Publisher: Hipatia Press   (Total: 14 journals)   [Sort by number of followers]

Showing 1 - 14 of 14 Journals sorted alphabetically
BR::AC - Barcelona, Research, Art, Creation     Open Access   (Followers: 6)
C&SC - Communication & Social Change     Open Access   (Followers: 9)
GÉNEROS - Multidisciplinary J. of Gender Studies     Open Access   (Followers: 5)
HSE - Social and Education History     Open Access   (Followers: 3, SJR: 0.102, CiteScore: 0)
IJEM - Intl. J. of Educational Leadership and Management     Open Access   (Followers: 14)
Intl. and Multidisciplinary J. of Social Sciences     Open Access   (Followers: 2)
Intl. J. of Educational Psychology     Open Access   (Followers: 19)
Intl. J. of Sociology of Education     Open Access   (Followers: 9)
J. of Deliberative Mechanisms in Science     Open Access  
Masculinities & Social Change     Open Access   (Followers: 5, SJR: 0.226, CiteScore: 1)
Multidisciplinary J. of Educational Research     Open Access   (Followers: 3)
Qualitative Research in Education     Open Access   (Followers: 12)
RASP - Research on Ageing and Social Policy     Open Access   (Followers: 5)
REDIMAT : J. of Research in Mathematics Education     Open Access   (Followers: 6)
Similar Journals
Journal Cover
BR::AC - Barcelona, Research, Art, Creation
Number of Followers: 6  

  This is an Open Access Journal Open Access journal
ISSN (Print) 2014-8992
Published by Hipatia Press Homepage  [14 journals]
  • Barcelona [de] construida, 2021

    • Authors: Martí Llorens
      Pages: 1 - 17
      Abstract: Visual Page
      PubDate: 2021-02-03
      DOI: 10.17583/brac.2021.7122
      Issue No: Vol. 9, No. 1 (2021)
  • Full Issue

    • Authors: Editorial Team
      Pages: 1 - 108
      PubDate: 2021-02-03
      DOI: 10.17583/brac.2021.7643
      Issue No: Vol. 9, No. 1 (2021)
  • Paisajes interiores, 2021

    • Authors: Pamela Martínez Rodríguez
      Pages: 18 - 28
      Abstract: Visual Page
      PubDate: 2021-02-03
      DOI: 10.17583/brac.2021.7129
      Issue No: Vol. 9, No. 1 (2021)
  • Art and Science for a Crisis Landscape: Case Study of the Cartographies of
           Metamorphosis Project

    • Authors: Pedro Ortuño
      Pages: 29 - 44
      Abstract: Based on Ehrenfried Pfeiffer's method of sensitive crystallization, the Cartographies of Metamorphosis artistic project exposes the vitality, in the form of mandala graphics, of the different horticultural products from Campo de Cartagena, a method that makes the intrinsic quality of the material visible organic. In 2016, the Mar Menor landscape collapsed for the first time and accentuated its state of environmental crisis, due in part to the dumping of large amounts of organic matter and nutrients of various kinds, but especially from agricultural and livestock activities. Made in the context of the environmental crisis of the Mar Menor, the sculptural and audiovisual installation metaphorically reflects on the new geological era coined by Paul Crutzen and the eutrophication landscape around the lagoon.
      PubDate: 2021-02-03
      DOI: 10.17583/brac.2021.6311
      Issue No: Vol. 9, No. 1 (2021)
  • Intersections between Text and Image: Alexander Kluge and the Iconographic

    • Authors: jacobo sucari
      Pages: 45 - 58
      Abstract: There is a field of intersection between text and image that throughout the history of cinema has been configured as a space of subtle architectures where the typographic sign (the letter) and its sound emission (the voice) in conjunction with the image, they form a terrain of new audiovisual grammars, a space for experimentation in the creation of meaning and original associations.Alexander Kluge's work is undoubtedly a special case in forcing this relationship between the dimensions of text and image, not only because he has dedicated much of his work to both disciplines, that of writer and that of filmmaker, but because in this space of intersection of the written word and the fluorescence of the image, a renewed dialogue emerges around the meaning of history and the always enriching links between the archive, the document, the function of memory and a critical view of the Present.This article emphasizes the semiotic characteristics of this relationship between text and image in Kluge's work, as well as his peculiar conception of the audiovisual treatise.
      PubDate: 2021-02-03
      DOI: 10.17583/brac.2021.5364
      Issue No: Vol. 9, No. 1 (2021)
  • The Magician (of) Matthew Barney: Renascent Influences in the Cremaster

    • Authors: Anca Luiza Sirbu
      Pages: 59 - 82
      Abstract: In this article we will try to offer a new interpretation of the video art work of the artist Matthew Barney (California, 1967) the Cremaster Cycle, approaching a more humanistic and less biological vision, the last one being the principal study aspect for the experts on Matthew Barney. We will focus on the character of the Magician, a key figure in the Cremaster Cycle. The Magician lighting the pass to a possible interpretation of the Cycle in Renaissance key, the magician character while being a personification of aesthetic- artistic interests of Matthew Barney is also an approximation to the ideal of the Renaissance man: philosopher, magician, healer. Alter-ego of Matthew Barney, the escape artist Harry Houdini represents (and through him all other magical branches) a possible link with the powerful magician Renaissance described by the philosopher Giordano Bruno (1548-1600), able to metamorphose, influence in the sensitivities of his objects, through self-knowledge and knowledge of the Divine.
      PubDate: 2021-02-03
      DOI: 10.17583/brac.2021.4192
      Issue No: Vol. 9, No. 1 (2021)
  • The Fiction of Exile: Poetics as a Narrative Strategy in the Work of Mona

    • Authors: YASSINE CHOUATI
      Pages: 83 - 99
      Abstract: Starting from the idea formulated by Edward Said that the experience of being homeless generates a distanced reading of historical facts, we propose the present study, which consists of analyzing how exile intervenes in the narrative strategies of the Palestinian British artist Mona Hatoum. Our purpose is to create a theoretical framework that helps us understand the reason for her formal and aesthetic choices, where the use of fiction and the duality between attraction and repulsion stand out. The strategy used consists of delving into the paradoxical relationships of Hatoum's experience as an Arab artist of the diaspora through symmetries and parallels with historical references who experienced similar situations. This strategy is used as an introduction and contextualization of the work of our artist under study in order to understand her discursive development, her role as speaker of the Arab sociopolitical reality in the heart of the Western world and the value of the vision that it provides us about said reality.
      PubDate: 2021-02-03
      DOI: 10.17583/brac.2021.4233
      Issue No: Vol. 9, No. 1 (2021)
  • Marrak-Traços-Trazos”, en el Hall de la Escuela Superior de
           Arquitektura de la UPV-EHU

    • Authors: Carmen Marín Ruiz
      Pages: 100 - 101
      Abstract: Marrak-Traços-Trazos” es el título de las exposicioness de los artistas Miquel Planas y José Ángel Lasa  que iniciaron su andadura en abril de 2019 en Mallorca, que siguieron  en Bilbao en octubre de ese mismo año, y que han cerrado su recorrido en Donosti-San Sebastián , en la Escuela Técnica Superior de Arquitectura, UPV/EHU en octubre de 2020.Estas exposiciones son es el resultado de la constatación del interés de sus autores por el uso de la línea. Miquel Planas, artista mallorquín, catedrático de escultura en la Facultad de Bellas Artes de Barcelona y José Ángel escultor vasco y profesor en la Facultad de Bellas Artes de la UPV-EHU, entienden  que en escultura la línea no es una cuestión puramente enunciativa, sino que en su caso adopta cuerpo matérico y que el reto al que se enfrentan es adecuar forma y material, ideación y materialización. Desde este convencimiento, ambos disponen y organizan los elementos compositivos en clave abstracta con una mezcla de intuición y racionalidad.
      PubDate: 2021-02-03
      DOI: 10.17583/brac.2021.6885
      Issue No: Vol. 9, No. 1 (2021)
  • NEGOCIO. 2018. Centro Cultural Las Cigarreras de Alicante. Juegos
           críticos: una propuesta para interpelar al espectador.

    • Authors: Beatriz Martínez
      Pages: 102 - 107
      Abstract: La exposición de “NEGOCIO” veía la luz por primera vez en el Centro Cultural Las Cigarreras de Alicante como la ganadora de la III Convocatoria de Proyectos Expositivos Buit Blanc en 2018. Esta exposición se llevó a cabo con un comisariado colectivo, dirigido por la investigadora doctoral Alba García-Martínez, en conjunto con la directora de arte Dr. Beatriz Martínez-Villagrasa, el comisario David Machado, y el escritor e investigador de juegos de rol Miquel Soria. La muestra contaba con el apoyo de la Universidad de Barcelona.
      PubDate: 2021-02-03
      DOI: 10.17583/brac.2021.6926
      Issue No: Vol. 9, No. 1 (2021)
  • List of Reviewers

    • Authors: Equipo Editorial
      First page: 108
      Abstract: Reviewers during 2020
      PubDate: 2021-02-03
      DOI: 10.17583/brac.2021.7642
      Issue No: Vol. 9, No. 1 (2021)
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