Subjects -> ART (Total: 882 journals)
    - ART (468 journals)
    - DANCE (26 journals)
    - FILM AND AUDIOVISUALS (125 journals)
    - MUSIC (171 journals)
    - THEATER (92 journals)

FILM AND AUDIOVISUALS (125 journals)                     

Showing 1 - 120 of 120 Journals sorted alphabetically
1895. Mille huit cent quatre-vingt-quinze     Open Access   (Followers: 7)
24 images     Full-text available via subscription   (Followers: 2)
Acta Universitatis Sapientiae, Film and Media Studies     Open Access   (Followers: 3)
Adaptation     Hybrid Journal   (Followers: 10)
Ambitos     Open Access   (Followers: 1)
Aniki : Revista Portuguesa da Imagem em Movimento     Open Access  
Animation     Hybrid Journal   (Followers: 12)
Apparatus. Film, Media and Digital Cultures of Central and Eastern Europe     Open Access   (Followers: 5)
Área Abierta     Open Access   (Followers: 2)
Asian Cinema     Hybrid Journal   (Followers: 3)
Baltic Screen Media Review     Open Access   (Followers: 1)
Bioscope: South Asian Screen Studies     Hybrid Journal   (Followers: 3)
Black Camera     Full-text available via subscription   (Followers: 8)
Bulletin of Kyiv National University of Culture and Arts. Series in Audiovisual Art and Production     Open Access  
Celebrity Studies     Hybrid Journal   (Followers: 13)
Ciné-Bulles : Le cinéma d’auteur avant tout     Full-text available via subscription   (Followers: 1)
CINEJ Cinema Journal     Open Access   (Followers: 7)
Cinema Journal     Full-text available via subscription   (Followers: 25)
Cinémas : revue d'études cinématographiques / Cinémas: Journal of Film Studies     Full-text available via subscription   (Followers: 5)
Con A de animación     Open Access   (Followers: 1)
Continuum: Journal of Media & Cultural Studies     Hybrid Journal   (Followers: 32)
Cuadernos de Cine Documental     Open Access  
East Asian Journal of Popular Culture     Hybrid Journal   (Followers: 6)
Entrelacs     Open Access  
Essais     Open Access  
Ética&Cine Journal     Open Access  
Film & History: An Interdisciplinary Journal of Film and Television Studies     Full-text available via subscription   (Followers: 36)
Film Criticism     Open Access   (Followers: 4)
Film History     Full-text available via subscription   (Followers: 26)
Film International     Hybrid Journal   (Followers: 15)
Film Matters     Hybrid Journal   (Followers: 12)
Film Studies     Full-text available via subscription   (Followers: 8)
Film, Fashion & Consumption     Hybrid Journal   (Followers: 9)
Film-Philosophy Journal     Open Access   (Followers: 9)
FILMHISTORIA Online     Open Access   (Followers: 2)
Fotocinema : Revista Científica de Cine y Fotografía     Open Access   (Followers: 5)
Framework : The Journal of Cinema and Media     Full-text available via subscription   (Followers: 20)
French Forum     Full-text available via subscription   (Followers: 9)
French Screen Studies     Hybrid Journal   (Followers: 1)
Genre en séries. Cinéma, télévision, médias     Open Access  
Getty Research Journal     Full-text available via subscription   (Followers: 4)
Historical Journal of Film, Radio and Television     Hybrid Journal   (Followers: 27)
Hitchcock Annual     Full-text available via subscription  
Horror Studies     Hybrid Journal   (Followers: 6)
Image & Narrative     Open Access   (Followers: 6)
Images : The International Journal of European Film, Performing Arts and Audiovisual Communication     Open Access   (Followers: 3)
Inside Film: If     Full-text available via subscription   (Followers: 5)
International Journal of Image Mining     Hybrid Journal   (Followers: 1)
International Journal of Multimedia Intelligence and Security     Hybrid Journal   (Followers: 9)
International Journal of Screendance     Open Access   (Followers: 1)
Jeunesse: Young People, Texts, Cultures     Full-text available via subscription   (Followers: 4)
Journal of Adaptation in Film & Performance     Hybrid Journal   (Followers: 7)
Journal of African Cinemas     Hybrid Journal   (Followers: 2)
Journal of Anthropological Films     Open Access  
Journal of British Cinema and Television     Hybrid Journal   (Followers: 13)
Journal of European Popular Culture     Hybrid Journal   (Followers: 10)
Journal of Film and Video     Full-text available via subscription   (Followers: 21)
Journal of Italian Cinema and Media Studies     Hybrid Journal   (Followers: 5)
Journal of Japanese and Korean Cinema     Hybrid Journal   (Followers: 4)
Journal of Media Ethics : Exploring Questions of Media Morality     Hybrid Journal   (Followers: 14)
Journal of Popular Film and Television     Full-text available via subscription   (Followers: 34)
Journal of Religion & Film     Open Access   (Followers: 9)
Journal of Religion and Popular Culture     Full-text available via subscription   (Followers: 20)
Journal of Scandinavian Cinema     Hybrid Journal   (Followers: 2)
Journal of Screenwriting     Hybrid Journal   (Followers: 5)
Kino : The Western Undergraduate Journal of Film Studies     Open Access   (Followers: 4)
L'Atalante : Revista de estudios cinematográficos     Open Access  
L'Esprit Créateur     Full-text available via subscription   (Followers: 2)
LiNQ (Literature in North Queensland)     Open Access  
Mechademia     Full-text available via subscription   (Followers: 2)
Metro Magazine: Media & Education Magazine     Full-text available via subscription   (Followers: 3)
Mise au Point     Open Access   (Followers: 1)
Modernist Cultures     Hybrid Journal   (Followers: 6)
Moving Image Review & Art Journal     Hybrid Journal   (Followers: 4)
Music and the Moving Image     Full-text available via subscription   (Followers: 6)
New Cinemas Journal of Contemporary Film     Hybrid Journal   (Followers: 15)
New Soundtrack     Hybrid Journal   (Followers: 2)
Nineteenth Century Theatre and Film     Full-text available via subscription   (Followers: 10)
Northern Lights     Hybrid Journal   (Followers: 2)
October     Hybrid Journal   (Followers: 17)
Panoptikum     Open Access  
Projections     Full-text available via subscription   (Followers: 4)
Quarterly Review of Film and Video     Hybrid Journal   (Followers: 20)
Rocky Mountain Review     Full-text available via subscription   (Followers: 1)
S : Journal of the Circle for Lacanian Ideology Critique     Open Access  
Scene     Hybrid Journal   (Followers: 2)
Schermi. Storie e culture del cinema e dei media in Italia     Open Access  
Science Fiction Film and Television     Hybrid Journal   (Followers: 16)
Screen Bodies : An Interdisciplinary Journal of Experience, Perception, and Display     Full-text available via subscription  
Screen Education     Full-text available via subscription   (Followers: 1)
Secuencias. Revista de Historia del Cine     Open Access  
Senses of Cinema     Open Access   (Followers: 10)
Séquences : La revue de cinéma     Full-text available via subscription  
Shakespeare Bulletin     Full-text available via subscription   (Followers: 15)
Short Film Studies     Hybrid Journal   (Followers: 3)
SMPTE Motion Imaging Journal     Full-text available via subscription   (Followers: 2)
Social Interaction : Video-Based Studies of Human Sociality     Open Access   (Followers: 1)
Sound Studies : An Interdisciplinary Journal     Hybrid Journal  
Studies In Australasian Cinema     Hybrid Journal   (Followers: 2)
Studies in Documentary Film     Hybrid Journal   (Followers: 15)
Studies in Eastern European Cinema     Hybrid Journal   (Followers: 1)
Studies in European Cinema     Hybrid Journal   (Followers: 6)
Studies in French Cinema     Hybrid Journal   (Followers: 12)
Studies in Russian and Soviet Cinema     Hybrid Journal   (Followers: 3)
Studies in South Asian Film & Media     Hybrid Journal   (Followers: 2)
Studies in Spanish & Latin American Cinemas     Hybrid Journal   (Followers: 9)
Studies in World Cinema     Full-text available via subscription  
The Big Picture Magazine     Hybrid Journal  
The Journal of Film Music     Full-text available via subscription   (Followers: 8)
The Moving Image     Full-text available via subscription   (Followers: 5)
The Soundtrack     Hybrid Journal   (Followers: 1)
The Velvet Light Trap     Full-text available via subscription   (Followers: 7)
Toma Uno     Open Access   (Followers: 1)
Transnational Screens     Hybrid Journal   (Followers: 1)
Trasvases Entre la Literatura y el Cine     Open Access  
Ventana Indiscreta     Open Access  
Visual Culture in Britain     Hybrid Journal   (Followers: 5)
VMIDEA     Open Access  
Wave Motion     Hybrid Journal   (Followers: 5)
WSQ: Women's Studies Quarterly     Full-text available via subscription   (Followers: 15)

           

Similar Journals
Journal Cover
Hitchcock Annual
Number of Followers: 0  
 
  Full-text available via subscription Subscription journal
ISSN (Print) 1062-5518 - ISSN (Online) 2689-4149
Published by Project MUSE Homepage  [305 journals]
  • Spellbound by Sound: What We Learn from Alfred Hitchcock’s Notes on
           Sound

    • Free pre-print version: Loading...

      Abstract: When can we say that a Hollywood director is the author or “auteur” of sound techniques found in his or her films' And if a director should be considered a “sound auteur,” which techniques might fairly be considered part of his or her “personal style'” Though authorship has long been a major focus in film scholarship and criticism, such questions remain difficult to answer, and for good reason. The earliest auteur critics in the 1950s and 1960s defined an auteur’s style in terms of what a director could reasonably affect on the set: visual elements like shot composition, staging, lighting, and, by extension, a larger “worldview” or “interior meaning.”1 Sound, a domain often shaped extensively during postproduction ... Read More
      PubDate: 2022-07-16T00:00:00-05:00
       
  • Beyond the Blonde: The Dynamic Heroines of Hitchcock

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      Abstract: Iris Henderson, about to embark on a train that will take her straight to a featureless fiancé, sighs with resignation, “I’ve been everywhere, I’ve done everything . . . what is left for me but marriage'” (fig. 1). She then gets clunked on the head, wakes up, and in the course of The Lady Vanishes (1938), disrupts the lives of her fellow passengers, exposes some Nazis, saves a life, and possibly the world. Along the way, she discovers that love and marriage need not be a dead-end but instead, another part of the great adventure.Iris is not alone. The films of Alfred Hitchcock are abounding with some of the most active and dynamic female characters to be found in twentieth-century cinema. The ladies don’t vanish in ... Read More
      PubDate: 2022-07-16T00:00:00-05:00
       
  • Vertigo and Birth: Echoes of Loss

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      Abstract: “If the dead were to come back, what would you do with them'”As I get older, I realize that the films that have the most meaning for me reflect something of my own life. They’re often stepping-stones in my ongoing development. Alfred Hitchcock’s films influenced me early and mirror my own life in that they’re often about a man struggling to recognize his personal responsibility within events that happen to him. And, amongst contemporary filmmakers, Jonathan Glazer similarly speaks to the struggles of what it means to be human. I see myself in the work of these two men and particularly in their respective films, Vertigo (1958) and Birth (2004).I discovered Francois Truffaut’s book Hitchcock when it came out in the ... Read More
      PubDate: 2022-07-16T00:00:00-05:00
       
  • Young and Innocent: Becoming Joanie and Hitchy

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      Abstract: The 1937 film Young and Innocent has been given far less consideration than Alfred Hitchcock’s more frequently discussed British romantic thrillers The Man Who Knew Too Much (1934), The 39 Steps (1935), and The Lady Vanishes (1938). Yet the jaunty romp taken by an unemployed screenwriter unjustly accused of murder and the young Constable’s daughter who joins him on the lam uniquely captures the director’s deep affection for the British countryside. And it features one of his all-time favorite female leads, Nova Pilbeam, admirably taking her first turn in a mature role at the age of eighteen, several years after playing the precocious adolescent kidnapped in The Man Who Knew Too Much. Indeed, Hitchcock notably ... Read More
      PubDate: 2022-07-16T00:00:00-05:00
       
  • Naughts and Crosses: Marital and Cinematic Gamesmanship in Alfred
           Hitchcock’s Mr. and Mrs. Smith

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      Abstract: In Mr. and Mrs. Smith (1941), Alfred Hitchcock displays his characteristically reflexive approach: a marriage of opposing forces is both the formal proposition and the narrative project. Agonistic and performative gamesmanship characterizes the Smiths’ relationship, while Hitchcock plays with screwball genre conventions in a narrative that toys with marital norms and laws to reveal the cycle of struggle and forgiveness necessary to marriage and to American society. Reinforcing this idea, the film’s text exhibits a veritable game board motif of X’s and O’s, incorporated in everything from mise-en-scène to montage. Combining seemingly contradictory elements, Hitchcock balances formal experimentation and ideological ... Read More
      PubDate: 2022-07-16T00:00:00-05:00
       
  • The Possessive Passions of Hitchcock’s Villains

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      Abstract: Thinking about love in Hitchcock’s films, why might one focus on antagonists' Because, as it happens, we can learn almost as much about love from Hitchcock’s villains as from his heroines and heroes. Light is defined by darkness, heat by cold, wealth by poverty, and love by such opposites as greed, lust, egotism, and—for Hitchcock, anyway—what he saw as amorous deviations.Almost all opposition to true love in Hitchcock’s films involves a desire to possess and control someone and, usually, something as well: money, social status, forbidden knowledge, political power, and so on. Avarice as an accompanying vice is especially common among the people attempting to thwart Hitchcock’s lovers. The theme of possession takes ... Read More
      PubDate: 2022-07-16T00:00:00-05:00
       
  • Awakening from Hitchcock’s Nightmares

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      Abstract: Even readers who have never seen a movie directed by Alfred Hitchcock know that nightmares are integral to the Hitchcock brand. Beginning in 1941, and rapidly accelerating in 1957 following the success of the television series Alfred Hitchcock Presents, the publishers that produced the anthologies bearing his name, if not his direct editorial involvement, often announced that they were aimed to provoke nightmares in titles like Alfred Hitchcock Presents: Stories for Late at Night (1961), Alfred Hitchcock Presents: Stories Not for the Nervous (1965), and Alfred Hitchcock Presents: Stories That Scared Even Me (1967). The Introduction to Alfred Hitchcock Presents: More Stories to Stay Awake By (1971) begins:In ... Read More
      PubDate: 2022-07-16T00:00:00-05:00
       
  • Out of the Fog

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      Abstract: Alfred Hitchcock gave one of his most endlessly quoted remarks—“The Lodger was the first true ‘Hitchcock movie’ ”— in the interview sessions that produced François Truffaut’s invaluable book (Truffaut 43). It is quoted again in the title of film historian Henry K. Miller’s new study of Hitchcock’s early career, The First True Hitchcock, which is subtitled The Making of a Filmmaker, although the volume travels far beyond Hitchcock’s beginnings and the particulars of The Lodger: A Story of the London Fog (1927), the picture that set him on several of the paths he would follow forever after. Unlike that movie, with its multilayered but linear narrative arc, Miller’s book is fond of byways, detours, and excurses ... Read More
      PubDate: 2022-07-16T00:00:00-05:00
       
  • Books, Candles, a Cassone, and a Length of Cord: “Too-Close Viewing”
           Hitchcock’s Rope

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      Abstract: Rope (1948) maintains a special place in the film canon because of the way it avoids conventional editing so that screen time and narrative time are nearly equivalent. Although Rope has the reputation of being composed of a single long take interrupted only by the technological necessity of changing reels after each thousand-foot length of film was shot, Neil Badmington rightly emphasizes near the outset of his recent book, Perpetual Movement: Alfred Hitchcock’s Rope, part of the SUNY Press “Horizons of Cinema” series, that “anyone who writes about the film in our era of easy access and still claims that Rope is, or appears to be, one continuous shot is guilty of careless, casual scholarship” (15), noting, “The ... Read More
      PubDate: 2022-07-16T00:00:00-05:00
       
  • How the Words Appear

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      Abstract: How the words appear. In front of me on the desk is a copy of volume 38 of the journal October. Published in the fall of 1986, it has become a little scuffed and yellow with age—an October in the September of its years. Inside is one of Slavoj Žižek’s early publications in English—so early, in fact, that it is not mentioned in several bibliographies of his work. The piece is titled “Hitchcock,” and a note at the foot of its first page informs readers that “the following analyses by Slavoj Žižek are taken from a book he edited with Mladen Dolar, Hitchcock (Ljubljana, DDU Univerzum, collection Analecta, 1984). The French translation from the Slovene will be published in Paris this fall by Navarin under the title ... Read More
      PubDate: 2022-07-16T00:00:00-05:00
       
  • Rebecca by Patricia White (review)

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      Abstract: Released in 1940, Rebecca was directed by Alfred Hitchcock, produced by David O. Selznick, and adapted from the bestselling novel of the same name by Daphne du Maurier. Long contested in terms of its authorship, controversies stoked by the director’s own qualifications about the film’s merit, Rebecca has been reclaimed, since Tania Modleski’s groundbreaking chapter in the first edition of her book The Women Who Knew Too Much: Hitchcock and Feminist Theory (Routledge, 1988), as a significant Hitchcock work. Taking up as well as challenging some of Modleski’s claims, Patricia White’s Uninvited: Classical Hollywood Cinema and Lesbian Representability (Indiana University Press, 1999) persuasively framed Rebecca as a ... Read More
      PubDate: 2022-07-16T00:00:00-05:00
       
 
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