JournalTOCs

Studies in European Cinema
Journal Prestige (SJR): 0.1

Number of Followers: 6

Hybrid journal * Containing 2 Open Access article(s) in this issue *
ISSN (Print) 1741-1548 - ISSN (Online) 2040-0594
Published by Taylor and Francis

[2648 journals]

‘A lot of soundtracks are quite boring’
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  Authors: Owen Evans, Graeme Harper
  Pages: 93 - 95
  Abstract: Volume 19, Issue 2, June 2022, Page 93-95
  .
  
  Citation: Studies in European Cinema
  PubDate: 2022-05-19T02:14:00Z
  DOI: 10.1080/17411548.2022.2074958
  Issue No: Vol. 19, No. 2 (2022)
Conceptualising festival ecosystems. Insights from the ethnographic film
festival subcircuit
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  Authors: Aida Vallejo, María Paz Peirano
  Pages: 1 - 21
  Abstract: .
  
  Citation: Studies in European Cinema
  PubDate: 2022-07-26T08:22:34Z
  DOI: 10.1080/17411548.2022.2103930
[Rec] and beyond: Spanish cinema, digital technology and the
transnationalization of horror
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  Authors: Vicente Rodríguez Ortega
  Pages: 1 - 19
  Abstract: .
  
  Citation: Studies in European Cinema
  PubDate: 2022-07-24T02:16:55Z
  DOI: 10.1080/17411548.2022.2103933
Amateur film festivals sources, history, and perspectives
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  Authors: Paolo Caneppele
  Pages: 1 - 12
  Abstract: .
  
  Citation: Studies in European Cinema
  PubDate: 2022-06-22T10:21:27Z
  DOI: 10.1080/17411548.2022.2087051
‘Ghosts don’t cry’: state of exception and the mother(land) in Pedro
Almodóvar’s Live Flesh (1997) and Volver (2006)
Open Access Article
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  Authors: Mercedes Camino
  Pages: 1 - 28
  Abstract: .
  
  Citation: Studies in European Cinema
  PubDate: 2022-06-22T10:17:17Z
  DOI: 10.1080/17411548.2022.2087050
Sans soleil by Chris Marker. The essay film and its cinematic thinking
process: reflecting on postmodernity
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  Authors: Lourdes Monterrubio Ibáñez
  Pages: 1 - 21
  Abstract: .
  
  Citation: Studies in European Cinema
  PubDate: 2022-05-24T05:03:23Z
  DOI: 10.1080/17411548.2022.2073173
Social Trauma and Telecinematic Memory: Imagining the Turkish Nation since
the 1980 Coup
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  Authors: Can Koçak
  Pages: 1 - 3
  Abstract: .
  
  Citation: Studies in European Cinema
  PubDate: 2022-05-19T03:22:59Z
  DOI: 10.1080/17411548.2022.2076514
Subversive Spanish Cinema: The Politics of Performance
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  Authors: Inmaculada N. Sánchez-García
  Pages: 1 - 3
  Abstract: .
  
  Citation: Studies in European Cinema
  PubDate: 2022-05-11T12:53:53Z
  DOI: 10.1080/17411548.2022.2076513
Godard and the Essay Film: A Form That Thinks
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  Authors: William Brown
  Pages: 1 - 4
  Abstract: .
  
  Citation: Studies in European Cinema
  PubDate: 2022-05-06T11:58:45Z
  DOI: 10.1080/17411548.2022.2073778
Films of Pedro Costa: Producing and Consuming Contemporary Art Cinema
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  Authors: Dominic Lash
  Pages: 1 - 3
  Abstract: .
  
  Citation: Studies in European Cinema
  PubDate: 2022-05-06T11:50:47Z
  DOI: 10.1080/17411548.2022.2073772
The Spanish quinqui film: delinquency, sound, sensation
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  Authors: Cormac Donnelly
  Pages: 1 - 3
  Abstract: .
  
  Citation: Studies in European Cinema
  PubDate: 2022-05-06T04:25:51Z
  DOI: 10.1080/17411548.2022.2073776
Miraculous Realism: The French-Walloon Cinéma du Nord
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  Authors: Michael Cramer
  Pages: 1 - 4
  Abstract: .
  
  Citation: Studies in European Cinema
  PubDate: 2022-05-06T04:24:10Z
  DOI: 10.1080/17411548.2022.2073777
Seeing from Scratch: Fifteen Lessons with Godard, with The Postcard Game
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  Authors: Michael Grace
  Pages: 1 - 3
  Abstract: .
  
  Citation: Studies in European Cinema
  PubDate: 2022-05-06T04:22:09Z
  DOI: 10.1080/17411548.2022.2073775
Luchino visconti and the fabric of cinema
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  Authors: Will Kitchen
  Pages: 1 - 3
  Abstract: .
  
  Citation: Studies in European Cinema
  PubDate: 2022-05-06T04:20:10Z
  DOI: 10.1080/17411548.2022.2073773
New realism: contemporary British cinema
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  Authors: Nigel Morris
  Pages: 1 - 3
  Abstract: .
  
  Citation: Studies in European Cinema
  PubDate: 2022-05-06T04:18:10Z
  DOI: 10.1080/17411548.2022.2073769
An International Study of Film Museums
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  Authors: Dina Iordanova
  Pages: 1 - 3
  Abstract: .
  
  Citation: Studies in European Cinema
  PubDate: 2022-05-05T06:45:44Z
  DOI: 10.1080/17411548.2022.2073774
Cinema of crisis: film and contemporary Europe
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  Authors: Mariana Liz
  Pages: 1 - 3
  Abstract: .
  
  Citation: Studies in European Cinema
  PubDate: 2022-05-05T06:42:43Z
  DOI: 10.1080/17411548.2022.2073771
Post-crisis European cinema: white men in off-modern landscapes
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  Authors: Zsófia Orosz-Réti
  Pages: 1 - 3
  Abstract: .
  
  Citation: Studies in European Cinema
  PubDate: 2022-05-05T06:41:49Z
  DOI: 10.1080/17411548.2022.2073768
Women in Iberian Filmic Culture: A Feminist Approach to the Cinemas of
Portugal and Spain
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  Authors: Agata Lulkowska
  Pages: 1 - 3
  Abstract: .
  
  Citation: Studies in European Cinema
  PubDate: 2022-05-05T06:38:43Z
  DOI: 10.1080/17411548.2022.2073770
ReFocus: The Films of Andrei Tarkovsky
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  Authors: James L. Shelton
  Pages: 1 - 3
  Abstract: .
  
  Citation: Studies in European Cinema
  PubDate: 2022-05-05T06:36:44Z
  DOI: 10.1080/17411548.2022.2073767
The cinema of Paolo Sorrentino: commitment to style
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  Authors: Paul Sutton
  Pages: 1 - 3
  Abstract: .
  
  Citation: Studies in European Cinema
  PubDate: 2022-05-05T06:34:48Z
  DOI: 10.1080/17411548.2022.2073174
Post-Unification Turkish German cinema: work, globalisation and politics
beyond representation
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  Authors: Ecem Yıldırım
  Pages: 1 - 3
  Abstract: .
  
  Citation: Studies in European Cinema
  PubDate: 2022-05-04T05:57:13Z
  DOI: 10.1080/17411548.2022.2073169
Desire as the being in La vie d’Adèle, chapitres 1 & 2/Blue
is the warmest colour
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  Authors: Ying Chen
  Pages: 1 - 9
  Abstract: .
  
  Citation: Studies in European Cinema
  PubDate: 2022-05-04T05:55:13Z
  DOI: 10.1080/17411548.2022.2064154
Women’s affective transactions and the memory of Hungarian (historical)
affairs: Istvan Szabo’s The Door (2012)
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  Authors: Szidonia Haragos
  Pages: 1 - 13
  Abstract: .
  
  Citation: Studies in European Cinema
  PubDate: 2022-04-26T05:52:48Z
  DOI: 10.1080/17411548.2022.2064156
Step right up and take a whiff! Does incorporating scents in film
projection increase viewer enjoyment'
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  Authors: Josep Solves, Sebastián Sánchez-Castillo, Begoña Siles
  Pages: 1 - 14
  Abstract: .
  
  Citation: Studies in European Cinema
  PubDate: 2022-04-22T12:00:18Z
  DOI: 10.1080/17411548.2022.2064155
Seeking another justice in Fatih Akın’s “The Edge of Heaven” (2004)
and “In the Fade” (2017)
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  Authors: Melis Öneren Özbek
  Pages: 1 - 16
  Abstract: .
  
  Citation: Studies in European Cinema
  PubDate: 2022-04-22T03:47:19Z
  DOI: 10.1080/17411548.2022.2064157
How to build an ecosystem for the non-fiction cinema' The history
andpolitics of Lussas documentary film festival
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  Authors: Jacopo Rasmi
  Pages: 1 - 13
  Abstract: .
  
  Citation: Studies in European Cinema
  PubDate: 2022-04-18T09:26:03Z
  DOI: 10.1080/17411548.2022.2064160
‘What’s your dream'’ The films of femme auteur
Andrea Arnold
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  Authors: Brian Michael Goss
  Pages: 1 - 16
  Abstract: .
  
  Citation: Studies in European Cinema
  PubDate: 2022-04-18T05:00:57Z
  DOI: 10.1080/17411548.2022.2064159
Intimate recordings: mediated acts of touching in Future Lasts Forever and
Giraffe
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  Authors: Olivia Landry
  Pages: 1 - 17
  Abstract: .
  
  Citation: Studies in European Cinema
  PubDate: 2022-04-14T07:58:39Z
  DOI: 10.1080/17411548.2022.2064161
Playbird superstar: Mary Millington and Come Play With Me (1977) as a
national box-office sensation
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  Authors: Vincent L Barnett
  Pages: 1 - 16
  Abstract: .
  
  Citation: Studies in European Cinema
  PubDate: 2022-04-13T09:49:11Z
  DOI: 10.1080/17411548.2022.2064158
Italian Neorealist and New Migrant films as dispositifs of alterity: How
borgatari and popolane challenge the stereotypes of nationhood and
womanhood'
Open Access Article
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  Authors: Marianna Charitonidou
  Pages: 1 - 24
  Abstract: .
  
  Citation: Studies in European Cinema
  PubDate: 2022-02-16T03:43:37Z
  DOI: 10.1080/17411548.2021.1968165
Filming abject Heterotopias: a spatial critique of Béla Tarr’s
select later films
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  Authors: Aswin Prasanth
  Pages: 1 - 15
  Abstract: .
  
  Citation: Studies in European Cinema
  PubDate: 2022-02-15T09:23:44Z
  DOI: 10.1080/17411548.2022.2031804
The Use of Therapeutic Film Making: Agnes Varda and Sophie Calle
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  Authors: Karen Y Chapman
  Pages: 1 - 9
  Abstract: .
  
  Citation: Studies in European Cinema
  PubDate: 2022-02-08T05:31:19Z
  DOI: 10.1080/17411548.2022.2031805
From self-colonisation to conquest in Eastern European postcommunist
musicals
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  Authors: Ewa Mazierska
  Pages: 1 - 18
  Abstract: .
  
  Citation: Studies in European Cinema
  PubDate: 2022-02-02T10:19:33Z
  DOI: 10.1080/17411548.2022.2031806
Who’s looking as whom' Lucy/Luce: the ‘new’ woman in the
‘New’ World
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  Authors: Ryan Calabretta-Sajder
  Pages: 1 - 19
  Abstract: .
  
  Citation: Studies in European Cinema
  PubDate: 2022-02-02T04:07:03Z
  DOI: 10.1080/17411548.2022.2027221
Post-crisis European cinema: white men in off-modern landscapes
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  Authors: Zsófia Orosz-Réti
  Pages: 1 - 3
  Abstract: .
  
  Citation: Studies in European Cinema
  PubDate: 2022-01-24T08:22:48Z
  DOI: 10.1080/17411548.2022.2027325
Political ecologies of food through film:‘agropoetic’ cinematic style
in Ermanno Olmi’s Terra Madre
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  Authors: Patrizia La Trecchia
  Pages: 1 - 15
  Abstract: .
  
  Citation: Studies in European Cinema
  PubDate: 2022-01-10T09:34:16Z
  DOI: 10.1080/17411548.2021.2001995