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  Subjects -> HISTORY (Total: 1443 journals)
    - HISTORY (871 journals)
    - History (General) (57 journals)
    - HISTORY OF AFRICA (55 journals)
    - HISTORY OF ASIA (59 journals)
    - HISTORY OF AUSTRALASIA AREAS (9 journals)
    - HISTORY OF EUROPE (200 journals)
    - HISTORY OF THE AMERICAS (142 journals)
    - HISTORY OF THE NEAR EAST (50 journals)

HISTORY (871 journals)                  1 2 3 4 5 | Last

Showing 1 - 200 of 452 Journals sorted alphabetically
40 [degrees] South     Full-text available via subscription   (Followers: 2)
Aboriginal History     Full-text available via subscription   (Followers: 9)
Abstracta Iranica     Open Access   (Followers: 13)
Acadiensis : Journal of the History of the Atlantic Region / Acadiensis : revue d'histoire de la region Atlantique     Full-text available via subscription   (Followers: 4)
Accounting History Review     Hybrid Journal   (Followers: 20)
Acta Amazonica     Open Access   (Followers: 5)
Acta Historiae Artium     Full-text available via subscription   (Followers: 4)
Acta Orientalia     Full-text available via subscription   (Followers: 19)
Actes d'Història de la Ciència i de la Tècnica     Open Access   (Followers: 1)
Advances in Historical Studies     Open Access   (Followers: 7)
Advances in Software Engineering     Open Access   (Followers: 10)
Africa Confidential     Hybrid Journal   (Followers: 21)
Africa Research Bulletin: Political, Social and Cultural Series     Hybrid Journal   (Followers: 11)
Africa Today     Full-text available via subscription   (Followers: 19)
African and Asian Studies     Hybrid Journal   (Followers: 25)
African Diaspora     Open Access   (Followers: 9)
African Historical Review     Hybrid Journal   (Followers: 16)
African Natural History     Open Access   (Followers: 2)
Agora     Full-text available via subscription   (Followers: 4)
Agricultural History Review     Full-text available via subscription   (Followers: 11)
Akroterion     Full-text available via subscription   (Followers: 5)
Al-Masaq: Islam and the Medieval Mediterranean     Hybrid Journal   (Followers: 27)
albuquerque : revista de história     Open Access  
Almagest     Full-text available via subscription  
Altorientalische Forschungen     Hybrid Journal   (Followers: 7)
American Archivist     Hybrid Journal   (Followers: 184)
American Communist History     Hybrid Journal   (Followers: 18)
American Jewish History     Full-text available via subscription   (Followers: 16)
American Nineteenth Century History     Hybrid Journal   (Followers: 24)
American Periodicals : A Journal of History, Criticism, and Bibliography     Full-text available via subscription   (Followers: 7)
American Review of Canadian Studies     Hybrid Journal   (Followers: 7)
American Studies     Full-text available via subscription   (Followers: 21)
Amérique Latine Histoire et Mémoire     Open Access   (Followers: 2)
Amsterdamer Beitrage zur alteren Germanistik     Full-text available via subscription   (Followers: 2)
Anadolu Araştırmaları     Open Access  
Anais do Museu Paulista : História e Cultura Material     Open Access  
Analecta Bollandiana     Full-text available via subscription   (Followers: 2)
Anales de Historia del Arte     Open Access   (Followers: 6)
Anatolica     Full-text available via subscription   (Followers: 12)
Ancient Civilizations from Scythia to Siberia     Hybrid Journal   (Followers: 12)
Ancient History : Resources for Teachers     Full-text available via subscription   (Followers: 6)
Ancient Mesoamerica     Hybrid Journal   (Followers: 10)
Anglican Historical Society Journal     Full-text available via subscription   (Followers: 3)
Anglo-Saxon England     Hybrid Journal   (Followers: 34)
Annales historiques de la Révolution française     Open Access   (Followers: 9)
Annali dell'Istituto e Museo di storia della scienza di Firenze     Hybrid Journal  
Annuaire de l'Ecole pratique des hautes etudes. Section des sciences historiques et philologiques     Open Access   (Followers: 6)
Annual Bulletin of Historical Literature     Hybrid Journal   (Followers: 12)
ANQ: A Quarterly Journal of Short Articles, Notes, and Reviews     Hybrid Journal   (Followers: 1)
Antike und Abendland     Hybrid Journal   (Followers: 10)
Antiteses     Open Access  
Anuario de Estudios Atlánticos     Open Access   (Followers: 1)
Anuario de Historia de la Iglesia     Open Access   (Followers: 2)
Anuario del Departamento de Historia y Teoría del Arte     Open Access  
Arabian Humanities     Open Access   (Followers: 4)
Arabica     Hybrid Journal   (Followers: 11)
ARAM Periodical     Full-text available via subscription   (Followers: 3)
Araucaria. Revista Iberoamericana de Filosofía, Política y Humanidades     Open Access   (Followers: 1)
Archeion     Full-text available via subscription  
ArcheoArte. Rivista Elettronica di Archeologia e Arte     Open Access   (Followers: 8)
Architectural Heritage     Hybrid Journal   (Followers: 24)
Archive for History of Exact Sciences     Hybrid Journal   (Followers: 7)
Archives Internationales d'Histoire des Sciences     Partially Free   (Followers: 6)
Archives of Natural History     Hybrid Journal   (Followers: 6)
Area     Hybrid Journal   (Followers: 13)
Arenal. Revista de historia de las mujeres     Open Access   (Followers: 1)
Aristotelian Society Supplementary Volume     Hybrid Journal   (Followers: 3)
Arizona Journal of Hispanic Cultural Studies     Full-text available via subscription   (Followers: 3)
Art History     Hybrid Journal   (Followers: 286)
Arthuriana     Full-text available via subscription   (Followers: 4)
Arys: Antigüedad, Religiones y Sociedades     Open Access   (Followers: 1)
Aschkenas     Hybrid Journal   (Followers: 3)
Asia Pacific Business Review     Hybrid Journal   (Followers: 8)
Asia Pacific Journal of Education     Hybrid Journal   (Followers: 22)
Asia-Pacific Journal : Japan Focus     Open Access   (Followers: 9)
Asian Journal of Social Psychology     Hybrid Journal   (Followers: 6)
Asian Perspectives     Full-text available via subscription   (Followers: 9)
Asian Philosophy: An International Journal of the Philosophical Traditions of the East     Hybrid Journal   (Followers: 8)
Asian Review of World Histories     Hybrid Journal   (Followers: 2)
Asian Studies Review     Hybrid Journal   (Followers: 19)
Aspasia     Full-text available via subscription  
Astérion     Open Access   (Followers: 1)
Aurora Journal     Full-text available via subscription  
Austral Ecology     Hybrid Journal   (Followers: 16)
Australasian Journal of Irish Studies, The     Full-text available via subscription   (Followers: 8)
Australasian Review of African Studies, The     Full-text available via subscription   (Followers: 2)
Australian Antarctic Magazine     Free   (Followers: 4)
Australian Cultural History     Hybrid Journal   (Followers: 10)
Australian Historical Studies     Hybrid Journal   (Followers: 13)
Australian Journal of Legal History     Full-text available via subscription   (Followers: 14)
Australian Journal of Politics & History     Hybrid Journal   (Followers: 15)
Australian Slavonic and East European Studies     Open Access   (Followers: 5)
Austrian History Yearbook     Full-text available via subscription   (Followers: 9)
Balkanologie : Revue d'Études Pluridisciplinaires     Open Access   (Followers: 3)
Baltic-Pontic Studies     Open Access   (Followers: 1)
Baroque     Open Access  
Behemoth     Open Access   (Followers: 3)
Berichte Zur Wissenschaftsgeschichte     Hybrid Journal   (Followers: 10)
BIBLOS - Revista do Departamento de Biblioteconomia e História     Open Access   (Followers: 7)
BibNum     Open Access  
Biographical Memoirs of Fellows of the Royal Society     Full-text available via subscription   (Followers: 1)
Biography     Full-text available via subscription   (Followers: 17)
Bochumer Philosophisches Jahrbuch für Antike und Mittelalter     Hybrid Journal   (Followers: 2)
Body & Society     Hybrid Journal   (Followers: 26)
Boletim Cearense de Educação e História da Matemática     Open Access  
Boletim do Arquivo da Universidade de Coimbra     Open Access  
Book History     Full-text available via subscription   (Followers: 130)
Boom : A Journal of California     Full-text available via subscription   (Followers: 1)
Britain and the World     Hybrid Journal   (Followers: 6)
British Catholic History     Hybrid Journal   (Followers: 1)
British Journal for Military History     Open Access   (Followers: 27)
British Journal for the History of Science     Hybrid Journal   (Followers: 24)
British Journal of Canadian Studies     Hybrid Journal   (Followers: 12)
British Journal of Middle Eastern Studies     Hybrid Journal   (Followers: 29)
British Mycological Society Symposia Series     Full-text available via subscription   (Followers: 1)
British Review of New Zealand Studies     Full-text available via subscription   (Followers: 4)
Bryn Mawr Classical Review     Open Access   (Followers: 44)
BSHM Bulletin: Journal of the British Society for the History of Mathematics     Hybrid Journal   (Followers: 5)
Buildings & Landscapes: Journal of the Vernacular Architecture Forum     Full-text available via subscription   (Followers: 14)
Bulletin d'histoire politique     Full-text available via subscription   (Followers: 3)
Bulletin de la Sabix     Open Access  
Bulletin de Philosophie Medievale     Full-text available via subscription   (Followers: 4)
Bulletin du centre d’études médiévales d’Auxerre     Open Access   (Followers: 4)
Bulletin d’études Orientales     Open Access   (Followers: 9)
Bulletin of Hispanic Studies     Hybrid Journal   (Followers: 11)
Bulletin of Latin American Research     Hybrid Journal   (Followers: 16)
Bulletin of Spanish Studies: Hispanic Studies and Researches on Spain, Portugal and Latin America     Hybrid Journal   (Followers: 30)
Bulletin of the Ecological Society of America     Open Access   (Followers: 4)
Bulletin of the John Rylands Library     Hybrid Journal   (Followers: 15)
Bulletin of the School of Oriental and African Studies     Hybrid Journal   (Followers: 20)
Bustan     Hybrid Journal  
Byzantine and Modern Greek Studies     Hybrid Journal   (Followers: 12)
Byzantinische Zeitschrift     Hybrid Journal   (Followers: 14)
Byzantion Nea Hellás     Open Access   (Followers: 2)
C@hiers du CRHIDI     Open Access  
Cabo     Full-text available via subscription  
Cadernos de História     Open Access  
CADUS - Revista de Estudos de Política, História e Cultura     Open Access  
Cahiers d'histoire     Full-text available via subscription   (Followers: 2)
Cahiers d'histoire. Revue d'histoire critique     Open Access   (Followers: 12)
Cahiers de l'Urmis     Open Access   (Followers: 1)
Cahiers des études anciennes     Open Access   (Followers: 7)
Cahiers du Centre de recherches historiques     Open Access   (Followers: 6)
Cahiers du Monde Russe     Open Access   (Followers: 12)
Cahiers d’études africaines     Open Access   (Followers: 9)
Cahiers « Mondes anciens »     Open Access   (Followers: 4)
California Italian Studies Journal     Full-text available via subscription   (Followers: 6)
Cambridge Journal of Regions, Economy and Society     Hybrid Journal   (Followers: 11)
Camden Fifth Series     Full-text available via subscription   (Followers: 3)
Canadian Historical Review     Full-text available via subscription   (Followers: 11)
Canadian Journal of History     Full-text available via subscription   (Followers: 10)
Canadian Journal of Linguistics / La revue canadienne de linguistique     Full-text available via subscription   (Followers: 9)
Canadian Review of American Studies     Full-text available via subscription   (Followers: 2)
Canadian-American Slavic Studies     Hybrid Journal   (Followers: 6)
Caribbean Studies     Full-text available via subscription   (Followers: 11)
Catholic Historical Review     Full-text available via subscription   (Followers: 14)
Cemoti, Cahiers d'études sur la méditerranée orientale et le monde turco-iranien     Open Access   (Followers: 3)
Central Asian Survey     Hybrid Journal   (Followers: 9)
Central Europe     Hybrid Journal   (Followers: 6)
Central European History     Full-text available via subscription   (Followers: 30)
Chaucer Review     Full-text available via subscription   (Followers: 7)
Childhood in the Past : An International Journal     Hybrid Journal   (Followers: 5)
Chinese Studies in History     Full-text available via subscription   (Followers: 10)
Chronica Nova. Revista de Historia Moderna de la Universidad de Granada     Open Access   (Followers: 2)
Chronique d'Egypte     Full-text available via subscription   (Followers: 5)
Church History and Religious Culture     Hybrid Journal   (Followers: 52)
Church History: Studies in Christianity and Culture     Full-text available via subscription   (Followers: 71)
Cihannuma : Journal of History and Geography Studies     Open Access  
Circe de clásicos y modernos     Open Access  
Civil War History     Full-text available via subscription   (Followers: 19)
Cleveland Studies in the History of Art     Full-text available via subscription   (Followers: 2)
Clio y Asociados     Open Access  
Clio. Femmes, Genre, Histoire - Articles     Open Access   (Followers: 8)
Clio. Women, Gender, History     Open Access   (Followers: 3)
Cliodynamics     Open Access   (Followers: 1)
Collections électroniques de l'INHA     Open Access   (Followers: 1)
Collingwood and British Idealism Studies     Full-text available via subscription  
Colonial Latin American Review     Hybrid Journal   (Followers: 10)
Comitatus : A Journal of Medieval and Renaissance Studies     Full-text available via subscription   (Followers: 17)
Comparative Legal History     Full-text available via subscription   (Followers: 7)
Comparative Studies of South Asia, Africa and the Middle East     Full-text available via subscription   (Followers: 25)
Comptabilités     Open Access  
Concorso. Arti e lettere     Open Access  
Conservative Judaism     Full-text available via subscription   (Followers: 4)
Conserveries mémorielles     Open Access  
Contemporaneity : Historical Presence in Visual Culture     Open Access   (Followers: 4)
Contemporary Arab Affairs     Hybrid Journal   (Followers: 4)
Contemporary British History     Hybrid Journal   (Followers: 23)
Contemporary European History     Hybrid Journal   (Followers: 26)
Contemporary French and Francophone Studies     Hybrid Journal   (Followers: 12)
Convivium     Full-text available via subscription  
Creativity Studies     Open Access   (Followers: 3)
Crime, Histoire & Sociétés     Open Access   (Followers: 6)
Critical Historical Studies     Full-text available via subscription   (Followers: 7)
Critique: Journal of Socialist Theory     Hybrid Journal   (Followers: 7)
Cromohs : Cyber Review of Modern Historiography     Open Access  
Crossing Borders : An Interdisciplinary Journal of Undergraduate Scholarship     Open Access   (Followers: 1)
Cuadernos de Historia     Open Access   (Followers: 1)
Cuadernos de historia de España     Open Access   (Followers: 3)
Cuadernos de Historia de la Salud Publica     Open Access  

        1 2 3 4 5 | Last

Journal Cover
Anais do Museu Paulista : História e Cultura Material
Number of Followers: 0  

  This is an Open Access Journal Open Access journal
ISSN (Print) 0101-4714 - ISSN (Online) 1982-0267
Published by SciELO Homepage  [718 journals]
  • Dust of progress calls for passage: nature and development images in the
           Amazon Rainforest

    • Abstract: RESUMO Entre 1958 e 1960 foi construído o principal projeto do governo de Juscelino Kubitschek para a região amazônica - a Transbrasiliana, ou rodovia Belém-Brasília. Contando com a abertura de mais de 2 mil quilômetros de estrada em meio à floresta, a estrada foi alvo de diversas críticas por parte de parlamentares e da imprensa de oposição. Diante dessa questão, os meios de comunicação favoráveis ao governo Kubitschek foram acionados para a produção de matérias favoráveis ao empreendimento. Este artigo tem como principal objetivo analisar as imagens produzidas por essas reportagens. Por meio delas é possível trazer à luz as relações entre os projetos de desenvolvimento daquele período e a natureza, a maior impactada por eles. Além disso, o artigo tem objetivo de analisar qual era o lugar da região amazônica nas prioridades do governo Kubitschek.ABSTRACT Between 1958 and 1960, the main project of the government of Juscelino Kubitschek for the Amazon region was built: the Transbrasiliana, or Belém-Brasília Highway. With the opening of more than two thousand kilometers of road in the middle of the Amazon rainforest, the project was criticized by opposition media. Faced with this question, the press in favor of the Kubitschek government was activated to produce materials favorable to the enterprise. This article aims to analyze the images produced by these reports. Through them, it is also possible to analyze the relationships between the development projects of this period and the nature, as well as how the Amazon region was seen by the Kubitschek government.
       
  • Construction of the museal space: science, education and sociality in the
           genesis of the Goeldi Museum’s Zoobotanical Park (1895-1914)

    • Abstract: RESUMO O artigo analisa a construção do Parque Zoobotânico do Museu Paraense Emílio Goeldi durante a gestão de seus idealizadores, Emílio Goeldi (1895-1907) e Jacques Huber (1907-1914). Embora o parque constitua hoje uma área orgânica e ocupe todo um quarteirão no centro de Belém, Pará, ele foi concebido como dois anexos distintos do museu, o jardim zoológico e o horto botânico, situados, cada um, em lados opostos ao prédio principal da instituição. Esses anexos foram criados a partir da desapropriação, transformação e ressignificação de terrenos, edificações e vegetais que já existiam no local. Tendo como pontos de partida o conceito de musealidade e as questões que fundamentam a criação e o funcionamento dos museus, o texto se desenvolve em quatro narrativas - comunicacional e educativa, científica, lazer e sociabilidade, doméstica - que entendemos como matrizes que deram forma e organizaram o espaço museal. Essas narrativas permitiram estudar a gênese da identidade institucional, a qual, em sua essência, se perpetua até a atualidade.ABSTRACT The article analyses the construction of the Zoobotanical Park of the Museu Paraense Emilio Goeldi during the administration of its idealizers, Emilio Goeldi (1895-1907) and Jacques Huber (1907-1914). Although the park is now an organic area and spreads across a whole block in the center of Belem (PA), Brazil, it was conceived as two distinct annexes of the museum, the zoo and the botanical garden, each located on opposite sides of the institution’s main building. These annexes were created from the expropriation, transformation, and resignification of lands, buildings and vegetables that already existed in the place. Having as starting points the concept of museality and the issues underlying the creation and functioning of museums, the text is developed in four narratives - communicational and educational, scientific, leisure and sociality, domestic -, which we understand as matrices that shaped and organized the museal space. These narratives allowed us to study the genesis of institutional identity, which, in its essence, is perpetuated to the present day.
       
  • Wild fig trees and their relevance to urban history

    • Abstract: RESUMO Este texto trata das chamadas figueiras-bravas, espécies nativas em florestas tropicais e subtropicais que, plantadas ou nascendo espontaneamente em certos locais, propiciaram, sob suas imensas copas, espaços de sociabilidade em muitos núcleos urbanos oitocentistas. As figueiras-bravas foram também importantes marcos paisagísticos, influindo muitas vezes na configuração de espaços urbanos de várias cidades brasileiras. Neste artigo, três casos relativos ao estado de São Paulo são apresentados: o caso de Lorena, no Vale do Paraíba, onde ao menos quatro logradouros importantes foram formados a partir da existência de figueiras-bravas e outros dois casos relativos à capital paulista, a saber, a figueira-brava da chácara da Marquesa de Santos, na várzea do Carmo, atual Parque D. Pedro II, e a figueira conhecida como Árvore das Lágrimas, ainda existente no Ipiranga.ABSTRACT This article discusses the role of the so-called “figueiras-bravas” [wild fig trees], which are native species in tropical and subtropical forests, that were usually seeded or spontaneously grew all over the territory. Under their huge canopies, these trees provided spaces of sociability for many urban sites in the 19th Century in Brazil, a phenomenon that dates back to the Colonial era. They were also remarkable landmarks, which often influenced the shape of many Brazilian urban spaces. This article focuses on three cases from the state of São Paulo: first, the case of the city of Lorena, located in the region known as Vale do Paraíba, is presented to understand the contribution of these trees in the construction of its urban memory. In that city, at least four relevant public areas formed from sites were a fig tree existed were identified. Then, two cases of the city of São Paulo will be discussed: the wild fig tree that once existed in Marquesa de Santos’ estate farm, located in the D. Pedro II park, formerly known as Várzea do Carmo, and the wild fig tree known as “Árvore das Lágrimas” [tear tree], which still exists at the Ipiranga neighborhood.
       
  • An illustrated album for Minas Gerais at the dawn of the Republic

    • Abstract: RESUMO No início do século XX, dois fotógrafos atuantes no estado de Minas Gerais, Francisco Soucasaux e Raymundo Alves Pinto, divulgaram a mesma ideia: publicar um álbum ilustrado de Minas Gerais, Brasil. Francisco Soucasaux faleceu antes de concluir seu projeto, que foi finalizado por seu irmão, Augusto Soucasaux. Raymundo Alves Pinto não chegou a publicar seu álbum, ainda que tenha produzido extensa obra para esse fim. No entanto, a disputa entre os projetos se mostrou mais rica do que o próprio resultado final. Este artigo analisa o debate em torno das duas proposições. Para tanto, apresentam-se algumas características da visualidade do Álbum de Minas, de autoria dos irmãos Soucasaux, bem como das fotografias produzidas por Raymundo Alves Pinto, ressaltando aspectos relevantes da disputa entre os projetos propostos. Os fotógrafos competiram em torno da edição de um Álbum de Minas, concorreram por espaço e influência na administração pública, mas, acima de tudo, disputaram por um lugar simbólico no processo de modernização do Estado nos anos iniciais do regime republicano.ABSTRACT Two active photographers, Francisco Soucasaux and Raymundo Alves Pinto, divulged the same idea at the beginning of the 20th century in the state of Minas Gerais: publishing an illustrated album representing the state of Minas Gerais, Brazil. Francisco Soucasaux passed away before completing his project, which was published by his brother, Augusto Soucasaux. Raymundo Alves Pinto never published his album, despite producing rich material for it. Nevertheless, the dispute between both projects was much more stimulating than the actual final results. This article analyses the debate surrounding both propositions. For such, we will present some visual features of the Álbum de Minas, authored by the Soucasaux brothers, as well as of the photographs produced by Raymundo Alves Pinto, highlighting some relevant aspects of the dispute between the concurrent projects. Not only did the photographers compete over both the edition of an album and for space and influence on the public administration, they also competed for a symbolic place in the modernization process of the Brazilian State during the first years of the Republican regime.
       
  • Reassembling Jesuitical-Guarani heritage. The debate in Argentina at the
           beginning of the 20th century

    • Abstract: RESUMEN El artículo propone caracterizar al patrimonio según programas de estudio procedentes de la antropología y la arqueología, en conexión con nuevos enfoques de la historia del arte. Nociones como la agencia, la materialidad y la ontología son importantes para ensayar algunas respuestas ante ciertos dilemas del patrimonio en la Modernidad occidental: el rescate y conservación de restos materiales, como contrapunto de su destrucción y desgaste. En este sentido, es necesario plantear si las consecuencias de estas acciones se deben a la influencia exclusiva de humanos, o además, a la intervención de agentes no humanos, así como las cualidades materiales y los ambientes. La presentación deconstruye el mecanismo del patrimonio mueble, en el cual es factible el traslado de fragmentos en diversos ámbitos. Finalmente, se presenta un caso específico de Argentina: el debate en torno a la tentativa en 1900 de transportar el pórtico procedente de las Ruinas de San Ignacio Miní (en la actual Provincia de Misiones) a un paseo público de Buenos Aires.ABSTRACT The article proposes to characterize the heritage according to study programs from the anthropology and the archeology, in connection to new approaches from the history of art. Notions as the agency, the materiality and the ontology are important to try some answer before certain dilemmas of the heritage in Western modernity: the rescue and conservation of material rests, as a counterpoint to their destruction and wear. In this sense, it is necessary to set out if the consequences of these actions are due to the exclusive influence of the humans, or, in addition, to the interventions of no human agents, as well as material qualities and the environments. This paper deconstructs the mechanism of the movable heritage, which is feasible the move of fragments in diverse areas. Finally, it exposes a specific case from Argentina: the debate around the attempt of carrying during 1900 the portico from the San Ignacio Ruins (in the current Misiones Province) to a public parade of Buenos Aires.
       
  • Pessoa’s Archive: a study about understandings and representations of
           archival manuscripts in the Casa Fernando Pessoa

    • Abstract: RESUMO Este artigo apresenta os resultados de uma investigação de pós-doutoramento. A pesquisa procura discutir a compreensão dos manuscritos arquivísticos de Fernando Pessoa como um espólio e inferir o quantitativo das representações desses documentos, bem como identificar as práticas através das quais essas representações foram mediadas na Casa Fernando Pessoa. O método histórico-documental é adotado, considerando como base empírica os produtos, o espaço do museu e a documentação administrativa de 2006 a 2017. Do entendimento de espólio resultam as seguintes consequências: uma mistura de arquivos como resultado de adições impróprias, a falta de controle sobre a preservação da autenticidade dos documentos, a ausência de representações arquivísticas e de vínculos arquivísticos, a tematização do arquivo em detrimento da descrição arquivística, a desarticulação entre coleções particulares e arquivos públicos e a não conformidade com padrões metodológicos compatíveis com um fundo fechado de arquivo. A Casa Fernando Pessoa é um lugar de convergência entre o material de museus, arquivos e bibliotecas. O resultado quantitativo total das representações dos manuscritos arquivísticos de Fernando Pessoa (1888-1935) corresponde ao número de 225 representações. Foram identificadas as seguintes categorias de representação: fac-similar, artística, visual, gráfica e digital. Identificou-se a ocorrência de 22 práticas distribuídas nos seguintes tipos: recriação histórica, exposição, exposição multimídia, curso, efemérides, webdifusão e curadoria digital. Foi possível constatar que a Casa Fernando Pessoa contribui para a democratização das representações dos manuscritos através de práticas de difusão e mediação cultural com material de arquivo.ABSTRACT This article presents the results of a postdoctoral investigation. The research aims to discuss the understanding of the archival manuscripts of Fernando Pessoa as a spoil and to infer the quantitative representation of these documents, as well as to identify the practices through which these representations have been mediated in the Casa Fernando Pessoa. The documentary-historical method is adopted considering the products, the museum space, and the administrative documentation from 2006 to 2017 as the empirical basis. The following are the consequences of understanding the archive as a spoil: a mix of archives as a result of improper additions, a lack of control over the preservation of the documents’ authenticity, absence of archival representations and archival bonds, the thematization of the archive in detriment of the archival description, the disarticulation between private collections and public archives and the no-compliance of methodological standards compatible with a closed archival fond. The Casa Fernando Pessoa is a place of convergence between museums’, archives’, and libraries’ materials. The total quantitative result of the representations of the archival manuscripts of Fernando Pessoa (1888-1935) is 225 representations. The following categories of representation have been identified: fac-similar, artistic, visual, graphic, and digital. This research identified the occurrence of 22 practices distributed in these following types: historical recreation, exhibition, multimedia exhibition, course, ephemerides, webcast, and digital curation. It was possible to establish that Casa Fernando Pessoa contributes to the democratization of the manuscripts’ representations through practices of diffusion and cultural mediation with archival material.
       
  • Introduction - Testimony of useful and lasting things

    •  
  • ‘Watercolour drawings’ - reflections on historical painted manuscripts
           techniques and materials identification.

    • Abstract: RESUMO A partir da observação interdisciplinar fundada nos interesses da história social, da história da arte e da ciência da conservação, este artigo pretende fomentar a discussão conceitual e terminológica envolvida na identificação de técnicas e materiais empregados no desenho e na pintura em manuscritos, com foco particular nos produtos visuais resultantes das viagens científicas dos séculos 18 e 19, mas se estendendo também às demais imagens, com ou sem o estatuto de obras de arte, produzidas no mesmo período. Fugindo das generalizações inerentes à expressão “desenho aquarelado”, são expostas as especificidades das tintas usadas na pintura em papel, sua preparação, técnicas de aplicação e resultados óticos obtidos com os diferentes processos, relacionando os produtos finais às circunstâncias sociais de produção, com o intuito de auxiliar na distinção entre desenhos, pinturas a têmpera e pinturas em aquarela e apresentar alternativas terminológicas que especifiquem as qualidades materiais dos documentos gráficos.ABSTRACT This paper aims to foment the terminological and conceptual discussion involved in the identification of techniques and materials applied to manuscripts, drawings and paintings, particularly produced during scientific expeditions in the 18th and the 19th centuries; it also analyzes other images from that time, regardless of their artistic status. The methodological approach is established on interdisciplinary interests of Social History, Art History, and Conservation Science. Specification of the inks used on paper, their application and preparation methods, as well as the distinction of the optical effects resulting from the different process, could avoid the widespread generalizations in the use of the expression “watercolor drawing”. Social and historical circumstances related to the production of the visual material could also help identifying the material qualities of graphic documents, and distinguishing among graffiti, china ink and watercolor drawings, and between body color and watercolor paintings. It is important to acknowledge that the use of materials and techniques was a painter’s social and historical choice made from many possibilities.
       
  • Material culture and work in the mining services of the Diamantino
           District (Minas Gerais, eighteenth century)

    • Abstract: RESUMO Com o propósito de intensificar o controle sobre a produção e o comércio de diamantes na segunda metade do século XVIII, a Coroa portuguesa criou a Real Extração. De 1772 em diante, esta nova administração passou a adquirir em mercados locais e europeus tudo que fosse necessário à extração das pedras preciosas e à sobrevivência de seus empregados no Distrito Diamantino. Neste artigo, estuda-se esse abastecimento pela perspectiva da cultura material, com o objetivo de evidenciar as relações possíveis entre os elementos materiais utilizados no cotidiano da extração e o trabalho de centenas de empregados e milhares de escravos. Assim, materiais para mineração, materiais de escritório, tecidos e aviamentos, artigos de luxo, drogas de botica e alimentos não serão apenas descritos, mas analisados naquele contexto social específico. O estudo da interação entre homens e objetos, longe de se apresentar como trivial, desvela o funcionamento de um mundo do trabalho ainda pouco conhecido pela historiografia da mineração.ABSTRACT The Extração Real (Royal Extraction) was created in the second half of the eighteenth century by the Portuguese Crowzvn to intensify their control over the production and trade of diamonds. From 1772 onwards, the new administration began to acquire in European and local markets, everything that was necessary for the extraction of precious stones and the survival of its employees in the Diamantino District. In this article, we study this supply through material culture, with the objective of evidencing the possible relations between the material elements used in the daily extraction and the work done by hundreds of employees and thousands of slaves. Thus, materials for mining, office supplies, fabrics and sewing items, luxury goods, drugs and food will not only be described, but analyzed in that specific social context. The study of the interaction between men and objects, far from being trivial, unveiled the operation of a labor world still little known by the historiography of mining.
       
  • Gold, pigs, slaves and coffee: the origins of nineteenth century fortunes
           in São Pedro de Cantagalo, Rio de Janeiro (last decades of the eighteenth
           century and first of the nineteenth century)

    • Abstract: RESUMO O município de Cantagalo, no estado do Rio de Janeiro, tem sua história ligada à exploração de ouro, criação de porcos e produção de alimentos para o mercado interno, e à cafeicultura escravista e mercantil exportadora. Analiso a construção do cotidiano material da região das “Novas Minas dos Sertões de Macacu” ou de “Cantagalo”, como foi denominada no fim do século XVIII, e vila de São Pedro de Cantagalo em 1814, entre as últimas décadas do século XVIII e as primeiras do XIX. Utilizo como base documental inventários post-mortem, correspondência oficial trocada entre autoridades coloniais e metropolitanas, registros paroquiais de batizados, casamentos e óbitos e artigos de periódicos da imprensa do Rio de Janeiro.ABSTRACT The municipality of Cantagalo in the state of Rio de Janeiro is historically linked to gold exploration, the breading of pigs and to the production of food for the domestic market and of coffee by slaves for export markets. I will analyze the construction of the material daily life of the region “Novas Minas dos Sertões de Macacu” or “Cantagalo”, as it was named at the end of the eighteenth century. Later, it became known as the city of São Pedro de Cantagalo, in 1814, it retained this name through the last decades of the eighteenth century and the first decades of the nineteenth century. The documental basis used are post-mortem inventories, official correspondence exchanged between colonial and metropolitan authorities, parochial records of baptism, marriage and death and newspaper articles of the Rio de Janeiro press.
       
  • The social life of ‘Colchas’ and other Indo-Portuguese assets: Uses
           and value beyond trade (XVI-XVIII centuries)

    • Abstract: RESUMO O valor estético dos têxteis, das cerâmicas e do mobiliário de origem asiática tem sido tema de estudo privilegiado em círculos historiográficos específicos, nomeadamente em ensaios e estudos monográficos elaborados por especialistas de história da arte, frequentemente incluídos em catálogos de exposições e em outras publicações periódicas relacionadas com os acervos museológicos, com o património artístico, ou com o restauro e a conservação de colecções próprias. No entanto, apesar do crescente interesse que suscitam em determinados ambientes historiográficos, os objectos asiáticos continuam sendo pouco analisados no seu exacto contexto histórico e social, ou seja, enquanto peças de uso funcional e valor patrimonial, e também enquanto bens de aparato social e de preservação da memória individual e das antigas e actuais casas de família portuguesas. É precisamente a perspectiva da “Índia portas a dentro” - a que encerra as infra-estruturas materiais da vida quotidiana e do acúmulo patrimonial dos interiores de residências seiscentistas e setecentistas, com especial destaque para as colchas indianas - que importa realçar neste artigo. Uma perspectiva que, tendo em conta a carência crónica de têxteis no país, entenda o intercâmbio mais intenso e amplo com os principais centros de exportação têxtil da Europa média para Portugal, no século 15, como um passo natural na procura de têxteis asiáticos que do ponto de vista formal e plástico ofereciam soluções estéticas mais sofisticadas, sobretudo após a chegada dos portugueses à Índia e o reforço de uma rede transcultural e intercontinental de múltiplas conexões económicas e culturais ao longo dos séculos 17 e 18.ABSTRACT The aesthetic value of textiles, ceramics and furniture from Asia became a popular study subject in specific historiographical circles, especially in essays and monographic studies developed by art history specialists, often included in exhibition catalogues and other journals related to museum collections, artistic heritage, or restoration and conservation of private collections. However, despite the growing interest they arouse in certain historiographical circles, Asian objects are still seldom analyzed in their exact historical and social framework, i.e., as pieces with a functional use and a patrimonial value, as well as social and economic assets to display and preserve the individual memory and the memory of old and current Portuguese households. The prospect that will be highlighted in this article is the idea of an “India through the gates”, which includes the material infrastructures of both the daily life and the accumulation of assets inside 17th and 18th century households, particularly considering the Indian Colchas. Given the chronic shortage of textiles in the country, this prospect may represent the most intensive and wide ranged trading activity with the main textile export centers from central Europe to Portugal, in the 15th century, as a natural step in the pursue of Asian textiles. From a formal and plastic point of view, these textiles provided more sophisticated aesthetic solutions, especially after the arrival of the Portuguese in India and the strengthening of a transcultural and transcontinental network with multiple economic and cultural connections, throughout the 17th and 18th centuries.
       
  • The fabrication of otherness in Latin American museums: Amerindian
           representations and circulation of ethnographic objects from the 19th to
           the 21st century

    • Abstract: RESUMO Este artigo lança luz sobre representações ameríndias elaboradas em museus e baseadas em objetos, que reificaram certas imagens em circulação até os dias de hoje. Se, no século XIX, os habitantes da América eram representados como extintos, em vias de extinção ou com sinais visíveis de degenerescência, no século XXI, numa reviravolta histórica, os povos ameríndios criaram suas próprias representações e objetos, apropriando-se dos museus como espaços de mobilização pelos direitos e de reconstrução de suas próprias trajetórias, lutas, memórias e identidades.ABSTRACT This article intends on highlighting the Amerindian representations elaborated in museums and based on the objects that reified certain images that circulate until the present day. If, in the nineteenth century, the inhabitants of America were represented as extinct, on the verge of extinction or with visible signs of degeneracy, in a historical turnaround during the twenty-first century, the Amerindian populations created their own representations and objects, appropriating museums as spaces of mobilization for rights and reconstruction of their own trajectories, struggles, memories and identities.
       
  • Tropicalism and (in)discipline: Gregori Warchavchik and Wladimiro Acosta

    • Abstract: RESUMO Este artigo trata das relações (arquitetônicas) entre Gregori Warchavchik e Wladimiro Acosta, através de uma atenção especial conferida a aspectos menores de suas obras iniciais. A partir desta aproximação à produção dos dois arquitetos, são feitas sugestões adicionais sobre a circulação de ideias arquitetônicas entre estratos geográficos e culturais, além de serem fornecidas pistas sobre as relações (arquitetônicas) entre Brasil e Argentina.ABSTRACT This study focuses on the (architectural) relations between Gregori Warchavchik and Wladimiro Acosta, giving close attention to minor aspects of their early works. Exploring this approach, some additional suggestions are made about the circulation of ideas between cultural layers and about the (architectural) relations between Brazil and Argentina.
       
  • Santos Dumont’s mutoscope and the poetics of found footage

    • Abstract: RESUMO O artigo tem como base o estudo de um raro e extraordinário artefato cinematográfico de Santos Dumont, pertencente à coleção do Museu Paulista da Universidade de São Paulo: um carretel de mutoscópio produzido em 1901. A partir de um inventário analítico sobre a descoberta, a identificação e a restauração do objeto, são abordados o gênero e os procedimentos da reapropriação cinematográfica de arquivo (found footage), apresentando um esboço de taxonomia com suas variantes básicas e mencionando o filme experimental de found footage Santoscópio = Dumontagem, realizado em 2010 como consequência da restauração do filme-mutoscópio de 1901. São apontadas algumas questões corolárias a partir de conceitos apropriados e trazidos ao contexto, como o da meta-história de Hollis Frampton, o da alegoria das ruínas de Walter Benjamin e o da imagem sobrevivente de Aby Warburg. O artigo pretende ainda propor a reapropriação de arquivo como método e poética.ABSTRACT This article is based on the study of a rare and extraordinary cinematographic artefact of Santos Dumont, which belongs to the collection of the Museu Paulista of the University of São Paulo: a mutoscope reel produced in 1901. From an analytical inventory about the discovery, as well as the identification and the restoration of the object, the genre and the procedures of reappropriating the film archive (found footage) are presented, introducing a sketch of taxonomy with its basic variants and mentioning the experimental found footage film Santoscope = Dumontage, produced in 2010 from the restoration of the 1901 mutoscope film. Some corollary questions are made, using appropriate concepts which are brought into context, such as Hollis Frampton’s metahistory, Walter Benjamin’s allegory of the ruins, and Aby Warburg’s survival of the images. This article also intends to propose the reappropriation of archives as a method and as poetics.
       
  • The production of tile and the craft of tiling: method of tile production
           from the 18th century to the present day

    • Abstract: RESUMO Com o objetivo de estudar o ladrilho hidráulico, em destaque na construção civil do século XIX e considerado patrimônio cultural pelo Iphan, o presente trabalho traça a trajetória histórica deste material. Embora as cartas patrimoniais recomendem ações de manutenção periódicas de conservação preventiva, há uma lacuna de registros sobre o ladrilho hidráulico, sobretudo no que tange a seu surgimento e a sua técnica de fabrico. Este artigo aponta o fabrico do ladrilho cerâmico como precursor do ladrilho hidráulico, debruçando-se sobre os motivos que levaram a tal transformação. Os resultados mostram que a produção dos ladrilhos hidráulicos foi recuperada na transição do século XVIII para o XIX, com novos significados e valores que atualizaram o sentido do uso do material, elevando-o a protagonista do ambiente para o qual é concebido. A fim de contribuir com o registro da gênese histórica do ladrilho hidráulico, este trabalho realiza também uma ampla revisão das publicações relevantes sobre o tema.ABSTRACT Aiming to study the hydraulic tile, the centerpiece in the nineteenth-century civil construction and considered a cultural heritage by Iphan, this research traces the historical trajectory of this material. Although the patrimonial charters recommend periodic maintenance actions of preventive conservation, there is a gap on the hydraulic tile records, mainly regarding its creation and its manufacture technique. This article points out the manufacture of ceramic tile as a precursor of the hydraulic tile, focusing on the reasons that led to such a transformation. The results show that the production of hydraulic tiles was brought back in the transition from the eighteenth to the nineteenth century, with new significations and values that updated the meaning of the material use, elevating it to a protagonist of the environment for which it is conceived. In order to contribute to the record of the historical genesis of the hydraulic tile, this study also carries out an extensive review of the relevant publications on the subject.
       
 
 
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