Subjects -> MUSEUMS AND ART GALLERIES (Total: 56 journals)
Showing 1 - 7 of 7 Journals sorted by number of followers
Archives and Museum Informatics     Hybrid Journal   (Followers: 100)
Archives and Manuscripts     Hybrid Journal   (Followers: 53)
Journal of the Society of Archivists     Hybrid Journal   (Followers: 36)
Technology and Culture     Full-text available via subscription   (Followers: 35)
Archivaria     Open Access   (Followers: 34)
Journal of Archival Organization     Hybrid Journal   (Followers: 31)
Land Use Policy     Hybrid Journal   (Followers: 29)
Museum Management and Curatorship     Hybrid Journal   (Followers: 26)
Journal of the Institute of Conservation     Hybrid Journal   (Followers: 25)
Museum History Journal     Hybrid Journal   (Followers: 23)
Journal of Conservation and Museum Studies     Open Access   (Followers: 23)
Museum Anthropology     Hybrid Journal   (Followers: 22)
Journal of Museum Education     Hybrid Journal   (Followers: 20)
RBM : A Journal of Rare Books, Manuscripts, and Cultural Heritage     Open Access   (Followers: 20)
Museum International     Hybrid Journal   (Followers: 18)
Curator     Hybrid Journal   (Followers: 18)
Heritage, Memory and Conflict Journal     Open Access   (Followers: 17)
Journal of the History of Collections     Hybrid Journal   (Followers: 15)
Museums Journal     Full-text available via subscription   (Followers: 15)
Journal of Educational Media, Memory, and Society     Full-text available via subscription   (Followers: 13)
Journal of Curatorial Studies     Hybrid Journal   (Followers: 13)
Metropolitan Museum Journal     Full-text available via subscription   (Followers: 12)
Journal of Jewish Identities     Full-text available via subscription   (Followers: 11)
Museum Anthropology Review     Open Access   (Followers: 11)
Museum and Society     Open Access   (Followers: 10)
Museums & Social Issues     Hybrid Journal   (Followers: 9)
Journal of the South African Society of Archivists     Full-text available via subscription   (Followers: 7)
Archives     Full-text available via subscription   (Followers: 7)
Journal of Fine Arts Campus     Open Access   (Followers: 7)
Tuhinga     Open Access   (Followers: 6)
Museum Worlds : Advances in Research     Open Access   (Followers: 5)
AICCM Bulletin     Hybrid Journal   (Followers: 4)
Collections : A Journal for Museum and Archives Professionals     Full-text available via subscription   (Followers: 4)
Museum International Edition Francaise     Hybrid Journal   (Followers: 3)
Memoirs of the Queensland Museum, Culture     Full-text available via subscription   (Followers: 3)
Acervo : Revista do Arquivo Nacional     Open Access   (Followers: 2)
Travaux du Muséum National d’Histoire Naturelle “Grigore Antipa” (The Journal of “Grigore Antipa” National Museum of Natural History)     Open Access   (Followers: 1)
Revista del Museo de Antropología     Open Access   (Followers: 1)
ICOFOM Study Series     Open Access   (Followers: 1)
Norsk museumstidsskrift     Open Access   (Followers: 1)
Nordisk Museologi : The Journal Nordic Museology     Open Access   (Followers: 1)
Bulletin of Kyiv National University of Culture and Arts. Series in Museology and Monumental Studies     Open Access   (Followers: 1)
Uncommon Culture     Open Access   (Followers: 1)
Technè     Open Access  
Boletín Científico : Centro de Museos. Museo de Historia Natural     Open Access  
Revista del Museo de La Plata     Open Access  
MIDAS     Open Access  
Revista de Museología : Kóot     Open Access  
La Lettre de l’OCIM     Open Access  
Similar Journals
Journal Cover
Number of Followers: 6  

  This is an Open Access Journal Open Access journal
ISSN (Print) 1173-4337 - ISSN (Online) 2253-5861
Published by Pensoft Homepage  [58 journals]
  • South American terrestrial Gastropoda in the collection of the
           Auckland War Memorial Museum

    • Abstract: Tuhinga 34: 57-73
      DOI : 10.3897/tuhinga.34.98329
      Authors : Rodrigo B. Salvador, Abraham S. H. Breure, Severine Hannam, Wilma M. Blom : The catalogued collection of South American terrestrial gastropods, including the Caribbean ABC islands and Trinidad & Tobago, of the Auckland War Memorial Museum (AM), New Zealand, is discussed here. In total, 264 specimen lots from South America were found in the AM collection, including eight type lots. Twelve of the specimens represent new geographic distribution data, including the first known precise locality for the species Bostryx luridus (L. Pfeiffer, 1863) and potentially for Drymaeus cf. waldoschmidti Parodiz, 1962 as well. The specimens of Lopesianus crenulatus Weyrauch, 1967 allowed for the revision of the monospecific genus Lopesianus Weyrauch, 1958, which is herein considered valid in the family Simpulopsidae. HTML XML PDF
      PubDate: Fri, 10 Mar 2023 07:47:21 +020
  • Augustus Hamilton’s fossil collection at the Museum of New Zealand
           Te Papa Tongarewa

    • Abstract: Tuhinga 34: 47-56
      DOI : 10.3897/tuhinga.34.97731
      Authors : Melanie Ioane-Warren, Rodrigo B. Salvador, Karyne M. Rogers, Alan J. D. Tennyson : Augustus Hamilton (1853–1913) was a New Zealand ethnologist and naturalist who amassed a significant collection of fossils, mostly of birds, during his career. Today, those fossils are housed in the Museum of New Zealand Te Papa Tongarewa (NMNZ). While some fossils have been catalogued and integrated into the collection of the NMNZ, a large part remained unsorted and uncatalogued. The present study brings an integrated view of Hamilton’s collection at the NMNZ, highlighting the most significant fossils. In total, there are 3692 specimen lots collected by Hamilton in the NMNZ representing a large sample of taxa and a wide range of locations around Aotearoa New Zealand. Most fossils are of Holocene age and belong to birds. The collection includes type specimens, circa 250 specimen lots belonging to extinct species, and specimens belonging to otherwise poorly represented species in natural history collections. We hope that our study makes Hamilton’s fossils visible and more readily available for future research. HTML XML PDF
      PubDate: Tue, 7 Mar 2023 11:40:02 +0200
  • From farm to forest – 50 years of ecological transformation on Mana
           Island, New Zealand

    • Abstract: Tuhinga 34: 1-46
      DOI : 10.3897/tuhinga.34.98136
      Authors : Colin M. Miskelly : Ecological surveys of Mana Island, Wellington, in 1972 and 1975 confirmed that house mice (Mus musculus) were the only pest mammals present, and resulted in nationally significant populations of Cook Strait giant weta (Deinacrida rugosa) and of two threatened lizard species being confirmed or discovered. Photographs taken in June 1972 were re-taken in June 2022, and are used to document social and ecological change on the island over this 50-year interval. Mana Island was farmed until 1986, and has been a conservation reserve administered by the Department of Conservation (DOC) since 1987. Mice reached plague numbers after farm stock were removed, and caused a population crash of McGregor’s skink (Oligosoma macgregori). Following mouse eradication in 1989–90, the island has been free of introduced mammals. A major revegetation effort since 1987 included planting of more than 443,000 trees and shrubs over about 36% of the 217 ha island. For the last two decades, conservation management of the island has largely followed a comprehensive ecological restoration plan that was published in 1999. The Friends of Mana Island was formed in 1998, and has taken the lead role in most conservation initiatives on the island since then, in partnership with Ngāti Toa Rangatira (mana whenua) and DOC. In addition to the revegetation programme, weed control, and recreation of a wetland, 22 animal species have been translocated to the island, and several bird species have colonised naturally. Conservation successes and failures are described, and research relevant to restoration ecology undertaken on the island is summarised. HTML XML PDF
      PubDate: Mon, 6 Mar 2023 07:53:00 +0200
  • Mid-20th century British ceramics in Aotearoa

    • Abstract: Tuhinga 33: 33-46
      DOI : 10.3897/tuhinga.33.82337
      Authors : Moira White : Over 1949–1951 the Association of Friends of the Otago Museum purchased approximately 100 pieces of contemporary ceramic work described by them at the time as representing the best current English potters – work they felt would have a lasting value. Muriel Rose, the Crafts and Industrial Design Officer at the British Council, made the selection on their behalf and arranged transport. The group included work from Bernard Leach, the Leach Pottery, Michael Cardew, Katherine Pleydell-Bouverie, Steven Sykes, Henry Hammond and Margaret Leach, as well as Wetheriggs Pottery and examples of work from commercial factories, particularly Wedgwood, who employed highly regarded graphic artists. In 1951, HD Skinner suggested to Robert Falla, director of the Dominion Museum, that they share this group. This paper examines the acquisition as a whole, its background, and the logistics of the division between the two institutions. HTML XML PDF
      PubDate: Wed, 2 Nov 2022 14:00:29 +0200
  • Gordon Crook and the Wolf-Man

    • Abstract: Tuhinga 33: 1-29
      DOI : 10.3897/tuhinga.33.82325
      Authors : Peter Stupples : Gordon Crook (1921–2011) became a significant Wellington artist after his arrival in Aotearoa, New Zealand in 1972. He produced tapestries, prints and banners. In the 1980s, he turned from celebratory public works to more introverted, private imagery, particularly after acquiring a copy of Muriel Gardiner’s The Wolf-Man and Sigmund Freud. In Freud’s analysis of Sergei Pankeev (The Wolf-Man), Crook discovered a set of ideas that enabled him to explore his own infantile neurosis, the result of childhood traumas and his psycho-sexual difficulties in human relationships. The result was a major series of works (1990–91) embracing tapestries and black-and-white prints, two sets of which are in the collection of Te Papa. This paper is based upon Crook’s correspondence over the period of the development of his turn towards more introverted subject matter, as well as a close study of the relationship of Crook’s images to the text of Gardiner’s book. HTML XML PDF
      PubDate: Mon, 1 Aug 2022 15:00:11 +0300
  • Review of Invisible: New Zealand’s history of excluding

    • Abstract: Tuhinga 33: 31-32
      DOI : 10.3897/tuhinga.33.83716
      Authors : Edwina Pio :   HTML XML PDF
      PubDate: Mon, 1 Aug 2022 07:56:03 +0300
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