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- The Architecture of the Islamic Mausoleum in South Sulawesi (1600–1900
CE): A Cultural Adaptation and Inter-Religious Tolerance
Authors: Makmur Makmur, Nurul Adliyah Purnamasari, Ade Sahroni, Sarjiyanto
Abstract: Mausoleum architecture is an essential part of the progress of human civilization in the world, which reflects cultural adaptation, local wisdom, and values of inter-religious tolerance. This article aims to examine in depth the architecture of the Islamic mausoleums in Indonesia, particularly in South Sulawesi. A qualitative research approach was selected to integrate archaeology and architecture. The method of data collection using an archaeological survey to obtain the field data regarding the facades, structures, ornaments, decorative patterns, and other physical characteristics of Islamic mausoleums in South Sulawesi, and the literature study is used to gain information from historical and cultural sources about mausoleums in the world. The main purpose of this article is to analyze the cultural influences adapted to the architecture of Islamic mausoleums in South Sulawesi. Then, this research provides evidence of the influence of various architectural elements from Europe, the Middle East, India, Hindu-Buddhist temples in Java, as well as social-environmental conditions and local wisdom, which were centrally adapted to the construction of Islamic mausoleum architecture in South Sulawesi. The adaptation of Islamic mausoleum architecture has penetrated sacred spaces between religions. This adaptation reflects that religious differences are not a barrier to creating monumental buildings. Various elements of Hindu, Buddhist, and Christian religious buildings have made Islamic buildings look more beautiful and majestic. The combination of various elements in Islamic sacred buildings reflects cultural diversity and values of tolerance among religious communities around the world. Arsitektur mausoleum merupakan salah satu bagian penting dari kemajuan peradaban manusia di dunia yang mencerminkan adaptasi budaya, kearifan lokal, dan nilai-nilai toleransi antar umat beragama. Artikel ini memiliki tujuan untuk mengkaji secara mendalam mengenai arsitektur mausoleum Islam di Indonesia, khususnya di Provinsi Sulawesi Selatan. Pendekatan penelitian kualitatif menjadi pilihan untuk mengintegrasikan ilmu arkeologi dengan ilmu arsitektur. Survei arkeologi dilakukan untuk memperoleh data secara langsung mengenai fasad, struktur, ornamen, pola hias, dan karakteristik fisik lainnya dari mausoleum Islam, serta studi literatur dilakukan untuk mendapatkan informasi dari sumber-sumber sejarah dan budaya tentang mausoleum di dunia. Artikel ini memiliki tujuan untuk menganalisis pengaruh budaya yang diadaptasi pada arsitektur mausoleum Islam di Sulawesi Selatan. Penelitian ini kemudian memberikan bukti adanya pengaruh berbagai unsur arsitektur bangunan, baik itu dari Eropa, Timur Tengah, India, candi agama Hindu Budha di Jawa, dan juga kondisi lingkungan sosial dan kearifan lokal, yang memiliki pengaruh sentral dalam menciptakan arsitektur mausoleum Islam di Sulawesi Selatan. Adaptasi aristektur mausoleum Islam telah menembus ruang-ruang sakral antar agama. Agama tidak menjadi pembatas untuk menciptakan bangunan monumental. Elemen pada bangunan agama Hindu, Budha, dan Kristen justru menambah keindahan dan kemegahan bangunan Islam. Perpaduan berbagai unsur pada bangunan suci agama Islam, mencerminkan keberagaman budaya dan nilai-nilai toleransi antar umat beragama di seluruh dunia.
Issue No: Vol. 7
- Kidang and Bedug Cave, Early Holocene Cave Occupation in the Rembang Zone,
Java
Authors: Hari Wibowo, Indah Asikin Nurani, Sofwan Noerwidi, Dama Qoriy Arjanto, Restu Budi Sulistiyo, Nia Marniati Etie Fajari, Daud Aris Tanudirjo, Cahyo Rahmadi, Henki Riko Pratama
Abstract: The Early Holocene prehistory of Java is mostly based on archaeological records at Gunung Sewu on the southern coast of Java. In recent years research has begun in the northern coast of Java, in the karst of Rembang Zone. In this article we discuss excavation results of two Rembang Zone sites, Kidang and Bedug Cave. Analysis was carried out on human remains, fauna, and artifacts which showed that the cave occupation was parallel to the Keplek Phase in Gunung Sewu. Although from the same period, some differences can be observed in the types of artifacts and subsistence patterns in Bedug and Kidang Cave.
Issue No: Vol. 7
- Intangible Cultural Heritage of Chinese Dragon Tattoo for Contemporary
Chinese People in Surabaya
Authors: Arumtyas Puspitaning Padmasari, Widya Desary Setiawardhani, Nensy Megawati Simanjuntak
Abstract: This research is aimed at finding out the intangible cultural heritage from Chinese dragoon symbol as a family tattoo and also the philosophy using the tattoo according to contemporary Chinese family in Surabaya. This research uses qualitative description research because it uses an intangible cultural heritage approach, especially on the Chinese dragon symbol. The research data were collected either through data collection instruments, observations, interviews and also documentation data. The primary data are two Chinese family who has Chinese dragon Tattoo as their family symbol and they live in Surabaya city, which namely Pakuwon Pecinan. The Lin and Liu clan name, are preserved Chinese dragon symbol as the family tattoo because it is very powerful symbol of greatness and success based on their ancestor, Han Dynasty in Guangzhou province China. Moreover, we observed that Chinese dragon has served as a symbol of fortune, prosperity, wisdom, strength, and evil. The Chinese descendant must be taught about the way of using Chinese Dragon Tattoo in their part of body. Therefore, Chinese dragon philosophy has also led many people around the world to become first in all fields without excluding others.
Issue No: Vol. 7
- Cultural Aspects Of Pariaman: Aesthetic Innovation Of Ulu Ambek Art In The
Era Of Globalization
Authors: Yulinis
Abstract: Ulu Ambek is a traditional art form unique to the Pariaman community residing along the western coastline of Sumatra. This artistry is intricately linked to customary rituals involving the appointment of a local leader known as "penghulu" and the "alek nagari" ritual. Ownership of this artistic expression rests with the penghulu and is performed by the youth, who seek prior permission before engaging in its practice. The aesthetics embedded within Ulu Ambek encompass the cultural beauty manifested through patterns of movement, performers' demeanor, costumes, and various accessories found within the performance arena. Similarly, the engagement of numerous individuals in its execution is notable. The innovation in aesthetics lies in the community's embrace of the existence of this artistic tradition. As the currents of globalization sweep through Indonesia's artistic landscape, Ulu Ambek also experiences its impact. Nevertheless, this art form perseveres, with only minor adaptations over time. Changes are evident in aspects such as performance timing and costumes, while the core customary rituals remain unaltered. The challenge of change stems from its direct connection to age-old traditions, passed down through generations. To comprehend the identity of the Padang Pariaman community, and by extension, the Minangkabau people as a whole, an exploration of the meaning and function of Ulu Ambek, alongside its historical journey, becomes imperative. Ulu Ambek serves as a vehicle for expressing the identity of the Pariaman community, offering insights into their beliefs, way of life, customs, and more. The traditional art's identity is intertwined with the role of the "penghulu" as the custodian of Ulu Ambek.
Issue No: Vol. 7
- The Innovative from Mussel Processing with the Model of BCG Economy
Authors: noppadon sangwalpetch
Abstract: The Innovative from Mussel Processing with the Model of BCG Economy aims to find the most suitable approach for processing mussel by-products to be an alternative material for product design application, enhancing value from existing resources by not requiring complex equipment and processes. The approach can be processed according to the community context by grinding shells with lime, sand, pulp and glue in a ratio of 3 shells : 3 lime : 2 sand : 1 pulp : 1 glue. Then, mix a little water. The processed raw material is similar to sticky cement that can be formed into products by molding or casting with a mold. According to the product qualification test, it was found that the material has 4.84 Mpa of compressive strength, 1752.35 kg/m3 of density, 12.78% of water absorption, and 16.20% of weight reduction when completely dry. Due to the compressive and density properties, processed mussels can be developed into a decoration both indoor or outdoor public product, wall tiles and flooring. Furthermore, many essential nutrients for plant growth in the processed raw material, including 2.01 Nitrogen, 205 Phosphorus and 461 Potassium, can be developed for planting as well. One hundred percent of materials are obtained from nature, so the material is considered to be eco-friendly with a low energy production process. This corresponds to the BCG Economy model that is to add value and utilize existing resources for the most benefits.
Issue No: Vol. 7
- Villa Isola Stories on UPILawas Community Instagram
Authors: Karguna Purnama Harya, Supratikno Rahardjo
Abstract: In the digital age, archaeology is accessible to the public, enabling individuals and communities to interpret and share heritage stories on various social media platforms. This study focuses on the UPIlawas Community in Bandung, which, despite being only two years old as of 25 April 2022, boasts the highest number of followers among cultural heritage communities on Instagram. UPIlawas Community centres its presentation of stories on Villa Isola, a heritage building in North Bandung. This research employs a mixed-methods approach to investigate the public archaeology perspective, thematic elements, and presentation of stories employed by UPIlawas Community in sharing Villa Isola's cultural heritage on Instagram. Our findings reveal that these Villa Isola stories predominantly align with mainstream archaeology perspectives, emphasise the theme of peace of mind, and its presentation of stories primarily targets Generation Z. This study sheds light on the evolving landscape of public engagement with cultural heritage in the digital realm. Di era digital, arkeologi dapat diakses oleh publik, memungkinkan individu dan komunitas untuk menafsirkan dan berbagi story cagar budaya di berbagai platform media sosial. Studi ini berfokus pada Komunitas UPilawas di Bandung, yang meskipun baru berusia dua tahun per 25 April 2022, memiliki jumlah pengikut tertinggi di antara komunitas warisan budaya di Instagram. Komunitas UPIlawas memusatkan pada presentasi story Villa Isola, sebuah bangunan cagar budaya di Bandung Utara. Penelitian ini menggunakan pendekatan metode campuran, untuk menyelidiki perspektif arkeologi publik, elemen tematik, dan presentasi story yang digunakan oleh Komunitas UPIlawas dalam membagikan story Villa Isola di Instagram. Temuan kami mengungkapkan bahwa story Villa Isola ini sebagian besar sejalan dengan perspektif arkeologi arus utama, menekankan tema peace of mind, dan presentasi story ditujukan terutama untuk Generasi Z. Studi ini menyoroti lanskap keterlibatan publik yang berkembang dengan cagar budaya di ranah digital.
Issue No: Vol. 7
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Open Access journal
