Subjects -> SOCIAL SCIENCES (Total: 1815 journals)
    - BIRTH CONTROL (22 journals)
    - CHILDREN AND YOUTH (260 journals)
    - FOLKLORE (30 journals)
    - MATRIMONY (16 journals)
    - MEN'S INTERESTS (16 journals)
    - MEN'S STUDIES (96 journals)
    - SEXUALITY (57 journals)
    - SOCIAL SCIENCES (1091 journals)
    - WOMEN'S INTERESTS (44 journals)
    - WOMEN'S STUDIES (183 journals)

WOMEN'S INTERESTS (44 journals)

Showing 1 - 44 of 44 Journals sorted alphabetically
ABO : Interactive Journal for Women in the Arts, 1640-1830     Open Access   (Followers: 2)
Ada : A Journal of Gender, New Media, and Technology     Open Access   (Followers: 24)
AFRREV LALIGENS : An International Journal of Language, Literature and Gender Studies     Open Access   (Followers: 5)
Antyajaa : Indian Journal of Women and Social Change     Hybrid Journal  
Asian Journal of Women's Studies     Hybrid Journal   (Followers: 3)
Berkeley Journal of Gender, Law & Justice     Open Access   (Followers: 14)
Black Women, Gender & Families     Full-text available via subscription   (Followers: 18)
Body Image     Hybrid Journal   (Followers: 16)
Breastfeeding Review     Full-text available via subscription   (Followers: 21)
Canadian Journal of Women and the Law     Full-text available via subscription   (Followers: 3)
Canadian Social Science     Open Access   (Followers: 14)
Canadian Woman Studies     Full-text available via subscription   (Followers: 2)
DePaul Journal of Women, Gender and the Law     Open Access   (Followers: 5)
Duke Journal of Gender Law & Policy     Open Access   (Followers: 21)
Feminist Economics     Hybrid Journal   (Followers: 22)
Feminist Legal Studies     Hybrid Journal   (Followers: 21)
Feminist Review     Hybrid Journal   (Followers: 20)
feminists@law     Open Access   (Followers: 4)
Frontline     Full-text available via subscription   (Followers: 18)
Gender and Language     Hybrid Journal   (Followers: 16)
Gender Impact Assessment     Full-text available via subscription   (Followers: 3)
Girlhood Studies     Full-text available via subscription   (Followers: 3)
Investigaciones Feministas     Open Access  
Journal of Couple & Relationship Therapy     Hybrid Journal   (Followers: 2)
Journal of Fashion Technology & Textile Engineering     Hybrid Journal   (Followers: 10)
Journal of Women and Minorities in Science and Engineering     Full-text available via subscription   (Followers: 2)
Journal of Women's History     Full-text available via subscription   (Followers: 21)
Michigan Feminist Studies     Open Access   (Followers: 1)
ninepatch : A Creative Journal for Women and Gender Studies     Open Access   (Followers: 2)
Partner Abuse     Hybrid Journal   (Followers: 8)
philoSOPHIA     Full-text available via subscription   (Followers: 4)
Politics & Gender     Full-text available via subscription   (Followers: 26)
Premie Press : a quarterly publication for those interested in the development of premature babies and children     Full-text available via subscription   (Followers: 1)
QED : A Journal in GLBTQ Worldmaking     Full-text available via subscription   (Followers: 1)
QJB : Querelles. Jahrbuch für Frauen- und Geschlechterforschung     Open Access   (Followers: 1)
querelles-net : Rezensionszeitschrift für Frauen- und Geschlechterforschung     Open Access  
Social Work With Groups     Hybrid Journal   (Followers: 9)
Temas de Mujeres     Open Access  
William & Mary Journal of Women and the Law     Open Access   (Followers: 1)
Woman : Psychosomatic Gynaecology and Obstetrics     Hybrid Journal   (Followers: 1)
Women & Performance: a journal of feminist theory     Hybrid Journal   (Followers: 11)
Women and Music: A Journal of Gender and Culture     Full-text available via subscription   (Followers: 13)
Women in German Yearbook : Feminist Studies in German Literature & Culture     Full-text available via subscription   (Followers: 8)
Women, Gender, and Families of Color     Full-text available via subscription   (Followers: 5)
Similar Journals
Journal Cover
Women and Music: A Journal of Gender and Culture
Number of Followers: 13  
  Full-text available via subscription Subscription journal
ISSN (Print) 1090-7505 - ISSN (Online) 1553-0612
Published by U of Nebraska Homepage  [32 journals]
  • Where Lineage Fails: Reorienting Diasporic Memory in Israel
    • Abstract: Tamar Bloch never thought she would be a singer. Yes, she sang in the music program in high school. Yes, she was accepted into the Jerusalem Academy of Music and Dance to study opera. But she never thought making music was a real possibility as her central occupation in life. Then one day, during her early twenties, Tamar heard Rabbi Haim Louk sing in a performance in Jerusalem. Tamar was wearing a long black dress with small red and green flowers on it, sitting on the floor cross-legged, when she overflowed with tears at the sound of Rabbi Louk’s voice. At that moment, she knew two things: one, she had to start making this music; two, she would have to find her own path.Haim Louk was singing Andalusian piyyutim ... Read More
      PubDate: 2020-08-15T00:00:00-05:00
  • Amy Beach: “St Paul’s Benediction” (1891)
    • Abstract: The publication of “St Paul’s Benediction” is representative of my small-scale project to make upper voices repertoire by historical women composers more easily accessible. Working from source material published over one hundred years ago and identifying women composers from the Renaissance, Baroque, Classical, and Romantic periods, I have constructed performing editions suitable for upper voice school choirs, as well as SS(A) adult choirs. Composers include Barbara Strozzi (1619–77), Maria Theresia von Paradis (1759–1824), Louise Reichardt (1779–1826), Fanny Hensel (1805–47), Clara Schumann (1819–96), and Amy Beach (1867–1944).“St Paul’s Benediction” (1891), by Amy Beach, is a setting of Saint Paul’s letter to the ... Read More
      PubDate: 2020-08-15T00:00:00-05:00
  • Feeling the Feminine, Forming the Masculine: Amateur Male Musicians and
           the Flute Sonatas of Anna Bon di Venezia (1738–')
    • Abstract: The North German Enlightenment saw an increase of published music composed by women, particularly in the realm of female domestic music making, such as lieder and keyboard works.1 Anna Bon di Venezia (1738–'), a virtuoso harpsichordist trained at the Ospedale della Pietà, contributed to this growing trend, though she chose a different and unusual route to success. Her op. 1 was a collection of six flute sonatas (1756) that would have been consumed and performed exclusively by male amateur musicians, since the flute was not considered an appropriate instrument for women.2 Rather than publish her first opus for her primary instrument, the harpsichord, Bon strategically chose to boost her reputation by attempting to ... Read More
      PubDate: 2020-08-15T00:00:00-05:00
  • Elfrida Andrée: Andante cantabile from Fyra pianostycken (1881)
    • Abstract: Elfrida Andrée (1841–1929) completed several firsts for a woman in her native Sweden.1 She was the first woman in her country to become a cathedral organist, conduct a full orchestra, and focus on large-scale chamber and orchestral music as a composer. Though she would also become Sweden’s first female certified telegraph operator, she put this skill to little use. Instead, she enjoyed a long and successful career as a professional musician. In 1867 she began her tenure as organist at the Gustav Cathedral in Göteborg and would remain in that position for the remainder of her life. Her international successes included a critically acclaimed performance of her Second Symphony and the prelude to her opera Fritiofs ... Read More
      PubDate: 2020-08-15T00:00:00-05:00
  • Queer Intimacy: Vocality in Jesus Christ Superstar
    • Abstract: Andrew Lloyd Webber and Tim Rice’s Jesus Christ Superstar is a rock opera depicting the last week of Jesus Christ’s life from the perspective of Judas Iscariot.1 Norman Jewison’s 1973 adaptation of the rock opera into a musical film (hereafter JCS) is important to both musical film studies and the growing discourse of queer musicology because, I argue, the characters’ embodiment of authenticity through fraught vocality destabilizes the passion narrative not only by presenting Judas (Carl Anderson) as a tragic hero but also by depicting his relationship with Jesus (Ted Neeley) as embodying queer intimacy that is inflected by race, with a black Judas opposite a white Jesus.2 To read Judas and Jesus’s relationship as ... Read More
      PubDate: 2020-08-15T00:00:00-05:00
  • “Reading,” from Bedroom Performances
    • Abstract: “Reading” is a stand-alone piece from the immersive music theater series entitled Bedroom Performances. It focuses on Alice James, a historical figure who died just before the first feminist wave. She was the younger sister of Henry James and William James. From a young age, she showed abundant literary talent; however, like many other women of the period, Alice felt uncomfortable exhibiting her brilliance in public. She sensed an invisible wall between herself and the male-dominant society and therefore remained in her comfort zone (i.e., her bedroom) throughout most of her life.This duet piece revisits Alice’s fear of speaking in public. I have used vocal sounds that comprise only vowels. I hope that the lack of ... Read More
      PubDate: 2020-08-15T00:00:00-05:00
  • Women and Music in Sixteenth-Century Ferrara by Laurie Stras (review)
    • Abstract: The musical ladies of Alfonso II d’Este’s illustrious concerto delle donne have long held a place of fascination in Western music history discourses. Lesser known, however, are the musical activities of Ferrara’s sixteenth-century women religious, including their interactions with the city’s secular court. While the musicological awareness of early modern convents is certainly increasing—thanks initially to foundational works by Craig Monson and Robert Kendrick, followed shortly by Colleen Reardon and more recently Janet Page—the majority of studies have focused on women religious from the late sixteenth through the eighteenth century in Bologna, Milan, Siena, and Vienna, leaving the musical women of Ferrara more ... Read More
      PubDate: 2020-08-15T00:00:00-05:00
  • Black Opera: History, Power, Engagement by Naomi André (review)
    • Abstract: In this bleak age, I sometimes find myself wondering whether musicological scholarship is worth doing. Judging from conversations with colleagues, I’m not the only one thinking this way, but it is rare to see the question acknowledged in print. I was gratified to read this, then, on the very last page of Naomi André’s splendid Black Opera: History, Power, Engagement: “It is one thing to do ‘activist’ work when people are being poisoned by toxic water or when an emergency manager has been appointed to take over a school system (two cases I mentioned in the introduction regarding Flint and Detroit, Michigan, respectively). It is quite another thing to take a stand on an issue that is not about life and death wherein ... Read More
      PubDate: 2020-08-15T00:00:00-05:00
  • The Race of Sound: Listening, Timbre & Vocality in African American
           Music by Nina Sun Eidsheim (review)
    • Abstract: Nina Sun Eidsheim’s The Race of Sound: Listening, Timbre & Vocality in African American Music begins with four epigraphs from Shakespeare’s Juliet, an Unwanted Visitor in a Monty Python sketch, an attorney in the California v. O. J. Simpson trial, and Ralph Nader asserting that former President Barack Obama sounds “white.” Four voices dispersed over four hundred years, all attesting to the listener’s ability to draw from sound a stable knowledge of who produces that sound. These epigraphs give the reader a sense of this book’s expansiveness and identify where Eidsheim stakes her critical intervention, at “the foundational question” asked when listening to the voice: “Who is this' Who is speaking'” (1). Eidsheim ... Read More
      PubDate: 2020-08-15T00:00:00-05:00
  • “Listen: 2018”
    • Abstract: “LISTEN: 2018” is one of two movements written for the women of Resonance Ensemble, a professional choir based in Portland, Oregon, and conducted by Katherine FitzGibbon. The text is drawn from testimony given by Christine Blasey Ford in 2018; the other movement sets text from the testimony of Anita Hill from 1991. “LISTEN: 2018” confronts singers and listeners with these women’s challenging and powerful words. Whether or not the members of the Senate Judiciary Committees were able to truly listen to Blasey Ford and Hill at the time of their testimony, this composition gives an opportunity for catharsis to the many observers whose hearts were broken by these hearings and their wider ... Read More
      PubDate: 2020-08-15T00:00:00-05:00
  • Composing a Symphonist: Florence Price and the Hand of Black Women’s
    • Abstract: Among her millions of citizens, America can boast of but few symphonists. Delightful piano pieces, songs, marches—yes; but very, very few symphonies.The Chicago Symphony Orchestra premiered Florence Price’s Symphony No. 1 in E Minor in 1933. History was made: Price (1887–1953) became the first woman of African descent to make her symphonic debut with a major US orchestra. Price’s status as the first African American woman to achieve national and later international success as a composer demonstrates the magnitude of her achievements in a realm that was gendered male and oppressively racialized as white. However, this status barely acknowledges the artistic and intellectual milieu in which she worked; it gives no ... Read More
      PubDate: 2020-08-15T00:00:00-05:00
  • Almost Completely Lucid
    • Abstract: Almost Completely Lucid (2019; four melodicas, four channel electronics) is an out-of-body experience in sound, an expressive near miss. The four melodica players variably interpret numbers representing phrase duration, number of notes, number of pitches, and pitch spread, and, more importantly, they choose whether and how to solo or support. The electronics, consisting of digitally synthesized, analog filtered sound, reply with scripted dialogue and pseudoreflections. Trading in noncollaborative collaboration, Almost Completely Lucid hints at a different time altogether. The performance should take approximately ten minutes. Performance video: note that the notation developed ... Read More
      PubDate: 2020-08-15T00:00:00-05:00
  • “Maple Leaf Rag” in Maple Leaf Country: Impressing Jazz upon
           Vera Guilaroff
    • Abstract: Vanessa,Before we even get together I want to impress upon you that Vera was not a ‘ragtime pianist’. She was a pianist of many talents, ragtime being just one of them. Her repertoire included all genres, popular, jazz, classical, Broadway, etc. She was a very special lady, married to a successful Montreal businessman, so playing piano was more of a hobby than a profession for her. I look forward to meeting you and sharing my memories of this remarkable woman.Vera Guilaroff (1902–74) was the first Canadian woman to have made a jazz record.2 Since her archival materials have yet to be compiled in an institutional archive, my research necessitated reaching out to family members and collaborators, including James ... Read More
      PubDate: 2020-08-15T00:00:00-05:00
  • To my daughter
    • Abstract: To my daughter is inspired by the historical issue of the “comfort women” who served Japanese troops in South Korea during the 1940s when Korea was a Japanese colony. During this time, the Japanese government treated female Korean teenagers as sex slaves for members of the Japanese military. In 2016, global pressure built around the issue and calls were made for Japan to apologize to the women involved and to ask for their forgiveness. In several places in South Korea and some cities in foreign countries, statues have been erected to remember the historical fact of the comfort women victims of Japanese troops (see, e.g., the monument Pyeoungwaui Sonyeosang [lit. “A peace monument”] shown in figure 1). My piece, To ... Read More
      PubDate: 2020-08-15T00:00:00-05:00
  • Guerreira Tactics: Women Warriors’ Sonic Practices of Refusal in
           Capoeira Angola
    • Abstract: Every Saturday morning on the streets of Feira de Santana, Bahia, Brazil, members of the Angoleiros do Sertão (Capoeira Angola Players of the Backlands) gather for a weekly roda, where they play capoeira Angola followed by rural samba.1 The roda refers both to the event and to the circle of bodies formed by participants, who take turns on the instruments and playing capoeira in pairs or later dancing samba, one or two at a time (see figures 1 and 2). During both the capoeira and the samba, a leader sings out the calls, and everyone else responds as a chorus. For over twenty years, Mestre Cláudio, the master-teacher-leader (mestre) of the group, has held the roda on a median strip in downtown Feira between two ... Read More
      PubDate: 2020-08-15T00:00:00-05:00
  • Listen: For Three Sopranos and Three Altos
    • Abstract: Listen was written in collaboration with the composer and santour performer Atefeh Einali for an installation at the People’s History Museum in Manchester, England. We decided to create separate arrangements of the same text, thus emphasizing alternative interpretations and allowing visitors to make their own connections between the two installations. I commissioned my sister, Zivah Goodman, to write a poem for us on the theme of women’s rights in Iran. We specified, however, that the text should be rather abstract, allowing room for us to develop alternative interpretations and to create subtle differences in the nuances of the text.In my piece, various adaptations of the chant “Do not listen to my voice” play ... Read More
      PubDate: 2020-08-15T00:00:00-05:00
School of Mathematical and Computer Sciences
Heriot-Watt University
Edinburgh, EH14 4AS, UK
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