Subjects -> MUSEUMS AND ART GALLERIES (Total: 56 journals)
Showing 1 - 7 of 7 Journals sorted alphabetically
Acervo : Revista do Arquivo Nacional     Open Access   (Followers: 1)
AICCM Bulletin     Hybrid Journal   (Followers: 2)
Archivaria     Open Access   (Followers: 32)
Archives     Full-text available via subscription   (Followers: 6)
Archives and Manuscripts     Hybrid Journal   (Followers: 50)
Archives and Museum Informatics     Hybrid Journal   (Followers: 97)
Boletín Científico : Centro de Museos. Museo de Historia Natural     Open Access  
Bulletin of Kyiv National University of Culture and Arts. Series in Museology and Monumental Studies     Open Access   (Followers: 1)
Collections : A Journal for Museum and Archives Professionals     Full-text available via subscription   (Followers: 1)
Curator     Hybrid Journal   (Followers: 14)
Heritage, Memory and Conflict Journal     Open Access   (Followers: 4)
ICOFOM Study Series     Open Access   (Followers: 1)
Journal of Archival Organization     Hybrid Journal   (Followers: 28)
Journal of Conservation and Museum Studies     Open Access   (Followers: 20)
Journal of Curatorial Studies     Hybrid Journal   (Followers: 10)
Journal of Educational Media, Memory, and Society     Full-text available via subscription   (Followers: 12)
Journal of Fine Arts Campus     Open Access  
Journal of Jewish Identities     Full-text available via subscription   (Followers: 11)
Journal of Museum Education     Hybrid Journal   (Followers: 19)
Journal of the History of Collections     Hybrid Journal   (Followers: 12)
Journal of the Institute of Conservation     Hybrid Journal   (Followers: 25)
Journal of the Society of Archivists     Hybrid Journal   (Followers: 34)
Journal of the South African Society of Archivists     Full-text available via subscription   (Followers: 6)
La Lettre de l’OCIM     Open Access  
Land Use Policy     Hybrid Journal   (Followers: 20)
Memoirs of the Queensland Museum, Culture     Full-text available via subscription   (Followers: 3)
Metropolitan Museum Journal     Full-text available via subscription   (Followers: 11)
MIDAS     Open Access  
Museum and Society     Open Access   (Followers: 7)
Museum Anthropology     Hybrid Journal   (Followers: 18)
Museum Anthropology Review     Open Access   (Followers: 9)
Museum History Journal     Hybrid Journal   (Followers: 19)
Museum International     Hybrid Journal   (Followers: 17)
Museum International Edition Francaise     Hybrid Journal   (Followers: 3)
Museum Management and Curatorship     Hybrid Journal   (Followers: 22)
Museum Worlds : Advances in Research     Open Access   (Followers: 4)
Museums & Social Issues     Hybrid Journal   (Followers: 8)
Museums Journal     Full-text available via subscription   (Followers: 14)
Nordisk Museologi : The Journal Nordic Museology     Open Access   (Followers: 1)
Norsk museumstidsskrift     Open Access   (Followers: 1)
RBM : A Journal of Rare Books, Manuscripts, and Cultural Heritage     Open Access   (Followers: 20)
Revista de Museología : Kóot     Open Access  
Revista del Museo de Antropología     Open Access   (Followers: 1)
Revista del Museo de La Plata     Open Access  
Technè     Open Access  
Technology and Culture     Full-text available via subscription   (Followers: 31)
Travaux du Muséum National d’Histoire Naturelle “Grigore Antipa” (The Journal of “Grigore Antipa” National Museum of Natural History)     Open Access  
Tuhinga     Open Access   (Followers: 3)
Uncommon Culture     Open Access  
Similar Journals
Journal Cover
ICOFOM Study Series
Number of Followers: 1  

  This is an Open Access Journal Open Access journal
ISSN (Print) 2309-1290 - ISSN (Online) 2306-4161
Published by OpenEdition Journals Homepage  [452 journals]
  • Social Museology and the Iny Karajá Health Campaign in Brazil

    • Authors: Manuelina Maria Duarte Cândido, Andréa Dias Vial, Henrique Gonçalves Entratice, Rafael Santana Gonçalves de Andrade, Nei Clara de Lima
      Abstract: Drawing on Social Museology principles, this document presents and analyses the activities carried out in 2020 as part of the Karajá Presence Research Project, launched in 2017, into material culture, fabric, and colonial transits. We show how the mapping and study of collections of indigenous artifacts led to a health campaign in support of the Iny Karajá people. This group holds the knowledge related to the production of ritxoko, clay dolls which are the subject of our investigation. Furthermore, we share our understanding that life is the most significant heritage. Working for the survival of biological and cultural diversity must be a non-negotiable commitment of Museology since it is a domain that looks at the fate of things and their continuity.
      PubDate: 2022-01-06
  • Re-Adjusting Museum Theoretics (and Hence, Practices) to Include
           Indigenous Community Needs and Values

    • Authors: Jessie Ryker-Crawford
      Abstract: Curation and the collections of cultural material must be the result of a collaborative process; beyond being the stewards of cultural objects, we must recognize our positions as servants to the communities to whom we owe our livelihoods. The visual discourses embedded in the ways that we curate tangible cultural heritage should strongly reflect the intangibles of the cultural heritage that we collect. This requires new museological theories and, hence, practices that break down previous colonial theories and practices. A case study on peach trees is presented here that highlights what can occur when collaborative models of curation are embraced.
      PubDate: 2022-01-06
  • Re-Ajustando la Teorética de los Museos (y por ende, sus Prácticas) para
           Incluir las Necesidades y Valores de la Comunidad indígena

    • Authors: Jessie Ryker-Crawford
      Abstract: La curaduría y las colecciones de material cultural deben ser un proceso colaborativo; más allá de ser los custodios de los objetos culturales, debemos reconocer nuestra posición como servidores de las comunidades a las que debemos nuestros medios de vida. Los discursos visuales incrustados en las formas en que curamos el patrimonio cultural tangible deben reflejar fuertemente lo intangible del patrimonio cultural que recopilamos. Esto requiere nuevas teorías museológicas y, por ende, prácticas que rompan las teorías y prácticas coloniales anteriores. Aquí se presenta un estudio de caso sobre árboles de durazno (melocotón) que destaca lo que puede ocurrir cuando se adoptan modelos colaborativos de curaduría.
      PubDate: 2022-01-06
  • Connectedness and Relationship: Foundations of Indigenous Ethics Within
           the Tribal Museum Context

    • Authors: Alyce Sadongei
      Abstract: Introduction Ethics and how they are applied to museums focuses on adhering to standards for governance, programs and collections care. This is reflected in the code of ethics established by the American Alliance of Museums (2021). Tribal museums strive to provide standards in the same area. However, the ethics they follow extend beyond museum practice to include unique applications based on lived experience and Indigenous realities. Over the course of my professional museum and cultural arts career, I have observed firsthand a broad spectrum of distinct ethically informed behaviors being applied formally and informally in a variety of settings. As a Native American person, I am intimately aware of how these behaviors draw upon cultural ways of knowing and, at the same, I understand their potential to further illuminate the diversity of our deeper human experience. The museum field can benefit from being aware of Indigenous ethics particularly when entering into collaborations with t...
      PubDate: 2022-01-06
  • Le centre culturel Tjibaou ou les difficultés d’incarner une identité
           néocalédonienne en devenir

    • Authors: Quitterie Puel, Fabien Van Geert
      Abstract: Parce qu’il participe de la création de références culturelles et d’un imaginaire collectif, le musée permet la diffusion d’un sentiment d’appartenance nationale au sein de la population. Le centre culturel Tjibaou, au moment de sa construction, avait pour mission de valoriser la culture kanak. Depuis l’Accord de Nouméa, l’identité néo-calédonienne est en pleine construction dans l’archipel et le centre a progressivement eu pour mission de soutenir ce projet de société. Cet établissement offre donc un éclairage à la fois unique et contemporain sur le rôle des institutions culturelles dans la construction des identités nationales. Dans cet article, nous observons les stratégies mises en place par le centre pour accomplir ses missions ainsi que les obstacles qui fragilisent aujourd’hui sa légitimité en tant qu’acteur du « destin commun ».
      PubDate: 2022-01-06
  • From Nails to Rails: A Report in the Practical Application of Theoretical

    • Authors: Victoria Miller
      Abstract: Theoretical museology is the study of museums, including explorations of their history, role in society, and the activities they engage in for the benefit of the communities that they serve which include curating, public programming, education and preservation.
      This paper will examine the theoretical foundations and a practical application of museology at the Steelworks Center of the West in Pueblo, Colorado (USA). The aim is to stimulate critical thinking on the transfer and cross-cultural application of standard, professional museum models and methods. It will also examine how the Steelworks Center provides for a study of museology within the environment, particularly regarding the ways in which people learn. These will include the role of museum education as an alternative to the traditional methods of study, and also, museum education as a trainer for non-conformist thinking.
      PubDate: 2022-01-06
  • Shifting Paradigms in Musealization: The Participation of Indigenous
           People in the Rio de Janeiro Indian Museum

    • Authors: Leandro Guedes
      Abstract: This article presents a theoretical reflection on the relationship between museum and musealization processes in a contemporary perspective, examining the Indian Museum of Rio de Janeiro, founded in 1953 and currently linked to the National Indian Foundation (FUNAI), as a case study. To this purpose, our argument focuses on a critical analysis of Museology, in a decolonialized way, which involves the participation of indigenous people since 2001, notably in the museum’s research projects and exhibitions, with a partnership system between anthropologists and indigenous people. Such activities encompass indigenous people in the musealization, which is understood according to the theoretical model proposed by Zbynek Z. Stránský of selection, thesaurization, and presentation.
      PubDate: 2022-01-06
  • Agents and Actors at Aanischaaukamikw Cree Cultural Institute

    • Authors: Minnie Coonishish
      Abstract: Aanischaaukamikw Cree Cultural Institute (ACCI) opened in 2011, but the idea had been around for many decades. Since 2011, we have been working to bring Eeyou world views and values to life within this cultural space, adapting aspects of the European tradition of museology to meet the needs of our communities. This paper presents an overview of our decolonising practice as we move into our second decade of existence as the cultural heart of Eeyou Istchee.
      PubDate: 2022-01-06
  • Branding Indigeneity: Corporate Patronage of the Arts

    • Authors: Patricia A. Banks
      Abstract: Although corporate giving is an important source of support for initiatives related to indigenous cultures, it is less clear how companies gain advantages from patronage. This paper develops the concept of branding indigeneity to describe how companies benefit from philanthropy and sponsorships related to indigenous cultures. More specifically, I argue that corporate patronage related to indigenous cultures is a practice through which companies shape perceptions that they respect and value indigenous peoples. I draw on the case of corporate patronage at the National Museum of the American Indian (NMAI) to empirically illustrate branding indigeneity in the United States.
      PubDate: 2022-01-06
  • La dynamique de pouvoir dans la représentation de l’Autre. Le cas des
           arts de l’Islam en Europe

    • Authors: Obay Al Bitar
      Abstract: La discipline d’étude des arts de l’Islam est fondée au tournant du XXe siècle en Occident. Née de contacts antérieurs avec les terres de l’Islam, la fascination des érudits européens pour l’Orient a provoqué une vague d’expéditions dans le but de récolter davantage d’informations utilisées pour paver le chemin des conquêtes militaires européennes et la création des colonies dans la région. Ce nouveau monde est par la suite ramené en Europe pour être exposé et redécouvert par le public européen. Les objets exotiques du monde conquis ont été soumis à des représentations qui renforcent la séparation et la domination raciale et culturelle. L’analyse des expositions permanentes des arts de l’Islam en Europe démontre d’une volonté de créer des ponts entre les civilisations contemporaines et d’un effort d’adoucissement de la mémoire d’un passé colonial en offrant ainsi un regard sur la pratique consistant à exposer la culture de l’Autre.
      PubDate: 2022-01-06
School of Mathematical and Computer Sciences
Heriot-Watt University
Edinburgh, EH14 4AS, UK
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