Subjects -> JOURNALISM AND PUBLICATION (Total: 219 journals)
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JOURNALISM AND PUBLICATION (148 journals)                     

Showing 1 - 17 of 17 Journals sorted alphabetically
#PerDebate     Open Access  
Actas Urológicas Españolas     Full-text available via subscription   (Followers: 1)
Advances in Journalism and Communication     Open Access   (Followers: 26)
Advances in Protein Chemistry and Structural Biology     Full-text available via subscription   (Followers: 18)
African Journalism Studies     Hybrid Journal   (Followers: 4)
American Journalism     Hybrid Journal   (Followers: 2)
Âncora : Revista Latino-Americana de Jornalismo     Open Access  
Annales françaises d'Oto-rhino-laryngologie et de Pathologie Cervico-faciale     Full-text available via subscription   (Followers: 2)
Apparence(s)     Open Access   (Followers: 1)
Archives of Cardiovascular Diseases Supplements     Full-text available via subscription   (Followers: 2)
Archivos de Medicina Veterinaria     Open Access   (Followers: 1)
Arethusa     Full-text available via subscription   (Followers: 5)
Arizona Journal of Hispanic Cultural Studies     Full-text available via subscription   (Followers: 5)
Arizona Quarterly: A Journal of American Literature, Culture, and Theory     Full-text available via subscription   (Followers: 18)
Asian Journal of Animal Sciences     Open Access   (Followers: 3)
Asian Journal of Information Management     Open Access   (Followers: 9)
Asian Journal of Marketing     Open Access   (Followers: 5)
Astérion     Open Access  
Atención Primaria     Open Access   (Followers: 2)
Australasian Marketing Journal (AMJ)     Hybrid Journal   (Followers: 4)
BMS: Bulletin of Sociological Methodology/Bulletin de Méthodologie Sociologique     Hybrid Journal   (Followers: 4)
Brazilian Journalism Research     Open Access   (Followers: 2)
British Journal of General Practice     Full-text available via subscription   (Followers: 39)
Brookings Papers on Economic Activity     Open Access   (Followers: 68)
Brookings-Wharton Papers on Financial Services     Full-text available via subscription   (Followers: 3)
Brookings-Wharton Papers on Urban Affairs     Full-text available via subscription   (Followers: 7)
Bulletin of the Comediantes     Full-text available via subscription   (Followers: 2)
Cahiers d'histoire. Revue d'histoire critique     Open Access   (Followers: 14)
Cahiers de la Méditerranée     Open Access   (Followers: 1)
CIC. Cuadernos de Informacion y Comunicacion     Open Access   (Followers: 4)
Communication & Society     Open Access   (Followers: 6)
Communication and Media in Asia Pacific (CMAP)     Open Access   (Followers: 2)
Communication Cultures in Africa     Open Access   (Followers: 7)
Communication Papers : Media Literacy & Gender Studies     Open Access   (Followers: 20)
Comunicação Pública     Open Access  
Comunicación y Ciudadanía     Open Access  
Connections : A Journal of Language, Media and Culture     Open Access   (Followers: 3)     Open Access  
De Arte     Hybrid Journal   (Followers: 3)
Développement durable et territoires     Open Access   (Followers: 2)
Digital Journalism     Hybrid Journal   (Followers: 7)
Documentación de las Ciencias de la Información     Open Access  
E-rea     Open Access   (Followers: 2)
El Argonauta español     Open Access  
Espaço e Tempo Midiáticos     Open Access  
Estudios sobre el Mensaje Periodístico     Open Access   (Followers: 1)
Études caribéennes     Open Access   (Followers: 1)
European Science Editing     Open Access  
Frontiers in Research Metrics and Analytics     Open Access   (Followers: 4)
General Relativity and Gravitation     Hybrid Journal  
Géocarrefour     Open Access  
Grey Room     Hybrid Journal   (Followers: 16)
GRUR International     Full-text available via subscription : Anuario Académico sobre Documentación Digital y Comunicación Interactiva     Open Access  
Improntas     Open Access  
In die Skriflig / In Luce Verbi     Open Access   (Followers: 3)
Index on Censorship     Hybrid Journal   (Followers: 2)
Information Today     Full-text available via subscription   (Followers: 34)
InMedia     Open Access  
International Journal of Bibliometrics in Business and Management     Hybrid Journal   (Followers: 2)
International Journal of Entertainment Technology and Management     Hybrid Journal   (Followers: 1)
Investment Analysts Journal     Hybrid Journal   (Followers: 1)
IRIS - Revista de Informação, Memória e Tecnologia     Open Access  
Journal of European Periodical Studies     Open Access   (Followers: 1)
Journal of Health Care for the Poor and Underserved     Full-text available via subscription   (Followers: 8)
Journal of Healthcare Risk Management     Hybrid Journal   (Followers: 10)
Journal of Illustration     Hybrid Journal   (Followers: 4)
Journal of Information Privacy and Security     Hybrid Journal   (Followers: 3)
Journal of Integrative Environmental Sciences     Hybrid Journal   (Followers: 4)
Journal of International and Intercultural Communication     Hybrid Journal   (Followers: 19)
Journal of Investigative and Clinical Dentistry     Hybrid Journal   (Followers: 2)
Journal of Islamic Law and Culture     Hybrid Journal   (Followers: 3)
Journal of Jewish Identities     Full-text available via subscription   (Followers: 11)
Journal of Late Antiquity     Full-text available via subscription   (Followers: 6)
Journal of Latin American Geography     Full-text available via subscription   (Followers: 7)
Journal of LGBT Youth     Hybrid Journal   (Followers: 12)
Journal of Literacy Research     Hybrid Journal   (Followers: 11)
Journal of Media Ethics : Exploring Questions of Media Morality     Hybrid Journal   (Followers: 14)
Journal of Medieval Iberian Studies     Hybrid Journal   (Followers: 8)
Journal of the Early Republic     Full-text available via subscription   (Followers: 13)
Journal of the Short Story in English     Open Access   (Followers: 7)
Journal of Thyroid Research     Open Access   (Followers: 1)
Journal of Transatlantic Studies     Hybrid Journal   (Followers: 5)
Journal of World History     Full-text available via subscription   (Followers: 32)
Journalism & Mass Communication Educator     Hybrid Journal   (Followers: 21)
Journalism & Communication Monographs     Hybrid Journal   (Followers: 19)
Journalism & Mass Communication Quarterly     Hybrid Journal   (Followers: 28)
Journalism History     Hybrid Journal   (Followers: 1)
Journalism Research     Open Access   (Followers: 4)
Journalistica - Tidsskrift for forskning i journalistik     Open Access   (Followers: 1)
Komunika     Open Access  
L'Espace Politique     Open Access  
L'Homme     Open Access   (Followers: 10)
La corónica : A Journal of Medieval Hispanic Languages, Literatures, and Cultures     Full-text available via subscription   (Followers: 4)
La Presse Médicale     Full-text available via subscription   (Followers: 3)
Language     Full-text available via subscription   (Followers: 30)
Latin American Perspectives     Hybrid Journal   (Followers: 15)
Latin American Research Review     Full-text available via subscription   (Followers: 16)
Law, State and Telecommunications Review     Open Access  
Les Cahiers d'Outre-Mer     Open Access   (Followers: 1)
Media & Jornalismo     Open Access  
Memory     Hybrid Journal   (Followers: 20)
Merrill-Palmer Quarterly     Full-text available via subscription   (Followers: 1)
Missionalia : Southern African Journal of Mission Studies     Open Access   (Followers: 3)
Museum International Edition Francaise     Hybrid Journal   (Followers: 3)
Natural Language Semantics     Hybrid Journal   (Followers: 8)
Newspaper Research Journal     Full-text available via subscription  
Nordic Journal of Media Management     Open Access   (Followers: 1)
Norsk medietidsskrift     Open Access  
OJS på dansk     Open Access   (Followers: 3)
Papers of The Bibliographical Society of Canada     Open Access  
Periodica Mathematica Hungarica     Full-text available via subscription   (Followers: 1)
Physics of the Solid State     Hybrid Journal   (Followers: 7)
Pollack Periodica     Full-text available via subscription  
Pozo de Letras     Open Access  
Prometheus : Critical Studies in Innovation     Hybrid Journal   (Followers: 3)
Publishers Weekly     Free   (Followers: 2)
Religion, State and Society     Hybrid Journal   (Followers: 5)
Research Integrity and Peer Review     Open Access  
Revista Observatório     Open Access  
Revue archéologique de l'Est     Open Access   (Followers: 3)
Revue archéologique du Centre de la France     Open Access   (Followers: 1)
Revue d’économie industrielle     Open Access  
Revue européenne des migrations internationales     Open Access   (Followers: 2)
RUDN Journal of Studies in Literature and Journalism     Open Access  
Scientometrics     Hybrid Journal   (Followers: 42)
Sensorium Journal     Open Access  
Signo y Pensamiento     Open Access  
Southern African Journal of Anaesthesia and Analgesia     Open Access   (Followers: 7)
Stellenbosch Theological Journal     Open Access   (Followers: 2)
Studia Socialia Cracoviensia     Open Access  
Syntax     Hybrid Journal   (Followers: 4)
Sztuka Edycji     Open Access   (Followers: 4)
TD : The Journal for Transdisciplinary Research in Southern Africa     Open Access  
Time     Full-text available via subscription   (Followers: 5)
Tracés     Open Access  
Transport Policy     Hybrid Journal   (Followers: 12)
Trípodos     Open Access  
Tydskrif vir Geesteswetenskappe     Open Access  
Tydskrif vir Letterkunde     Open Access  
Ufahamu : A Journal of African Studies     Open Access   (Followers: 1)
Variants : Journal of the European Society for Textual Scholarship     Open Access  
Verbum et Ecclesia     Open Access   (Followers: 2)
World Futures: Journal of General Evolution     Hybrid Journal   (Followers: 1)


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RUDN Journal of Studies in Literature and Journalism
Number of Followers: 0  

  This is an Open Access Journal Open Access journal
ISSN (Print) 2312-9220 - ISSN (Online) 2312-9247
Published by Peoples’ Friendship University of Russia Homepage  [21 journals]
  • Dostoevsky’s Novel The Idiot in the 19th Century Dramatizations: The
           History of Censorship and Theatre Productions

    • Authors: Polina V. Babushkina
      Pages: 9 - 18
      Abstract: A staged version by V. Krylov and G. Sutugin of Dostoevsky’s novel The Idiot (1899) is the only staging of this novel in the XIX century that was approved by censors and directed in two theaters: the Maly Theater and the Alexandrinsky Theater. Other adapations were banned for scene as a result of low quality and of impropriety of the novel and Dostoevsky in general on the stage. Dostoevsky’s work seemed too realistic and pessimistic for stage and mass performances: lack of virtue and chastity in the characters and their actions gave rise to censorship assertions that Dostoevsky was absolutely not a stage author. However, intriguingly, Krylov’s play differed little in quality from the previous ones: it was also a compilation of the chapters of the novel, concentrated on the love “triangle” between Nastasya Filippovna, Rogozhin and Myshkin. But the ending of Krylov’s text (it is believed that it was Krylov who took the main part in its creation) was full of moralizations and was completely invented by the authors. Perhaps it was this fact that influenced the positive decision of the censors. In this article, we will consider censorial acts and try to puzzle out key to success by Krylov and Sutugin.
      PubDate: 2022-04-01
      DOI: 10.22363/2312-9220-2022-27-1-9-18
      Issue No: Vol. 27, No. 1 (2022)
  • Reception of F.M. Dostoevsky’s Works in Tatar Literature and
           Literary Criticism

    • Authors: Alfiya F. Galimullina, Ramil Kh. Sharyafetdinov
      Pages: 19 - 29
      Abstract: The article examines the appeal of Tatar writers to the work of F.M. Dostoevsky, the dialogue with the writer in their works. It also analyzes the translation of the novel Crime and Punishment into the Tatar language. The study of dialogical relations of Tatar writers with the work of F.M. Dostoevsky by modern Kazan literary critics helps to identify the complex and multidimensional history of interaction of Tatar writers of the twentieth century with Russian classics. Having studied the scientific works of V.R. Amineva, L.K. Bayramova, D.R. Moskaleva, K.S. Minnibaev, E.G. Nigmatullina, Yu.G. Nigmatullina, M.M. Khabutdinova, Z.Z. Shagiakhmetov, as well as the translation of the novel Crime and Punishment by R. Dautov, it was concluded that in the works of G. Iskhaki, F. Amirkhan, G. Ibragimov, A. Gilyazov, an appeal to the artistic and philosophical heritage of F.M. Dostoevsky was manifested in the creative and original understanding of the moral and philosophical ideas and deep psychologism of the Russian classic, the desire to reveal the phenomena of modern Tatar reality more fully through the prism of his ideas.
      PubDate: 2022-04-01
      DOI: 10.22363/2312-9220-2022-27-1-19-29
      Issue No: Vol. 27, No. 1 (2022)
  • Interpretation of the poem by A.A. Akhmatova Muse

    • Authors: Anastasia A. Aksenova
      Pages: 30 - 38
      Abstract: The meaning of the mysterious dialogue between the poet and the Muse in the final part of the poem is revealed in the process of consistent reading. It should be noted that in the human and natural world, the separation of darkness and light, sleep and wakefulness, idle life and devotion, is reflected in the poet’s preference for his Muse to earthly honors, youth and independence. This brings together two poets from different historical epochs in the finale of the poem: the poet who lives now, like the Renaissance poet, continues to serve the Muse. The Muse in this poem has a human-like appearance, body, voice and look. This visual detail of the image of the Muse is important for the poetic persona and the reader because it transforms something important and sublime into an intimate, personal dimension. The personal communication plane is marked by the stylistic opposition of “laurels” and “dear”. Her attribute (αὐλός) corresponds more to Pan than to Apollo-citharoedus. Therefore, the natural state of the world here is not hostile, but representative of human life. In the course of the study, it turns out that the reference to the Divine Comedy is supported not only by the obvious mention of Dante in the finale, but also in the very first stanza.
      PubDate: 2022-04-01
      DOI: 10.22363/2312-9220-2022-27-1-30-38
      Issue No: Vol. 27, No. 1 (2022)
  • “Technogeneous” Imagery of Alexander Eryomenko’s Poetry in the
           Context of Evolution of his Romantic World Outlook

    • Authors: Kirill N. Ankudinov
      Pages: 39 - 54
      Abstract: The article deals with “technogeneous” imagery in the poetry of Alexander Eryomenko. In his texts of the 1984-1986 period technical and scientific images are often compared with natural objects. This topic has been understudied. Various statements have been made by philologists about the ethical dimension of this imagery. The main aim of this article is to disprove these statements. Poetic texts of the later period (1987-1989) are devoted to politics. The purpose of this article is to identify the link between the two periods of his work. The task is to reveal the ideological orientations of these periods. Poet actively opposed his art to Soviet ideology and Russian nationalists. The author of the article suggests the following thesis: the two periods correspond to two stages which show how his romantic world outlook unfolded. Alexander Eryomenko first absolutized the mechanistical nature of the outside world (“Non-I”), and later singled out the “image of the enemy” in it. In the postSoviet period (after 1991) the poet gave up both political and poetic activities. The reason for it is the exhaustion of the romantic conflict and the “image of the enemy”. Philology has studied the issue of the romantic world outlook in contemporary literature insufficiently. The methodology of this article reveals its potential results.
      PubDate: 2022-04-01
      DOI: 10.22363/2312-9220-2022-27-1-39-54
      Issue No: Vol. 27, No. 1 (2022)
  • Play by A. Arbuzov Old-fashioned comedy in China: Theater and Critical

    • Authors: Xuejing Wu, Irina V. Monisova
      Pages: 55 - 67
      Abstract: The article discusses the issue of reception of Russian drama of the 20th century in China on the basis of the theatrical and critical reception of A. Arbuzov’s play Old-Fashioned Comedy , which was repeatedly staged in theaters of the country at different cultural and historical stages and in recent years has again been in demand among theatrical figures and audiences. An analysis of the performances of a well-known text, reviews and readers' reactions to it make it possible not only to trace changes in the perception of the play in a foreign cultural space, but also to examine the social processes that cause such changes, as well as to touch upon the theatrical life itself and stage experiments in China. The conclusion is made that the universal human content of the playwright's plays, the timeless values that are affirmed in his work, and the inherent scenicity, the organic nature of the dramatic language help to successfully adapt the author’s works not only to the modern Russian theater, but also for the foreign language ones. An example of a successful dialogue of cultures in the theatrical and dramatic sphere is the stage history of the play Old-Fashioned Comedy in China.
      PubDate: 2022-04-01
      DOI: 10.22363/2312-9220-2022-27-1-55-67
      Issue No: Vol. 27, No. 1 (2022)
  • Historical and Cultural Processes and Periodization of Arabic Literature

    • Authors: Victoria N. Zarytovskaya
      Pages: 68 - 85
      Abstract: The article is devoted to the theoretical problem of the periodization of the Arab national literature. The issue of dividing Arabic literature into periods has long been in the focus of both Arab and Western, as well as Russian literary researchers. Undoubtedly, such issues, which have recently acquired relevance in connection with the growing interest in modern Arabic literature, require analysis from such points of view as the multiplicity and variability of existing periodizations, the reasons for the discrepancy between the periodizations of European and Arab national literatures and various approaches to the compilation of periodization by Arab and European specialists. The purpose of this work was designated as an attempt to demonstrate, using analysis and comparison, as well as the method of historicity, the redundancy or, conversely, the insufficiency of some periodizations and the terms used in them, to find different names for the same periods with the same artistic principles and time frames, as well as to establish the factors that had the strongest influence on the development of Arabic literature. In the course of the study, conclusions are drawn about the inexpediency of correlating the periodization of Arabic literature with general European, as well as about the key role of a number of factors in the history of Arabic literature. First, linguistic (minimal changes in the literary language since the codification of the Qur’an in the 7th century), that ensured the continuity and tradition of Arabic literature, which for centuries preserved and cultivated figurative systems and stylistic devices of preIslamic times. Secondly, the factor of national domination - a purely Arab or general Muslim character of the society. Under the conditions of the latter, there was a mutual enrichment of the literatures of the peoples included in the caliphate, which entailed fundamental changes in the genre system and themes of Arabic literature. The author thus holds the idea that the originality of Arab literature is due to the characters of Arab preIslamic culture in general and verbal culture in particular and the historical processes of the Middle Ages in the Middle East, first of all - the rapid formation of the Caliphate as an imperial state and the including of most Arab countries a part in the Ottoman Empire, where Arabic was not the state language, from the XIV century and before the territorial redistribution of the results of the World War I.
      PubDate: 2022-04-01
      DOI: 10.22363/2312-9220-2022-27-1-68-85
      Issue No: Vol. 27, No. 1 (2022)
  • Feminine Imagery in Chinese Lyrics of the Six Dynasties

    • Authors: Daria E. Malakhevich
      Pages: 86 - 93
      Abstract: This article deals with the specifics of female imagery in Chinese poetry of the Six Dynasties period ( Liuchao ). The aim is to characterize female imagery in the works of the poets of this period and find out what changes these images underwent in comparison with previous epochs, and how the structure of these images differs in female and male poetry. The aim is to analyze the “women topic” in the works of the leading poets of the Six Dynasties period. The conclusion is made that in men’s poetry of the mentioned period the female image remains idealized, unified and narcissistic. Male poets used a standard set of artistic means to portray female images. The woman was presented as an object of aesthetic pleasure, and appeared to the reader in an inseparable connection with her surroundings and boudoir objects. In this regard, the thesis of the emergence of the image of a “beautiful lady” in Luchao poetry is put forward. Nevertheless, in both women’s and men’s lyrics more individualized images began to appear and a departure from traditional gender stereotypes is obvious; the main change in Six Dynasties poetry is the development of self-awareness in female and male poems, both in life and poetry, and the increasing understanding of their own subjectivity. The female characters of the Luchao era turn out to be endowed with reflexivity and psychologism. Lyrics on women’s themes developed both quantitatively and qualitatively.
      PubDate: 2022-04-01
      DOI: 10.22363/2312-9220-2022-27-1-86-93
      Issue No: Vol. 27, No. 1 (2022)
  • Transformation of Artistic Images of the Past in Modern Chinese
           Children’s Literature

    • Authors: Svetlana A. Petrova, Hongling Xu
      Pages: 94 - 101
      Abstract: The relevance of the article is connected with the drastic changes that are taking place now in People’s Republic of China and the ideas about the role of a child in Chinese society. The novelty and scientific value of the proposed research lies in the content analysis of a number of Chinese literary sources, which has not been conducted before. Today, an active polemic has unfolded in the scientific community between those who claim that the Europeanization of Asian culture and its transformation is taking place contrary to ancient philosophical views, and those who defend the position of preserving its national cultural values as opposed to globalization. The authors express their point of view on this problem, based on the Jungian analysis of literary images, and suggest considering several archetypes of the past, which are used by writers in modern Chinese children’s literature. As a result of the study, they conclude that the distinctive feature of archetypal images is Chinese children’s literature is their positive movement from Confucian and neo-Confucian ideas to modern views with an inevitable regression during the Maoist period, however, throughout the history of the existence of children’s literature, the basic archetypes inherent in ancient legends and myths, both European and Asian, are preserved.
      PubDate: 2022-04-01
      DOI: 10.22363/2312-9220-2022-27-1-94-101
      Issue No: Vol. 27, No. 1 (2022)
  • Travelling with Quichotte: Reading Rushdie’s Quixotic Reinvention of
           Cervantes’ Don

    • Authors: Abin Chakraborty
      Pages: 102 - 108
      Abstract: Salman Rushdie’s latest novel Quichotte , inspired by Cervantes’ Don Quixote , revolves around the journey of a fictional character named Ismail Smile who adopts the name Quichotte as he embarks on a fantastic quest across America to win the heart of celebrated actor and talk-show host Salma R, since his perception of reality has been muddled by incessant immersion in television shows, just as the mind of Cervantes’ don had been addled by his preoccupation with chivalric romances. While Cervantes’ protagonist, through his various misadventures, ironically exposed the many maladies of contemporary society, Quichotte’s journey across America, accompanied by his son Sancho, whom he miraculously imagines into existence, also operates as a picaresque narrative that methodically dissects the alarming aberrations of contemporary world order. Taking Quixote’s inability to distinguish between the real and the fictional as his starting point, Rushdie’s text eclectically foregrounds the menacing fissures of a social order where a rampant disregard for facts also becomes a platform for widespread regression into atavistic atrocities. The proposed paper will focus on such issues and more in order to highlight how the famed Man of La Mancha continues to operate as a relevant figure even within the fractious contradictions of our times.
      PubDate: 2022-04-01
      DOI: 10.22363/2312-9220-2022-27-1-102-108
      Issue No: Vol. 27, No. 1 (2022)
  • Factors Transgressing Journalism’s Contemporary Mission and Role

    • Authors: Greg Simons, Dmitry L. Strovsky
      Pages: 109 - 121
      Abstract: This discussion article envisages five different contemporary challenges and pays special attention to the arguments as to why contemporary journalism losses its professional priorities and gets mixed in with other types of mass communication, particularly with public relations (PR) and propaganda. This clarification is of great importance not only for purely professional purposes, but also for broad social priorities. Arguments concerning the role and mission of journalism place it anywhere between watchdog and lapdog which makes the process of studying journalism uncertain and even contradictory as it is caught between the binds of historical values and the traps of contemporary practice.
      PubDate: 2022-04-01
      DOI: 10.22363/2312-9220-2022-27-1-109-121
      Issue No: Vol. 27, No. 1 (2022)
  • The evolution of Media in New Normal: Creating bridges between the Latin
           American and the European research tradition. Аn interview with Professor
           Carlos A. Scolari

    • Authors: Marina G. Shilina, Carlos A. Scolari
      Pages: 122 - 125
      Abstract: -
      PubDate: 2022-04-01
      DOI: 10.22363/2312-9220-2022-27-1-122-125
      Issue No: Vol. 27, No. 1 (2022)
  • Quantitative Analysis of the Word Spread Dynamics as a Factor in
           Identifying of the Youth Mass Media Significance

    • Authors: Olga V. Murzina
      Pages: 126 - 136
      Abstract: This study examines the role and place of youth media in changing the vocabulary of the Russian language. For a comparative analysis, three words were used, the factors of popularity of which are political propaganda, the frequent use of the word in a certain youth magazine and the widespread prevalence of the word on the Internet. A wave-like dynamics of an increase in the frequency of the word, which has become popular thanks to publications in the youth media, has been revealed: matured readers of the magazine, after 20-25 years, begin to actively use the word introduced into their vocabulary by the authors of the publications. The question is raised about the significance of the mass media for the dynamics of changes in the vocabulary of the language. A method has been developed to prove the influence of the mass media on the dynamics of changes in the vocabulary using the tools of quantitative linguistics. The history of the frequency of use of the analyzed words in the Russian language allows us to speak about the importance of youth mass media as determining the worldview and linguistic picture of the world of the text. Moreover, for other words in which the frequency correlates with the historical setting, the contexts of use themselves indicate the connection of the increased frequency with the personality of a particular publicist or writer and with the texts he generates.
      PubDate: 2022-04-01
      DOI: 10.22363/2312-9220-2022-27-1-126-136
      Issue No: Vol. 27, No. 1 (2022)
  • Guy Fawkes and the Antinomies of the Digital Age

    • Authors: Elena E. Pronina
      Pages: 137 - 146
      Abstract: The article examines the phenomenon of the transformation of the image of Guy Fawkes into a meme - a universally significant symbol. The history of the formation of the symbol, which combined the events of the Gunpowder Conspiracy of the early XVII century and the social movements of the early XXI century, is considered as a kind of natural longitudinal experiment that sheds light on the process of personality evolution and the key problems of the digital era. The hypothesis put forward deals with the initially ambivalent nature of “Guy Fawkes Night” celebration viewed as a symbolic realization of intentions tabooed by the social hierarchy. The article analyzes allusions to the topic of the Gunpowder Conspiracy in popular culture, the peculiarities of using the name and mask of Guy Fawkes as elements of self-identification. The author concludes that the symbolic identification with Guy Fawkes indicates the increasing need of society for independence and self-organization and a sharp aggravation of the antinomic relations between official and unofficial culture, first described by M. Bakhtin on the example of a medieval carnival. The role played by the ancient Celtic mysteries, as well as modern digital technologies, in the evolution of the symbol is also outlined. The article discusses how archaic rituals contributed to the rethinking process of the image of Guy Fawkes in the context of binary oppositions of the collective psyche. The specifics of the development of the “Guy Fawkes phenomenon” in digital society are considered as a predictor of the next stage in the evolution of society and personality.
      PubDate: 2022-04-01
      DOI: 10.22363/2312-9220-2022-27-1-137-146
      Issue No: Vol. 27, No. 1 (2022)
  • Waves of Media Education Development: Synchronous and Diachronic Aspects

    • Authors: Maxim A. Pugachev
      Pages: 147 - 157
      Abstract: In the context of the increasing influence of the products of the Internet field (social media, blogging) on social everyday life, media education is becoming especially relevant. The symbolic status of the audience is changing, which becomes not only a consumer, but also a producer of media content. The current stage in the development of media communications can be considered unique with some reservations. However, in the history of the XIX-XX centuries, there was a precedent, since in society periodically there were periods of a large-scale surge of interest in media literacy as the main category of media education, depending on a number of socio-cultural factors. This increase in the importance of media literacy is wave-like. The subject of this article is the waves of media education, which are considered from the standpoint of synchronicity and diachrony. A complex of methods is used: historical and cultural analysis; structural analysis; contextual analysis; secondary analysis of sociological and statistical data. Based on the results of the study, it is concluded that the modern media communication conditions in which the “new media” develop are similar to those that were in the formation of the audience of cinema and television. The Internet and, in particular, social media are no less rapidly conquering the audience. At the same time, the modern mediated world requires a high level of media competence and the development of critical thinking from society.
      PubDate: 2022-04-01
      DOI: 10.22363/2312-9220-2022-27-1-147-157
      Issue No: Vol. 27, No. 1 (2022)
  • Peer Learning and Edutainment Technologies in the Development of
           Professional Competencies of Media Students

    • Authors: Valeria V. Ilyicheva, Ksenia E. Kuzmenkova, Ekaterina B. Gromova
      Pages: 158 - 170
      Abstract: The article describes and analyzes the educational and training project of the Department of Mass Communications of the Peoples” Friendship University of Russia “Day of Specialties: Journalism, Television, Advertising and Public Relations”. Also presented is the experience of organizing and conducting the festival of educational films and training “MediaEnvironment” at the branch of the Lomonosov Moscow State University in Sevastopol. These special educational and cognitive events are considered as elements of internal and external communications of universities, developing the professional competences of participants and demonstrating the possibilities of using the concept of peer learning and edutainment technologies for practical emotional-motivated learning of students of media specialties. The authors describe the methodology of event preparation in relation to educational standards, linking the organizational stages with the formation of specific student competencies. The authors conclude not only about the effectiveness of such forms of educational communication, but also about the prospects of their use in the conditions of online education. Representation model of special events is universal and can be used not only in universities with such directions like “journalism”, “television”, “advertising and public relations”.
      PubDate: 2022-04-01
      DOI: 10.22363/2312-9220-2022-27-1-158-170
      Issue No: Vol. 27, No. 1 (2022)
  • Formational Features of the Image of Russia on the Serbian Media Platforms

    • Authors: Zvjezdan Kunich, Valerii L. Muzykant, Nataliya Panasenko
      Pages: 171 - 188
      Abstract: Any network media platform, as an integral multifunctional multimedia system, a priori has a set of technological advantages for broadcasting socially significant information, at the same time, media text is a key element of Internet communications. In this regard, the media platform can be considered as one of the most effective means of state image formation. The authors test this hypothesis on the empirical material of specific media platforms in Serbia: they study media texts for the period of 2020-2021 highlighting Russia (its politics, culture, history). The research question consists in the formational features identification and promotion of the image of Russia on the «digital territory» of the kindred peoples. There is both an interdisciplinary theoretical and practical need to study media text of network platforms as a phenomenon that actively assimilates the multimedia format and various distribution channels. The authors use a linguistic analysis of texts about Russia, revealing the stereotypes inherent in the inhabitants of the Balkans in relation to Russians. It was found out that the modern image of the Russian Federation in this region is influenced by stereotypes reflected in the texts posted on Serbian media platforms. Special attention is paid to media texts reflecting the period of strengthening of the international authority of Russia as an independent state that consistently implements its foreign policy. Our research is relevant for an objective assessment of the attitude of the Balkans to Russia in the context of age-old interstate relations and traditions of the Slavic world. The texts of the Serbian online media demonstrate the authors’ understanding of the value of the common national cultural heritage, linguocultural basics of Russian and Serbian peoples. The functioning of modern media in the Balkan Peninsula, published in the Serbo-Croatian language, is considered in relation to the formation of a national civil society interested not only in the native language, but also in integration into Slavic culture in general, in the development of effective cooperation with Russia. Having used the technological capabilities of media platforms, it was established that the image of Russia in Serbian media modelling in the period of 2020-2021 is an element of the complex multimedia controlled impact on their audience. The results of our research show that the representation of the image of Russia was carried out systematically - taking into account the values, needs and preferences of the South Slavic peoples.
      PubDate: 2022-04-01
      DOI: 10.22363/2312-9220-2022-27-1-171-188
      Issue No: Vol. 27, No. 1 (2022)
  • The Process of Adapting Content of the Online Newspaper Towards
           the Social Media Space

    • Authors: Alexander A. Grabelnikov, Zheyuan Ye
      Pages: 189 - 199
      Abstract: Currently, online newspapers whose activities meet journalistic standards are forced to adapt quite quickly to the rapidly developing digital environment. This is primarily due to the transition of the majority of the readership to the space of social networks and messengers, acting today as “news providers”. In the current situation, media editors have to master new, unusual strategies and technologies for presenting news content. The purpose of the study is to identify the features of the process of transformation of the communication structure of the mass media to the space of social networks and messengers in a changing information environment, using the example of an online newspaper . This article describes the characteristics of a social network and messenger as platforms for the activities of the online publication. The article examines the ways of presenting the material and the strategies used by the editorial staff on these Internet resources, taking into account the process of merging journalism and marketing, which is characteristic of the media activities in social networks.
      PubDate: 2022-04-01
      DOI: 10.22363/2312-9220-2022-27-1-189-199
      Issue No: Vol. 27, No. 1 (2022)
  • News Media Trust and Sources of Political Information in West Africa:
           Mainstream vs. New Media in Ghana and Nigeria

    • Authors: Jamiu M. Mustapha, Marina G. Shilina, Obiri S. Agyei, Carbukie R. Ocansey
      Pages: 200 - 208
      Abstract: Like many other developed democracies, most democratic countries in West Africa are facing challenges of trust in news media for political information, particularly with the emergence of the non-mainstream media - new social media. Previous research revealed that alternative news media trust is correlated with lower levels of trust in news in Africa and that the presence of private media have failed to offer alternative sources to government media. This paper for the first time seeks to investigate reasons for the increase in distrust in news media among the mainstream and non-mainstream media in West African Ghana and Nigeria, which is the main source for political information in the region. We conducted the study through online surveys for the audience of news media in Ghana and Nigeria who are interested in political news and are frequent users of both mainstream media and new social media for political information. We found out that even though people in these two countries use social media as an alternative source of obtaining political information, yet, they largely still trust mainstream media news for political information rather than social media.
      PubDate: 2022-04-01
      DOI: 10.22363/2312-9220-2022-27-1-200-208
      Issue No: Vol. 27, No. 1 (2022)
  • New Book about Bulgakov. Book Review: Urupin, I.S. (2020). M.A.
           Bulgakov’s Works in the National-Cultural Context of the Epoch. Moscow:
           Flinta. 572 p. (In Russ.)

    • Authors: Boris V. Sokolov
      Pages: 209 - 212
      Abstract: -
      PubDate: 2022-04-01
      DOI: 10.22363/2312-9220-2022-27-1-209-212
      Issue No: Vol. 27, No. 1 (2022)
  • Ecology of Media Space as a Strategy of Modern Life. Book Review: Urazova,
           S.L. (Ed.). (2021). Ecosystem of Media: Digital Modifications.
           Chelyabinsk: SUSU Publ. 252 р. (In Russ.)

    • Authors: Alla M. Shesterina
      Pages: 213 - 217
      Abstract: -
      PubDate: 2022-04-01
      DOI: 10.22363/2312-9220-2022-27-1-213-217
      Issue No: Vol. 27, No. 1 (2022)
  • The Scope of Meanings and the Unity of the World. On the Academic Work of
           Vera Vakhtangovna Shervashidze

    • Authors: N. A Litvinenko, N. T Pakhsaryan, E. N Shevyakova
      Pages: 218 - 222
      PubDate: 2022-04-01
      Issue No: Vol. 27, No. 1 (2022)
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