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Journal Cover BR::AC - Barcelona, Research, Art, Creation
  [4 followers]  Follow
  This is an Open Access Journal Open Access journal
   ISSN (Print) 2014-8992
   Published by Hipatia Press Homepage  [14 journals]
  • Revista Completa

    • Authors: Pilar Rosado Rodrigo
      Pages: 115 - 206
      PubDate: 2016-06-14
      Issue No: Vol. 4, No. 2 (2016)
  • Editorial

    • Pages: 115 - 117
      Abstract: Editorial
      PubDate: 2016-06-02
      Issue No: Vol. 4, No. 2 (2016)
  • Jaume Muxart, pintor de cap a peus

    • Pages: 118 - 120
      PubDate: 2016-06-02
      Issue No: Vol. 4, No. 2 (2016)
  • New Condition Transitive of the Image

    • Pages: 121 - 136
      Abstract: The combination of new devices for converting images applied to art- especially multispectral pictures, 3D-printers and scanners- and revaluation of contextual, performative and communicative aspects in the perceptual process- to the detriment of the object or the environ- underline the fragile and slipperiness of visual synthesis, and in turn, make the transitive emerging potential of every image.
      PubDate: 2016-06-02
      Issue No: Vol. 4, No. 2 (2016)
  • The Metaphor Experience as Alternative to Digital Disability

    • Authors: Alejandro Sanjurjo Rubio
      Pages: 137 - 167
      Abstract: Descartes accelerated the decomposition of the subject, the illustration added impetus to the need to dominate, to control the unpredictable: the outside, the world, the other, reducing the margin of uncertainty, until we were cornered to the invalidation of the scepticism. Without something to refer to and undervaluing the ability to speak and the capacity of give meaning, the subject is the last pitfall, the last obstacle that must be eliminated, that must be eradicated to overcome the unpredictable and eliminate the doubt, the consumption of digital technology triggers a series of behavioural and cognitive processes that crown the paradigm of control. As an alternative into the submission of the binary digit that makes us objects, we have to fit into a predetermined variable, the metaphor arises, understood as a bridge with a look that transcends and ignores the current positive determinism, it resets us, and activates the experience, and the act of experiencing. This paper raises the question of those artistic practices that use digital technology and if with its own spread it triggers our decomposition; it transforms us in pure objects of analysis, blocking a metaphorical look.
      PubDate: 2016-06-02
      Issue No: Vol. 4, No. 2 (2016)
  • The Hologram as an Artistic Experience

    • Authors: Angel Alonso Blanco
      Pages: 168 - 186
      Abstract: Holography has been used as a way of artistic expression, but it has little presence in art events, neither in articles about holographic woks in specialized magazines are very common, although valuable creators have experienced it, since the catalán Salvador Dalí to the american Bruce Nauman.This text explorer the cause of this poor presence. It’s strange that something so attractive and visually rich (also simbolically) is not visible in our historical moment, characterized by the voracity of convert in artistic resource any possible element.After research about the development of holographyc on the field of art, I formed a hypothesis about the reasons of their limited presence: The lack of synergy between scientific institutions and those dedicated to art, the disinterest of the commissioners and the lack of information. It is not enough whit the objects that are produced by isolated artists in their studios, art is a system of relationships where the work is involved as an other element of a structure.
      PubDate: 2016-06-02
      Issue No: Vol. 4, No. 2 (2016)
  • Physiognomic Drawing of Face. History of a Derive between the
           Categorization and Fiction

    • Authors: Andrea Lucio Sotelo
      Pages: 187 - 204
      Abstract: The interpretation of the face and its inexhaustible meaning transformation gives a space of centrality in the Western hermeneutics. However, man has tried to build unity and ordering experience through theoretical spaces; this categorization desire of knowledge has been materialized in the physiognomy, half pagan, half illustrated. The taxonomization process that undertook many medieval knowledge unknow the crisis (κρίσις) or the inherent breakout own interpretation of the face and the creative capacity. This obstacle however remains very present in the physiognomic drawing as the impossibility of their scientific aspirations while binds to the fiction.
      PubDate: 2016-06-02
      Issue No: Vol. 4, No. 2 (2016)
  • Technology and Musical Creation

    • Authors: Salvador Oriola Requena
      Pages: 205 - 206
      Abstract: El texto que presentamos es una recensión sobre el libro "Tecnología y creación musical"
      PubDate: 2016-06-02
      Issue No: Vol. 4, No. 2 (2016)
School of Mathematical and Computer Sciences
Heriot-Watt University
Edinburgh, EH14 4AS, UK
Tel: +00 44 (0)131 4513762
Fax: +00 44 (0)131 4513327
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