the general theory of Criminal Law. In particular, the interview concerns the connections between the Categories of Aristotle and the notion of Crime. The text is published here for the first time, in honor and memory of prof. Berti
PubDate: 2022-10-04
DOI: 10.54103/mde.i9.1-2.18396
- Ricordo di Enrico Berti
Authors: Luciano Malusa
Abstract: -
PubDate: 2022-10-04
DOI: 10.54103/mde.i9.1-2.18397
- Ricordo di Enrico Berti
Authors: Vincenzo Milanesi
Abstract: -
PubDate: 2022-10-04
DOI: 10.54103/mde.i9.1-2.18398
- Ultimo saluto a Enrico Berti
Authors: Gregorio Piaia
Abstract: -
PubDate: 2022-10-04
DOI: 10.54103/mde.i9.1-2.18399
- Lettere di Enrico Berti
Authors: Gabriele Scaramuzza
Abstract: -
PubDate: 2022-10-04
DOI: 10.54103/mde.i9.1-2.18400
- La fantasia come motore del pensiero: ricordo di Antonio Rostagno
Authors: Gianmario Borio
Abstract: In this short article I recall some significant episodes of my intellectual relationship to Antonio Rostagno. The double meaning of the word "phantasy" allows me to refer both to a discontinuous and paratactic musical form, deeply connected with the Romantic experience, and to Rostagno's capacity of opening unexpected perspectives on known facts. I comment upon passages of his writings, talks and letters. I conclude with a reflection on the convergent elements of Hölderlin and Schumann, a topic which belongs to our common research fields
PubDate: 2022-10-04
DOI: 10.54103/mde.i9.1-2.18401
- Maestro r(R)aro: nel segno di Schumann
Authors: Michela Garda
Abstract: The article is devoted to the memory of the late Antonio Rostagno (1962-2021). It focuses on Rostagno's commitment to musical aesthetics and attempts to highlight his original way of addressing the space between music and philosophy, following Rostagno's interest in Adorno and Schumann from a historical and theoretical perspective
PubDate: 2022-10-04
DOI: 10.54103/mde.i9.1-2.18402
- «e sia tua ogni cosa che mai non appartenne!» Ein Nachruf auf
Antonio Rostagno
Authors: Markus Ophälders
Abstract: -
PubDate: 2022-10-04
DOI: 10.54103/mde.i9.1-2.18767
- Uno sconosciuto molto familiare (per Guido)
Authors: Silvana Borutti
Abstract: -
PubDate: 2022-10-04
DOI: 10.54103/mde.i9.1-2.18403
- Ricordo di Renato Solmi
Authors: Fulvio Papi
Abstract: -
PubDate: 2022-10-04
DOI: 10.54103/mde.i9.1-2.18404
- Tre poesie (più una) per Vittorio Sereni
Authors: Silvio Ramat
Abstract: -
PubDate: 2022-10-04
DOI: 10.54103/mde.i9.1-2.18405
- The requirement for the interaction of religion and aesthetics in the
modernity of the art world
Authors: Zahra Yaghoubi
Abstract: Art is a necessary aspect of existence, as Nietzsche puts it so beautifully: "Art makes life conceivable and worthy of living.” (F. Nietzsche, The Birth of Tragedy, trad. W. Kaufmann, New York, 1967). Otherwise, it leads to a crisis known as "disability," which includes the incapacity to comprehend, perform, and present. As Nietzsche compares the artist to Hamlet in his book, the artist is shown to be capable of achieving nothing, and his incapacity stems from the fact that there is no longer any link between knowledge and action, and therefore even Dionysus happiness, It makes no difference in the world. The root of this incompetence is a critical issue that must be addressed in order to solve art-related issues
PubDate: 2022-10-04
DOI: 10.54103/mde.i9.1-2.18406
- Tra Brera e Corrente: Dady Orsi e lo spirito del suo tempo
Authors: Cesare Facchetti, Cosma Orsi
Abstract: -
PubDate: 2022-10-04
DOI: 10.54103/mde.i9.1-2.18768
- Possession
Authors: Lucia Ferrario
Abstract: -
PubDate: 2022-10-04
DOI: 10.54103/mde.i9.1-2.18407
- Videodrome
Authors: Lucia Ferrario
Abstract: -
PubDate: 2022-10-04
DOI: 10.54103/mde.i9.1-2.18408
- Il multiverso dell’amore nelle tradizioni letterarie e sapienziali
dell’India antica
Authors: Emanuela Magno
Abstract: -
PubDate: 2022-10-04
DOI: 10.54103/mde.i9.1-2.18409
- Recensione a Cielo d'autunno
Authors: Vittorio Morfino
Abstract: -
PubDate: 2022-10-04
DOI: 10.54103/mde.i9.1-2.18410
- Recensione a Scelte
Authors: Fulvio Papi
Abstract: -
PubDate: 2022-10-04
DOI: 10.54103/mde.i9.1-2.18411
- Recensione a Georg Cantor. La filosofia dell'infinito. Scritti scelti
(1884-1888)
Authors: Giovanni Raimo
Abstract: -
PubDate: 2022-10-04
DOI: 10.54103/mde.i9.1-2.18412
- Recensione a Scritti contro la guerra
Authors: Gabriele Scaramuzza
Abstract: -
PubDate: 2022-10-04
DOI: 10.54103/mde.i9.1-2.18413
- Lucio Perucchi (1947-2022)
Authors: Gabriele Scaramuzza
Abstract: -
PubDate: 2022-10-04
DOI: 10.54103/mde.i9.1-2.18414
- Emilio Renzi (4 ottobre 1937 - 27 maggio 2022)
Authors: Gabriele Scaramuzza
Abstract: -
PubDate: 2022-10-04
DOI: 10.54103/mde.i9.1-2.18415
- Call for papers Materiali di Estetica 10.1-2 (giugno 2023) - "Il
linguaggio dei colori"
Authors: Redazione
Abstract: -
PubDate: 2022-10-04
DOI: 10.54103/mde.i9.1-2.18769
- Numero 9.1-2 - La Scuola di Milano alle origini della Fondazione Corrente
e della Casa della Cultura
Authors: Redazione
Abstract: -
PubDate: 2022-10-04
DOI: 10.54103/mde.i9.1-2.18786
- Fogli sparsi di Fulvio Papi
Authors: Fulvio Papi
Abstract: -
PubDate: 2022-10-04
DOI: 10.54103/mde.i9.1-2.18788
- Abitudine all'incertezza
Authors: Fulvio Papi
Abstract: -
PubDate: 2022-10-04
DOI: 10.54103/mde.i9.1-2.18389
- Sancta simplicitas
Authors: Fulvio Papi
Abstract: -
PubDate: 2022-10-04
DOI: 10.54103/mde.i9.1-2.18390
- Tra paura e realtà
Authors: Fulvio Papi
Abstract: -
PubDate: 2022-10-04
DOI: 10.54103/mde.i9.1-2.18392
- Inconsumabile
Authors: Fulvio Remigio Carmagnola
Abstract: -
PubDate: 2022-09-30
DOI: 10.54103/mde.i9.1-2.18985