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Journal Cover BR::AC - Barcelona, Research, Art, Creation
  [4 followers]  Follow
    
  This is an Open Access Journal Open Access journal
   ISSN (Print) 2014-8992
   Published by Hipatia Press Homepage  [14 journals]
  • Full Issue

    • Authors: Pilar Rosado Rodrigo
      Pages: 207 - 330
      PubDate: 2016-10-02
      Issue No: Vol. 4, No. 3 (2016)
       
  • New Proposal of Citations of the Visual Arts Works

    • Authors: Alex Nogué Font
      Pages: 207 - 209
      Abstract: The BRAC magazine makes a request for cooperation in an approach of citation for works of visual art in lists of references.
      PubDate: 2016-10-02
      Issue No: Vol. 4, No. 3 (2016)
       
  • I Love All in You

    • Authors: Pilar Rosado Rodrigo
      Pages: 210 - 213
      PubDate: 2016-10-02
      Issue No: Vol. 4, No. 3 (2016)
       
  • Cosmic Egg

    • Authors: Juan Martínez Villegas
      Pages: 214 - 218
      PubDate: 2016-10-02
      Issue No: Vol. 4, No. 3 (2016)
       
  • Sound Cartography of The Alhambra. The Sound of Water as a Forming Element
           of the Place.

    • Authors: Josep Cerdà 
      Pages: 219 - 247
      Abstract: This article presents the research about a whole new unprecedented aspect in the study of The Alhambra of Granada: the Sound Cartography of the monument. The
      Sound Landscape of the Alhambra has been studied by several authors (Iges, Panigua, Pelinski), but our main contribution is establishing the parameters of a geometrical
      and compositional study of this space, from which geocalized recordings were made by means of taping a binaural head: a recording system to capture three-dimensional sound as we are able to feel during an itinerary over the real space. Sound Cartography is the term we use to define and analyze the location of sound in the space. To date what had been recorded is the space of royal palaces through conventional microphonics with stereo recording. In our research, we have set certain recording parameters
      by geolocalizing of sounds in the space with the help of microsounds placing, and through the itineraries of water as sound source. It has been performed a geometrical
      research of the spaces, it has also been set the feasible itineraries in the rooms and gardens of The Alhambra, in order to eventually set complex recording parameters
      where the sound features of every room and garden 
      performed by means of the geometrical itinerary in the space from the harmonic and regulating outlines of the monument.
      PubDate: 2016-10-02
      Issue No: Vol. 4, No. 3 (2016)
       
  • Methodological Chiasmus: Art as a Source of Experience

    • Authors: Oriol Alonso Cano
      Pages: 248 - 271
      Abstract: This research proposes to indicate the need of multiplicity of methodologies in the moment to approach at human experience. Any methodological imperialism (scientific, social, humanist ...) it’s condemned to the failure since it will be unable to be able to include the totality of the ontological wealth of the human experience. For this reason, it will be observed like, the art, it can be raised in a diaphanous example of methodology that, close to the rest of disciplines, offers us the possible tools to be able to work with the experience. 
      PubDate: 2016-10-02
      Issue No: Vol. 4, No. 3 (2016)
       
  • Ramón Reig and Salvador Dalí: Biographical Coincidences and Artistic
           Analogies Between Two Contemporary Painters Attached to the Empordà
           Landscape and to the “Empordanese Spirit”

    • Authors: Neus Sala Reig
      Pages: 272 - 299
      Abstract: This article aims to evoke common aspects in the biography and works of two contemporary painters, Ramón Reig Corominas (Manila, 1903-Figueres, 1963) and Salvador Dalí Domènech (Figueres, 1904-1989). In the first place, il recalls the friendship and the education which both of them received from their teacher Juan Núñez, the settings which they painted together from nature and the collective
      exhibitions in which both artists took part. In the second place, it emphasizes the common criticisms which they aroused and the similar aspects in their painting:
      the verism of their technique, their attachment to the Empordà landscape and the academicism which they both cultivated. Finally, it refers to the articles written by
      Reig about Dalí, underlining the personality of these two artists and the esteem they manifested for each other, sharing what we might call the “Empordanese spirit”.
      PubDate: 2016-10-02
      Issue No: Vol. 4, No. 3 (2016)
       
  • Jeff Wall, a Painter of Postmodern Life

    • Authors: Gemma París Romia
      Pages: 300 - 323
      Abstract: Through the work of Jeff Wall (Vancouver, 1946), we will see the rich relationships that the Canadian artist establish between photographic media and other art forms such as painting, theatre and cinema. Although Wall’s images are photographs, they are built from complex relations with Western pictorial tradition, with the gestures of theatrical act and with the construction of narrative cinema. These relationships with the various languages of art create mysterious images that tell us about our contemporary society, creating a space halfway between reality and fiction.
      PubDate: 2016-10-02
      Issue No: Vol. 4, No. 3 (2016)
       
  • La Bianyal. Contemporary Art and Heritage Route in La Vall de Bianya

    • Authors: David Santaeulària Serra
      Pages: 324 - 330
      PubDate: 2016-10-02
      Issue No: Vol. 4, No. 3 (2016)
       
 
 
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