Subjects -> ART (Total: 882 journals)
    - ART (468 journals)
    - DANCE (26 journals)
    - FILM AND AUDIOVISUALS (125 journals)
    - MUSIC (171 journals)
    - THEATER (92 journals)

FILM AND AUDIOVISUALS (125 journals)                     

Showing 1 - 120 of 120 Journals sorted alphabetically
1895. Mille huit cent quatre-vingt-quinze     Open Access   (Followers: 7)
24 images     Full-text available via subscription   (Followers: 2)
Acta Universitatis Sapientiae, Film and Media Studies     Open Access   (Followers: 3)
Adaptation     Hybrid Journal   (Followers: 10)
Ambitos     Open Access   (Followers: 1)
Aniki : Revista Portuguesa da Imagem em Movimento     Open Access  
Animation     Hybrid Journal   (Followers: 12)
Apparatus. Film, Media and Digital Cultures of Central and Eastern Europe     Open Access   (Followers: 5)
Área Abierta     Open Access   (Followers: 2)
Asian Cinema     Hybrid Journal   (Followers: 3)
Baltic Screen Media Review     Open Access   (Followers: 1)
Bioscope: South Asian Screen Studies     Hybrid Journal   (Followers: 3)
Black Camera     Full-text available via subscription   (Followers: 8)
Bulletin of Kyiv National University of Culture and Arts. Series in Audiovisual Art and Production     Open Access  
Celebrity Studies     Hybrid Journal   (Followers: 13)
Ciné-Bulles : Le cinéma d’auteur avant tout     Full-text available via subscription   (Followers: 1)
CINEJ Cinema Journal     Open Access   (Followers: 7)
Cinema Journal     Full-text available via subscription   (Followers: 25)
Cinémas : revue d'études cinématographiques / Cinémas: Journal of Film Studies     Full-text available via subscription   (Followers: 5)
Con A de animación     Open Access   (Followers: 1)
Continuum: Journal of Media & Cultural Studies     Hybrid Journal   (Followers: 32)
Cuadernos de Cine Documental     Open Access  
East Asian Journal of Popular Culture     Hybrid Journal   (Followers: 6)
Entrelacs     Open Access  
Essais     Open Access  
Ética&Cine Journal     Open Access  
Film & History: An Interdisciplinary Journal of Film and Television Studies     Full-text available via subscription   (Followers: 36)
Film Criticism     Open Access   (Followers: 4)
Film History     Full-text available via subscription   (Followers: 26)
Film International     Hybrid Journal   (Followers: 15)
Film Matters     Hybrid Journal   (Followers: 12)
Film Studies     Full-text available via subscription   (Followers: 8)
Film, Fashion & Consumption     Hybrid Journal   (Followers: 9)
Film-Philosophy Journal     Open Access   (Followers: 9)
FILMHISTORIA Online     Open Access   (Followers: 2)
Fotocinema : Revista Científica de Cine y Fotografía     Open Access   (Followers: 5)
Framework : The Journal of Cinema and Media     Full-text available via subscription   (Followers: 20)
French Forum     Full-text available via subscription   (Followers: 9)
French Screen Studies     Hybrid Journal   (Followers: 1)
Genre en séries. Cinéma, télévision, médias     Open Access  
Getty Research Journal     Full-text available via subscription   (Followers: 4)
Historical Journal of Film, Radio and Television     Hybrid Journal   (Followers: 27)
Hitchcock Annual     Full-text available via subscription  
Horror Studies     Hybrid Journal   (Followers: 6)
Image & Narrative     Open Access   (Followers: 6)
Images : The International Journal of European Film, Performing Arts and Audiovisual Communication     Open Access   (Followers: 3)
Inside Film: If     Full-text available via subscription   (Followers: 5)
International Journal of Image Mining     Hybrid Journal   (Followers: 1)
International Journal of Multimedia Intelligence and Security     Hybrid Journal   (Followers: 9)
International Journal of Screendance     Open Access   (Followers: 1)
Jeunesse: Young People, Texts, Cultures     Full-text available via subscription   (Followers: 4)
Journal of Adaptation in Film & Performance     Hybrid Journal   (Followers: 7)
Journal of African Cinemas     Hybrid Journal   (Followers: 2)
Journal of Anthropological Films     Open Access  
Journal of British Cinema and Television     Hybrid Journal   (Followers: 13)
Journal of European Popular Culture     Hybrid Journal   (Followers: 10)
Journal of Film and Video     Full-text available via subscription   (Followers: 21)
Journal of Italian Cinema and Media Studies     Hybrid Journal   (Followers: 5)
Journal of Japanese and Korean Cinema     Hybrid Journal   (Followers: 4)
Journal of Media Ethics : Exploring Questions of Media Morality     Hybrid Journal   (Followers: 14)
Journal of Popular Film and Television     Full-text available via subscription   (Followers: 34)
Journal of Religion & Film     Open Access   (Followers: 9)
Journal of Religion and Popular Culture     Full-text available via subscription   (Followers: 20)
Journal of Scandinavian Cinema     Hybrid Journal   (Followers: 2)
Journal of Screenwriting     Hybrid Journal   (Followers: 5)
Kino : The Western Undergraduate Journal of Film Studies     Open Access   (Followers: 4)
L'Atalante : Revista de estudios cinematográficos     Open Access  
L'Esprit Créateur     Full-text available via subscription   (Followers: 2)
LiNQ (Literature in North Queensland)     Open Access  
Mechademia     Full-text available via subscription   (Followers: 2)
Metro Magazine: Media & Education Magazine     Full-text available via subscription   (Followers: 3)
Mise au Point     Open Access   (Followers: 1)
Modernist Cultures     Hybrid Journal   (Followers: 6)
Moving Image Review & Art Journal     Hybrid Journal   (Followers: 4)
Music and the Moving Image     Full-text available via subscription   (Followers: 6)
New Cinemas Journal of Contemporary Film     Hybrid Journal   (Followers: 15)
New Soundtrack     Hybrid Journal   (Followers: 2)
Nineteenth Century Theatre and Film     Full-text available via subscription   (Followers: 10)
Northern Lights     Hybrid Journal   (Followers: 2)
October     Hybrid Journal   (Followers: 17)
Panoptikum     Open Access  
Projections     Full-text available via subscription   (Followers: 4)
Quarterly Review of Film and Video     Hybrid Journal   (Followers: 20)
Rocky Mountain Review     Full-text available via subscription   (Followers: 1)
S : Journal of the Circle for Lacanian Ideology Critique     Open Access  
Scene     Hybrid Journal   (Followers: 2)
Schermi. Storie e culture del cinema e dei media in Italia     Open Access  
Science Fiction Film and Television     Hybrid Journal   (Followers: 16)
Screen Bodies : An Interdisciplinary Journal of Experience, Perception, and Display     Full-text available via subscription  
Screen Education     Full-text available via subscription   (Followers: 1)
Secuencias. Revista de Historia del Cine     Open Access  
Senses of Cinema     Open Access   (Followers: 10)
Séquences : La revue de cinéma     Full-text available via subscription  
Shakespeare Bulletin     Full-text available via subscription   (Followers: 15)
Short Film Studies     Hybrid Journal   (Followers: 3)
SMPTE Motion Imaging Journal     Full-text available via subscription   (Followers: 2)
Social Interaction : Video-Based Studies of Human Sociality     Open Access   (Followers: 1)
Sound Studies : An Interdisciplinary Journal     Hybrid Journal  
Studies In Australasian Cinema     Hybrid Journal   (Followers: 2)
Studies in Documentary Film     Hybrid Journal   (Followers: 15)
Studies in Eastern European Cinema     Hybrid Journal   (Followers: 1)
Studies in European Cinema     Hybrid Journal   (Followers: 6)
Studies in French Cinema     Hybrid Journal   (Followers: 12)
Studies in Russian and Soviet Cinema     Hybrid Journal   (Followers: 3)
Studies in South Asian Film & Media     Hybrid Journal   (Followers: 2)
Studies in Spanish & Latin American Cinemas     Hybrid Journal   (Followers: 9)
Studies in World Cinema     Full-text available via subscription  
The Big Picture Magazine     Hybrid Journal  
The Journal of Film Music     Full-text available via subscription   (Followers: 8)
The Moving Image     Full-text available via subscription   (Followers: 5)
The Soundtrack     Hybrid Journal   (Followers: 1)
The Velvet Light Trap     Full-text available via subscription   (Followers: 7)
Toma Uno     Open Access   (Followers: 1)
Transnational Screens     Hybrid Journal   (Followers: 1)
Trasvases Entre la Literatura y el Cine     Open Access  
Ventana Indiscreta     Open Access  
Visual Culture in Britain     Hybrid Journal   (Followers: 5)
VMIDEA     Open Access  
Wave Motion     Hybrid Journal   (Followers: 5)
WSQ: Women's Studies Quarterly     Full-text available via subscription   (Followers: 15)

           

Similar Journals
Journal Cover
Shakespeare Bulletin
Number of Followers: 15  
 
  Full-text available via subscription Subscription journal
ISSN (Print) 0748-2558 - ISSN (Online) 1931-1427
Published by Project MUSE Homepage  [305 journals]
  • Incomplete Dramaturgies

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      Abstract: In recent years, attempts by theaters to address the misogyny of early modern plays have yielded mixed results. I argue in this article that many of these attempts have failed to recognize the ways in which early modern plays have misogyny baked in as an essential component of their dramaturgies. The results of this failure are what I call incomplete dramaturgies. The misogyny of these works goes deeper than line counts and casting, down to the structures, logics, and assumptions that hold the plays together. The problems that these plays present for twenty-first-century audiences, readers, and theater practitioners, then, are neither superficial nor merely historically contingent (i.e. “of their time”). Rather ... Read More
      PubDate: 2022-06-28T00:00:00-05:00
       
  • Iago as the Racist-Function in Othello

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      Abstract: “There’s something about this play because it was written for a white man in blackface that is, of course, feeling like it’s damaging your soul.”In the above epigraph, Ayanna Thompson describes to the hosts of NPR’s Code Switch why she is often asked to perform the role of “Othello Whisperer”: “Because theater companies—big theater companies [. . .] would put on productions of Othello and the actor of color who was playing Othello, who’s been trained his whole life to strive for this role, was having, you know, a mental breakdown.” As Robin DiAngelo has written, white spaces are insulated to avoid circumstances that might provoke white racial anxiety, and instead build expectations for white racial comfort, thereby ... Read More
      PubDate: 2022-06-28T00:00:00-05:00
       
  • Audiences, American Sign Language, and Deafness in Shakespeare Performance

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      Abstract: Theater productions incorporating American Sign Language (ASL) and deaf actors have been only superficially discussed by Shakespeare performance scholars. And while the premise that the dynamic co-presence of actors and audience creates the meanings of performance is fundamental to performance studies, this sparse scholarship does not consider how productions might generate different performative meanings and experiences for deaf audiences than for hearing ones. As a result, the key element of accessibility has been overlooked. In this essay, I examine four North American productions of Shakespeare combining spoken English/ASL that I attended in 2019.1 Comparing the responses of hearing audiences to my own as a ... Read More
      PubDate: 2022-06-28T00:00:00-05:00
       
  • The Affective Appeal of Violence and the Violent Appeal of Affect: Titus
           Andronicus, Lucy Bailey, and Shakespeare’s Globe

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      Abstract: When the actor Flora Spencer-Longhurst made her act one, scene four re-entrance in Lucy Bailey’s 2014 staging of Titus Andronicus, the effect was immediate and palpable. Spencer-Longhurst’s Lavinia bore little resemblance to her former self: she was covered from head to toe in dried, caked-on stage blood; her arms were raggedly bandaged to suggest the violent removal of her hands; and she stood mutely jerking about in a spasmodic series of movements, depicting her character’s experience of trauma after rape and mutilation. Such an image served as stark contrast to the happy, animated young woman from earlier scenes. The ultimate coup de théâtre, however, came when she opened her mouth and globs of red viscous ... Read More
      PubDate: 2022-06-28T00:00:00-05:00
       
  • “Amantes del Barrio Franklin”: Reading Chilean Shakespeare Through
           Cultural Anthropophagy

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      Abstract: It’s a Friday evening in March 1987. Summer is ending, and students have started back to school. Crowds gather outside the Teatro Huemul in Barrio Franklin, a neighborhood in Santiago, Chile, and floodlights illuminate the plaza where La Compañía Escuela Teatro “Q’s” street production of Romeo y Julieta is about to begin. A reviewer describes the first moments:Anochece. Sonido de tambores, mandolinas y panderetas, desde el fondo de una calle. Los niños corren al encuentro del cortejo y los mayores—expectantes y atentos—observan y escuchan. Candelas y luces, como para un funeral al atardecer; música [. . .] triste acompaña a Capuletos y Montescos. Sobre un féretro, Julieta y su Romeo.1[The sun sets. The sound of ... Read More
      PubDate: 2022-06-28T00:00:00-05:00
       
  • Tracing Julie Taymor’s “Rough Magic” in Her Three Screen
           Shakespeares

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      Abstract: Prospero’s announcement “But this rough magic/I here abjure” (5.1.50–1) has led several scholars to wonder how and why he comes to deem his conjuring “rough.” Many critics have appropriated the phrase for book and paper titles, or to conceive of the workings of theater beyond The Tempest.1 It is also the term chosen by Julie Taymor for the title of her introduction to the published screenplay of her film of The Tempest (2010). Taymor uses “rough magic” to encapsulate her complex aesthetic of storytelling as a practitioner in theater and film. In a lucid explanation of her approach, Taymor writes of the differences and points of contention she finds while working in the two mediums:Revealing the mechanics of the ... Read More
      PubDate: 2022-06-28T00:00:00-05:00
       
  • Hamlet (review)

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      Abstract: Neil Coppen’s Hamlet was born out of the COVID-19 pandemic in South Africa, which necessitated several lengthy national lockdowns that saw many of the country’s cultural institutions, like those in other parts of the world, deprived of social and financial support. The Klein Karoo National Arts Festival (KKNK) website, on which this one-off online reading was hosted, explains that Hamlet was due to run at the Fugard Theatre in Cape Town in 2020, but with the onset of the pandemic and the resultant closure of the Fugard—a devastating loss to the South African theater world which broke the hearts of many—the production turned into an online reading. As a pandemic-influenced online production of Shakespeare in South ... Read More
      PubDate: 2022-06-28T00:00:00-05:00
       
  • Gallathea (review)

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      Abstract: Andy Kesson has attributed the “joy” of John Lyly’s Gallathea to the fact that “the queerness is already there” (Frankland and Kesson 291). There is no need to “queer” Gallathea as it’s already a celebration of queer love. The Show Must Go Online’s production of Gallathea captured this joy perfectly. Gallathea (1588) centers on a small village in Lincolnshire that must sacrifice a virgin to Neptune every five years. Tityrus and Melibeus are both worried their daughters Gallathea and Phillida will be sacrificed, and ask them to disguise themselves as boys and hide in the woods, where they meet and fall in love.Simone Chess, professor at Wayne State University, introduced Gallathea as the “queerest play in the ... Read More
      PubDate: 2022-06-28T00:00:00-05:00
       
  • Romeo and Juliet (review)

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      Abstract: While plague lent itself to a variety of metaphorical uses across early modern English drama, it was rarely employed as an occasion for action or plot. Ben Jonson’s The Alchemist is a notable outlier, focused on the racketeering enabled when disease comes to an urban center. Romeo and Juliet is another. The familiar line, “a plague a’ both your houses,” is incantatory, uttered by Mercutio three times to make sure no one mistakes his meaning: both Capulets and Montagues, both Tybalt and Romeo, are to blame for his death (3.1.101–2). Plague is not only metaphorical, however; Friar John is kept from Mantua just on the chance of carrying “the infectious pestilence,” having needed to find a fellow friar from the town in ... Read More
      PubDate: 2022-06-28T00:00:00-05:00
       
  • Merry Wives (review)

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      Abstract: “The Public Theater,” promotional material announced, “is theater of, by, and for all people.” On public transit to the Delacorte Theater I encountered a man walking the subway A-train selling tasers and stunguns, another entering in a hospital gown, and a third wearing a track suit, reading Karl Marx’s Economic and Philosophic Manuscripts of 1844, and smirking (he wasn’t wearing a mask despite official mandates). Are these minor spectacles relevant or merely remarkable' After some eighteen months of drastically reduced time witnessing the New York City public, it can be difficult to distinguish.The Public Theater’s staging of Merry Wives (July–September 2021) was the first production of Shakespeare at the ... Read More
      PubDate: 2022-06-28T00:00:00-05:00
       
  • Seize the King (review)

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      Abstract: New York has another Shakespeare in the Park, and its passion, intensity, and innovation rival that of the Public Theater’s summer stage in Joe Papp’s heyday. The Classical Theatre of Harlem has presented free theater each summer since 2013 at the Richard Rodgers Amphitheater, mounting such productions as Romeo and Juliet, The Tempest, and The Bacchae. This venue, a bandshell in Marcus Garvey Park in Harlem, underwent a renovation completed in 2011; it gained state-of-the-art lighting, sound hookups, and a wider stage that promoted a more intimate and direct relationship between performers and audience members. The Classical Theatre of Harlem is helmed by Producing Artistic Director Ty Jones, the Obie-award-winning ... Read More
      PubDate: 2022-06-28T00:00:00-05:00
       
  • All’s Well That Ends Well and Macbeth (review)

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      Abstract: Notwithstanding thematic elements that have marked All’s Well That Ends Well as “problematic”—including a prominent bed trick—the play has a fundamentally comedic arc, driving towards resolution in marriage. In this light, it stands far removed from Macbeth, one of Shakespeare’s bloodiest and bleakest tragedies, which ends with the main character and his wife dead after leaving Scotland in ruins. Yet the American Shakespeare Center (ASC) productions of these two plays that I saw on back-to-back nights shared a great deal in common. They coursed with comparable energy, both reflecting the now characteristic approach of the company, which has extended its formerly seasonal “Actors’ Renaissance” throughout the year. ... Read More
      PubDate: 2022-06-28T00:00:00-05:00
       
  • Henry V (review)

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      Abstract: After a break necessitated by the COVID-19 virus, the actors of the American Shakespeare Center (ASC) returned to the stage to present the 2021 “Actors’ Renaissance” season, featuring productions of Macbeth, All’s Well that Ends Well, and Henry V. The ASC has passed through a difficult time recently. The virus forced an extended closure, and artistic director Ethan McSweeny left, amidst controversy and complaints, in February 2020. The ASC announced it would move forward under a new artistic/directorial model, with four veteran actors (Brandon Carter, John Harrell, Chris Johnston, and Zoe Speas) serving as actor-managers. The actor-manager scheme is new, but it grows out of the company’s staging practices during ... Read More
      PubDate: 2022-06-28T00:00:00-05:00
       
  • Twelfth Night (review)

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      Abstract: After a dark pandemic year, outdoor Shakespeare returned to the boreal forest with an upbeat Twelfth Night by Fairbanks Shakespeare Theatre (FST). Producing Artistic Director Tom Robenolt cut the script to emphasize its festive mood and downplay its loose ends. Most notably, at least for me, Duke Orsino did not speak the line in which he offers an olive branch to Malvolio at the play’s end: “Pursue him, and entreat him to a peace” (5.1.373). This omission erased any hint that Malvolio either deserved an apology or might somehow be included in what Orsino calls the play’s “most happy wreck” (5.1.262).The Folio text of Twelfth Night gestures only fitfully at comic resolution. Jack shall have Jill, but some things go ... Read More
      PubDate: 2022-06-28T00:00:00-05:00
       
  • The Comedy of Errors (review)

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      Abstract: After seventeen long months of government-mandated restrictions on large gatherings due to the COVID-19 pandemic, outdoor theater productions were allowed to reopen in New Jersey in the summer of 2021. Director Brian Crowe wisely selected The Comedy of Errors to welcome audiences back to the Shakespeare Theatre of New Jersey’s Outdoor Stage at the Greek Theatre on the campus of St. Elizabeth University in Convent Station, New Jersey. With the theme of reuniting people after a long separation, this play was the perfect offering to all who missed attending in-person performances, and who yearned for that magical connection between actors and audience that can only occur within a live theater setting. The performance ... Read More
      PubDate: 2022-06-28T00:00:00-05:00
       
  • The Tempest (review)

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      Abstract: The Globe Touring Ensemble’s 2021 production of The Tempest opened with a collision of styles, as a swinging jazz number performed by the entire cast segued into the plaintive tones of two recorders. These mournful notes built to a shrill pitch, as the storm scene began in earnest. The mingling of moods in these first moments prefigured how this production would balance anxiety against the irreverent joy of community—an apt emotional palette amid the easing COVID-19 restrictions of summer 2021.Of course, a bifurcated structure has always been embedded in the play-text itself. This production emphasized, rather than complicated, the very different moods of the plot and sub-plot. Trinculo and Stephano’s drinking ... Read More
      PubDate: 2022-06-28T00:00:00-05:00
       
  • Unfixable Forms: Disability, Performance, and the Early Modern English
           Theater by Katherine Schaap Williams (review)

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      Abstract: Unfixable Forms: Disability, Performance, and Early Modern English Theater by Katherine Schaap Williams is an ambitious book with two competing aims. Firstly, the project examines how representations of disability in early modern theater point us at social formations and cultural issues that are ostensibly not about disability. Secondly, the book aims to think about how scripted disability draws attention to both the theatricality of performance and the body of the actor, therefore enabling Williams “to theorize theatricality itself as a medium” (3). The result is a rich examination of early modern drama that destabilizes notions of disability, unfixing them, as the title suggests, from biological essentialist ... Read More
      PubDate: 2022-06-28T00:00:00-05:00
       
 
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