Subjects -> ART (Total: 882 journals)
    - ART (468 journals)
    - DANCE (26 journals)
    - FILM AND AUDIOVISUALS (125 journals)
    - MUSIC (171 journals)
    - THEATER (92 journals)

FILM AND AUDIOVISUALS (125 journals)                     

Showing 1 - 120 of 120 Journals sorted alphabetically
1895. Mille huit cent quatre-vingt-quinze     Open Access   (Followers: 7)
24 images     Full-text available via subscription   (Followers: 2)
Acta Universitatis Sapientiae, Film and Media Studies     Open Access   (Followers: 3)
Adaptation     Hybrid Journal   (Followers: 10)
Ambitos     Open Access   (Followers: 1)
Aniki : Revista Portuguesa da Imagem em Movimento     Open Access  
Animation     Hybrid Journal   (Followers: 12)
Apparatus. Film, Media and Digital Cultures of Central and Eastern Europe     Open Access   (Followers: 5)
Área Abierta     Open Access   (Followers: 2)
Asian Cinema     Hybrid Journal   (Followers: 3)
Baltic Screen Media Review     Open Access   (Followers: 1)
Bioscope: South Asian Screen Studies     Hybrid Journal   (Followers: 3)
Black Camera     Full-text available via subscription   (Followers: 8)
Bulletin of Kyiv National University of Culture and Arts. Series in Audiovisual Art and Production     Open Access  
Celebrity Studies     Hybrid Journal   (Followers: 13)
Ciné-Bulles : Le cinéma d’auteur avant tout     Full-text available via subscription   (Followers: 1)
CINEJ Cinema Journal     Open Access   (Followers: 7)
Cinema Journal     Full-text available via subscription   (Followers: 25)
Cinémas : revue d'études cinématographiques / Cinémas: Journal of Film Studies     Full-text available via subscription   (Followers: 5)
Con A de animación     Open Access   (Followers: 1)
Continuum: Journal of Media & Cultural Studies     Hybrid Journal   (Followers: 32)
Cuadernos de Cine Documental     Open Access  
East Asian Journal of Popular Culture     Hybrid Journal   (Followers: 6)
Entrelacs     Open Access  
Essais     Open Access  
Ética&Cine Journal     Open Access  
Film & History: An Interdisciplinary Journal of Film and Television Studies     Full-text available via subscription   (Followers: 36)
Film Criticism     Open Access   (Followers: 4)
Film History     Full-text available via subscription   (Followers: 26)
Film International     Hybrid Journal   (Followers: 15)
Film Matters     Hybrid Journal   (Followers: 12)
Film Studies     Full-text available via subscription   (Followers: 8)
Film, Fashion & Consumption     Hybrid Journal   (Followers: 9)
Film-Philosophy Journal     Open Access   (Followers: 9)
FILMHISTORIA Online     Open Access   (Followers: 2)
Fotocinema : Revista Científica de Cine y Fotografía     Open Access   (Followers: 5)
Framework : The Journal of Cinema and Media     Full-text available via subscription   (Followers: 20)
French Forum     Full-text available via subscription   (Followers: 9)
French Screen Studies     Hybrid Journal   (Followers: 1)
Genre en séries. Cinéma, télévision, médias     Open Access  
Getty Research Journal     Full-text available via subscription   (Followers: 4)
Historical Journal of Film, Radio and Television     Hybrid Journal   (Followers: 27)
Hitchcock Annual     Full-text available via subscription  
Horror Studies     Hybrid Journal   (Followers: 6)
Image & Narrative     Open Access   (Followers: 6)
Images : The International Journal of European Film, Performing Arts and Audiovisual Communication     Open Access   (Followers: 3)
Inside Film: If     Full-text available via subscription   (Followers: 5)
International Journal of Image Mining     Hybrid Journal   (Followers: 1)
International Journal of Multimedia Intelligence and Security     Hybrid Journal   (Followers: 9)
International Journal of Screendance     Open Access   (Followers: 1)
Jeunesse: Young People, Texts, Cultures     Full-text available via subscription   (Followers: 4)
Journal of Adaptation in Film & Performance     Hybrid Journal   (Followers: 7)
Journal of African Cinemas     Hybrid Journal   (Followers: 2)
Journal of Anthropological Films     Open Access  
Journal of British Cinema and Television     Hybrid Journal   (Followers: 13)
Journal of European Popular Culture     Hybrid Journal   (Followers: 10)
Journal of Film and Video     Full-text available via subscription   (Followers: 21)
Journal of Italian Cinema and Media Studies     Hybrid Journal   (Followers: 5)
Journal of Japanese and Korean Cinema     Hybrid Journal   (Followers: 4)
Journal of Media Ethics : Exploring Questions of Media Morality     Hybrid Journal   (Followers: 14)
Journal of Popular Film and Television     Full-text available via subscription   (Followers: 34)
Journal of Religion & Film     Open Access   (Followers: 9)
Journal of Religion and Popular Culture     Full-text available via subscription   (Followers: 20)
Journal of Scandinavian Cinema     Hybrid Journal   (Followers: 2)
Journal of Screenwriting     Hybrid Journal   (Followers: 5)
Kino : The Western Undergraduate Journal of Film Studies     Open Access   (Followers: 4)
L'Atalante : Revista de estudios cinematográficos     Open Access  
L'Esprit Créateur     Full-text available via subscription   (Followers: 2)
LiNQ (Literature in North Queensland)     Open Access  
Mechademia     Full-text available via subscription   (Followers: 2)
Metro Magazine: Media & Education Magazine     Full-text available via subscription   (Followers: 3)
Mise au Point     Open Access   (Followers: 1)
Modernist Cultures     Hybrid Journal   (Followers: 6)
Moving Image Review & Art Journal     Hybrid Journal   (Followers: 4)
Music and the Moving Image     Full-text available via subscription   (Followers: 6)
New Cinemas Journal of Contemporary Film     Hybrid Journal   (Followers: 15)
New Soundtrack     Hybrid Journal   (Followers: 2)
Nineteenth Century Theatre and Film     Full-text available via subscription   (Followers: 10)
Northern Lights     Hybrid Journal   (Followers: 2)
October     Hybrid Journal   (Followers: 17)
Panoptikum     Open Access  
Projections     Full-text available via subscription   (Followers: 4)
Quarterly Review of Film and Video     Hybrid Journal   (Followers: 20)
Rocky Mountain Review     Full-text available via subscription   (Followers: 1)
S : Journal of the Circle for Lacanian Ideology Critique     Open Access  
Scene     Hybrid Journal   (Followers: 2)
Schermi. Storie e culture del cinema e dei media in Italia     Open Access  
Science Fiction Film and Television     Hybrid Journal   (Followers: 16)
Screen Bodies : An Interdisciplinary Journal of Experience, Perception, and Display     Full-text available via subscription  
Screen Education     Full-text available via subscription   (Followers: 1)
Secuencias. Revista de Historia del Cine     Open Access  
Senses of Cinema     Open Access   (Followers: 10)
Séquences : La revue de cinéma     Full-text available via subscription  
Shakespeare Bulletin     Full-text available via subscription   (Followers: 15)
Short Film Studies     Hybrid Journal   (Followers: 3)
SMPTE Motion Imaging Journal     Full-text available via subscription   (Followers: 2)
Social Interaction : Video-Based Studies of Human Sociality     Open Access   (Followers: 1)
Sound Studies : An Interdisciplinary Journal     Hybrid Journal  
Studies In Australasian Cinema     Hybrid Journal   (Followers: 2)
Studies in Documentary Film     Hybrid Journal   (Followers: 15)
Studies in Eastern European Cinema     Hybrid Journal   (Followers: 1)
Studies in European Cinema     Hybrid Journal   (Followers: 6)
Studies in French Cinema     Hybrid Journal   (Followers: 12)
Studies in Russian and Soviet Cinema     Hybrid Journal   (Followers: 3)
Studies in South Asian Film & Media     Hybrid Journal   (Followers: 2)
Studies in Spanish & Latin American Cinemas     Hybrid Journal   (Followers: 9)
Studies in World Cinema     Full-text available via subscription  
The Big Picture Magazine     Hybrid Journal  
The Journal of Film Music     Full-text available via subscription   (Followers: 8)
The Moving Image     Full-text available via subscription   (Followers: 5)
The Soundtrack     Hybrid Journal   (Followers: 1)
The Velvet Light Trap     Full-text available via subscription   (Followers: 7)
Toma Uno     Open Access   (Followers: 1)
Transnational Screens     Hybrid Journal   (Followers: 1)
Trasvases Entre la Literatura y el Cine     Open Access  
Ventana Indiscreta     Open Access  
Visual Culture in Britain     Hybrid Journal   (Followers: 5)
VMIDEA     Open Access  
Wave Motion     Hybrid Journal   (Followers: 5)
WSQ: Women's Studies Quarterly     Full-text available via subscription   (Followers: 15)

           

Similar Journals
Journal Cover
Mechademia
Number of Followers: 2  
 
  Full-text available via subscription Subscription journal
ISSN (Print) 1934-2489 - ISSN (Online) 2152-6648
Published by Project MUSE Homepage  [305 journals]
  • Introduction: New Formulations of the Otaku

    • Free pre-print version: Loading...

      Abstract: . . . but additionally, there was also information that was important to making sure of our fellow feeling. That was more of a topic than knowledge for the sake of social life. Yes: that is, the knowledge we obtained from TV, radio, shōnen magazines, manga and such. From there we obtained topics for discussion, we discovered methods of making our play more interesting, and we experienced the aura of the metropolis.In Andrea Horbinski’s translation of a chapter from 2B-dan: Gindama sensō no hibi (Squad 2B: The days of the silver ball gun wars) by Yonezawa Yoshihiro and Shikijō Kyōtarō we see the beginning of a new world, Japan in the 1950s. This was a world only recently separated from the regimented society of ... Read More
      PubDate: 2022-01-18T00:00:00-05:00
       
  • “Otaku,” You and I: On Ōtsuka Eiji’s Response to
           Miyazaki Tsutomu

    • Free pre-print version: Loading...

      Abstract: This article contemplates the continued significance of “the Miyazaki Incident” (formally Tōkyō Saitama renzoku yōjo yūkai satsujin jiken, casually M jiken), or the arrest of a serial murderer and eruption of media discourse in Japan in 1989. Many note the rise of “otaku bashing,” and the repetitive move to relate the murderer Miyazaki Tsutomu to “otaku,” whether connections were affirmed or denied, served to establish associations in the popular imaginary.1 Despite consensus that this was a pivotal moment in understandings of “otaku,” there are few explorations of specific, situated responses. Moreover, there are those who refuse to forget the Miyazaki Incident and bring it up regularly, insisting that it is ... Read More
      PubDate: 2022-01-18T00:00:00-05:00
       
  • The Othering of the Otaku: A Transformative, Sociocultural Wild Card for
           Economics, International Business, and Political Leverage

    • Free pre-print version: Loading...

      Abstract: This article aims to look at how the otaku have been defined and redefined as a new breed of nonconformist human in Japanese society; flaunters of social norms, ultra-consumerist, potentially criminal, eternally banished to the outskirts of the mainstream, only to be conveniently held up as a last bastion of hope when strategic policies for reinvigorating the Japanese economy using the global influence of the creative industries are introduced. I explore the process through which this transition happened, beginning with early newsworthy instances in which the first otaku generation caught public attention, and trace their gradual evolution into a marginalized subculture with its own environment and information ... Read More
      PubDate: 2022-01-18T00:00:00-05:00
       
  • Chapter 3, “Putting a Hand into the Fountain of Knowledge,” from
           2B-dan: Gindama sensō no hibi (Squad 2B: The days of the silver-ball gun
           wars) (1982)

    • Free pre-print version: Loading...

      Abstract: The people who became the hardcore fans of manga circles in the 1970s and otaku in the 1980s had a long prehistory as fans, geeks, and nerds from childhood. In the following chapter from 2B-dan gindama sensō no hibi: Shōwa 30-nendai, yume no shōnen ōkoku (Tokyo: Shinpyōsha, 1982: The days of squad 2B and the silver ball war: The Shōwa 30s, the boys’ kingdom of dreams), leading Comiket figure and manga critic Yonezawa Yoshihiro (1953–2006), along with his co-writer Shikijō Kyōtarō (b. 1953, a penname), recount growing up in the Shōwa 30s (1955–65) as TV began its relentless march into Japanese homes and they glutted ... Read More
      PubDate: 2022-01-18T00:00:00-05:00
       
  • Next It’s Japan’s Turn: Nation and Otaku Masculinity in My
           Hero Academia

    • Free pre-print version: Loading...

      Abstract: From Okinawa to Hokkaido, people are transfixed in front of their television screens. Japan’s greatest hero (saikō no hīrō), All Might (Ōrumaito), fights his final battle, wrenching victory from the jaws of defeat and saving the nation from evil one last time. As his opponent is carted off in handcuffs and the traumatic yet triumphant live broadcast event draws to a close, All Might turns to the camera, uttering the cryptic words:“Next, it’s your turn”This message, which marks the denouement of one of My Hero Academia’s (Boku no hīrō akademia) most climactic arcs in chapter 94 of the manga, is coded on multiple levels both diegetically within the narrative, and indexically of the real world without. To the everyday ... Read More
      PubDate: 2022-01-18T00:00:00-05:00
       
  • Hiding Hobbies and Saving Social Lives: About the Representation of Otaku
           Struggles in Ore no imōto ga konnani kawaii wake ga nai

    • Free pre-print version: Loading...

      Abstract: Playing tennis is no problem, but if you watch anime, you’re weird' Why'!In 1991, Otaku no video was the first anime that portrayed otaku.1 The viewer follows the main protagonist Ken Kubo from his “normal” high schooler life to being the “otaking” (otaku king). The documentary part contains ten interviews with “real,” non-animated, otaku, in what the movie calls “portrait of an otaku.” Lien Fan Shen shows in her article that Otaku no video is a unique viewing experience that “allows us to rethink media representations of otaku and paradoxical relationships between the object and subject of otaku, and thus to traverse otaku fantasy in order to further investigate contemporary subjectivity in consumer society.”2 She ... Read More
      PubDate: 2022-01-18T00:00:00-05:00
       
  • Imagining Diversity: Mapping the Potential and Limits of a Queer Otaku
           Theory

    • Free pre-print version: Loading...

      Abstract: Since the emergence of manga and anime fan conventions in 1970s Japan, the various fandoms and communities now known under the umbrella term of “otaku” have always flirted with queer modes of representation. Comic Market, today the largest fan convention in the world, was first held in 1975, a time when Hagio Moto’s shōjo manga attracted both female and male fans with a combination of various genres including science fiction, horror, and homosexual romances.1 While the emerging homoerotic dōjinshi (fanzine) community supported by young women and the science fiction animation scene uniting mostly male animators had some issues while figuring out how to coexist, the diverse spectrum of otaku fandoms nevertheless ... Read More
      PubDate: 2022-01-18T00:00:00-05:00
       
  • Dead Chat Is Ded* The Rise and Dissolution of Chat Communities Attached to
           Bootleg Anime Streaming Sites

    • Free pre-print version: Loading...

      Abstract: Having regularly heard Legend of Galactic Heroes (1988–97) name-dropped between tipsy cultural studies writers since the late 1990s, I had an interest in seeing what spawned such clandestine obsession. But as my sole reason for watching it was from social curiosity, I never set myself the nigh-impossible task of finding all twenty-five-plus tapes of fansubs. Most anime fans of past generations had one of these white (sharpie-labeled) whales; elusive shows they relentlessly pursued with hopes of sharing with their friends in a late–night binge in their living rooms, Macross figurines inevitably adorning the entertainment center, like mecha Greek theater masks. By early 2015, the streaming revolution was growing, and ... Read More
      PubDate: 2022-01-18T00:00:00-05:00
       
  • Anime Fan-Oriented Works: Encountering Fan Narratives in Anime Crimes
           Division and Its North American Contexts

    • Free pre-print version: Loading...

      Abstract: In Neo Otaku City, there are two kinds of people: the kind of people who can recite the Sailor Moon theme song from memory in the original Japanese, and the kind who don’t belong here. When someone commits a crime against anime, they don’t call the police. They call the Anime Crimes Division.I was browsing the popular anime streaming service Crunchyroll one day in 2018, when I stumbled upon Anime Crimes Division,1 a web series created by Freddie Wong and Darnell Murphy. Produced under indie production studio RocketJump, and backed by Crunchyroll, the series stood out to me for several reasons: first, within an entire catalog dedicated to anime, this series was unique in being English-language and live action. ... Read More
      PubDate: 2022-01-18T00:00:00-05:00
       
  • Just a Cute Vibe: Producing a “Weebwave” in 2010s Songs and
           Music Videos

    • Free pre-print version: Loading...

      Abstract: Ten years ago, a hypnagogic anthem with feathery vocals and nostalgic electropop riffs went viral on Tumblr, the then-thriving microblogging website known as a popular hub for fandoms, the internet social justice movement, and subcultures.1 The song was “Genesis,” the lead single from Visions (2012), the third studio album by Canadian musician and artist Grimes, née Claire Boucher in 1988, who now goes by the name c—the letter in lowercase and italics used to denote the speed of light in vacuum.2 The song’s self-directed video was shot in Los Angeles, under the influence of trippy Boschian imagery and pastel grunge aesthetics.3 Grimes and her girl gang rode in an Escalade through the desert, wielding swords and ... Read More
      PubDate: 2022-01-18T00:00:00-05:00
       
 
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