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- Ancient Kedah Iron Smelting Furnace at SB2Q Site: Archaeological Remains
at Sungai Batu Archaeological Complex, Bujang Valley, Kedah, Malaysia Authors: Mohd Hasfarisham Abd Halim, Mohd Shahrul Saad, Norhidayahti Mohd Muztaza, Siti Hajar Shahrin, Shyeh Sahibul Karamah Masnan, Mokhtar Saidin Abstract: Archaeological excavations conducted at the SB2Q site have uncovered the bases of a furnace, combustion sediments, iron ores, iron slags, tuyere, shells, iron tools, stone tools, platform bricks, Chinese Ceramics, pottery and beads, proving its function as an iron-smelting workshop and at the same time, participate in trading activities. The furnace was built using clay and broken bricks on the ground. The in situ bases of furnaces clearly suggest that such furnaces represent a dome shape furnaces with mouths at the top and bottom of the furnace. Such furnace architecture is dominant in the complex, apart from the shaft-shaped furnace base. Issue No: Vol. 8
- Ancient Kedah Iron Smelting Furnace at SB2Q Site: Archaeological Remains
at Sungai Batu Archaeological Complex, Bujang Valley, Kedah, Malaysia Authors: Mohd Hasfarisham Abd Halim, Mohd Shahrul Saad, Norhidayahti Mohd Muztaza, Siti Hajar Shahrin, Shyeh Sahibul Karamah Masnan, mok Saidin Abstract: Archaeological excavations conducted at the SB2Q site have uncovered the bases of a furnace, combustion sediments, iron ores, iron slags, tuyere, shells, iron tools, stone tools, platform bricks, Chinese Ceramics, pottery and beads, proving its function as an iron-smelting workshop and at the same time, participate in trading activities. The furnace was built using clay and broken bricks on the ground. The in situ bases of furnaces clearly suggest that such furnaces represent a dome shape furnaces with mouths at the top and bottom of the furnace. Such furnace architecture is dominant in the complex, apart from the shaft-shaped furnace base. Issue No: Vol. 8
- Analysis of the inspiration and conceptual design of the Temple of
Ramesses III in ancient Egypt. Authors: Essam Metwally Abstract: The architectural splendor of the Temple of Ramses III in Luxor exemplifies ancient Egyptian design, showcasing intricate craftsmanship and deep symbolism. This paper aims to analyze the inspirations and conceptual architectural design that underpin the temple's construction, examining how ancient Egyptian beliefs, rituals, and environmental factors influenced its design. Despite its historical significance, the specific elements and influences contributing to the temple's architectural design are still underexplored. Understanding these influences is essential for comprehending the broader context of ancient Egyptian architecture and its evolution. The primary objective of this study is to analyze the various impacts that contributed to the conceptual design of the Temple of Ramses III. The significance of this research lies in its potential to enhance our appreciation and understanding of ancient Egyptian architecture. We can gain insights into the period's architectural practices, religious values, and environmental adaptations by dissecting the influences behind the Temple of Ramses III's design. This, in turn, contributes to the preservation and interpretation of ancient heritage. Preliminary findings indicate that religious symbolism, political power, and environmental adaptations profoundly influenced the temple's design. The orientation and layout connect the built environment with celestial cycles, and alignment with solar events, while the greatness and scale symbolize the political power of Ramses III. In conclusion, this research underscores the complexity and intentionality behind the Temple of Ramses III's architectural design, suggesting that advanced technologies such as 3D modeling and virtual reconstructions can provide deeper insights into ancient temples' design and construction processes. Issue No: Vol. 8
- Spirits and Nature: The Long Gelaat’s Folk Song Daung Lauk Kejoa
Authors: Jonathan Irene Sartika Dewi Max Abstract: Folk songs are a type of verbal folklore found in Indonesia. The Long Gelaat community is an indigenous community located in East Kalimantan, Indonesia. They have captivating traditional arts. One of them is a traditional song called Daung Lauk Kejoa. The knowledge of this folk song is limited to a select few communities, as it is exclusively performed once every five years during the Nemlaai traditional ritual. Hence, this traditional song is examined using a communicative approach inside a qualitative and mixed ethnographic methodology. The distinctiveness of this folk song is attributed to its prosodic, thematic, and performance elements. The repetitive nature of litany-like stanzas reinforces communal bonds and collective memory. Wood and trees symbolize sustenance, growth, and life, while the hornbill represents guardian spirits or protective forces. These heroes embody the tribe’s identity and cultural heritage, reinforcing a sense of pride and continuity. The juxtaposition of natural elements and human beings underscores the interdependence between people and their environment. The inclusion of Long Gelat women in cultural practices acknowledges their vital role and ensures blessings for the tribe’s prosperity. Therefore, this study offers a structure to investigate the presence of traditional art within indigenous community. Issue No: Vol. 8
- Inculturation Through Art: The Thai Murals of Pattaya's Redemptorist
Chapel Authors: Jeanne Mah Abstract: Unique Thai murals in the Redemptorist Chapel, Pattaya, are explored, as well as their significance in the context of religious and cultural exchange. These murals, depicting biblical scenes with Thai cultural elements, serve as a remarkable example of inculturation—the process of adapting Catholic beliefs and practices to the local culture. The essay documents these murals for the first time, highlighting their artistic and cultural value. The background of inculturation, Christian art, and the history of the Catholic Church in Thailand provides context for understanding the creation and importance of these murals. The study also examines the integration of Thai Buddhist artistic traditions into Christian art, illustrating how the murals reflect a blend of religious narratives and local aesthetics. Through detailed analysis of selected mural scenes, the essay offers insights into the ongoing dialogue between Catholicism and Thai culture, demonstrating how these artworks embody the localisation and adaptation of Christian faith within the Thai cultural framework. มีการสำรวจจิตรกรรมฝาผนังไทยอันเป็นเอกลักษณ์ในโบสถ์พระมหาไถ่ พัทยา รวมถึงความสำคัญในบริบทของการแลกเปลี่ยนทางศาสนาและวัฒนธรรม ภาพจิตรกรรมฝาผนังเหล่านี้แสดงฉากในพระคัมภีร์ที่มีองค์ประกอบทางวัฒนธรรมไทย เป็นตัวอย่างที่น่าทึ่งของการผสมผสานวัฒนธรรม ซึ่งเป็นกระบวนการปรับความเชื่อและแนวปฏิบัติของคาทอลิกให้เข้ากับวัฒนธรรมท้องถิ่น เรียงความบันทึกภาพจิตรกรรมฝาผนังเหล่านี้เป็นครั้งแรก โดยเน้นย้ำถึงคุณค่าทางศิลปะและวัฒนธรรม ภูมิหลังของการผสมผสานวัฒนธรรม ศิลปะคริสเตียน และประวัติศาสตร์ของคริสตจักรคาทอลิกในประเทศไทยเป็นบริบทในการทำความเข้าใจการสร้างสรรค์และความสำคัญของจิตรกรรมฝาผนังเหล่านี้ การศึกษายังศึกษาการบูรณาการศิลปะประเพณีของชาวพุทธไทยเข้ากับศิลปะคริสเตียน โดยแสดงให้เห็นว่าภาพจิตรกรรมฝาผนังสะท้อนถึงการผสมผสานระ... Issue No: Vol. 8
- “Future of Theatre'”: Performing Arts Management Orientation - The
Case of Sentro ng Patanghal na Sining ng Biñan Authors: Alec Bagcus, Jame Monren Mercado, Avi Ben Andalecio, Wyett White Lee Abstract: Abstract This research article examined the avenues of highlighting the interactions among various stakeholder groups that were essential in a performing arts venue in Biñan City, Laguna. Glenn Voss (2000) created an extensive inventory of organizational values that are considered crucial for establishing a sustainable management orientation in a performing arts venue. This study specifically employed five orientations, namely community, artistic, profitability, customer, and social prestige, to analyze the motivational outcomes of the organization. In the collection of data, a content analysis was performed on the organizational values and direction. Additionally, a Focus Group Discussion (FGD) was done with 25 (n=25) stakeholders. The FGD utilized a semi-structured aide-memoire and followed a qualitative transcendental phenomenology approach. The material was evaluated using a Repertory Grid Analysis. It reflected how different stakeholder groups see the prevailing orientations that established the foundation in developing the Tanghalan ng Biñan Framework. The study revealed the three primary themes, namely Venue Optimization, Youth Involvement, and Stakeholder Participation, to be most vital in gaining a full understanding of the various aspects involved in managing a newly established performing arts venue. Ultimately, the study evaluated all of these factors in order to formulate the venue's vision and mission statements. Sinuri ng artikulong pananaliksik na ito ang mga paraan ng pagbibigay-diin sa mga interaksyon sa pagitan ng iba't ibang mga stakeholder na mahalaga sa isang sining pangtanghalan sa Lungsod ng Biñan, Laguna. Lumikha si Glenn Voss (2000) ng isang malawak na imbentaryo ng mga halagang organisasyonal na itinuturing na makahulugan para sa pagtatatag ng isang napapanatiling oryentasyon sa pamamahala sa isang sining pangtanghalan. Ang pag-aaral na ito ay partikular na gumamit ng limang oryentasyon, katulad ng pamayanan, artistiko, kakayahang kumita, kustomer, at sosyal na prestihiyo, upang suriin ang mga motibasyon ng organisasyon. Sa pagkolekta ng datos, isinagawa ang isang pagsusuri ng nilalaman sa mga halaga at direksyon ng organisasyon. Bukod dito, isinagawa ang isang Focus Group Discussion (FGD) kasama ang 25 (n=25) na mga stakeholder. Ang FGD ay gumamit ng isang semi-structured aide-memoire at sumunod sa isang kwalitatibong transcendental phenomenology approach. Ang materyal ay sinuri gamit ang isang Repertory Grid Analysis. Ito ay nagpakita kung paano tinitingnan ng iba't ibang grupo ng stakeholder ang umiiral na mga oryentasyon na nagtatag ng pundasyon sa pagbuo ng Tanghalan ng Biñan Framework. Ipinakita ng pag-aaral ang tatlong pangunahing tema, katulad ng Venue Optimization, Youth Involvement, at Stakeholder Participation, na pinakamahalaga sa pagkuha ng ganap na pag-unawa sa iba't ibang aspeto na kasangkot sa pamamahala ng isang bagong tatag na sining pangtanghalan. Sa huli, sinuri ng pag-aaral ang lahat ng mga salik na ito upang mabuo ang pahayag ng bisyon at misyon ng pangtanghalan. Keywords: Issue No: Vol. 8
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