Subjects -> JOURNALISM AND PUBLICATION (Total: 219 journals)
    - JOURNALISM (31 journals)
    - JOURNALISM AND PUBLICATION (148 journals)
    - NEW AGE PUBLICATIONS (8 journals)
    - PUBLISHING AND BOOK TRADE (32 journals)

JOURNALISM AND PUBLICATION (148 journals)                     

Showing 1 - 17 of 17 Journals sorted alphabetically
#PerDebate     Open Access  
Actas Urológicas Españolas     Full-text available via subscription   (Followers: 1)
Advances in Journalism and Communication     Open Access   (Followers: 26)
Advances in Protein Chemistry and Structural Biology     Full-text available via subscription   (Followers: 18)
African Journalism Studies     Hybrid Journal   (Followers: 4)
American Journalism     Hybrid Journal   (Followers: 2)
Âncora : Revista Latino-Americana de Jornalismo     Open Access  
Annales françaises d'Oto-rhino-laryngologie et de Pathologie Cervico-faciale     Full-text available via subscription   (Followers: 2)
Apparence(s)     Open Access   (Followers: 1)
Archives of Cardiovascular Diseases Supplements     Full-text available via subscription   (Followers: 2)
Archivos de Medicina Veterinaria     Open Access   (Followers: 1)
Arethusa     Full-text available via subscription   (Followers: 5)
Arizona Journal of Hispanic Cultural Studies     Full-text available via subscription   (Followers: 5)
Arizona Quarterly: A Journal of American Literature, Culture, and Theory     Full-text available via subscription   (Followers: 18)
Asian Journal of Animal Sciences     Open Access   (Followers: 3)
Asian Journal of Information Management     Open Access   (Followers: 9)
Asian Journal of Marketing     Open Access   (Followers: 5)
Astérion     Open Access  
Atención Primaria     Open Access   (Followers: 2)
Australasian Marketing Journal (AMJ)     Hybrid Journal   (Followers: 4)
BMS: Bulletin of Sociological Methodology/Bulletin de Méthodologie Sociologique     Hybrid Journal   (Followers: 4)
Brazilian Journalism Research     Open Access   (Followers: 2)
British Journal of General Practice     Full-text available via subscription   (Followers: 39)
Brookings Papers on Economic Activity     Open Access   (Followers: 68)
Brookings-Wharton Papers on Financial Services     Full-text available via subscription   (Followers: 3)
Brookings-Wharton Papers on Urban Affairs     Full-text available via subscription   (Followers: 7)
Bulletin of the Comediantes     Full-text available via subscription   (Followers: 2)
Cahiers d'histoire. Revue d'histoire critique     Open Access   (Followers: 14)
Cahiers de la Méditerranée     Open Access   (Followers: 1)
CIC. Cuadernos de Informacion y Comunicacion     Open Access   (Followers: 4)
Communication & Society     Open Access   (Followers: 6)
Communication and Media in Asia Pacific (CMAP)     Open Access   (Followers: 2)
Communication Cultures in Africa     Open Access   (Followers: 7)
Communication Papers : Media Literacy & Gender Studies     Open Access   (Followers: 20)
Comunicação Pública     Open Access  
Comunicación y Ciudadanía     Open Access  
Connections : A Journal of Language, Media and Culture     Open Access   (Followers: 3)
Cuadernos.info     Open Access  
De Arte     Hybrid Journal   (Followers: 3)
Développement durable et territoires     Open Access   (Followers: 2)
Digital Journalism     Hybrid Journal   (Followers: 7)
Documentación de las Ciencias de la Información     Open Access  
E-rea     Open Access   (Followers: 2)
El Argonauta español     Open Access  
Espaço e Tempo Midiáticos     Open Access  
Estudios sobre el Mensaje Periodístico     Open Access   (Followers: 1)
Études caribéennes     Open Access   (Followers: 1)
European Science Editing     Open Access  
Frontiers in Research Metrics and Analytics     Open Access   (Followers: 4)
General Relativity and Gravitation     Hybrid Journal  
Géocarrefour     Open Access  
Grey Room     Hybrid Journal   (Followers: 16)
GRUR International     Full-text available via subscription  
Hipertext.net : Anuario Académico sobre Documentación Digital y Comunicación Interactiva     Open Access  
Improntas     Open Access  
In die Skriflig / In Luce Verbi     Open Access   (Followers: 3)
Index on Censorship     Hybrid Journal   (Followers: 2)
Information Today     Full-text available via subscription   (Followers: 34)
InMedia     Open Access  
International Journal of Bibliometrics in Business and Management     Hybrid Journal   (Followers: 2)
International Journal of Entertainment Technology and Management     Hybrid Journal   (Followers: 1)
Investment Analysts Journal     Hybrid Journal   (Followers: 1)
IRIS - Revista de Informação, Memória e Tecnologia     Open Access  
Journal of European Periodical Studies     Open Access   (Followers: 1)
Journal of Health Care for the Poor and Underserved     Full-text available via subscription   (Followers: 8)
Journal of Healthcare Risk Management     Hybrid Journal   (Followers: 10)
Journal of Illustration     Hybrid Journal   (Followers: 4)
Journal of Information Privacy and Security     Hybrid Journal   (Followers: 3)
Journal of Integrative Environmental Sciences     Hybrid Journal   (Followers: 4)
Journal of International and Intercultural Communication     Hybrid Journal   (Followers: 19)
Journal of Investigative and Clinical Dentistry     Hybrid Journal   (Followers: 2)
Journal of Islamic Law and Culture     Hybrid Journal   (Followers: 3)
Journal of Jewish Identities     Full-text available via subscription   (Followers: 11)
Journal of Late Antiquity     Full-text available via subscription   (Followers: 6)
Journal of Latin American Geography     Full-text available via subscription   (Followers: 7)
Journal of LGBT Youth     Hybrid Journal   (Followers: 12)
Journal of Literacy Research     Hybrid Journal   (Followers: 11)
Journal of Media Ethics : Exploring Questions of Media Morality     Hybrid Journal   (Followers: 14)
Journal of Medieval Iberian Studies     Hybrid Journal   (Followers: 8)
Journal of the Early Republic     Full-text available via subscription   (Followers: 13)
Journal of the Short Story in English     Open Access   (Followers: 7)
Journal of Thyroid Research     Open Access   (Followers: 1)
Journal of Transatlantic Studies     Hybrid Journal   (Followers: 5)
Journal of World History     Full-text available via subscription   (Followers: 32)
Journalism & Mass Communication Educator     Hybrid Journal   (Followers: 21)
Journalism & Communication Monographs     Hybrid Journal   (Followers: 19)
Journalism & Mass Communication Quarterly     Hybrid Journal   (Followers: 28)
Journalism History     Hybrid Journal   (Followers: 1)
Journalism Research     Open Access   (Followers: 4)
Journalistica - Tidsskrift for forskning i journalistik     Open Access   (Followers: 1)
Komunika     Open Access  
L'Espace Politique     Open Access  
L'Homme     Open Access   (Followers: 10)
La corónica : A Journal of Medieval Hispanic Languages, Literatures, and Cultures     Full-text available via subscription   (Followers: 4)
La Presse Médicale     Full-text available via subscription   (Followers: 3)
Language     Full-text available via subscription   (Followers: 30)
Latin American Perspectives     Hybrid Journal   (Followers: 15)
Latin American Research Review     Full-text available via subscription   (Followers: 16)
Law, State and Telecommunications Review     Open Access  
Les Cahiers d'Outre-Mer     Open Access   (Followers: 1)
Media & Jornalismo     Open Access  
Memory     Hybrid Journal   (Followers: 20)
Merrill-Palmer Quarterly     Full-text available via subscription   (Followers: 1)
Missionalia : Southern African Journal of Mission Studies     Open Access   (Followers: 3)
Museum International Edition Francaise     Hybrid Journal   (Followers: 3)
Natural Language Semantics     Hybrid Journal   (Followers: 8)
Newspaper Research Journal     Full-text available via subscription  
Nordic Journal of Media Management     Open Access   (Followers: 1)
Norsk medietidsskrift     Open Access  
OJS på dansk     Open Access   (Followers: 3)
Papers of The Bibliographical Society of Canada     Open Access  
Periodica Mathematica Hungarica     Full-text available via subscription   (Followers: 1)
Physics of the Solid State     Hybrid Journal   (Followers: 7)
Pollack Periodica     Full-text available via subscription  
Pozo de Letras     Open Access  
Prometheus : Critical Studies in Innovation     Hybrid Journal   (Followers: 3)
Publishers Weekly     Free   (Followers: 2)
Religion, State and Society     Hybrid Journal   (Followers: 5)
Research Integrity and Peer Review     Open Access  
Revista Observatório     Open Access  
Revue archéologique de l'Est     Open Access   (Followers: 3)
Revue archéologique du Centre de la France     Open Access   (Followers: 1)
Revue d’économie industrielle     Open Access  
Revue européenne des migrations internationales     Open Access   (Followers: 2)
RUDN Journal of Studies in Literature and Journalism     Open Access  
Scientometrics     Hybrid Journal   (Followers: 42)
Sensorium Journal     Open Access  
Signo y Pensamiento     Open Access  
Southern African Journal of Anaesthesia and Analgesia     Open Access   (Followers: 7)
Stellenbosch Theological Journal     Open Access   (Followers: 2)
Studia Socialia Cracoviensia     Open Access  
Syntax     Hybrid Journal   (Followers: 4)
Sztuka Edycji     Open Access   (Followers: 4)
TD : The Journal for Transdisciplinary Research in Southern Africa     Open Access  
Time     Full-text available via subscription   (Followers: 5)
Tracés     Open Access  
Transport Policy     Hybrid Journal   (Followers: 12)
Trípodos     Open Access  
Tydskrif vir Geesteswetenskappe     Open Access  
Tydskrif vir Letterkunde     Open Access  
Ufahamu : A Journal of African Studies     Open Access   (Followers: 1)
Variants : Journal of the European Society for Textual Scholarship     Open Access  
Verbum et Ecclesia     Open Access   (Followers: 2)
World Futures: Journal of General Evolution     Hybrid Journal   (Followers: 1)

           

Similar Journals
Journal Cover
Tydskrif vir Letterkunde
Journal Prestige (SJR): 0.235
Number of Followers: 0  

  This is an Open Access Journal Open Access journal
ISSN (Print) 0041-476X - ISSN (Online) 2309-9070
Published by SciELO Homepage  [672 journals]
  • Transnational unlaagering

    •  
  • In-between spaces in Klara du Plessis's Ekke: Identity, language
           and art

    • Abstract: In this review article, we focus on the depiction of the transnational and translingual as a state of being in-between in Klara du Plessis's debut poetry collection, Ekke (2018). This in-between state has implications for how identity, place and visual art feature in the collection. Ekke contains fragments of German and French, but consists mainly of English interspersed with Afrikaans. The creation of meaning through this linguistic slippage reflects the idea of identity as always in-process that comes to the fore throughout the collection. Ekke also represents an intervention in South African urban literature, as Bloemfontein, a city not much featured in literature, is represented in several poems. In these poems, the poet-speaker struggles to situate Bloemfontein and its surrounding areas' histories and symbolism in the transnational networks that she is a part of. The conception of identity and language being constantly in-progress is also conveyed in the collection's poems about visual art. In these poems, meaning is created through the interaction of language with visual art, a process the poet calls 'intervisuality'.
       
  • Plaasfeminism in Ronelda S. Kamfer's Kompoun (2021)

    • Abstract: This review article explores how Ronelda S. Kamfer's novel Kompoun (2021) deconstructs and diversifies the white patriarchal space of the plaas (farm) by reinscribing it with a highly situated 'plaasfeminism' emerging from the female characters in the novel. This critical reinscription through the lives of the McKinney women from the Overberg is necessary, but certainly not triumphant. For Nadia, the protagonist, the idyll of the plaas consists of her admiration of and longing for her maternal forebears and thus provides a source of strength and personhood, but the plaas is also quite literally the scene of a crime from which her family fails to protect her. Kompoun complicates mainstream notions of feminist resistance by charting the internal contradictions of female subjectivity and highlighting the vulnerable position of the McKinney children, who grow up in a community where both adult men and women pose a threat of emotional and physical abandonment and abuse. Yet, in times of need, Nadia manages to mobilise her personal image of the plaas's beauty as motherly and the women who live there as tough as coping strategies that suspend her imprisonment in the harmful dynamics around her.
       
  • Die soeke na 'n onbegrensdheid van verbeelding: 'n Onderhoud met Alfred
           Schaffer

    • Abstract: This review article explores how Ronelda S. Kamfer's novel Kompoun (2021) deconstructs and diversifies the white patriarchal space of the plaas (farm) by reinscribing it with a highly situated 'plaasfeminism' emerging from the female characters in the novel. This critical reinscription through the lives of the McKinney women from the Overberg is necessary, but certainly not triumphant. For Nadia, the protagonist, the idyll of the plaas consists of her admiration of and longing for her maternal forebears and thus provides a source of strength and personhood, but the plaas is also quite literally the scene of a crime from which her family fails to protect her. Kompoun complicates mainstream notions of feminist resistance by charting the internal contradictions of female subjectivity and highlighting the vulnerable position of the McKinney children, who grow up in a community where both adult men and women pose a threat of emotional and physical abandonment and abuse. Yet, in times of need, Nadia manages to mobilise her personal image of the plaas's beauty as motherly and the women who live there as tough as coping strategies that suspend her imprisonment in the harmful dynamics around her.
       
  • Alfred Schaffer, Shaka en die transnasionalisme

    • Abstract: In this article, I read the Dutch poet Alfred Schaffer's volume of poetry Mens dier ding (Man animal thing) against the background of transnationalism. I employ transnationalism as critical or hermeneutic perspective and focus on the identity of the author, the themes worked out in the volume and the use of anachronism and metapoetical references as literary strategies in support of the transnational nature of the text. Reference is made to the way in which Schaffer's biography (his Dutch-Aruban descent, his movement between the Netherlands and South Africa, his views on poetry) facilitates a transnational reading of his volume Mens dier ding based on the history of the Zulu king Shaka as depicted in Thomas Mofolo's novel Chaka (published in 1925). The article also reads Mens dier ding against the background of the idea that transnational literature is a particular kind of literature that emerges at a specific point in history and deals with issues and themes associated with imperialism, colonisation, decolonisation and globalisation such as migration, displacement, cultural hybridity, identity, citizenship and the status of refugees. This reading is prompted by the fact that Schaffer displaces the historical Shaka to the present and eventually also represents him as an asylum seeker in an unnamed country. I discuss the volume's formal features, the transnational conversation with Mofolo's novel, the use of anachronism and the insertion of metapoetical elements in the text as literary strategies to deal with transnational issues such as migration, displacement, racial hierarchies, inequality and refugee experience.
       
  • &rft.title=Tydskrif+vir+Letterkunde&rft.issn=0041-476X&rft.date=&rft.volume=">The Alps, anime and Afrikaans: "Heidi" as transnational text and
           culture product

    • Abstract: The name "Heidi" is known and loved all over the world, due to Swiss author, Johanna Spyri's works, Heidis Lehr- und Wanderjahre (1880) and Heidi kann brauchen, was es gelernt hat (1881), which form part of the classic international children's literature canon. These stories have since crossed national boarders, by manifesting transnationally in several culture products. The focus of this article lies on the transnational traffic between the original Heidi (1881) and its adaptations. Because "Heidi" as a cultural phenomenon contains universal themes, the product was able to spread globally. This journey stretches from the Swiss Alps, to Japan and finally finds a home in South Africa and Afrikaans. Included in the article is an overview of how the Heidi text manifested in several cultures and its transnational movement, spanning time and place. The popularity of the animation series in South Africa among Afrikaans speaking people is analysed, along with suggestions for possible reasons for this big following and prevalence . The central argument of the article is that "Heidi" as cultural product has had a transnational journey from the Alps, to anime and Afrikaans.
       
  • The construction of split whiteness in the queer films Kanarie (2018) and
           Moffie (2019)

    • Abstract: After the end of formal apartheid, a number of South African feature films have explored queer white men in conservative social settings, with a particular focus on Afrikaans-speaking gay men. These films have reflected strict heteropatriarchal values within white Afrikaner culture where homosexuality is still often seen as a taboo topic. In this article I discuss two feature films with gay white male protagonists, Kanarie (2018) by Christiaan Olwagen and Moffie (2019) by Oliver Hermanus. These films both feature young men conscripted to fight in the South African Border War in the 1980s, but differ greatly in terms of genre, plot, and style. I argue that, while many scholars discuss whiteness as a general construct that affords privilege, the films demonstrate a split whiteness that is effected through the composition of particular shots and scenes as well as through the films' processes of production and reception. Whiteness is split into an invisibilised, assumedly critical perspective on the one hand, with transnational links to the Global North, and a hypervisibilised, reified, and criticised racial identity on the other hand, located specifically in the heteropatriarchal Afrikaner male. Queer characters in both films are able to split their identities and dissociate from uncomfortable parts of their whiteness, taking on an assumed criticality that highlights their own oppression and exclusion. The films thus dismiss the protagonists' complicity in white supremacy, and allow audiences to dissociate from their own complicity in anti-black violence and oppression.
       
  • grond/Santekraam and bientang: Situated in global black oceanic routes

    • Abstract: The Afrikaans poetry collections grond/Santekraam (2011) by Ronelda S. Kamfer and bientang (2020) by Jolyn Phillips both centralise the ocean and both deal with attempts at recovering repressed black histories. Apart from figuring as a source of spiritual fulfilment and connected to figures in the collection's livelihoods, the ocean is represented in these collections as the bringer of European colonisers and of slaves to South Africa. In this article I contend that references to slavery and colonialism and the use of words in languages brought to South Africa through slave networks position these collections as products of the transnational Black Atlantic tradition, as theorised by Paul Gilroy. The fact that the narratives of both collections take place in the Overstrand region, near the meeting place of the Atlantic and Indian Oceans, gives an indication of how Gilroy's theory needs to be adapted to be applicable to Afrikaans literature: as many English-language South African theorists have argued, oceanic literary studies in South Africa should pay as much attention to routes in the Indian Ocean as to Atlantic routes. The emphasis in both collections on not only a history of slavery, but also one of the displacement of and violence against the people already inhabiting the area when colonisers alighted, further serves to indicate what an Afrikaans black aquatic literature looks like. When taking into account these differences between Afrikaans and other versions of black aquatic art, reading grond/Santekraam and bientang as part of a global black aesthetics allows the researcher to identify the ways in which these collections are characterised by a hermeneutics of suspicion (an interpretation of contemporary life that recognises the ways in which it is structured and functions in anti-black ways) and a hermeneutics of memory (an interpretation of this anti-black contemporary as a continuation of the history of the dehumanisation of black people).
       
  • The Garment Workers' Union Pageant of Unity (1940) as manifestation of
           transnational working-class culture

    • Abstract: In this article, I examine the Garment Workers' Union's theatre as a manifestation of transnational working-class culture in the 1940s. Analysing Pageant of Unity (1940), a play in which Afrikaans and English alternate to express the equality of Afrikaans- and English-speaking workers in the face of exploitation, I offer an attempt to escape the confines of a national literature as linked to a single language. I demonstrate how the political pageant-a genre typical of socialist propaganda and international trade unionism-was adapted to a South African context. This drama is, therefore, viewed as a product of cultural mobility between Europe, the United States, and South Africa. Assuming the 'follow the actor' approach of Bruno Latour's Actor-Network Theory, I identify a network of interconnections between the nodes formed by human (drama practitioners and theoreticians, socialist organisers) and nonhuman actors (texts representing socialist drama conventions, in particular agitprop techniques). Tracing the inspirations and adaptations of conventions, I argue that Pageant of Unity most evidently realises the prescriptions outlined by the Russian drama theoretician Vsevolod Meyerhold whose approach influenced Guy Routh, one of the pageant's creators. Thus, I focus on how this propaganda production utilises certain features of the Soviet avant-garde theatre, which testifies to the transnational character of South African working-class culture.
       
 
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