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    - WOMEN'S INTERESTS (44 journals)
    - WOMEN'S STUDIES (177 journals)

WOMEN'S INTERESTS (44 journals)

Showing 1 - 44 of 44 Journals sorted alphabetically
ABO : Interactive Journal for Women in the Arts, 1640-1830     Open Access   (Followers: 2)
Ada : A Journal of Gender, New Media, and Technology     Open Access   (Followers: 24)
AFRREV LALIGENS : An International Journal of Language, Literature and Gender Studies     Open Access   (Followers: 7)
Antyajaa : Indian Journal of Women and Social Change     Hybrid Journal  
Asian Journal of Women's Studies     Hybrid Journal   (Followers: 2)
Berkeley Journal of Gender, Law & Justice     Open Access   (Followers: 14)
Black Women, Gender & Families     Full-text available via subscription   (Followers: 18)
Body Image     Hybrid Journal   (Followers: 15)
Breastfeeding Review     Full-text available via subscription   (Followers: 18)
Canadian Journal of Women and the Law     Full-text available via subscription   (Followers: 3)
Canadian Social Science     Open Access   (Followers: 14)
Canadian Woman Studies     Full-text available via subscription   (Followers: 2)
DePaul Journal of Women, Gender and the Law     Open Access   (Followers: 5)
Duke Journal of Gender Law & Policy     Open Access   (Followers: 23)
Feminist Economics     Hybrid Journal   (Followers: 20)
Feminist Legal Studies     Hybrid Journal   (Followers: 18)
Feminist Review     Hybrid Journal   (Followers: 19)
feminists@law     Open Access   (Followers: 4)
Frontline     Full-text available via subscription   (Followers: 18)
Gender and Language     Hybrid Journal   (Followers: 14)
Gender Impact Assessment     Full-text available via subscription   (Followers: 4)
Girlhood Studies     Full-text available via subscription   (Followers: 3)
Investigaciones Feministas     Open Access  
Journal of Couple & Relationship Therapy     Hybrid Journal   (Followers: 2)
Journal of Fashion Technology & Textile Engineering     Hybrid Journal   (Followers: 10)
Journal of Women and Minorities in Science and Engineering     Full-text available via subscription   (Followers: 2)
Journal of Women's History     Full-text available via subscription   (Followers: 20)
Michigan Feminist Studies     Open Access   (Followers: 1)
ninepatch : A Creative Journal for Women and Gender Studies     Open Access   (Followers: 2)
Partner Abuse     Hybrid Journal   (Followers: 8)
philoSOPHIA     Full-text available via subscription   (Followers: 4)
Politics & Gender     Full-text available via subscription   (Followers: 25)
Premie Press : a quarterly publication for those interested in the development of premature babies and children     Full-text available via subscription   (Followers: 1)
QED : A Journal in GLBTQ Worldmaking     Full-text available via subscription   (Followers: 1)
QJB : Querelles. Jahrbuch für Frauen- und Geschlechterforschung     Open Access   (Followers: 1)
querelles-net : Rezensionszeitschrift für Frauen- und Geschlechterforschung     Open Access  
Social Work With Groups     Hybrid Journal   (Followers: 9)
Temas de Mujeres     Open Access  
William & Mary Journal of Women and the Law     Open Access   (Followers: 1)
Woman : Psychosomatic Gynaecology and Obstetrics     Hybrid Journal   (Followers: 1)
Women & Performance: a journal of feminist theory     Hybrid Journal   (Followers: 10)
Women and Music: A Journal of Gender and Culture     Full-text available via subscription   (Followers: 12)
Women in German Yearbook : Feminist Studies in German Literature & Culture     Full-text available via subscription   (Followers: 8)
Women, Gender, and Families of Color     Full-text available via subscription   (Followers: 5)
Similar Journals
Journal Cover
ABO : Interactive Journal for Women in the Arts, 1640-1830
Number of Followers: 2  

  This is an Open Access Journal Open Access journal
ISSN (Print) 2157-7129
Published by U of South Florida Homepage  [6 journals]
  • Review of Facing the Text: Extra-Illustration, Print Culture, and Society
           in Britain 1769 - 1840 by Lucy Peltz

    • Authors: Madeleine L. Pelling
      Abstract: Review of 'Facing the Text: Extra-Illustration, Print Culture, and Society in Britian 1769 - 1840,' Lucy Peltz by Madeleine Pelling
      PubDate: Tue, 27 Nov 2018 17:49:22 PST
  • Review of Charlotte Lennox: An Independent Mind by Susan Carlile

    • Authors: Alexis McQuigge
      Abstract: This article reviews Susan Carlile's recent biography of Charlotte Lennox, Charlotte Lennox: An Independent Mind. Because much of Lennox's life story, and many of her works, remain mysterious to contemporary readers, Carlile's work highlights some unique and important aspects of the life of a - at least in the eighteenth- and nineteenth-centuries, a celebrated literary minds. Carlile's work is an important and necessary addition to the study of women's writing in the period, and contributes a great deal to those studying the works of Charlotte Lennox.
      PubDate: Tue, 27 Nov 2018 17:49:13 PST
  • Review of Royal Shakespeare Company Production of Mary Pix’s The Beau
           Defeated, retitled The Fantastic Follies of Mrs. Rich

    • Authors: Aparna Gollapudi
      Abstract: Jo Davies’s reprise of Mary Pix’s comedy The Beau Defeated, Or The Lucky Younger Brother,performed by the Royal Shakespeare Company at Swan Theatre in Stratford-upon-Avon under the title The Fantastic Follies of Mrs. Rich refocuses the comedy from its original engagement with primogeniture and middling class masculinity towards the female characters. It also diffuses Pix’s Whiggish moralism in Mrs. Rich's portrayal, highlighting instead her energy and verve. Overall, a very successful production, the performance is more Restoration comedy than the transitional work that Pix's play was when it opened in 1700.
      PubDate: Tue, 27 Nov 2018 17:49:04 PST
  • Editing Aphra Behn in the Digital Age: An Interview with Gillian Wright
           and Alan Hogarth

    • Authors: Laura Runge et al.
      Abstract: This interview provides a view of the work in progress for the Cambridge University Press edition of the Complete Works of Aphra Behn. Gillian Wright serves as a general editor (with Elaine Hobby, Claire Bowditch, and Mel Evans) as well as the volume editor for Behn’s poetry. Alan Hogarth is the Postdoctoral Research Associate working with Mel Evans on the computational stylistics and author attribution testing. The discussion focuses on the scope and principles of editing the poetry of Aphra Behn, the role of stylometry in establishing the corpus, the status of work, a few particular poems, and some surprises.
      PubDate: Tue, 27 Nov 2018 17:48:52 PST
  • Reading Her Queenly Coiffure: A Collaborative Approach to the Study of
           Marie-Antoinette's Hairstyles

    • Authors: Hélène Bilis et al.
      Abstract: Four colleagues--a faculty member, a digital services librarian, a research librarian, and a curator of Special Collections--take turns describing their role in creating an undergraduate student project around an eighteenth-century almanac that belonged to Marie-Antoinette. In recounting the steps taken, the collaborative process, the student research, and the analysis of the contents of the Trésor des Grâces almanac, we share the lessons learned for completing a digital exhibit over the course of one semester.
      PubDate: Tue, 27 Nov 2018 17:48:39 PST
  • New Lines: Mary Ann Yates, The Orphan of China, and the New She-tragedy

    • Authors: Elaine McGirr
      Abstract: This essay demonstrates a significant break in eighteenth-century tragedy from tales of fallen women begging (the audience) for forgiveness and redemption to a different kind of she-tragedy, in which the heroine is neither fallen nor sexually desired, but rather transcends nation and politics with the “natural” moral force of maternal love. I argue that this shift was made possible/legible by Susannah Cibber’s ill-health, which forced Arthur Murphy to reconceive The Orphan of China’s heroine and allowed a rival actress, Mary Ann Yates, to step into this new role and to establish a tragic ‘line’ defined in opposition to that of her predecessor. The essay demonstrates this shift by tracing The Orphan of China’s convoluted path to the stage and by reading Murphy’s tragedy in dialogue with earlier translations of The Orphan of China and Douglas, the play Covent Garden mounted in opposition to The Orphan of China.
      PubDate: Tue, 27 Nov 2018 17:48:28 PST
  • Review of The Making of Jane Austen

    • Authors: Mary Beth Tegan
      PubDate: Mon, 07 May 2018 21:12:10 PDT
  • Review of Minds in Motion

    • Authors: Anna K. Sagal
      Abstract: A review of Anne Thell's Minds in Motion.
      PubDate: Mon, 07 May 2018 21:11:48 PDT
  • Review of The Shelley-Godwin Archive

    • Authors: Stacey L. Kikendall
      Abstract: Review of The Shelley-Godwin Archive
      PubDate: Mon, 07 May 2018 21:11:30 PDT
  • Review of The Ladies of Llangollen: Desire, Indeterminacy, and the
           Legacies of Criticism

    • Authors: Dawn M. Goode
      Abstract: Review of The Ladies of Llangollen: Desire, Indeterminacy, and the Legacies of Criticism. Bucknell UP, 2017. xxxvi + 331pp. Index. ISBN: 978-1-6114-8761-9.
      PubDate: Mon, 07 May 2018 21:11:11 PDT
  • Review of Edinburgh Lyceum Theatre Production of Hannah Cowley's The
           Belle's Stratagem

    • Authors: Tanya M. Caldwell
      Abstract: This article reviews the production of Hannah Cowley's The Belle's Stratagem directed by Tony Cownie and produced for the Lyceum Theatre in Edinburgh in February and March 2018. In setting the play in Edinburgh and placing emphasis on its women characters, Cownie underscores the universal and timeless relevance of Cowley's play as well as its performance versatility.
      PubDate: Mon, 07 May 2018 21:10:44 PDT
  • Anna Larpent and Shakespeare

    • Authors: Fiona Ritchie
      Abstract: Anna Larpent (1758-1832) is a crucial figure in theater history and the reception of Shakespeare since drama was a central part of her life. Larpent was a meticulous diarist: the Huntington Library holds seventeen volumes of her journal covering the period 1773-1830. These diaries shed significant light on the part Shakespeare played in her life and contain her detailed opinions of his works as she experienced them both on the page and on the stage in late eighteenth- and early nineteenth-century London. Larpent experienced Shakespeare’s works in a variety of forms: she sees Shakespeare’s plays performed, both professionally and by amateurs; she reads his works and hears them read aloud by her husband and sons; she studies criticism of Shakespeare and records her reflections on it; she notes in her reading of contemporary writers when she feels they have been influenced by Shakespeare; she compares Shakespeare’s plays with those of the pre-eminent French dramatist Voltaire; she reflects on various elements of Shakespeare’s dramaturgy, such as his use of the supernatural; and she invokes Shakespeare in her ideas about education. This article has two aims. Firstly, an analysis of Larpent’s engagement with Shakespeare demonstrates just how much the dramatist’s works permeated the life of bourgeois woman of the period. Secondly, I explore how this deep interest in Shakespeare, which was not in itself altogether unusual, enabled Larpent to take on a less conventional role, that of censor. As the wife of the Examiner of Plays, Larpent influenced the licensing of drama for the London stage.
      PubDate: Mon, 07 May 2018 21:10:13 PDT
  • Wishing for the Watch Face in Jonathan Swift’s “The Progress
           of Beauty”

    • Authors: Jantina Ellens
      Abstract: This article illuminates the technological underpinnings of Jonathan Swift’s satire, “The Progress of Beauty” (1719), by exploring how eighteenth-century poetics of beauty and scientific progress pit human against automaton. This article ranges from the ego of masculine technological display to women’s self-identification with the automaton to suggest that Swift’s speaker blazons the aging prostitute’s body with the hope that it might resurrect a lost ideal, the beautiful watch face. Instead, readers are confronted with the vision of Celia who, with her chipped paint, greasy joints, and faulty mechanisms, reminds them that humanity continues to break through its enamel. When readers commiserate with the speaker’s final desire for “new Nymphs with each new Moon,” Swift catches them in an affective trap that ridicules their ill-fated attempts to escape their own mortality.
      PubDate: Mon, 07 May 2018 21:09:32 PDT
  • Review of Laura Engel and Elaine McGirr, eds., Stage Mothers: Women, Work,
           and the Theater, 1660-1830

    • Authors: Kristina Straub
      Abstract: Stage Mothers is a collection of essays that complicate the binary between female professional and domestic mother, contributing to theater history and the history of female professionalization and maternity.
      PubDate: Mon, 30 Oct 2017 11:05:44 PDT
  • Review of Kathryn E. Davis, Liberty in Jane Austen's

    • Authors: Stephanie Russo
      PubDate: Mon, 30 Oct 2017 11:05:37 PDT
  • Review of Locating London's Past and London Lives 1690 to 1800:
           Crime, Poverty and Social Policy in the Metropolis

    • Authors: Shawn W. Moore
      Abstract: Review of Locating London's Past and London Lives 1690 to 1800: Crime, Poverty and Social Policy in the Metropolis
      PubDate: Mon, 30 Oct 2017 11:05:31 PDT
  • Review of Heteronormativity in Eighteenth-Century Literature and

    • Authors: Kevin Bourque
      PubDate: Mon, 30 Oct 2017 11:05:26 PDT
  • WWABD' Intersectional Futures in Digital History

    • Authors: Tonya L. Howe
      Abstract: WWABD: What would Aphra Behn—world traveler and spy, playwright and poet of scandal, innovator of novelistic forms—do, were she to imagine a future for digital humanities in period-specific scholarship' This essay outlines a vision for the DH section of Aphra Behn Online: An Interactive Journal for Women in the Arts, 1640-1830. In particular, I see three important and interrelated places for development: theorizing the feminized labor of digital recovery, editing, and textual preparation; offering thoughtful and feminist approaches to digital pedagogy that are specific to the work we do in the period; and critically assessing the absences in existing digital projects. Our digital future needs to foster flexibility, experimentation, and intersectional thinking.
      PubDate: Mon, 30 Oct 2017 11:05:21 PDT
  • Highest Form of Public Scholarship

    • Authors: Cynthia Richards
      PubDate: Mon, 30 Oct 2017 11:05:17 PDT
  • Women, Gender and the Arts: Intersections, Differences and Connections

    • Authors: Mona Narain
      PubDate: Mon, 30 Oct 2017 11:05:11 PDT
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Heriot-Watt University
Edinburgh, EH14 4AS, UK
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