Subjects -> ART (Total: 882 journals)
    - ART (468 journals)
    - DANCE (26 journals)
    - FILM AND AUDIOVISUALS (125 journals)
    - MUSIC (171 journals)
    - THEATER (92 journals)

FILM AND AUDIOVISUALS (125 journals)                     

Showing 1 - 120 of 120 Journals sorted alphabetically
1895. Mille huit cent quatre-vingt-quinze     Open Access   (Followers: 7)
24 images     Full-text available via subscription   (Followers: 2)
Acta Universitatis Sapientiae, Film and Media Studies     Open Access   (Followers: 3)
Adaptation     Hybrid Journal   (Followers: 10)
Ambitos     Open Access   (Followers: 1)
Aniki : Revista Portuguesa da Imagem em Movimento     Open Access  
Animation     Hybrid Journal   (Followers: 12)
Apparatus. Film, Media and Digital Cultures of Central and Eastern Europe     Open Access   (Followers: 5)
Área Abierta     Open Access   (Followers: 2)
Asian Cinema     Hybrid Journal   (Followers: 3)
Baltic Screen Media Review     Open Access   (Followers: 1)
Bioscope: South Asian Screen Studies     Hybrid Journal   (Followers: 3)
Black Camera     Full-text available via subscription   (Followers: 8)
Bulletin of Kyiv National University of Culture and Arts. Series in Audiovisual Art and Production     Open Access  
Celebrity Studies     Hybrid Journal   (Followers: 13)
Ciné-Bulles : Le cinéma d’auteur avant tout     Full-text available via subscription   (Followers: 1)
CINEJ Cinema Journal     Open Access   (Followers: 7)
Cinema Journal     Full-text available via subscription   (Followers: 25)
Cinémas : revue d'études cinématographiques / Cinémas: Journal of Film Studies     Full-text available via subscription   (Followers: 5)
Con A de animación     Open Access   (Followers: 1)
Continuum: Journal of Media & Cultural Studies     Hybrid Journal   (Followers: 32)
Cuadernos de Cine Documental     Open Access  
East Asian Journal of Popular Culture     Hybrid Journal   (Followers: 6)
Entrelacs     Open Access  
Essais     Open Access  
Ética&Cine Journal     Open Access  
Film & History: An Interdisciplinary Journal of Film and Television Studies     Full-text available via subscription   (Followers: 36)
Film Criticism     Open Access   (Followers: 4)
Film History     Full-text available via subscription   (Followers: 26)
Film International     Hybrid Journal   (Followers: 15)
Film Matters     Hybrid Journal   (Followers: 12)
Film Studies     Full-text available via subscription   (Followers: 8)
Film, Fashion & Consumption     Hybrid Journal   (Followers: 9)
Film-Philosophy Journal     Open Access   (Followers: 9)
FILMHISTORIA Online     Open Access   (Followers: 2)
Fotocinema : Revista Científica de Cine y Fotografía     Open Access   (Followers: 5)
Framework : The Journal of Cinema and Media     Full-text available via subscription   (Followers: 19)
French Forum     Full-text available via subscription   (Followers: 9)
French Screen Studies     Hybrid Journal   (Followers: 1)
Genre en séries. Cinéma, télévision, médias     Open Access  
Getty Research Journal     Full-text available via subscription   (Followers: 4)
Historical Journal of Film, Radio and Television     Hybrid Journal   (Followers: 27)
Hitchcock Annual     Full-text available via subscription  
Horror Studies     Hybrid Journal   (Followers: 6)
Image & Narrative     Open Access   (Followers: 6)
Images : The International Journal of European Film, Performing Arts and Audiovisual Communication     Open Access   (Followers: 3)
Inside Film: If     Full-text available via subscription   (Followers: 5)
International Journal of Image Mining     Hybrid Journal   (Followers: 1)
International Journal of Multimedia Intelligence and Security     Hybrid Journal   (Followers: 9)
International Journal of Screendance     Open Access   (Followers: 1)
Jeunesse: Young People, Texts, Cultures     Full-text available via subscription   (Followers: 4)
Journal of Adaptation in Film & Performance     Hybrid Journal   (Followers: 7)
Journal of African Cinemas     Hybrid Journal   (Followers: 2)
Journal of Anthropological Films     Open Access  
Journal of British Cinema and Television     Hybrid Journal   (Followers: 13)
Journal of European Popular Culture     Hybrid Journal   (Followers: 10)
Journal of Film and Video     Full-text available via subscription   (Followers: 21)
Journal of Italian Cinema and Media Studies     Hybrid Journal   (Followers: 5)
Journal of Japanese and Korean Cinema     Hybrid Journal   (Followers: 4)
Journal of Media Ethics : Exploring Questions of Media Morality     Hybrid Journal   (Followers: 14)
Journal of Popular Film and Television     Full-text available via subscription   (Followers: 34)
Journal of Religion & Film     Open Access   (Followers: 9)
Journal of Religion and Popular Culture     Full-text available via subscription   (Followers: 20)
Journal of Scandinavian Cinema     Hybrid Journal   (Followers: 2)
Journal of Screenwriting     Hybrid Journal   (Followers: 5)
Kino : The Western Undergraduate Journal of Film Studies     Open Access   (Followers: 4)
L'Atalante : Revista de estudios cinematográficos     Open Access  
L'Esprit Créateur     Full-text available via subscription   (Followers: 2)
LiNQ (Literature in North Queensland)     Open Access  
Mechademia     Full-text available via subscription   (Followers: 2)
Metro Magazine: Media & Education Magazine     Full-text available via subscription   (Followers: 3)
Mise au Point     Open Access   (Followers: 1)
Modernist Cultures     Hybrid Journal   (Followers: 6)
Moving Image Review & Art Journal     Hybrid Journal   (Followers: 4)
Music and the Moving Image     Full-text available via subscription   (Followers: 6)
New Cinemas Journal of Contemporary Film     Hybrid Journal   (Followers: 15)
New Soundtrack     Hybrid Journal   (Followers: 2)
Nineteenth Century Theatre and Film     Full-text available via subscription   (Followers: 10)
Northern Lights     Hybrid Journal   (Followers: 2)
October     Hybrid Journal   (Followers: 17)
Panoptikum     Open Access  
Projections     Full-text available via subscription   (Followers: 4)
Quarterly Review of Film and Video     Hybrid Journal   (Followers: 20)
Rocky Mountain Review     Full-text available via subscription   (Followers: 1)
S : Journal of the Circle for Lacanian Ideology Critique     Open Access  
Scene     Hybrid Journal   (Followers: 2)
Schermi. Storie e culture del cinema e dei media in Italia     Open Access  
Science Fiction Film and Television     Hybrid Journal   (Followers: 16)
Screen Bodies : An Interdisciplinary Journal of Experience, Perception, and Display     Full-text available via subscription  
Screen Education     Full-text available via subscription   (Followers: 1)
Secuencias. Revista de Historia del Cine     Open Access  
Senses of Cinema     Open Access   (Followers: 10)
Séquences : La revue de cinéma     Full-text available via subscription  
Shakespeare Bulletin     Full-text available via subscription   (Followers: 15)
Short Film Studies     Hybrid Journal   (Followers: 3)
SMPTE Motion Imaging Journal     Full-text available via subscription   (Followers: 2)
Social Interaction : Video-Based Studies of Human Sociality     Open Access   (Followers: 1)
Sound Studies : An Interdisciplinary Journal     Hybrid Journal  
Studies In Australasian Cinema     Hybrid Journal   (Followers: 2)
Studies in Documentary Film     Hybrid Journal   (Followers: 15)
Studies in Eastern European Cinema     Hybrid Journal   (Followers: 1)
Studies in European Cinema     Hybrid Journal   (Followers: 6)
Studies in French Cinema     Hybrid Journal   (Followers: 12)
Studies in Russian and Soviet Cinema     Hybrid Journal   (Followers: 3)
Studies in South Asian Film & Media     Hybrid Journal   (Followers: 2)
Studies in Spanish & Latin American Cinemas     Hybrid Journal   (Followers: 9)
Studies in World Cinema     Full-text available via subscription  
The Big Picture Magazine     Hybrid Journal  
The Journal of Film Music     Full-text available via subscription   (Followers: 8)
The Moving Image     Full-text available via subscription   (Followers: 5)
The Soundtrack     Hybrid Journal   (Followers: 1)
The Velvet Light Trap     Full-text available via subscription   (Followers: 7)
Toma Uno     Open Access   (Followers: 1)
Transnational Screens     Hybrid Journal   (Followers: 1)
Trasvases Entre la Literatura y el Cine     Open Access  
Ventana Indiscreta     Open Access  
Visual Culture in Britain     Hybrid Journal   (Followers: 5)
VMIDEA     Open Access  
Wave Motion     Hybrid Journal   (Followers: 5)
WSQ: Women's Studies Quarterly     Full-text available via subscription   (Followers: 15)

           

Similar Journals
Journal Cover
Schermi. Storie e culture del cinema e dei media in Italia
Number of Followers: 0  

  This is an Open Access Journal Open Access journal
ISSN (Online) 2532-2486
Published by U of Milan Homepage  [34 journals]
  • Per una storia del cinema in rapporto alla sessualità
           nell'Italia del secondo dopoguerra

    • Authors: Mauro Giori, Tomaso Subini, Gianluca della Maggiore, Laura Busetta, Angelo Pietro Desole, Diletta Pavesi, Giovanni Memola, Cosimo Tassinari, Rinaldo Vignati
      Pages: 1 - 153
      Abstract: -
      PubDate: 2022-07-22
      Issue No: Vol. 6, No. 11 (2022)
       
  • Introduzione

    • Authors: Mauro Giori, Tomaso Subini
      Pages: 7 - 12
      Abstract: -
      PubDate: 2022-07-22
      Issue No: Vol. 6, No. 11 (2022)
       
  • Educare alla purezza: modelli pedagogici e politica cinematografica nel
           cattolicesimo italiano

    • Authors: Gianluca Della Maggiore
      Pages: 13 - 34
      Abstract: Between the late nineteenth century and the World War I, several factors pushed secular and Catholic educational agencies to theorize pedagogical lines specifically aimed at governing individual sexuality. In the Catholic sphere, the pedagogical proposal hinged on an almost complete, even terminological, removal of sex and sexuality: that dimension of human life was veiled and compressed within a bipolar linguistic horizon: at one extreme “purity”, at the other “instincts”, “passions” and “senses”. The construction phase of this pedagogical model – which in its various transformations was central at least until the 1960s – coincided in practice with the first diffusion of cinema, going on to profoundly influence the Catholic approach to the new medium: in the atlas of Catholic pedagogy, cinema was immediately catalogued among the most resolute opponents of the “angelic virtue” of “purity”. This contribution intends to propose a long-term analysis aimed at highlighting the evolution of the relationship between this pedagogical model and film policy in Catholicism, identifying the links between this relationship and the progressive sexualization of Italian cinema.
      PubDate: 2022-07-22
      DOI: 10.54103/2532-2486/17414
      Issue No: Vol. 6, No. 11 (2022)
       
  • «Tutto parla in termini sessuali»: educazione sessuale, adolescenza e
           verginità in "Domani è troppo tardi" (1950)

    • Authors: Laura Busetta
      Pages: 35 - 53
      Abstract: This paper analyzes the debate on sexual education emerged in the Italian press following the release of the film “Domani è troppo tardi” (Léonide Moguy, 1950). In Post-War Italy, the theme of sexual knowledge occupies the public discourse, with an emphasis on the control of female sexuality and the affirmation of virginity. Even the iconographic and textual representations of the main character, the sixteen-year-old Anna Maria Pierangeli, trace the stereotypes of virtue and female sacrifice, in line with a traditional morality and the Catholic conception of femininity. The intense debate catalyzed by the film describes adolescence as a hybrid territory: an asphyxiating place characterized by precepts, opinions, clinical observations, and control schemes; but also a transitional stage stimulated by the new sexualization of the cultural industry.
      PubDate: 2022-07-22
      DOI: 10.54103/2532-2486/16384
      Issue No: Vol. 6, No. 11 (2022)
       
  • Da vedersi «anche a costo di grave sacrificio». I cattolici e lo
           spogliarello nell'Italia degli anni Cinquanta

    • Authors: Angelo Pietro Desole
      Pages: 55 - 69
      Abstract: The article focuses on the representation of striptease in Italy in the late 50s. While the unveiling of the female body became more and more pervasive - in posters, in magazines, in theaters, in cinematography - Italian moralists sought strategies to contain the phenomenon. At the same time, many courts issued acquittal sentences which, in fact, liberalized striptease. At the center of the dispute was not female nudity (which had been showed since at least a decade) but rather the rules of behavior of women, disputed between the will to control and the desire to look. In both cases, considered as an object of the male will.
      PubDate: 2022-07-22
      DOI: 10.54103/2532-2486/16157
      Issue No: Vol. 6, No. 11 (2022)
       
  • Lo scandaloso rifiuto della sposa. L'ombra del matrimonio riparatore
           nel cinema italiano prima e dopo il caso Franca Viola

    • Authors: Diletta Pavesi
      Pages: 71 - 91
      Abstract: In 1965 Franca Viola, an unknown teenager from the small Sicilian village of Alcamo, declined to marry the man who had kidnapped and raped her. By ignoring a law that still cleared rapists if they accepted to marry their victims, Viola’s impressive behaviour made a mediatic and judicial fuss that spread all over Italy. The unease raised by the old tradition of the “shotgun wedding” was testified not only by the newspapers reports from that time but also by the post-war cinematic production. Between the 1950s and the 1960s the topic is widely explored in the film industry, both in melodramatic productions and in comedies and even in bitterly farcical movies. By analysing the mediatic output of the Viola case and the legal debate it issued, this contribution will focus on the representations of the “shotgun wedding” in the films produced before and after the shocking case of the young Sicilian woman.
      PubDate: 2022-07-22
      DOI: 10.54103/2532-2486/16158
      Issue No: Vol. 6, No. 11 (2022)
       
  • Visto, si stupri. Sesso e terrore nelle immagini di violenza sulle donne
           nel cinema italiano degli anni Settanta, tra finzione e realtà

    • Authors: Giovanni Memola
      Pages: 93 - 115
      Abstract: In the 1970s, Italian cinema experienced a boom of images and narrative elements associated with acts of violence against women, which were often further combined with sex. Such a phenomenon characterized domestic film production to a very large extent, therefore beyond budget and marketing implications, as well as auteur ambitions. In this context, the mystery-thriller films of the so-called “giallo” established a peculiar relation with violence against women at large, as they encoded it in the narrative mechanisms and in the development of the genre itself by means of subject-related marketing strategies and audience expectations. Quickly brought to popularity in the wake of Dario Argento’s works, over the years the “giallo” has been widely investigated precisely on the grounds of its defining featuring of violence against women, with most outcomes interpreting its psychological and allegorical aspects against the background of Italy’s contemporaneous social history. The aim of this essay is to enrich the interpretation field on this subject, prompting a reflection on such images and imagery of violence in the light of what were the practices, beliefs and expectations about violence against women beyond fiction, in the everyday life of 1970s Italy.
      PubDate: 2022-07-22
      DOI: 10.54103/2532-2486/17302
      Issue No: Vol. 6, No. 11 (2022)
       
  • La censura cinematografica nel cinema documentario. I "mondo movie" e il
           filone africano, alcuni casi di studio

    • Authors: Cosimo Tassinari
      Pages: 117 - 133
      Abstract: In the present essay, I will investigate the role of censorship in Italian Mondo films made in the 1960s and 1970s, such as Africa addio (1966, Gualtiero Jacopetti, Franco Prosperi), Africa segreta (1969, Angelo Castiglioni, Alfredo Castiglioni, Guido Guerrasio), Africa ama (1971, Angelo Castiglioni, Alfredo Castiglioni, Guido Guerrasio). In particular, I will focus my analysis on the works made by Angelo and Alfredo Castiglioni with Guido Guerrasio. In addition to their relationship with censorship boards, their film – despite some similarities with Mondo genre – demonstrates the attempt to elaborate a different project
      in the subgenre dedicated to the African continent.
      PubDate: 2022-07-22
      DOI: 10.54103/2532-2486/16338
      Issue No: Vol. 6, No. 11 (2022)
       
  • Norberto Bobbio: libertà dell’arte, censura ed erotismo

    • Authors: Rinaldo Vignati
      Pages: 135 - 153
      Abstract: The philosopher Norberto Bobbio was an important exponent of Italian liberalism and exerted considerable influence on Italian political thought of the second half of the twentieth century. The article examines the few texts by Bobbio relating to cinema. These are three essays published between 1961 and 1962 concerning censorship, freedom of art and eroticism. In these essays Bobbio expresses an opinion contrary to censorship but he critically judges the spread of eroticism in cinema and literature. He therefore calls for an evolution of customs capable of setting limits on erotic excesses. The underestimation of rules – also noted by other commentators in references to other areas of his thought – is a weakness in Bobbio’s reflection of censorship
      PubDate: 2022-07-22
      DOI: 10.54103/2532-2486/17461
      Issue No: Vol. 6, No. 11 (2022)
       
 
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