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Journal of Extreme Anthropology
Number of Followers: 2  

  This is an Open Access Journal Open Access journal
ISSN (Print) 2535-3241
Published by Extreme Anthropology Research Network Homepage  [1 journal]
  • Editorial

    • Authors: Tereza Kuldova
      PubDate: 2018-04-26
      Issue No: Vol. 2, No. 1 (2018)
       
  • ‘If I Die here, I’m a Hero!’ On Masculinity and Vulnerability Among
           Male Asylum Seekers

    • Authors: Marco Palillo
      Abstract: For asylum seekers, masculinity is often a site of conflict, negotiated through competing discourses and public narratives about what it means to be an asylum seeker. Here, the male ‘genuine refugee’ is often depicted as a feminised, passive victim who ‘deserves’ humanitarian protection on the base of his vulnerability. Focusing on the crossing of the desert to Libya, this article analyses asylum seekers’ positioning of themselves as ‘men’ through their own narratives as well as the ways in which they engage with vulnerability, victimhood and agency in their storytelling. In particular, the focus lies on two cases, of Hakeem and David, selected from within 36 life history interviews with asylum seekers, refugees, and international protection holders collected in Sicily. For these men, the refugee journey is narrated as an accomplishment not only in terms of receiving asylum, but also in terms of their masculinity, exalting qualities such as endurance, courage, and competence. Two images, of the soldier and the hero, are presented as imaginary positioning of the self. This positioning appears to resolve performative tensions around masculinity/refugeeness, contesting the dominant image of the passive, feminized, helpless subject at the heart of ‘the genuine refugee’ public narrative. This might also be read as a strategy to reconcile profound questions about identity, the self, and experiences related to trauma and the loss of masculine status in the context of forced migration. 
      PubDate: 2018-04-26
      Issue No: Vol. 2, No. 1 (2018)
       
  • Commodifying Intimacy in 'Hard times': A Hardcore Ethnography of
           a Luxury Brothel

    • Authors: Daniel Briggs
      Abstract: This paper is a methodological reflection on an ongoing covert ethnography I have been undertaking in a luxury brothel in Madrid, Spain. By accident, this study became a research project when I was employed by the manager to review porn forums offering feedback on the women that worked there and taught English to him. For 18 months now, I have worked in the brothel a couple of nights a week doing these duties and have come to know the manager’s closest friends and family, the women who work there and the security staff. The context for the work is the expansion of the sex industry in an era of consumer society and self-gratification coupled with austerity politics which has disproportionately affected the opportunities for women in the formal labour market thus catapulting many into precarious situations in which selling sex becomes an option. This has crudely mixed with cultural change in Spain in the wake of increased neoliberal economics which have hollowed out notions of family, tradition and intimacy.

      PubDate: 2018-04-26
      Issue No: Vol. 2, No. 1 (2018)
       
  • Who Are You Calling a Hackney Twat' Gender and Stigma in Media
           Representation

    • Authors: Charles Nicholas Athill
      Abstract: This article explores attitudes in the United Kingdom towards male dress, grooming and lifestyle choices, in relation to concepts and accusations of pretentiousness.  Taking the recent and broadly defined phenomenon, the ‘hipster’, as a case study, I analyse discourse in the last decade from a range of media that feature hipsterism. Nearly all media coverage of hipsters has focused on men, reflecting gendered cultural prejudices about styles that require a certain level of both cultivation and maintenance. I investigate how parody conveys cultural distaste, which I contend, mask anxieties about the subversion of norms regarding gender and class. I consider the question of classification with regard to hipsters and the role of stereotyping. By drawing on Dan Fox’s (2016) defence of pretentiousness as a catalyst of cultural innovation, I consider taste in relation to authenticity and pretentiousness with regard to what is represented as male hipster adornment. I propose that while attitudes to gender and class have been reformulated, media critique of styles labelled as pretentious reveals entrenched, if repackaged, cultural prejudices and insecurities. 
      PubDate: 2018-04-11
      Issue No: Vol. 2, No. 1 (2018)
       
  • Headhunting as Reflexive Violence

    • Authors: Arne Røkkum
      Abstract: This is a commentary article on existing anthropological views on headhunting practices. Its focus is an article by Mikkelsen (2017) in this journal, ‘Facehunting: Empathy, Masculinity and Violence among the Bugkalot.’ The commentary article sees value in Mikkelsen’s critical stance on the issue of extreme violence, such as headhunting not entailing a prior dehumanization of the victim. ‘Headhunting as Reflexive Violence’ addresses an issue of ‘selective empathy,’ and concludes that in light of the Bugkalot ethnography and impulsive headhunting, the discussion point could be one, following Persson and Savulescu (2017), of ‘reflexive empathy.’ The article argues that attention should be given to the material, plastic, and tonal practices celebrating and possibly even eliciting the kill. These might provide us with a rare window into the way cultural techniques can embellish violence. 
      PubDate: 2018-03-19
      Issue No: Vol. 2, No. 1 (2018)
       
  • Sabotage of Development: Subverting the Censorship of Renegade Research

    • Authors: Japhy Wilson
      Abstract: In 2014, a prominent radical publishing house released a book about the influential development economist Jeffrey Sachs. The published version was one chapter shorter than the final proofs. This chapter had been removed after the publisher sought legal advice on content pertaining to fieldwork conducted in Uganda on Sachs’s Millennium Villages Project (MVP), an international development programme financed by some of the wealthiest individuals and most powerful corporations in the world. In contrast to the MVP’s remarkable claims of success, the censored chapter documented allegations of mismanagement and corruption, and told the story of the author’s detention, his pursuit by secret police on suspicion of ‘sabotage of development’, and subsequent threats of legal action made against him by the lawyers of Sachs’s philanthropic foundation. This article presents the censored chapter in its entirety, as an example of the stakes involved in transgressing ‘ethical research’ protocols that function to shield power from scrutiny. The chapter is prefaced with a discussion of the MVP and the state-capital-academia nexus, and is followed by a postscript, which sets out the principles of ‘renegade research’.
      PubDate: 2018-02-22
      Issue No: Vol. 2, No. 1 (2018)
       
  • Stagger Lee: How violent nostalgia created an American folk song standard

    • Authors: Duncan A.H. Williams
      Abstract: “Stagger” Lee Shelton (1865-1912) was an African-American carriage driver and sometime-pimp from Missouri. He became immortalized in song as a folklore antihero after murdering a drinking partner following a political argument gone bad in a St Louis saloon on Christmas day, 1895. Sentenced to 25 years in prison, Shelton died in Missouri State Penitentiary after violating his parole with a subsequent conviction for assault and robbery. The song, Stack-a-Lee was first documented in 1897, becoming well known in African American communities along the lower Mississippi River over the following decade as Stagolee, Stagger Lee, Stack OLee and other variants. Two versions were published in the Journal of American Folklore in 1911, with notable recordings entering the charts in the 1920s and beyond. Stagger Lee embodies the archetype of a violent and dangerous antihero as his story is retold, and reimagined or referenced in film, becoming a potent symbol of racial conflict in the United States.In both music and cinematic reincarnations, Stagger Lee seems to have an enduring popularity, partly due to the changing nature of his story, which ensures his tale remains up-to-date (it was most recently adapted to a musical in 2015). This article considers how and why this paean to violence, with its fetishistic vision of extreme masculinity, has become something of a standard in the American folk canon.
      PubDate: 2018-02-20
      Issue No: Vol. 2, No. 1 (2018)
       
  • Man or Monster' On the Banality of Evil

    • Authors: Mathew A Varghese
      Abstract: Book review of Man or Monster' The Trial of a Khmer Rouge Torturer by Alexander Laban Hinton, Durham N.C.: Duke University Press, 2016.
      PubDate: 2017-11-03
       
  • Masculinities under Neoliberalism

    • Authors: Henrik Hvenegaard Mikkelsen
      Abstract: Book Review of 'Masculinities under Neoliberalism',Cornwall, Andrea, Karioris, Frank G. and Lindisfarne, Nancy (Eds.) 2016. Masculinities under Neoliberalism. London: Zed Books.
      PubDate: 2017-11-01
       
 
 
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