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  Subjects -> ARCHAEOLOGY (Total: 300 journals)
Showing 201 - 57 of 57 Journals sorted by number of followers
Heritage, Memory and Conflict Journal     Open Access   (Followers: 14)
Journal of Skyscape Archaeology     Full-text available via subscription   (Followers: 7)
Ancient West & East     Full-text available via subscription   (Followers: 7)
Archaeological Discovery     Open Access   (Followers: 5)
Studies in Ancient Art and Civilization     Open Access   (Followers: 4)
Cultural Heritage and Science     Open Access   (Followers: 4)
Viking : Norsk arkeologisk årbok     Open Access   (Followers: 3)
Theoretical Roman Archaeology Journal     Open Access   (Followers: 3)
Journal of Ancient Egyptian Interconnections     Full-text available via subscription   (Followers: 2)
Journal of Computer Applications in Archaeology     Open Access   (Followers: 2)
Eastern Christian Art     Full-text available via subscription   (Followers: 2)
Danish Journal of Archaeology     Open Access   (Followers: 2)
Brill Research Perspectives in Ancient History     Full-text available via subscription   (Followers: 2)
Artefact : Techniques, histoire et sciences humaines     Open Access   (Followers: 2)
Acta ad archaeologiam et artium historiam pertinentia     Open Access   (Followers: 2)
Die Welt des Orients     Hybrid Journal   (Followers: 2)
Gaia : Revue interdisciplinaire sur la Grèce archaique     Open Access   (Followers: 1)
Mythos     Open Access   (Followers: 1)
Primitive Tider     Open Access   (Followers: 1)
Proceedings in Archaeology and History of Ancient and Medieval Crimea     Open Access   (Followers: 1)
In Situ Archaeologica     Open Access   (Followers: 1)
Herança : Revista de História, Património e Cultura     Open Access   (Followers: 1)
Asian Archaeology     Hybrid Journal   (Followers: 1)
Journal of Paleolithic Archaeology     Hybrid Journal   (Followers: 1)
Offa's Dyke Journal     Open Access   (Followers: 1)
Gallia : Archéologie des Gaules     Open Access   (Followers: 1)
Acta Universitatis Lodziensis : Folia Archaeologica     Open Access   (Followers: 1)
Otium : Archeologia e Cultura del Mondo Antico     Open Access   (Followers: 1)
Anadolu Araştırmaları / Anatolian Research     Open Access   (Followers: 1)
Acta Terrae Septemcastrensis     Open Access   (Followers: 1)
AP : Online Journal in Public Archaeology     Open Access   (Followers: 1)
Kentron     Open Access   (Followers: 1)
Advances in Archaeomaterials     Open Access   (Followers: 1)
Archaeologia Baltica     Open Access   (Followers: 1)
Archéologie médiévale     Open Access   (Followers: 1)
ADLFI. Archéologie de la France - Informations     Open Access   (Followers: 1)
REUDAR : European Journal of Roman Architecture     Open Access   (Followers: 1)
Journal of African Archaeology     Full-text available via subscription  
Frankokratia     Full-text available via subscription  
Quaternary Science Advances     Open Access  
Archaeologia Adriatica     Open Access  
Anales de Arqueología y Etnología     Open Access  
Kuml     Open Access  
Arkæologi i Slesvig-Archäologie in Schleswig     Open Access  
Antiquités Africaines     Open Access  
Archaeonautica     Open Access  
Sylloge epigraphica Barcinonensis : SEBarc     Open Access  
Pyrenae     Open Access  
Revista del Instituto de Historia Antigua Oriental     Open Access  
Athar Alrafedain     Open Access  
SPAL : Revista de Prehistoria y Arqueología     Open Access  
Archäologie im Rheinland     Open Access  
Bajo Guadalquivir y Mundos Atlánticos     Open Access  
Index of Texas Archaeology : Open Access Gray Literature from the Lone Star State     Open Access  
Portugalia : Revista de Arqueologia do Departamento de Ciências e Técnicas do Património da FLUP     Open Access  
BSAA Arqueología     Open Access  
Boletín de Arqueología     Open Access  
Damrong Journal of The Faculty of Archaeology Silpakorn University     Open Access  
Built Environment Inquiry Journal     Open Access  
ISIMU. Revista sobre Oriente Próximo y Egipto en la Antigüedad     Open Access  
Patrimoines du Sud     Open Access  
Archaeologia Lituana     Open Access  
Veleia     Open Access  
Bulletin de l'Institut français d'archéologie orientale     Open Access  
Anatolia Antiqua : Revue internationale d’archéologie anatolienne     Full-text available via subscription  
PHILIA. International Journal of Ancient Mediterranean Studies     Open Access  
Revista Arqueologia Pública     Open Access  
Comechingonia : Revista de Arqueología     Open Access  
Revista Otarq : Otras arqueologías     Open Access  
Gallia Préhistoire     Open Access  
SPAFA Journal     Open Access  
Anales de Arquelogía Cordobesa     Open Access  
Arqueología y Territorio Medieval     Open Access  
Lucentum : Anales de la Universidad de Alicante. Prehistoria, Arqueología e Historia Antigua     Open Access  
Boletín de Arqueología Experimental     Open Access  
Conimbriga     Open Access  
Cuadernos de Arqueología de la Universidad de Navarra     Open Access  
Arqueología     Open Access  
Semitica : Revue publiée par l'Institut d'études sémitiques du Collège de France     Full-text available via subscription  
SAGVNTVM Extra     Open Access  
Berkala Arkeologi     Open Access  
Queensland Archaeological Research     Open Access  

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SPAFA Journal
Number of Followers: 0  

  This is an Open Access Journal Open Access journal
ISSN (Print) 0858-1975 - ISSN (Online) 2586-8721
Published by SEAMEO Regional Centre for Archaeology and Fine Arts Homepage  [1 journal]
  • A Classification and Description of Ceramics from Tanjung Simpang Mengayau
           Shipwreck, Kudat, Sabah

    • Authors: Masyella Masbaka, Stephen Chia, Baszley Bee Basrah Bee
      Abstract: The Tanjung Simpang Mengayau shipwreck ceramics from Kudat, Sabah had been identified as Chinese ceramics dated to the Northern Song Dynasty (960-1127 CE). Analysis of the shipwreck ceramic samples classified 11 main ceramic types based on form i.e., shape, function, glaze colour and decoration into bowl, jar, plate, ewer, kendi, bottle, covered box, basin, teapot, vase and lid. A majority of ceramics are bowls with olive green glaze, followed by jars with various shades of brown glaze and ewers with white glaze. These ceramics are mostly decorated with bamboo-comb incisions such as vertical lines on the outer body for bowls and plates, whereas the jars and jarlets are predominantly decorated with floral or pattern incisions. The inner body of most of the bowls, plates and basins have either floral and pattern incisions or no decoration at all, while teapots and ewers are usually undecorated. These ceramics form part of the cargo of a ship travelling from China via the Philippines to Borneo. It is believed to be the oldest cargo ship so far found in Malaysian waters that provide important evidence of early maritime trade from China to Borneo as well as cultural affinities between Tanjung Simpang Mengayau and the Indonesian archipelagos.   Seramik dari kapal karam di Tanjung Simpang Mengayau, Kudat, Sabah telah dikenal pasti sebagai seramik Cina bertarikh Dinasti Song Utara (960-1127 M). Analisis sampel seramik karam telah dikelaskan kepada 11 jenis seramik utama berdasarkan bentuk iaitu bentuk, fungsi, warna glais dan hiasan dalaman mangkuk, tempayan, pinggan, ewer, kendi, botol, kotak bertutup, besen, teko, pasu dan penutup. Sebahagian besar seramik adalah mangkuk dengan warna glais hijau zaitun, diikuti dengan tempayan dengan pelbagai warna glais perang dan ewer dengan glais putih. Seramik ini kebanyakannya dihias dengan ukiran sisir buluh seperti garisan menegak pada badan luar mangkuk dan pinggan, manakala tempayan dan jarlet kebanyakannya dihiasi dengan ukiran bunga atau corak. Badan bahagian dalam kebanyakkan mangkuk, pinggan dan besen pula mempunyai sama ada ukiran bunga dan corak atau tiada hiasan langsung, manakala teko dan ewer biasanya tidak berhias. Seramik ini merupakan sebahagian daripada kargo kapal yang belayar dari China ke Borneo melalui Filipina. Ia dipercayai kapal kargo tertua ditemui di perairan Malaysia setakat ini yang memberi bukti penting berkenaan perdagangan maritim awal dari China ke Borneo serta kaitan budaya antara Tanjung Simpang Mengayau dan kepulauan Indonesia.
      Issue No: Vol. 6
       
  • The The Symbolization of Lord Shiva:

    • Authors: pramutomo mas, Sriyadi Sriyadi, Tubagus Mulyadi
      Abstract: As is well known, Wayang Wong art researchers at the Yogyakarta Palace may never have been interested in observing the unique position of the figure of Lord Shiva in the Wayang Wong scene. One may be disinterested, especially for reasons that are too micro or do not want to reveal the little things and are simple, or maybe just thrown away. This article examines the process of symbolizing and worshiping Lord Shiva, from the temple statues, wood carvings, and leather puppets, to the form of abhisheka chosen in the jejer scene in the Wayang Wong dance drama. Since the reign of Hamengku Buwana VIII (1921-1939), this argument had proved through the presence of costume design, wanda, characterization, accessories, movement, and property. Accordingly, with the evolutionary perspective above, presumably, the tradition of honoring Lord Shiva can be traced from sources that have been previously written or described through sculptures, temples, statues, or even stories. With an ethnochoreological approach that uses historical and semiotic perspectives performing arts of this article seeks to present aspects of the historicity of worshiping Lord Shiva as the highest God.   Seperti diketahui, bahwa para peneliti seni Wayang Wong di Kraton Yogyakarta mungkin tidak pernah tertarik mencermati kedudukan istemewa tokoh Dewa Siwa dalam adegan Wayang Wong. Salah satu kemungkinan tidak tertarik terutama alasan terlalu mikro atau memang tidak bersedia mengungkapkan hal-hal kecil, dan sederhana, atau mungkin juga terbuang terbengkelai begitu saja. Artikel ini mengkaji proses simbolisasi dan pemujaan Dewa Siwa sejak dalam patung candi, pahatan kayu, wayang kulit, hingga bentuk abhiseka yang dipilih dalam adegan jejer di Wayang Wong. Sejak masa pemerintahan Hamengkubuwana VIII (1921-1939), dalil ini ditunjukkan melalui bukti kehadiran disain tata busana, acuan wanda, acuan karakterisasi, acuan aksesori, acuan, gerak, dan properti. Demikian halnya dengan perspektif evolusi di atas, kiranya untuk melacak tradisi penghormatan Dewa Siwa, dapat ditelusuri dari sumber-sumber yang telah terdahulu ditulis, maupun dilukiskan melalui pahatan, candi, arca, atau pun cerita tutur. Dengan pendekatan etnokoreologi yang menggunakan perspektif historis dan semiotika seni pertunjukan artikel ini berupaya menghadirkan aspek-aspek historisitas pemujaan Dewa Siwa sebagai Dewa tertinggi.  
      Issue No: Vol. 6
       
  • Re-evaluating the conservation and restoration activities of Champa
           temples in Ninh Thuan province, Vietnam

    • Authors: Quang Dai Tuyen
      Abstract: Abstract This study re-evaluates the restoration and conservation of Champa temples in Ninh Thuan and suggests several recommendations to ensure future conservation. The research data were conducted from 2010 to 2019 using a variety of methods including archive documents, site surveys, and ethnographic fieldwork. This study shows that Champa temples have received great attention from the State of Vietnam and should be recognized as a national heritage and special national heritage. In addition, Vietnam has also taken measures to preserve and protect these relics. Therefore, there are a number of architecture and art that have been gradually maintained and protected. Despite great conservation and management efforts, some limited problems from the conservation approach of experts have occurred. Specifically, testing directly on the body of the tower, changing many architectural features of sculptural and new construction towards the Champa temple has changed the core meaning of the Champa temples. This study affirms that researchers and conservationists need to carefully study and associate with the Cham community to ensure the status quo and significance of the Champa heritage. Keywords: bricks, heritage conservation, Champa temple, Cham people, Vietnam   Tóm tắt Nghiên cứu này đánh giá lại việc trùng tu và bảo tồn các đền tháp Champa ở Ninh Thuận và gợi mở một số đề xuất nhằm thực hiện công tác bảo tồn một cách đảm bảo nhất trong tương lai. Dữ liệu nghiên cứu được thực hiện từ năm 2010 đến năm 2019 bằng việc áp dụng nhiều phương pháp khác nhau bao gồm dữ liệu văn bản, khảo sát thực địa và nghiên cứu điền dã dân tộc học. Nghiên cứu này cho thấy rằng các đền tháp Champa đã nhận được sự quan tâm rất lớn của Nhà nước Việt Nam nên được công nhận là di sản quốc gia và di sản quốc gia đặc biệt. Bên cạnh đó, Việt Nam cũng đã có những biện pháp để bảo tồn và bảo vệ các di tích này. Do đó, có một số kiến trúc và nghệ thuật đã  và đang dần được duy trì và bảo vệ. Tuy nhiên, những nỗ lực bảo tồn và quản lý đã có một số vấn đề giới hạn từ cách tiếp cận bảo tồn của các chuyên gia trùng tu. Cụ thể, thử nghiệm trực tiếp trên thân tháp, thay đổi nhiều đặc điểm kiến trúc điêu khắc và xây mới hướng lên tháp Champa đã làm thay đổi ý nghĩa cốt lõi của đền tháp Champa. Nghiên cứu này khẳng định rằng, các nhà nghiên cứu và trung tu đền Champa cần phải nghiên cứu một cách kỹ lượng và gắn với cộng đồng Chăm để đảm bảo được tính nguyên trạng và ý nghĩa di sản Champa.  Từ khóa: gạch, bảo tồn di sản, đền tháp Champa, người Chăm, Việt Nam
      Issue No: Vol. 6
       
  • Buddha Images and Kings: a profile of Myinkaba Village at Bagan.

    • Authors: Elizabeth H. Moore, Theint Theint Aung, Hninn Wut Yee Latt
      Abstract: Abstract Villages played a dynamic and significant role in Bagan’s historical archaeology but have been little studied in comparison with its extraordinary art and architecture. This paper addresses the gap in looking at the combination of natural resources together with the tangible and intangible heritage of Myinkaba village. Of the capital’s nineteen ‘founding’ villages, Myinkaba is the only one with Mon connections in its Bagan period traditional founding, inscriptions, glass production and ongoing lacquer heritage. Inscriptions underline the resources and stature of the village.  Trade has stimulated religious patronage from the late first millennium CE to the present seen in several eleventh century temples and today’s abundance of temple festivals underpinning its social organization. The ancient and living Myinkaba heritage highlights the role of village- level social identity, the culture and their role future sustainable management of the UNESCO World Heritage site.   ကျေးရွာများသည် ပုဂံ၏ သမိုင်းတင်ခေတ်ဆိုင်ရာ ရှေးဟောင်းသုတေသနပညာအတွက် အရေးပါသည့်ကဏ္ဍမှ ပါဝင်သည်။ သို့သော် ပုဂံ၏ ထူးကဲသည့် အနုဗိသုကာဆိုင်ရာ လေ့လာမှုများနှင့် ယှဉ်သော် ရပ်ကျေး ရွာကျေးများအား လေ့လာမှု အလွန်နည်းပါးပါသေးသည်။ ဤစာတမ်း၌ မြင်းကပါရွာ၏ ဒြပ်ရှိ ဒြပ်မဲ့ အမွေအနှစ်များနှင့်တကွ သဘာဝရင်းမြစ်များအား အတူလွှမ်းခြုံလေ့လာ၍ သုတေသနကွင်းဆက်များအား ရည်ညွှန်းတင်ပြသွားပါမည်။ မြင်းကပါရွာသည် ပုဂံမြို့တော်၏ မူလ ၁၉ ရွာ အနက် အစဦ်အလာ ပုဂံမြို့တည်သမိုင်း၊ ကျောက်စာ၊ ဖန်ချက်လုပ်ငန်း၊ တည်ရှိနေဆဲဖြစ်သည့် ယွန်းလက်မှုအမွေအနှစ်တို့အရ မွန်နှင့် ဆက်နွယ်သည့် တစ်ခုတည်းသောရွာဖြစ်သည်ကိုသက်သေထူနေသည်။ကျောက်စာအထောက်အထားများက ၎င်းရွာ၏ ရင်းမြစ်ကြွယ်ဝမှုနှင့် အရေးပါမှုကို မီးမောင်းထိုးပြနေပါသည်။ ပထမထောင်စုနှစ်မှသည် ယခုကာလထိ ကူးသန်းရောင်းဝယ်ရေးသည် သာသန အနုဂ္ဂဟများအား တွန်းအားဖြစ်&#...
      Issue No: Vol. 6
       
  • Deer, Nobles and Powers in South Sulawesi, Indonesia Archaeo-Historical
           Perspective

    • Authors: Erwin Mansyur Ugu Saraka
      Abstract: This article discusses the relationship between deer, nobility, and power, and also when this relationship is constructed in Bugis and Makassar cultures. Archaeological, historical, and ethnographic methods are the methods used in this research. Archaeological, historical, and ethnographic data are analysed by means of verification, criticism, and confirmation and then integration. The results showed that the relationship between deer, nobility, and power was deeply rooted, even institutionalized in royal institutions, giving rise to deer hunting rituals led by shamans. La Tike, is the name of the deer god, to whom the prayers of shamans and hunters are addressed. Based on the results of archaeological analysis, this relationship has been constructed since at least the 13th century, as evidenced by the results of carbon analysis of 14 charcoal samples obtained from systematic excavations under the petroglyphs of four deer motifs at the Old Tinco site. The site is referenced from Lontaraq "attoriolonna Soppeng" as the palace of the first Soppeng Riaja king, Latemmamala.
      Issue No: Vol. 6
       
  • Radiocarbon Analysis (14C) To Determine the Chronology of Bangka-Bangka
           Culture in Mamasa, West Sulawesi Province, Indonesia

    • Authors: Erwin Mansyur Ugu Saraka
      Abstract: Research on the Bangka-bangka culture in Mamasa as a grave cultural heritage made from Uru wood, still leaves various questions that need to be answered. Cultural chronology is one of the most crucial issues to be explained, when its time began to be known, how long the development period, and when it will begin to be abandoned by its supporting communities. This research was conducted using a systematic survey method and sampling for radiocarbon dating from five Bangka-bangka cultural sites that were considered representative; Buntu Balla, Orobua, Paladan, Balla ’Kalua, and Salulo Site. At the site, hundreds of wooden tombs were found in a certain shape consisting of boat (bangka-bangka), buffalo (tedong-tedong), horse (narang), round (talukun) and house-shaped tomb (batutu). As the results of the dating analysis using the radiocarbon (14C) method show that the wooden tomb of Bangka-bangka culture has been used since 730 ± 50 BP or around 1200 M and continued until the 1970s.
      Issue No: Vol. 6
       
 
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